Entertainment
One Battle After Another Review, Predators (#1034)
In this episode of FilmSpotting, hosts Josh Larson and Adam Kempanar review Paul Thomas Anderson's highly anticipated film 'One Battle After Another' and the new documentary 'Preda...
One Battle After Another Review, Predators (#1034)
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Sign up now in the Regal app or at the link in the show description and use code FilmSpot
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RoofMan is an unbelievable true story that's equal parts humor, suspense and heart.
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Channing Tatum stars as Jeffrey Manchester, a man on the run whose story you truly have
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to see to believe.
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Don't miss RoofMan, only in theaters October 10.
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What kind of a show you guys put not here today?
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You're not interested in art?
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No.
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Well look, we're going to do this thing.
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We're going to have a conversation.
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From Chicago, this is FilmSpotting celebrating our 20th year, I'm Josh Larson, and I'm Adam
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Kempanar.
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This is an announcement of Revolution.
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The message is clear.
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I'll be seeing you very soon.
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And how do I see you first?
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Paul Thomas Anderson's one battle after another may not be a revolution, but it is one
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of the movie events of the year we've got a review.
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Plus the new doc Predators, Massacre Theater and more ahead on FilmSpotting.
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No, what freedom is?
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No fear.
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Just like top crews.
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Welcome to FilmSpotting, a new film from Paul Thomas Anderson is always a big deal, Josh,
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but one battle after another, it does feel bigger and not just because of the IMAX screenings,
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the VistaVision screenings.
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Did you get to partake in either of those in Scotland?
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You know, the Scotland Theatre Adventure continues.
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We tried out another one and it was not IMAX or VistaVision, but it was a giant screen.
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It was a beautiful presentation, huge theater.
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So yeah, excited about that.
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And a quick thanks to listener Heather, who just before we signed on here, she left
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a note about the DCA in Dundee.
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Dundee is the town we've been traveling to, to see movies.
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That's a smaller, almost art gallery slash theater.
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And yeah, I hope to get there as well.
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They have fewer screens.
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I've heard they're not quite as big as the one where I did see one battle after another.
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And yeah, I knew I wanted to see that one on as big of a screen as possible.
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I didn't have a special experience myself, but I did see it on the big screen at theatre
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number one in my local multiplex.
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So that's the best that I could do.
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We will have a review of one battle after another here in Moments Plus.
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I'll have a few thoughts on the new documentary.
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Predators, yes, it is a documentary.
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Predators, not about the making of any of those Schwarzenegger movies.
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And we will play Massacre Theatre.
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A quick reminder that film spotting is now available as a video podcast.
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You mentioned Heather.
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That was a comment that came in Josh via Spotify that I shared with you.
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And if you are a listener on Spotify, you can toggle between video and audio.
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But you can also watch the show on YouTube.
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And you can find the link to our video episodes over at film spotting.net slash episodes.
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Well, look, maybe I can, maybe I can give you some information and then you give me some
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information.
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All right, we'll just share a little information.
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My name is Bob Ferguson.
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I don't know if you've ever heard of me.
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All right, I was part of French 75 for years, years and years.
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Or they used to call me ghetto pad, rocket man stuff like that.
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Only problem is I fried my brain since then, man.
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I abused drugs and alcohol for the past 30 years, man.
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I'm a drug and alcohol lover.
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And I cannot remember for the life of me or the life of my only child, the answer to
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your question.
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What time is it?
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8.15.
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Now I need this rendezvous point.
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Understand what I'm saying?
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I need it.
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I understand.
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And the question is.
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I think it's appropriate for this movie, Josh, how it just throws us right into this sort
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of past, sort of present world.
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We're going to jump right in to one battle after another.
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And I thought I might go see it with a friend who lives about 20 minutes away from me.
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Scott.
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And Scott's one of the biggest movie fans.
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I know, of course, he beat me to it.
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As soon as it was available, he went and sought.
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So I was going to go see it all alone.
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And he texted me back and he pointed out something that I had missed that Paul Thomas
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Anderson that night was programming TCM with movies that inspired one battle after another.
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And here was the lineup.
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Yeah, here was the lineup.
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And this will, of course, since you have seen his new movie.
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This should feel appropriate.
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The movies were running on empty midnight run, the French connection and the battle of
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Algiers.
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So we'll just run through those real quick, right?
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Running on empty, the Sydney Le Mette film with River Phoenix.
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Of course, that makes sense, right?
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You've got former activist parents now in the wind on the run struggling with raising
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their teenage kids.
