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Robert Duncan McNeill Interview + Star Trek News Roundup
In this episode of the All Access Star Trek podcast, hosts Anthony Pasco and L'Orealster dive into an exclusive interview with Robert Duncan McNeill, discussing his experiences in the Star Trek u...
Robert Duncan McNeill Interview + Star Trek News Roundup
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Interactive Transcript
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This is Anthony Pasco.
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And this is L'Orealster and this is the All Access Star Trek podcast.
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This week we have an interview I did as a fundraiser for the Star Trek family
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with Robert Duncan McNeil, who I've wanted to talk to in depth for a long time.
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But let's do some news first and start with the Rose Parade float, which we knew that we were
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getting when we founded on Star Trek Day that there was going to be a Star Trek float
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at the Rose Parade for the Rose Bowl. But now they have a render of what the float's going to look
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like. When I was surprised, happily surprised was it's basically mostly the original series.
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Because when they first announced this, even though it was the 60th year, they said it's going
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to be to promote Academy. And there's kind of, it's kind of like a original series themed float
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with this like Academy section tacked on to it. If you look closely. So there's a big enterprise
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and then kind of also the USS, I keep on forgetting the name of the ship in the Academy show.
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Oh, I already forgot. It's like it's the name of a Greek god, I think, like a Lissie's or
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something like that. Is it a Fina? It might be. I know. I'm sure someone out there remembers.
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And it's yelling at their app right now. But they'll be people on it. I think I assume it's
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just kind of weight or slash actors from the LA area. I know they are going to have some real people.
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They said. So I, yes, Star Trek's the labs to be announced, who will be on the bridge.
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There's a part of it that looks like the original series bridge. And that's where they will be.
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There's also, there's also part of it that looks like Vaska's rocks, which I love. Yes.
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And something called interactive transporters. Well, there's two transporter platforms.
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And I think the guy goes from one to the other. And either they do either there's a part or the
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float where he crawls under me or they hired twins. I was going to say twins or he fades into the flowers
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like Homer and the bushes and then comes back. But it's cool. You know, the roast sprays big deal.
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It's on TV. And this is the, you know, we don't know how much, you know, what's going to happen
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during the 60th. They've got some other little things planned out, but it could be a big year for Star Trek.
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Yeah, I think they'll hope. Yeah. I mean, who knows the businesses such is so confusing right now. But I,
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I think originally they had planned to do a lot of stuff. So we'll see.
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So let's talk a little bit about strange new worlds. This is from your New Jersey stuff.
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You talked to Celia. Well, talked to you at the stage. I stood in the darkness many feet away
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at a microphone where she couldn't see my face. So I don't know if you call that talking to someone.
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But I asked questions and it's so that a lot of other people. How's that?
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But you asked a good question and excellent question. That's what she said. Exactly.
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I don't mean that in a Michael Scott way. I mean, like that is actually what she for real said.
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Because Ethan Peck has talked about how he's going to kind of become more nemoish as we get into
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season four and season five, especially, which they're shooting right now. And she said, yeah,
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she they talk about it about this idea that they're both these iconic characters.
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And they're heading towards the original series and they're both going to do it. But she feels like
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she's got more flexibility, I guess, is what she said. Well, she does. She does because her character
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was so underutilized. And that is what she said. Like she can get to where she is, but also she
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has more freedom. And she likes to torment Ethan about that, I think, but like your spark and I
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move her. That's what she says to him. But yes, she can do more because with spark, there's so much
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we already know and we saw him develop and with her, you know, in the movie, she didn't do a whole,
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I don't think the fan dance is anything anyone's excited about. So she had moments, but she deserved
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more. Yeah, I think, you know, her is a better character on the on Straitsy worlds than she was
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on the original series. I mean, she was great on the original series, but it's just it's a modern
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show and all the female characters are more fleshed out. Certainly chapel, especially.
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The chapel, especially, but on the original series, like it's in the right, there isn't much in the
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writing. And I think that if you look at what she did, she gave her, Michelle Nichols gave
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her a lot of moments that really did become, you know, you see her smiling, reacting. I feel like
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maybe because of her, they wrote more scenes where she's like, she's always sort of sidelining
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up to somebody on the bridge to talk to them like when Scotties and command, she has great
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conversations with him. And yeah, Michelle did everything she could with what they gave her.
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Celia talks about in a shell in such great reverence. And in fact, she had that funny bit about how
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she didn't know what role she was auditioning for. They gave her a fake name.
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Yaboa, they kept saying, Yaboa. And her mom was a big Trekkie. He's like, are you sure it's not
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her? She's like, no, of course not. And she said she's glad they didn't tell her because she would
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have gotten it would have gotten her head and she could have blown the audition. So I thought
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that was funny. Yeah, but I like the part where there's just this whole thing where her mom is
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saying like, no, I think it's her. And she's saying, no, no, no, but she's the communications officer
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on the bridge. And her name is Yaboa. Well, you never know, you know, it's Captain Pike.
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She wants to do a thing that Michelle is famous for, which is sing beyond an Antares. I don't
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know if they'll give her that chance, but that would be kind of fun. We saw that twice on the
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original series. Yeah. A favor to hers. You know, so I think a her has been a success on the show.
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I see very little people sniping about the her there's a lot to snip about about the show.
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But I haven't really seen that about her really. No, and I have gotten, you know,
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done my own sniping and I don't think I've ever had any issues with her. I think she does a great
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job and she's taking the character to new heights. And I end the way they're writing her also
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doesn't make me mad, which is nice. Our old friend Marina Sertis kind put herself back in the news.
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She was answering a question that she says she gets a lot, which she probably does, which is,
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will we ever see you in Star Trek again? And she started off by saying we're never going to see
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all of the next gen people again. That's just that was done in in Picard season three and that was
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that, but she seems very keen actually. I was kind of surprised. She's like, but I'll do it. You
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know, I'm up for it. You should, you know, and she kind of asked her followers on Instagram to kind
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of put her out there. So she seems more interested than I, I'm surprised how interested she seems to be,
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but you know, then again, she's an actress and, you know, what did you think of that? Yeah, I mean,
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because she did start off by saying that she thought the chance for another reunion has come
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and gone. So being blunt as usual, but she does want to do it. And look, she did. She recently,
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I guess launched or relaunched her Instagram. And she's answering fan questions. And I think she's
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trying to make nice, she has a reputation for being difficult as you've experienced personally.
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I'm not alone, but yes. And I think it's possible that she's recognizing the value of changing
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her image. Because she's on there a lot answering fans questions. So, and I think she would like to
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return to it. And I think she realizes that fans still appreciate her. She did imply that there
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was a moment after Picard season three. And Patrick Stewart talked about this as well after
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he filmed season three of how he thought there was a chance for another, you know, next-gen movie.
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But I think she's right that that's come and gone. I just don't see that ever happening.
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Yeah, I think there was a little momentum for something in too much time past.
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Yeah. There's some more stuff from New Jersey. It's fun stuff to check out on the site.
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There was, it's kind of funny, like two vixes back in the news. There's like a, there's a this
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Voyager game out there called Star Trek Voyager Across the Unknown. They released a new gameplay video
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of that. And the thing that we glondon do, but some other sites did is it shows you how you can
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base you, you could basically you are Janeway and you could make decisions like she did,
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including saving two vix spare and I don't know what happens to
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Neelix and two Valky if you make that choice. But yeah, but I'm guessing that they're not, yeah,
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because you could, I mean, you there, there's certain like if you look at how they're presenting the
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game, there's guest stars that appeared on the show for one episode that you can add them to your
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crew. So you could really make a lot of changes along your way home. But it's funny how, you know,
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have a lot of sites, including ours that glondon to this, you could spare two vix thing in this new
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game coming out probably next year. And, you know, and the subject of two vix came up in in New Jersey.
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It comes up at every convention where they're voyage of people. Yeah. So we did an article on that
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both Mulgrew and Tim Ruff talked about it. Yes. I mean, I just liked what Kate Mulgrew said because
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she said easy choice. Had to make it look tough, but easy, easy.
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What's the meme if I had a gun with two bullets, I'd shoot them twice or something. Yeah,
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like a few cut them, whatever, and two vix I'd kill two vix twice.
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There's some other merch stuff that's pretty interesting. I'm always a fan of when a we get a new
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licensee and we did get one, which is Magic the Gathering, which everyone's probably heard of.
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It's a collectible card game, bent out decades. Forever. Yeah. Yeah. Now, there's Ben Star Trek
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collectible card games, but this is that they're doing a whole bunch of licensed sets in 2026.
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And the last one of the year will be Star Trek. And it's going to have cards from across.
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It's going to have next-gen stuff. You can have the Enterprise. You can have Gauron.
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But there'll be Stranger Dude World stuff. So I just think it's fun.
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Yeah. They've got original, they've got Kirk from the original series. And they're saying
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eventually it'll include Starfleet Academy even. That's fun. Did you ever play that game, Magic the Gathering?
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I did once. I had a friend who was really into it. And I still have a deck somewhere around.
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I kind of got it. But I realized the amount of commitment that it would take to get really into it,
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I just didn't have. But I think it's fun. And maybe I'll try it again. That the new Star Trek
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stuff comes out. Sure. There are also some ships coming out. Fan home is bringing back a bunch of
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the Eagle Moss models. And they're bringing some to New York Comic Con. Yeah. I mean,
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what's cool. So Fan Home took over from Eagle Moss. Eagle Moss went out a business a couple years
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ago, three years ago, I think. And they were Star Trek's most prolific licensee for many years,
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make every month they released a new ship. And they went out of business overnight. It seemed
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like right? Yeah. It was pretty brutal. And some of their stuff was available from this other
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retailer like old stock. But that's all done. And when Fan Home took over the license, they first
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were making ships that Eagle Moss never made from all the new streaming shows. And they're still
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doing that. They release a new ship every month. But now they're going to start releasing some of
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classics, I guess. And all in the larger size, the XL size. And the first one is of course the
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original Enterprise 1701. But the second one is actually the Cerritos, which was very popular
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when Eagle Moss did that. And you could buy either of them at New York Comic Con, which Lori's
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going to next weekend. And but then they'll be available online and they're going to do a total
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of 20 ships. So I think that's fun. I think that's great for collectors. Because some of those go
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for a ton of money on eBay, some of those Eagle Moss ships, you can't get anymore. So if you want to
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sell one and make some money, now's the time to do it. Because now there's going to be new ones
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out there. And they're also with their booth at Comic Con. They are going to have a little
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prodigy thing. So they're going to have the Hagenman brothers and Bonnie Gordon and Brett Gray
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signing Voyager A ships. That's kind of cool. I think that's on the Friday, which I'm not going to
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be there on Friday, sadly. Now the Voyager A is from their just regular line of start fleet
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starship collection, which is something Eagle Moss never released. But they released one, I think
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just a couple months ago. And now you could now you could get it signed, which is pretty cool.
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All right. Well, there's some other stuff on the site. We just want to point to there's more.
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I mean, it's mostly from the podcast, but some more from my assessment about Star Trek United,
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his idea for Scott baccala. We're still doing our weekly Danish just still doing our weekly
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reviews of the Star Trek Con podcast. Yeah. Episode four is a, you know, I just want to say if
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you're not listening, listen, yes, it enhances your understanding of I would say more of
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Ratth of Con than of Spacey, but both really, you know, we're going to have more than that as the
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series wraps up, but you're already listening to a podcast. So you know how to do it, right?
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Hey, we have that obstacle spin over. One thing I'll say is I've been listening to it when I go
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for walks and it is quite a thing to be listening to while you're strolling around because you hear a
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lot of sounds around you beside you, behind you and then you turn around and you're like, oh,
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it's the podcast. It's not actually somebody near me. Spooky, you're not worried about Sadie
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Eels crawling up your leg. I am a little bit worried. We should all be worried about Sadie Eels.
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So the last couple of things we had from Vegas, which seems forever ago, were Brandon Braga things.
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The big one, we got a ton of interest in this one, was Braga talking about how he misses the old days
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of long seasons and he says he wishes, you know, like they used to do 26 a year on Voyager.
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This was during the Voyager reunion panel and he said he hopes that Star Trek gets back to that
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and the frequency, you know, instead of these long gaps. The gaps are a huge and it's obviously not
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just Star Trek. It's a lot of shows. Yeah. But the gaps are a big problem and not having a lot of
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episodes, you know, there's been a lot of talk about strange New Worlds after season three because
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a lot of people were disappointed in it and they felt like some of those, I'm not going to say big
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storms. Some of the choices that they made would have felt different in a 26 episode season than a 10
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episode season. Right. You waited two years for 10 episodes and, you know, and maybe up to half of
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them, you know, certainly a handful felt like kind of mid-season stupid model episodes from the old days
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that were easier to dismiss. And Braga immediately got the irony. He's like, oh, by the way,
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I'm just as bad because I work on the Orville and which you may feel has been canceled, but technically
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it hasn't. And we're going to make another season, hopefully. And their last season was like a huge
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time gap. And now there's an even bigger time gap. And their last season was I think 10 episodes too.
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So, you know, he mentioned how procedurals do these. A lot of Star Trek fans want to get back to
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20-something episodes a year. I just don't see that happening ever. I don't see that happening because
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of how much they spend per episode. But I also think that there is some middle ground. I mean,
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I think one thing, yes, we definitely need a shorter gap between seasons. But I think, you know,
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everyone talks about the pit, which is like 15 episodes. Maybe, I think, and that that seems to work.
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So there is maybe there is a happy meeting because with the 26, people get just burnt out. And they
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do end up some of the look, some of those filler scripts from 90s track turned out great. And we
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really love them. And some of them are just ridiculous and forgettable. Okay. So we've established that
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I've never watched the pit and never will because it's a medical show. But I'm going to assume like
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all medical shows 99% of the scenes are on standing sets of the hospital. Yes.
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So they're essentially all bottle shows. And how many CGI shots does the pit need? So yeah, I
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would imagine if Star Trek had no CGI shots and all bottle episodes, they could do it. Because
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it takes them, as I've said before, it takes them almost as long to shoot 10 episodes as it did
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shoot 26. Yes. And they're spending more on the 10. Yeah, there might be a way to tighten it up.
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I think it's more important for them to minimize the gaps. I think 10 is fine if you do 10 every year.
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And some of the shows did like Mike, you know, with lower decks, even though that's animated,
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like pretty much every August, they released 10 episodes almost consistently. I think there was
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a little bit of slippage in there. And the strikes obviously had an impact. But for the most part,
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it was 10 a year almost always at the same time. Yeah, that still feels a little skimpy to me,
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but it's better than every few years. That's the difficulty with streaming, of course, is
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do you have enough faith in a show? And I think often you get second season renewals early
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when shows haven't even aired yet. But it's harder and harder when you get into seasons 3, 4, 5,
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4, these streaming companies to have that faith. They want to see the numbers first. And the problem
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is as soon as you put that into the thing, then you're guaranteed to be more than a year. Right.
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Because you have to wait and see. Yeah. And that's that look. And that also sucks for all the people
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working on it. The actors and crew because then they're, you know, I want to come back and do
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season two, but it's not going to happen for a year and a half. Right. So and everybody's got to
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take other work unless their contract stops them from doing it. Although ironically, it increases
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the cost of the shows because as I understand it, they are not breaking down those sets between
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seasons. So you have standing set sitting, taking up three, four, five stages in Toronto,
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just sitting there for a year. Sometimes there's another show shooting at the same time. And they
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would come over and use the sets for this or that. But for the most part, they're just sitting there.
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Yeah. And that's that's a lot of money. You know, maybe that's one of the reasons why they
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jumped on season two of Academy. I mean, they literally have the biggest stage in North America.