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Check.
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Midnight run, a film spotting pantheon movie.
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This new one from PTA is kind of a road movie and you've got the angle with Danero and
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an element here of almost estranged father and daughter, right?
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The French connection, the obsessed authority figure that we have in this film played by
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Sean Penn and also the conspiracy element.
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Oh, and how about lengthy and very intense car chases or extended chase sequences period?
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And then, well, the Battle of Algiers, that's an easy one.
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If there, if there was one film that seems like it's the movie that most inspired one
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battle after another, it probably has to be the Battle of Algiers.
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Oh, and it is the movie that is directly called out in this movie, right?
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Where you have Leonardo DiCaprio's Bob Ferguson.
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Now this, this aged hippie who is getting high one night and since he's, he's no longer
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in the game.
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All he can do is sort of fall back on the greatest hits.
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He actually puts in the Battle of Algiers so he can watch it and kind of quote along with
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the movie and relive his glory days through what is, I suppose, essentially the manual,
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you know, the manual for the revolutionary, the Battle of Algiers.
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So I'm curious as you, as you hear that, I believe for the first time those four movies,
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though you probably saw the influence of some of those and of course the Battle of Algiers,
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any of those really resonate with you in particular?
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What did you make of any influences and did any others strike you as you watch this movie
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or did you see this as purely a Paul Thomas Anderson film?
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Boy, I want to get to that.
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I think the influences are interesting.
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It was something I thought about.
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But first I've got to get out of my system, Adam, because I haven't really been able to
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talk to many people besides Debbie who is with me.
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This is the movie I've been waiting for all year and it delivered astonishingly.
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I knew nothing of its context going in, had not watched the trailer.
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I had no idea it was going to be this topical.
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If you remember when we did a Sacred Cow Review of Dog Day afternoon not too long ago,
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I wondered what films and filmmakers are going to rise to the challenge that we're in right now.
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The way Sydney Lumet and Al Pacino did there.
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Of course, we talked about responding to this notion of state violence.
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Mickey 17, we split on.
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I thought it took a good sci-fi swing at satirizing the state of things.
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Not everyone agreed.
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Eddington, I thought was interesting, but felt a little behind the times,
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given its lockdown setting.
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I know some folks took comfort in Superman as a tonal reprieve from what we're going through.
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You and I did not.
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For me, one battle after another is it.
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This is it.
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This is the movie.
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This is the movie we need right now.
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It is, yes, it's exaggerated what we see in this film.
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But nothing in here is not happening to some degree right now in America.
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And I am in Scotland, but I am keeping an eye in Chicago.
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You better believe it.
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Ice agents there are resting and assaulting journalists,
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instigating violence.
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I mean, I could not believe what was on the screen in front of me and how it was reflecting
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what we are experiencing in America.
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And what can we do in the midst of this?
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I think a lot of us feel paralyzed, but you know what?
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Filmmakers can make films like this.
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Critics can champion them.
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And these are maybe small gestures, but you know, they add up or they're something.
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And at the end of one battle after another, I just, I felt so galvanized about the little
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list, something because to my mind, there are a whole lot of people doing nothing.
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And to see a formidable filmmaker like Paul Thomas Anderson take this on and
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absolutely just kill the assignment was so thrilling to me.
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So just had to get that out of my system.
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Maybe we'll come back, I'm sure we'll come back to the politics of it.
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But I was thinking about these influences, this question.
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And I think what's so exciting about one battle after another on that front, Adam, is that this
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might be, I would put this in the category of his most singular works, something like punch
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drunk love in particular where yes, the influences are there, but it's not something like, you know,
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I would say Phantom Thread is so obviously my favorite movie, by the way, I'm not knocking him for
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this. My favorite Paul Thomas Anderson movie, Phantom Thread very influenced by Hitchcock,
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right? Among other things, it's all over it. There will be blood to me, you know, is so influenced
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by something like citizen Kane and you go down the line of his filmography, but I look at punch
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drunk love. And that's a movie that like only Paul Thomas Anderson could come up with, I feel like.
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And some people might feel that way about something like the master, perhaps, but I am
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definitely thinking that way about one battle after another. That being said, yes, battle of
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Algiers, you know, just what a touchstone as well as a funny, a funny aside in that scene, as you
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mentioned, I thought of that before it did pop up in the movie, French connection, other
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70s paranoid thrillers. The propulsion of those movies is what I think he borrows here.
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Yeah. And, you know, just thematically, I thought about Elfonso Coran's Children of Men,
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which is more of a prophetic many, many years now, a prophetic envisioning of what, in that case,
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in the UK, totalitarian government response to refugees might look like. I think that's a more,
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I don't want to say grim, but Children of Men is a more serious take on the subject.
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But that doesn't make one battle after another any more important. And it's take on the subject
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just because it is this absurd comic hysterical satire that scene of lot of trenchant,
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immediately needed things. Yeah. I'm with you on, on so much of what you said, including a
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couple words you just used right there at the end. So let me get out just kind of my single
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sentence take on this film. It is a beautifully choreographed fever dream of resistance and
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reckoning, blending absurdist satire with a poignant meditation on parental legacy. That's the thing.
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There is such an emotional core to this movie as well that I'm sure we will get into. And I suppose
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this also indicates how long we've been doing this show though. I don't, I don't know that I can
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remember examples of you telling me this. I think I always think about you, Josh, when I'm at the
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movies. But I was watching this film and I was seeing certain scenes and different themes were
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being brought up. And I was thinking about the police state evidence in this film evident in this
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film and the the the state sanctioned violence. And I was thinking about our conversation about
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dog day afternoon. And I was going, Josh is eating this up right now. Josh is halfway around the world
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eating this movie up. I was having very similar thoughts about the film. And I was thinking about your
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experience on it from across the Atlantic. Yeah. Yeah. I think so. In terms of the influences,
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one that maybe he just couldn't program the fifth film. But I have to imagine that the fifth
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influence and maybe this is just too easy picking. But come on, the fifth influence had to be Dr.
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Strangelove, right? With Sean Penn's. Yeah. Makes sense. His name is Colonel Lockjaw.
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What a name after after after Jack T. Ripper. His name's Colonel Lockjaw. He's a military figure.
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He's full of all sorts of interesting ticks and behavioral quirks. He's got that great haircut.
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And he will assert his authority unilaterally. And at one point, he does speak of bodily fluids
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and his power being taken from him. So that seems like a pretty clear call or reference to Dr. Strangelove
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to me. Hey Jack, Jack, this is telling me. Tell me Jack, when did you first
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develop this theory? Well, I, I first became aware of it, Mandrake. During the physical act of love.
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Yes, a profound sense of fatigue, feeling of emptiness, followed. Luckily, I was able to interpret
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these feelings correctly. Lost a essence. I can assure you it is not my current Mandrake.
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Where those references ended up bearing fruit for me a little bit in thinking about this film,
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it actually was the first one running on empty, which is a movie I haven't thought about in a
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long time. But I remember watching a lot when I was a kid. I think it was just a movie that was on
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HBO. And for some reason, it, it always really resonated with me. And one difference here is that
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because it is very similar, you have the, the parents and maybe while I'm talking, you can look
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it up because I can see, I can see the actress in my head and cannot place her name and it's
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killing me. I got to purchase the dad River Phoenix is the son, the talented musician son.
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Man, go, Christine Lottie. I just got it. Christine Lottie, the mom, isn't it?
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You got it. Nice. For the time. Do I get two points? So Christine Lottie's the mom. And they were,
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they were activists and they were involved in a bombing and someone died as I recall it unintentionally.
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Someone wasn't supposed to be at the building they bombed and they've been on the run ever since.
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I don't think this is a movie. You can disagree with me on this or we can talk about it. But as I
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reflect on my lone viewing of this film, I don't think this is a movie that really cares about whether or
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not the acts that Bob or Perfidia, who we haven't mentioned, Teyana Taylor's Perfidia Beverly Hills,
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the mother, the acts that they committed in the name of of injustice in the name of oppression and
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the name of revolution were right or wrong. The conscience of what, of what they did, that's not on
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the, the mind of this movie. Whether Bob or anyone else should have pangs of moral guilt. That is on
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the mind of running on empty very much. That, that movie is concerned about whether or not the sins of
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the father and mother should be passed on to or whether it's fair that they're passed on to the
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children. And this film is concerned with that question like running on empty. It's concerned about
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whether or not the sins of the father in this case and the mother should be passed on to the children,
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passed on to the daughter, Willa. But it also asks and maybe we'll get to this in more detail as we
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get into our conversation. But I think it also asks really interestingly the opposite. It almost asks
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should we allow the sins of the father and mother to be passed down to the children? It's almost like
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the movie is saying it needs to be. We need that child. It's okay for that child to have that
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consciousness and they need to be enlightened about it and engaged in that. And I think that's
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an interesting spin on that question. Yeah. That's the, you know, dancing around spoilers. I think
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the movie leaves us in exactly that place. And that's what I found so stirring is, you know,
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not that it's too late for us to participate. But man, this, this thing's going to be a long haul.