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That thing costs a ton of money to make and to rent. Yeah. I mean, I think that's one of the reasons
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as we've talked about before. But it does make sense. I mean, but then you also look, you also don't
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want to shoot things. I still think by shooting Picard back to back, which they did have to do
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for a bunch of practical reasons, it compromised the show. Yeah. The irony is it fucked up season two
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more than it fucked up season three. Yeah. And yeah. Well, if something deserved to get a little
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fucked up, it was season two. Well, but there was some like a bridge. Now, I can't remember what it was,
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but there was a different, better idea for season two. And I think we wrote about it once on the
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site. I just can't remember what it was. Yeah. But one of the reasons for season two is that I
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think the studio said, no, to plan a and they just switched to plan B and they didn't have enough
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time to make it to write and make it. So it was. And I think it was also the studio that dictated
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that they had to spend so much time in 2025, right? Like yeah. And that was shot at the height of COVID.
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Yes. Season two was plagued for many reasons. But got it. It really started strong. I remember
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being really excited with the first first two episodes are pretty good. And then it just kind of,
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anyway, that's a whole lot. We'll have to do our look back later. We should do it. We should do
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it. Like it's season two episode. Well, we did. We did 10 of them. But let's say we could do
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in the whole season. That's just a crazy rant. Just roll in different people complaining about it.
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And we also put up a separate thing from Braga where he, but it was it's hard to convey this if
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you weren't there at the event. But it was really nice watching him directly talk to the different
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actors on stage about his favorite episode of them, you know, and their character. And people
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were asking why didn't he do one for Kessice? Because Jennifer lean wasn't there for many reasons.
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You know, and and but everyone else was there. And he had some really thoughtful, although almost
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all of them were during his era as a showrunner. But, uh, well, he's going to remember those more.
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That's for sure. Yeah. But, uh, you know, they were mostly one could also say that that was that
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was peak voyage or season four, season five, you know, we're some of the best episodes. Although,
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I think Tim Russi picked a pretty early one because it was meld that I remember. Yeah. Yeah. For him,
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for sure. Yeah. But you're right. There was something lovely about that moment of just watching him do
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that with each of them. And as a voyager junkie, it was that panel was just a fantasy fun dream.
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Anyway, yeah. Just a little thing, you know, if you heard that there's, you know, William Shatner
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is in the hospital and you know, or something. There was a little health hiccup TMZ added again.
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You know, apparently an ambulance went to his house, but and left, but he said them away.
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He was he was not in it. Um, he had a blood sugar problem that he admitted, but the headlines about
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William Shatner hospitalized, you know, which ran around the world. Oh, yeah. Everywhere, you know,
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there in the UK and I saw so many of these and then Chattano the next day said, I'm fine. You
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know, and we, you know, and he immediately got out of plane and went to Salt Lake City. Yes. Of
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course he did. And we know people who saw him and there and he was great. And, you know, he's just,
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you know, he's 94. He's not going to live forever, but it feels like he is. Well, first of all,
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yes, he is. I've decided. I'm second of all, I could picture him being like, well, I'm not going
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to ride in that ambulance, but if you want me to drive and go pick up some people who need it,
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I will. I feel like he's more of the rescuing guy or slide across the hood. Or that.
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They are rebooting TJ Hooker. I don't know if he's going to be, it's going to be like a cop,
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action comedy kind of a thing. So, but I'm sure they'll figure out a way to get him in there somewhere.
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That'll be sure. Why not? I don't know who's been clamoring for a TJ Hooker reboot.
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All right. We're going to play my interview with Robert Duncan McNeil. So there's a group,
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a fan group called Star Trek Family. They have a large presence on Facebook. That is the best
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place to find them. You just go to Facebook and look for Star Trek Family. And they've been doing
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a whole bunch of events to celebrate Voyager's 30th anniversary. And they are taking donations for
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St. Jude's Children's Hospital as part of this. And they've got like, they've, I mean, people
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that they have already talked to and have coming up include Robert Piccardo, Roxanne Dawson,
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Garrett Wong, Doug Drexler, and Mike and Denise Acuda together, John Delansey, Unimakormack,
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Tim Raskert with Smith, Martha Hackett, David Livingston, who I'm going to be talking to for them.
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So it's like a fun, moderated conversation. And if you are in the group and you want to be there,
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you can actually join the live zoom and ask questions yourself.
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And when you hear the word Facebook, you probably think, oh, God, it's just a bunch of people yelling
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and screaming at each other about how things are better in the old days. But this group isn't that
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at all. In fact, it's a fairly well moderated group. Very well moderated. Their rule is that you
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can't be a jerk period. So I was going to say they have a lot of people who worked on Star Trek
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in the group also. You did a fun interview. It started off kind of funny though. It did. So the
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reason it did when Garrett and Robbie started the Delta Flares podcast, I did the interview with
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Robbie and Garrett. We talked for quite some time. And then a couple of weeks later, this is what
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I heard when I listened to an episode of the Delta Flares. Hey, Robbie. Hey, buddy. How are you?
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I'm okay. Yeah. We just got we just got done with our little interview with Trek movie.com
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with Lori. Yes, we did. Yes, we did. That was a that was a long in depth, emotionally draining
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interview. So when you listen to my interview with Robbie now, you'll know why I started off
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with a very Canadian apology. Okay. Well, let's listen to it.
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All right. Well, Robbie, I'm going to start with an apology. And the reason I'm starting with an
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apology is I've interviewed you once was you just started the Delta Flares and you know, I came
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prepared. Oh, nice shirt. I'm a patron. I watch the extended version every week. I love it.
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Yeah, a lot of fun in the extended version for sure. It is. And so I interviewed you and
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Garrett at the very beginning. And then a few weeks later, I heard you on the Delta Flares saying,
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we just did the interview with Lori from Trek movie and it was long and emotionally draining.
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Did I? You said that. And why was it emotionally draining? Did we, did we go deep? I don't
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know. Which I know wasn't the greatest. Yeah, it was some tough times like everybody has them.
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Yeah. Yeah. So I will not be emotionally draining my job as to fill up and not to drain.
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But if it's if I ask anything that goes down that road to say hard pass.
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So I want to start with Voyager and Delta Flares because you have watched the entire thing,
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you did start to finish, which is amazing. So did that change how you anything about the way
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you looked at the show or your place in it? Yeah, well, here you go going down and emotionally draining
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halfway. But no, we'll talk about it. We'll talk about it. I think that when I got on Voyager in 1994,
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August, I think of 94s when I got the job, I had come out of a tough year professionally and
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my wife. We had just had our second kid. And so it was very challenging. And yeah, when I got
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Voyager, I just wanted stability and like I was focused on the financial kind of this is making my
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life financially stable for the first time in a couple of years. And so I was also focused on
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directing because I had well, I've been interested in that before Voyager came along. But I knew that
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Voyager would be the best opportunity for me if if I was going to do that. So
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and I'm getting around to your question. So I think my focus was a lot on like the mechanics
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and the financial aspect. Just I need my paycheck. I need to be a team player. I need to
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you know, play it safe and and and get this directing opportunity. Whatever, however I can make that
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happen. So I was really kind of like it was very pragmatic, I guess, my attitude. And my kind of
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creative enjoyment of the process. There wasn't a lot of that if I'm being honest. Like it was very
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pragmatic. Everything was about what's the story they're trying to tell? What do I, you know, connect
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the dots and do the thing and make everybody happy and just keep keep the you know, don't rock the
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boat and don't take I just creatively wasn't really focused there. And I wasn't my my my excuse me
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my attention was on those other things I'm talking about. So when it was all said and done,
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yeah, it was a blur. You know, you kind of get the picture like I was it was all pragmatic. It was like
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and I and we ended up having another kid in the middle of Voyager Run. So there was a lot of my focus
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was on managing the helping to manage the household and being pragmatic and getting a direct
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directing career. It was all very at that time in my life. So I didn't I guess I wouldn't say that
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I enjoyed those years as much as I could have. There was a lot of fun. We did laugh and you know,
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day by day to day it was fun to make but my attention was in a million other places and not really
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kind of taking it all in. The stories, the the experience blah blah blah. So and then when I when
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I finished Voyager, I was focused on making sure I got a directing career going. I had to get that
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directing career going and I really wanted that to happen. So I focused hard on that. I didn't really
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think a lot about Voyager again, you know, head down, work hard, just keep keep trying to, you know,
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do my career and all that. So yeah, going back and watching it was like, you know, a lot of things
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have changed. My kids are grown. That marriage that I was in in the 90s didn't work out and
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now I'm in a great marriage and life is good and I didn't have all of that distractions. I could
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watch these episodes and I could talk about it. I mean, we could bring people on with stories that
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I'd forgotten or just it really changed my actually I wouldn't say change. It completed my experience.
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The part that I didn't really make space for when we were doing it, I was able to kind of make
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space for that sort of love of the show, love of my fellow actors kind of experiencing the stories
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in a way that was hard to experience, you know, back then. And a little sidebar, I just saw
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Kate Mulgrove. We spent the week with her last week, went out to visit her and been at her partner
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and we talked a lot about those Voyager days and it's funny because Kate had a similar experience
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to me in a way. She had two young kids, two boys. She was kind of a single mom and trying to be a mom
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and work and be a captain and she's like, God is such a blur. I don't, so much of it. I don't
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remember and there was no time or space to just enjoy myself, you know, and her mom was with
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Alzheimer's was beginning and there was just so much, you know, I think for Kate and myself,
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we talked a lot last week, kind of reminisced over how incredible those years were, but how like
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the tide was high, like on every level for us family and kids and all of it and, you know, now being
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at a I'm 60, she's 70. We're kind of at a place where yeah, as time goes by, you start to look back
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and appreciate things a little differently and yeah, the podcast has definitely helped.
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So I get the impression that you and Kate click pretty quickly, like right away, is that accurate?
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I think so, yeah, I think we did. You know, I've mentioned this before, but just a reminder,
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the way our trailers were outside of the stage, when you walked out of the stage door,
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if you're coming out of the stage, everyone's trailer was to the right. They were all lined up
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down there, except for me and Kate. We were to the left right by hair make up and we were the only
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two kind of by ourselves and then everybody else was down there. And so I think geography sort of
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helped dictate some of that because our doors opened to each other and public service announcement,
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don't smoke cigarettes, but we both smoked back then. She smoked cigarettes, I smoked. So we would
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leave our trailer doors open and we'd chat. We'd sit there and you know, have our coffee, work on
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our line chats, smoke our cigarette and often the doors were open and I would hear her on the
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phone with her boys and I'd hear if it was a tough time and so I might say, hey, you know,
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everything all right? So it led to a lot of, you know, happy accidents where she could, she knew that
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I was having a challenging time or vice versa and I think that kind of helped that led to a lot of
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our, you know, kind of knowing each other, maybe a little deeper than some of the other actors.
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So yeah, and both having young kids at home and trying to balance that. Yeah. So we all bond with
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the other parents that are, yeah, I think too. So in terms of Voyager and Tom Paris,
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he've talked a lot about how, you know, the way he was at the beginning, he was this womanizing guy
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and he always had a chip on his shoulder and that wasn't very fun for you to play, I know. But when
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you look back and especially now because you're a writer and a producer and a director, so you have a
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very different view of things, do you think he had to start where he did? He probably had more growth
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than maybe anybody except seven, maybe he's tied with seven for the amount of growth as a character
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over the over time. And so I'm wondering if he's thinking he needed that. Yes, he absolutely needed
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that. I mean, it's funny because when I was a younger actor, I always got cast as like
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the nice guy next door. You know, I was always playing the sweet, earnest guy. And it wasn't until
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around a little before Voyager that I got the opportunity on a couple shows, maybe on next
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gen, that guest star a few years before, to play a character who was not nice, but it wasn't really
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in my comfort zone. I hadn't played a lot of those, certainly on camera. I'd done it in the theater
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a little more, but even there, I did a lot of musical theater and it was a lot of earnest kind of.
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So playing Tom, the way they wrote him in the beginning for me, not only did I not think it was
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just a smart creative choice to make him so unlikable over and over again. I felt like that,
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that womanizer thing in particular was just not a maybe, you know,
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Riker could have gotten away with it because Freik sort of has this charm and they sort of
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wrote him with this, there's maybe other actors, but for me to play this like guy with an attitude
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who's also womanizing, it just on so many levels felt like this is not a likable character.
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You know, I didn't like the scenes and it didn't fit me naturally, it wasn't natural for me.
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So I told him the first season quite a quite a number of times, I was like, can't we find his humor
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in sense of humor? Can't we find like, there's got to be something here to grab onto
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that makes him a hero that makes him worthy of being here because they kept focusing on the flaws
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early on, the things, the weaknesses and the vices and the lack of kind of interpersonal skills.
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I don't know, it just, he was nice to Harry, but that was about it with everybody else, you know,
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with Chucote, had a big chip on his shoulder early on and I just thought they never wrote
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any story about that. Like if you're going to have us play that, please give us a story that explains
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why Tom's always sniping at Chucote and Chucote's sniping at Tom, like give us some backs,
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let's have some flashbacks and see something meaningful that gave them this kind of attitude, but that,
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yeah, I think that was my criticism of my character and probably in a way a lot of the characters
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in the first couple of years, is it was very, now that I've been a producer, writer, director on
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a lot of shows, I would call it lazy writing for some of those characters. They had great stories,
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but then they wouldn't really think about all of us as characters and the continuity of those
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characters over time and how these little things might play out, it was a bit lazy sometimes.
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But do you think we would have not seen the growth as much if he'd started from a better place?
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I think ultimately because he changed so much, especially because of the relationship with
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Balana, but yeah, I think that without the really flawed character out of the gate, it wouldn't have
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been as big a transformation. I wish they had shown us where those flaws came from a little more
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clearly. Sometimes the flaws were just there and they weren't really explained and you can often,
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you can often root for that flawed anti-hero, that unlikable character, you can root for them if
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you know why they're behaving the way they are, but if there just be in a jerk, it's harder to
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root, but if you don't know why. And that was the part I was like explain why, like the stories or
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ultimately the arc of the character and the more nuance that he had and the relationship with
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Balana, the relationship with a lot of the characters, not just Harry, and that people often talk
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about that, but the relationship with Nielix, the relationship with Tuvac, all of those relationships
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got so much better. So yeah, it's great. Yeah, and I think the relationship with Balana was the
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was the biggest, the most important one because you saw him putting him putting someone else
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ahead of himself in a really big way. I was looking at the the writer's guide, which is obviously
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very different from how things turn out, where they say and then the writer's guide Balana likes Tom,
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and Tom is doesn't want to be unprofessional, it says, which is very funny.
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But like how early did you feel that they were starting to think about that as a relationship they
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wanted to have in the show? Um, wait, I'm trying to think. I mean, it was relatively early,
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but probably around season three, I felt like a little bit before then, but they also were
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toying with like, Kess and Tom stuff. Yeah. It was very weird to me. So gross. It was gross. Yeah,
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all that stuff I didn't like. But I would say, but I would say there was a little bit of some of
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the interactions. I think they saw that Roxanne and myself, you know, she's a very strong actress.
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The character was had a lot of strength to it. And they were also kind of an odd, we were a bit
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of an odd couple. Roxanne and I both, you know, she's very organized and together and polished.
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Roxanne is a human and I'm much more spontaneous and messier and sloppier. And clearly I showed up
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but yeah, I think that they saw and I felt Roxanne and I both felt like, oh, these characters
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are fun together. Like I hope they give us some more scenes even in the little interactions. It was
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it was always fun. Did you feel like you were adding something that the writers picked up on?
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Or do you think they just wanted that for the characters? I think in my experience, producing a lot
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of shows now and having worked on shows, I think that you have to go into a series with some
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ideas of where you're headed. But you also have to stay open to discovering things that you
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may not expect. Chemistry between actors, there may be a character that you thought was very
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peripheral that pops. I mean, the doctor is a great example of that because he was not written
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as a large character, certainly not in the pilot. And in the first, I think they always thought
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he was going to be sort of potted off in some B stories and supporting in the A stories here
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and there. But to develop him as a character, I don't think they expected that until Bob
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Picardo came in and sort of brought what he brought. And immediately they're like, wow, we can
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take this doctor character place as we never imagined. So I think for Tom and Belana, I don't think
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had planned it. What I remember is they had actually had an idea that maybe Tom and Janeway
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would actually be a potential romance. I think early on in the first season Kate said to the
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writers and to Rick Berman, I don't want Janeway to ever have a relationship, any relationship.
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She can be tempted by her feelings and have the passions, of course, but I don't want her to choose
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a relationship. She's got to be a captain. So that's why Janeway, the Janeway,
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Chico Tay stuff never was fully realized because Kate didn't want it to be. She wanted the
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will they want to is fine, but she didn't want to be, she wanted to be the captain and not have a
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relationship that a serialized relationship. It's interesting. I mean, I actually agree with her
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about that. But since, yeah, since you saw it and watched the whole thing, like there's so many
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JC shippers out there. I'm one of them. So yeah, like, my guess my question is like, should they
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have gotten together and or did that like in my mind, they did it once just to get it out of their
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system? Yeah, they probably did. Do you think that would have been a good story if they'd done
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stuff with them and they'd gotten together? I think that they, it would have been nice because it
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seemed so obvious to me, rewatching the show that those two characters had a lot of chemistry and a
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lot of interest in each other. They were playing it. They were writing it. I wish they had more
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explicitly had a story or an episode or a time where they addressed it where they just kind of
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talked about it. Yes, I've got these feelings for you and Janeway, I have them for you, but I can't
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because of this. This is what, you know, I'm a captain and I can't do it because of this reason.
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I wish they had explicitly sort of well, he did make her a bathtub. He did make her a bathtub.
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It was a monkey, I think. Yes, there was a monkey. A monkey friend. Yeah, that was. They did it
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without words, I think. Yeah, yeah, I think that was the episode where they wanted to say, look,
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they're on the deserted island and it's going to get romantic and then when they go back,
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that's when they decide we can never do this. We can never, this can never be.
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Well, let's talk about your directing on Voyager. So the first one you did was sacred ground and it was,
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that was your first like paid directing job. Yeah. So tell, can you do remember that first day like
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now you're a director? You're walking into remember what that was like? I was very nervous. I had
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built this up in my head so much and it was also, it had a lot of kind of spiritual stuff,
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which I never did. We never went down that road. And yeah, how was it? The cast was great. I
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learned that I didn't know as much as I thought because there was some scenes we got into where
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I felt like I froze like a deer in the headlights and Marvin Rush very kindly helped to solve some
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of the problems that I didn't have solutions for. Yeah, it's funny now like I feel like I could walk
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onto any set with a scene that you could hand me in that moment and I could figure out 10 ways
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to do it. But back then I was nervous and it was great. We had a great guest cast and the spiritual
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stuff was interesting, you know, to play with. I learned a lot. I learned a lot. I was physically
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and emotionally and my nervous system was drained by the time we finished. I was just a
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mess, but very happy with it. And I did I did pitch some things to the writers that they put in.
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So the sort of prepping when January's getting bathed. I had remembered an image from a next
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end episode where Patrick Stewart was being tortured and he was naked and he was vulnerable.
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And I said, I think Janeway should have a moment of vulnerability before this spirit, this
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you know, vision quest. And it'd be great to see her sort of having a ritual sort of bathing or
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cleansing or something where we see that she's vulnerable. She her captain suit is off before she
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puts on the robe. And so they added that scene, which I talked to Kate first. I said, are you
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willing to I'm not going to show any nudity, but I want to feel the vulnerability for you. And
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it will do it very tastefully. And she was happy to do it. That feels like the anchor point of
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the episode for me. That scene is so I mean, I've been rewatching all of them. And it's that moment
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where she does switch from like the captain who's like, I'm going to solve this problem. I've got it.
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And then and she backs away from them right when they first start. And then she comes and then
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she has to let them do it. And because she's such a tremendous actress, you can see it all playing
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out in her face. But it is this combination of vulnerability and like I'm letting myself be vulnerable.
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But I'm but I don't want to. But it's I that is the pivotal scene to me and actually the whole episode.
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Oh, thank you. That's great to hear because I felt like I don't remember the earliest draft that I
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read, but it felt like suddenly she's on this spiritual journey. And I said, I think we need a
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transit. We need to see her decide to be vulnerable. And so I was really happy on my first episode
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that they took a pitch. And I didn't even pitch as an actor. I would like I said, I just wanted to
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not rock the boat. So even if I didn't like a script, I was like, I'm not going to rock the boat.
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I just want to keep my job. But but on that one, I felt a little more empowered to, you know,
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I'm directing. And so I did pitch that moment. Oh, that's cool. I'm glad you liked that. Yeah,
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it really worked. And then you did unity. Yes, which was bringing back the board, which I know
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was a big deal for everybody. It was a big deal. It was not my favorite script. I didn't love some
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of our guest cast on that. If I'm being honest, I didn't love the female lead guest star. I think
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we had an actor, another theater actor. It was his very first thing in front of a camera. I knew him
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from New York theater. And he was phenomenal. But the female lead I didn't love. And I just felt
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like it was a slow paced. Yeah, moody. And I had done the sacred ground, which was a little slow
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pace because of the spirit quest. But at least that one sort of earned this one felt.
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Yeah, I don't know. A little cold. A little cold. Yeah. Yeah. Didn't quite work for me. And I
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was like, Oh, no, this directing thing. It's not as easy as I. I thought it was going to get
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better and better. But I feel like it was my sophomore slump a little bit. Like I didn't get a
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critical. She is a lovely actress. I just think for this episode, it needed somebody with more
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edge with more. It needed a Jerry Ryan or somebody. It needed, you know what I mean? It needed
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something like that. Yeah, no one I think to guest star on Star Trek, you have to be able to accept
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whatever insane premise they've just given you and humanize it as much as possible. Yeah.
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And I think that's really hard to do. It is hard to do. Yeah. And they also gave me a set for
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most of the episode that was recycled from something they had just done. And I remember they were
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saying, Well, we're going to adapt the set. We're going to put a wall here and there wasn't much room
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to work. It was it was a very small. So I was like, Oh, I'm in a small world and
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well, then then you get into the glorious someone to watch over me. Yes. Which is a beautiful
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episode. Now I read you you'll have to tell me if this is true that it was still being written
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when you started filming. Oh, I don't know if that's true. If I said it, it probably was true.
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I was just curious. I mean, if you don't remember that's different because I'm wondering how is a
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director and as actors you deal with not knowing what the ending's going to be? Well, I guess what
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I would say is there was a time where sometimes you would be a director on a show and you wouldn't
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get a script and you'd start prepping and you wouldn't have a script. You may not have it for
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a couple days and then they make you a part of a script and that was in the 90s that was
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happening a bit and then the director's guild director's guild said, wait a minute, you can't
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you if a director starts prepping, you've got to give them a script and I don't know if that
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happened during Voyager or shortly after but but then the game that the writers would play is
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they give you a script but on day one of prep but they'd say we're rewriting this whole thing.
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Don't you know this is just kind of an area that we're going to be writing in but it's
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and a little sidebar. I did an episode of I did an episode of Medium and it was an episode they told
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me you're going to do we're going to shoot some of the provisions in 3D and there's going to be a
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special event. They're going to have glasses at the 7-Eleven or something and it's going to be in
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3D on we're going to so we're going to be using 3D cameras and everything and I was like great
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but Glenn Gordon-Karen who ran that show was notorious for writing like the day before you
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start shooting and I had heard this so they gave me a script and I think Rene Ashevary was on that
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writing staff at the time and Rene came in and said don't make any plans with the script because
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Glenn's going to rewrite the whole thing. I'm like it's a 3D episode like what are we shooting? I don't
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and Rene is like good luck. All I can tell you is you'll probably get some pages the day before
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and then you'll start and he was absolutely right. I got maybe 20 pages the day before and then
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every day we would get some pages in the morning and some pages at lunch and so you just had to
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wing it but by the time I did that show I was much more confident dealing with that challenge
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to go back to someone to watch over me. My guess is they probably gave me a script, a writer's
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draft or something unofficial, something that they wouldn't show the actors. They probably gave
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me a script and I started I probably started prepping after unity which was my sophomore slump.
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I really wanted someone to watch over me to be great and I knew I had a good concept. The doctor
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coming on to learn about Voyager's life and getting drunk and going you know.
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And being Scott Thompson. And being well we didn't have anybody cast.
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When I read the first draft and they may have rewritten up until we started shooting but I remember
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when I read the first draft I'm like great it's not unity. This is a good script and I have to
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lean into the comedy. I have to get a great actor for the monk. So Ian Abercombie who played the
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look. Ian I did a play with I asked for Ian for that role. Scott Thompson's name was on a list
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and I was like kids in the hall absolutely he's funny. He's going to be hilarious. And I remember
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Rick Berman was like I don't know I don't know if he's really right for Star Trek. I was like
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he's going to be so good. And then all of the people that she ended up dating were friends of mine
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that actors that I knew and knew well I knew that they could be do the romcom kind of comedy.
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And I knew Bob and Jerry could pull it off. Oh my god they were amazing. They were so good. And so
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I really pushed for actors that I knew because on unity I didn't know all the actors.
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And I felt like I should have been more aggressive about my opinions for casting.
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On unity I wasn't and I sort of got what I got and I was I was not happy. So on yes
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someone to watch over me was me pushing a lot on the casting and I was super happy with that.
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Yeah it's a beautiful episode. Yeah. And body and soul is one of my favorites. I just love
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that episode. Jerry Ryan just tails it. She just was it your idea that that Robert
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Percato should film himself doing things and send it to her? I don't know if Bob and we were talking
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about the episode. And I don't know if it was my idea or Bob's but in the conversation with
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he and I I remember saying you know could I come in and record you doing this on my video camera
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and I'll give Jerry the video and she can watch it over the weekend and study it so that she
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sort of gives line readings like she might get some ideas. I don't know if it was his or mine.
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I remember it was a conversation he and I had. Did you work with her? Did she just come in like
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ready to go with her Robert Percato imitation? She kind of had a funny one that she would you know
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she she she had fun with making fun of Bob and you know she would imitate Garrett and
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she would do imitation a little bit and she enjoyed it you know she enjoyed sort of playing around
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with that. So she already had sort of an idea but I think the when I had Bob do sort of an
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exaggerated version of himself. I had him kind of push it up a little bit. So I think that
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gave her a lot of good line readings and good you know little ticks and behaviors that she stole
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from the video and yeah we had a blast with that. I think Megan Gallagher was in that. Yeah she was.
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Megan I knew from New York theater. I always loved when there were people that I had a relationship
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with you know friendship with or professional relationship but just I still love that like
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the last few shows I've done Linda Hamilton and I became friends 10 years ago or maybe 15
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you know and I keep finding Linda a job on everything I do because I just love I love having
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the familiar people around and she's great in Resident Alien. I love that show I love it and she's
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phenomenal. Yeah she's great. Well so you were part I mean they call it Rick Werman's directing
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school but really it's just like I think more of a less like go sit in edits and do this and do
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that but I'm really curious just from that wanting to be a fly in the wall kind of thing.
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When you started being in the room with Rick giving notes because that must have been part of it like
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what was that like for you coming I mean it's your show that you've been acting on and then you're
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coming in and sitting there while he's giving notes like was that hard for you to take in was it
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interesting. Well I think to the you know Star Trek directing school there was no directing school
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there was no syllabus there was no right there was no schedule there was nothing organized in any
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way I think that through word of mouth you know depending on how driven you were and I was the
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first one on our show I came in day one and I told Rick literally on day one that I wanted to
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direct and I had been shadowing on some other shows and he laughed at me and said yeah we'll see
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down the road but because I'd already been shadowing a little on a few other series I had worked on
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I knew what I needed to do I knew that I needed to trail some directors while they worked so I
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needed to come in when I wasn't filming and watch you know go through the process with some of those
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directors I needed to go to production meetings and hear all the department's talk and hear what
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Rick's answers and I need to do that I needed to be in his notes screenings back then you know now we
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can watch on our computer at home a cut from the editor but back then you had to go into the edit
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bay and actually watch it or they'd output a three quarter inch video and you'd watch it
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in a room in the production office so Rick would screen the episode and he would give notes stop and go
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as we went and his assistant would write down all the notes and that's how he gave notes on the
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editor's cuts so I knew I had to be in those because I wanted to hear what he liked what he
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didn't like and I wanted him to know that I knew that so that he would have confidence in me I've
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never thought about this before but I do think some other actors express some interest in directing
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but it wasn't until I directed in the second season everybody went oh wow this can happen and suddenly
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we came back the episode after I directed or something and I think Les Landau was directing and
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there were like six actors huddling and he was like I remember at one point he's like can you guys
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just shut up like I can't there's so many of you here it was everybody with it Andy Robinson was
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there and Roxanne and Bob and Tim and I don't know who else it was a lot of people I think that and
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I've never thought about this before but I think that the things that I did of editing production
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meetings shadowing directors I think sort of for our show set a model for some of the other actors
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I now that I think about it I never I never would take credit for that but I think just naturally
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because there was no syllabus there was no so they sort of looked at well what did Robbie do well
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I'll just do what he did he went to the production meetings and he went to editing and he went he
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followed some directors and a lot of people started doing that sort of version but everyone had their
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their own you know version of how they learned about directing Roxanne went and took some
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outside courses and classes I think Roxanne shot up an episode of this college TV show down in
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Orange County or something like you know she did she did her path and Bob did his and Tim went
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shot in Indie Film on summer so everybody had a little slightly different path but
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I think Jonathan Freak says for him it was like 300 hours in the edit room a lot of editing time yeah
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that's a great that's where you see it all really come together yeah so let's talk about Captain
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Proton for a moment I know that at some point you had a pitch going for some kind of something to
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do with Captain Proton that you were pitching to secret hideout I would love to know what your idea
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was if you don't mind sharing it yeah I talked to a couple people I forget who a couple of the
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development people at Paramount or Secret Hideout because what I wanted to do we started the
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Void the Delta Flyers podcast and I was having so much fun rewatching these episodes and I think we
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had seen it one of the Captain the first Captain Proton little one or something and I was like this
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should be a podcast like it kind of was the concept was reminded me of the old serialized radio
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you know dramas or or the little short one real shorts that they used to play back in the 30s
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and 40s before the main feature the little short short form serialized things anyway I was like
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we should do a Captain Proton podcast in the style of an old radio show and have all the actors
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and they could be short it could be like a you know a 10 minute podcast story that's all serialized
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and then maybe the whole season is 20 episodes of 10 minute yeah 20 10 minute episodes for a two-hour
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story and I got David Goodman who's a family guy writer and and was also an enterprise and
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president of the writers guild I got David Goodman very interested in it we talked about it
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and I just went and pitched that idea to them and they're like they thought about it and then
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they came back and said now we don't want to do that we've got like five other podcast ideas that we
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want to do I don't know that they've done any podcast they did they just released Star Trek Khan
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isn't it second week and it's really good it's a full on audio drama and it's great it's really
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good yeah oh good with Naveen Andrews from Lost and Rinch mitt from For All mankind oh wow I have
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to check it out because when they literally told me we've got five other ideas that were already
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sort of developing and this sounds interesting but we're just not gonna take it on right now
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given the things that Paramount have changed Skydance now owns Paramount and I know a lot of the
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people who had ideas that didn't go through are getting sort of back in the queue oh really you
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know I think so my understanding is that certain people who had pitches are coming back so would
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you consider like once the dust settles a little and especially everything's not right now but
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would you be inch would you still want to pitch that and push it out I think it would be so fun
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because like I haven't listened to Khan but like the way you're describing Khan is kind of the
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version of Captain Proton I wanted to do fully produced like yeah old-fashioned radio music and
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the sound effects and you know I think if if we embraced somehow and I don't have a specific
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story although I'm sure we could come up with some great ideas using Captain Proton in a stylized
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version of of that we could figure it out you know a couple of ways you could do you could live
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totally inside the holographic Captain Proton world or you could have an A story that's on the
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ship in some way that goes in and out and all the music and everything changes the way that
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the photography changed when we did it yeah you know we were on the ship and then once you went
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into the hologram it was black and white very different style yeah Khan has a framing device that
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kind of works as well for that and also I mean I work at Audible and their audio drum is with huge
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stars yeah all the time like that's that genre has come back in full force that's cool I think well
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maybe I should revisit it with them yeah because I think it it just it begs to be made into some audio
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version that's the DNA of Captain Proton's source material is radio dramas the old-fashioned radio
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you've been very active in like you were involved in check the vote and you are obviously your
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vocal about the things that matter to you and that are important I saw that you just posted that you
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canceled your Disney plus subscription which I saw and I'm just this is kind of serious so again if
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this is draining or serious just send me packing but given the current climate especially this week
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like are you worried about expressing yourself at all does that concern you or you just feel like
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you have to go or your conscience takes you I mean these are scary times they're scary times
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yeah you know politics and and something like this it's tricky to go down that road because it
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for me my perspective is it's very scary times the culture that the the divisions politically
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and and and culturally in our country have never been greater I mean maybe the civil war but
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God forbid that it leads to something like that but it's bad it's really bad right now yeah
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am I afraid I to answer that I guess I would say that I'm not as afraid as some of the targeted
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groups and I feel a privilege that I don't have to live my life as afraid as some people who are
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targeted there are groups of people that I know are very afraid and because I have the privilege of
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not being a targeted group I think I have a responsibility to try to do what I can to to make
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everyone safe and and feel seen and feel valued and that they matter and I think the framework
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of our the documents that organized the United States of America to almost 250 years ago
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are strong but they take people staying actively engaged to keep them working because they're it's
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not impossible to break them and we've seen a lot of things broken in the last six or eight months
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yeah well last 10 years really a lot of things have gotten broken and so be nice to
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to fix things instead of break things yeah and I those I see you bringing those values into the
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art that you're making like when you watch resident alien there's a huge variety of people there
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with a wide variety of opinions and backgrounds and they all come together so I I feel like you're
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doing that in the in the shows that you work on and in the way that you talk I mean I'm listening to
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you guys watching deep space nine now yeah and you're doing and you just have such thoughtful
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takes on everything um what are you thinking of how do you feel about deep space nine now you're in
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season four I think it's late late in season four I mean if I'll be honest the first two seasons
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or so maybe in the first three were very um hitter miss for me there's a lot of stuff for sometimes
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I'd love an episode and then another episode or two go by and be like oh this is not
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not good um I'm sure and I and I feel the same about our about Voyager honestly at the first
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couple of years I think we started with a more a more consistent our ups and downs weren't as high
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and low as theirs they had some real highs and they had some real lows first couple of seasons I
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think they've hit their stride now by season four out of the gate like late season three into
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the beginning of season four I was just like oh my god I feel this show taking off and the stakes
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that they're building and the web of storylines and characters and all of that I just thought
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it's really good I really am enjoying it but it took it took them a while like I said their highs
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were sometimes higher than ours but their lows I think were lower than ours early on but it feels
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like they're taking off and probably my expectation of where this show is going is I think I'm going
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I'm going to like it better than the last three seasons of our show I think it's good I think
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it's going to be a better sci-fi show in these last three seasons and they've got so many
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characters to work with and so many interesting relationships yeah the stuff with Rom recently
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like the changes yeah that like wow like that's incredible and he's max is so good with
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grounding that that character and still keeping the comedy and the and the character is still the
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same person but that's been a surprising evolution for me yeah there's more comment more evolution
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and cool stuff I bet I bet yeah no spoilers yeah have you read Nana's book I haven't we got a copy
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of it I have not read it yet but it looks beautiful we did get a copy of it I think once you
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pick it up you won't be able to put it down oh really so it's it looks like a coffee table book
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it's not a coffee table book yeah sort of confused me when I opened up the box when it came I was like
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yeah is it a coffee table book but but it doesn't you flip through it and it's it's got meat you know
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yeah she was asked to do just profile inspirational Star Trek women and she changed the whole concept
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and she interviewed everybody about their experience it's really it's it I highly recommend it
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I think you would love it yeah yeah I will definitely check it out so just in terms of I'm jumping
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all over the place here but so I think we can see when we when we see you directing the work that
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you do it's obvious to me that it comes from an actor because I think you feel the connections to
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the people and there's always a big focus on story and emotion it's always very grounded but you
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were still acting when you started directing so how did directing inform your acting did that
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change the way that you were doing things as Tom Paris I think often it did if I was directing
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I think it's in someone to watch over me I think it's that episode where I've got a scene with
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the doctor where I give him some advice maybe it was it was something I was directing well you're
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you have a bet with him in that one about seven dating I have a bet and then is there a moment of like
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sincerity from Tom I think so I think so too I think it was in that episode where it wasn't a big
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long scene but it was an exchange and Tom had a little speech about something that he was very
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sincere about and I remember afterwards I said to Bob I said God that felt really good and he goes
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he goes you were really good like you were really present and and I didn't feel like you were
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acting at all and I did feel that when I was directing I had a sense of confidence about the story
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and I just knew the story so much deeper and better that it reminded me when I was directing
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and acting in the episode it reminded me of my theater days which that was what I love the most
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acting because we got to rehearse for three or four weeks but I'm your performing you've got
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an ownership of the material in a way that with filming you come out you rehearse for five 10 minutes
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maybe and then you're filming 20 minutes later and you know you're you never quite feel like
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oh I've done this enough I've rehearsed long enough that I that I can live in this scene without
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even thinking about it and that's how I felt when I directed I felt like I was I was deeper into it
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yeah yeah I think it uh because you do bring something there's something but there is a shift in Tom
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that I do think people start to connect with him or I know sometimes the trick writers do is they
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make other characters like them so that the audience will like them yeah but I think Tom kind of
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evolved into that himself yeah and that's it's writing but it's also acting and this thinks the
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scenes with Roxanne I think were what always brought that home for me yeah and then Tom's relationship
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with his dad which I think is the backstory that we needed to see yeah you know what you were talking
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about before Una McCormack wrote the autobiography of Catherine Jane I know you're a big reader but
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I'm imagining you're not reading Star Trek books probably not yeah that was my guess she writes
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in that book Janeway knows Tom from the time he's 12 and so she knows his whole history so I would
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I would suggest a skim at least for you just I think you and she's a lovely writer but I think you'd
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find it very interesting and is it again what's the title of it it's the autobiography of Catherine
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Janeway she changed my when I read the book it made me rewatch Voyager in a different way wow
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that one more just a fun one I was at a convention recently in Tim Russ was talking about these elaborate
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practical jokes that he and Kate played on each other yes and there was one in particular where she
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had stolen his street clothes and so he went to her trailer and he then he when he found his close
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there he took a bunch of pictures of his bare butt and put them all over and since your trailer was
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right there I'm wondering how much of this you were aware of and saw I I'm trying to remember I
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think I remember there was something going on but there was always you know people were having fun
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with each other and so but I do that story rings a bell because I think I do remember him saying
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he was going to leave some surprises and then like the next day or whenever it was Kate came out
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with the pictures and you know yelling to the 80s I can't believe he did this I mean it was she
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you know was laughing and it was it was very funny yeah we did we would do stuff like that a lot
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yeah and throwing things at each other right here yeah also yeah throwing cake balls I know there
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are a lot of people waiting to ask you questions yeah I want to say thank you for this for the Delta
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Flyers for Voyager for directing and a part for everything like you've contributed I think I
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I think a lot of us feel this way like you've contributed a lot to art to the art that makes our
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lives better so and I listen to a thousand I love podcasts I listen to a lot of them the only one
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I never miss an entire episode of is the Delta Flyers oh thank you and I listen to big mainstream
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I listen to smart listen I'm chair expert and and Julia Louis Dreyfus says and all these things but
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you guys I just I love where you go with it the discussions you have so thank you oh sure I'm glad
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I'm glad I mean and and what you said before about just art that matters it's meaningful that's
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inspiring like that's the point right is to move people and not just entertain them but hopefully
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have something they can remember and think about for me when I started as an actor when I started
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as a kid like a 12 13 year old kid doing theater I was painfully shy and I didn't know I was not
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very emotionally intelligent I was I was painfully shy and having stories like the community theater
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that I did characters there was a script it told you what to say in the moment it always had a happy
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ending back then the show's the you know we did and I felt like I learned I could remember oh
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when you are nervous and you have a crush on a girl you can do it like the script did it and it
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taught me you know what I mean like I learned a lot of emotional intelligence from from the art that
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I was able to do as a as a kid the community theater and I think I've continued in the movies that
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I watch we just watch Superman the new Superman's night of the hands oh so much emotional intelligence
spk_0
like things to remember and to stew on there and it was entertaining and I laughed and it was exciting
spk_0
and amazing to watch but like that's the kind of art that I love that can entertain you and also make
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you think and and stick with you a little while so I'm glad that the things I've been a part of
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have done that for some people for a lot of people thank you yeah I'm always impressed with you
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it's funny because I think people kind of associate him with his character or you know but
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he's so much more thoughtful and you know I mean obviously he's an industry professional but
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he's he's a lot different than typical actors I guess and that's kind of why he's now now behind
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the scenes kind of guy and honest too which I really like and thoughtful I mean that's what I have
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been enjoying so much about the Delta flyers it's just he says things about stories and emotions
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and moments that like he is a creative person he is writing and he is producing and he is directing
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and there's a good reason for that now he did I remember we we made a big deal about how he wanted
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to bring Captain Proton back just back when they were doing short tracks or at least when that
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was relevant and I think his it was initially this like 2020 when we were really running with this
spk_0
stuff 2021 so what seems news to me even though he kind of mentioned this before was that he is now
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saying that when he went into pitch it he pitched it as a scripted podcast which I think would
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is a much easier sell but it is interesting that he said that they had five scripted podcast ideas
spk_0
on the table at the time I know I I at the kind of that one got past me when it was happening live
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and then later when I was editing I heard that one oh I wonder if he knew when any of those were
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one of them got out of development which was the con one but I'm wondering well the con wasn't
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the con the Cisco the con one was still a mini series back then right I'm trying to remember when
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it was announced but obviously my bet is when he went in that was one of the ones they were
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considering they may not have announced it yet but right yeah I think the idea of it being a TV
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mini series died by 2019 we know that they want to do more but it's all about how well Khan does
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and in fact John van Citters who's the vice president at CBS studios and Ben was Star Trek forever
spk_0
basically said that on Twitter he's like if you want to see more of this then you got to listen to
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Star Trek Khan because right which sounds like they've got you know there's they they have ideas
spk_0
for more of this but they're not going to make it unless this thing does well well I hope it does
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do well because it's great anyway but back to the Robbie interview it was you did a great job
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keeping it light for the audience but still it's some real questions yet didn't end up being that
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light but I'm I felt bad for that too but I for me I loved the deep dive into the episodes he
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directed I found that to be so fascinating and I love that he was trying to remember stuff while
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he was talking about it and I was especially happy that I could tell him that a decision he made in
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the first episode he directed Timmy was the was the most important scene in the whole episode
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you know and that brought up a thing you know because we've got this hiatus coming up or we're in
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it now Academy isn't going to show up till I don't know February March so we've got a few things
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scheduled and planned out but this idea of doing a whole podcast episodes dedicated just to a
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single classic Star Trek episode from next janitor Voyager Enterprise or anything is something that
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we've thought about and we'd love to hear from people about you know what is an episode you'd love
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us to do a deep dive and it could be a stupid episode it could be subrosa it could be rascals
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so but yeah let us know you know what what you'd like to do deep dive oh I know you're
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100% serious about rascals I love rascals maybe we could get one of the kids the kids like the little
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the you know who played the the younger versions of those kids say they're not kids anymore yeah X kids
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we're all X kids I guess anyway I guess we should you have anything more to say about Robbie
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should we move on to bits of the week I'm just going to say please donate to St. Jude's Children
spk_0
Hospital through the link that is on our site on the post about this podcast that would be great
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and there's more to come so there are more they do interviews all the time if you go to their
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Facebook page there's a tab called events and they have watch parties and more interviews coming
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fantastic so let's do our bits of the week mine I just love when Star Trek is kind of in the
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real world and I have one where it worked its way to the court system again the headline from law
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360 which is kind of a full on lawyer's site is Star Trek jury instruction not fatal to trial
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Florida court says which caught my eye so a couple years ago this guy was convicted of battery
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and he appealed the conviction based on the fact that the judge giving his jury instructions
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used Star Trek in his example of circumstantial evidence of like if you see and it was like this
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complicated thing was like if you had a cat in a box and you opened the box and the cat wasn't there
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you know it's not reasonable to think that the cat was beamed out by a transporter then you
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said this it's not it's not but anyway so you know and this was appealed to a higher court and they
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the judges said it's fine they said while confusing the extended metaphor did not
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fatally taint the potential jurors so there you go Star Trek can be used can be cited to
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instructors noted that they may come you never know what he got well I like when Star Trek is
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mentioned in the fictional world how about that okay so I've been on a strange kick of rewatching
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24 which is very not a lorry show and yet I watch a ton of it and I of course we all know like
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manicodo was the I think the showrunner by the end yeah wasn't he yeah and he was on it his
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brother was on it Brandon Braggar wrote a ton of episodes so in the same season that has John
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Bellingsley who dies sorry Conor Traneer who survives even though he hangs out with Jack we've got all
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the there's a ton of Star Trek people in it and he was singing Glenn Morshauer and Kurt Witt Smith
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Tony Todd all of these people and Paul Wesley by the way is Kim Bowers husband which I never realized
spk_0
until last week but there's this great scene where the president cherry Jones is talking to
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talking about staff you know all of a sudden I perk up because I was doing something else and I
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hear it in the background like oh do you have someone in mind I do Rick Burman and then I'm like what
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and then what someone else queued me so I went back and listened to it again they start with
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the first suggestion they have is Bob Jessman and then they go oh Bob do you know how about Rick
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Burman and then they go okay well let's you know we'll talk to Rick but then they go keep Bob on
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the list I have a good feeling about him so I love that they threw this stuff in there and of course
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that show is just filled with Star Trek people start to finish especially once Maddie took over
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he was such a nerd but that's pretty funny obviously I'm sure that he cleared it with Rick you
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have to clear those things right yes you do like a year ago a friend of mine someone said to me oh
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why was your name in a movie I was watching and I was like what and she was watching a lifetime
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movie and there was a newscaster named Loryelster in it and I was like that's impossible I'm the only
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Loryelster and we found it and then I looked at the credits of the movie and a friend of mine worked
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on the movie and then I called him and he said oh yeah we had to clear names and we didn't have time
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and I knew you wouldn't be mad and Justin and would have been alive at this point probably right
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possibly it was late in 24 I mean I was they also later they said something like you know Steven
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Root was on it who's also been in Star Trek and his character's name was Bill Praedy who's the
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creator of the Big Bang Theory so and also big Star Trek fan he actually wrote a Voyager episode
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one of my faves so I love it I mean I love seeing an all and there's also great scenes from
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previous seasons with like Penny Johnson Gerald and Tony Todd together on the phone and I'm just
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totally imagining their conversation like well I'm Worf's Brothers wife and like well I'm
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Worf's other brother what I doubt that conversation happened but it's nice to imagine sure
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anyway on that note that's it thank you for listening we'll see you next week
Topics Covered
Star Trek podcast
Robert Duncan McNeil interview
Rose Parade Star Trek float
Star Trek Academy
Strange New Worlds
Celia Rose Gooding
Magic the Gathering Star Trek
Eagle Moss models
Star Trek collectibles
Voyager game
Marina Sirtis news
Star Trek Picard
Star Trek 60th anniversary
Star Trek merchandise
Starfleet Academy