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I think we're, we're starting to realize those who are paying attention to the movie might say it's
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actually too late for us. Josh. And that's okay. Our, our, our, our generation. Yes. Our job and
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this is to support the next generation might be what the takeaway is. I think, I think that's
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completely fair. And I do want to take a moment to point out as to that moral question because I
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know this is going to be a talking point. Once this movie, you know, gets out and those who aren't,
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aren't ready to root for it. See it. It is very clear to me what you pointed out that the movie
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itself is not necessarily endorsing the tactics employed by this group that Leonardo DiCaprio's
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character is involved with at the start of the film before we jump ahead 16 years. It does not
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denounce them. But to your point, it is interested in other things. That's it. And, and, and also,
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just because a group is using tactics you might object to does not legitimize the clearly
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unconstitutional anti-American tactics that were initially employed. So I just want to get that out
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in terms of, you know, this is not endorsing one battle after another. There's not endorsing such things.
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I think it's interesting. Another question is those personal ones. And this even relates to the
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Sean Penn character, Lockjaw, because I think it's really key that while he is not at any point
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sympathetic, he is depicted as a human being with, you know, some perversities because of the way I
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read it. The sense of unchecked authority he's been given, which means there are no guardrails
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for him at all. But at the same time, it is one of the supreme comic performances in the film,
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just that constipated walk. Penn has. And the way he carries himself, I'm sorry, but as I said,
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like I've seen this on Chicago streets, the performative nature of these ice guys is it's
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clownish. And that is what Penn is tapping into here. I want to see on a protest sign speaking
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of the kids, some kid holding up what Bob's daughter, when we meet her as a teenager later, says to
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Penn in a crucial scene, why is your shirt so tight? That's just killed me because it's not only a
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great line, but it gets at the root of the performative nature of, there's something about
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if you are not morally sure of your actions, you're going to perform them even more.
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And that is what we are seeing now. And that's what we see in the film in Penn's character. But I do
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like that we also get him as, you know, we don't agree with any of his choices really. But this is
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not just some faceless monolith that is conducting these things. This is an actual human being with
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motivations that are, yes, distorted. But I think that's key. It's almost connected what you were
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talking about this movie having a heart and being interested in the relationships here. This
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is not a sociopolitical tract. This is a story about a family deeply connected. And, you know,
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Penn is related to this deeply connected to these events. How it affects them on a day-to-day relational
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basis. You have to understand, will love. Me and mom used to run around and do some real bad
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things. They got hurt. Now they're coming after us. Sorry. I didn't ask for this. That's just how
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the cars were rolled out for me. It's not cards. You don't roll cards. It's dice.
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Dad, what is wrong with you? You're right. Let's go. I think you made a good case for how for you
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anyway. This, this almost feels like a bit of a departure for, for PTA. But let me maybe try to
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make a case for how it fits into a certain paradigm. And we'll see if it works for you or not.
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When you think about his filmography, he is often reckoned with America's present
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through its past. Many of his films have been period pieces. And here, he brings the battle
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from the past into the present, though as I alluded to earlier. And I think I haven't read it.
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I think this comes from the pension novel. I may have heard this somewhere. I could be wrong.
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That even though that was set in a different time, that there is a sort of blending.
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Right. And I felt that watching the film that you're seeing it and you're not quite sure even
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when we're watching the prologue. When exactly is this taking place? And this feels like the present.
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But when exactly is this the present? That feels by design. And it feels coherently,
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incoherent in an appropriate way for the times in which we currently live. And so not every film
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follows this, of course. But I've certainly talked about his emphasis on mentor, protégé
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relationships that often takes the form of fathers and sons or surrogate fathers and sons.
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Con men as well are often found populating his films. And those are among the most enduring
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and evocative figures in all of American fiction. Neither seem to be what this movie is concerned with.
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Though maybe we should consider isn't one battle after another about the absence of a mentor,
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protégé relationship, the mother daughter activist dynamic that should be here. But also the father
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daughter one since Bob is wallowing an apathy. And you have Willa constantly looking to him, wanting
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that direction, craving it and not getting it because he is he is completely absent. And
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according to my reading anyway, to some degree isn't isn't Bob sort of a con man? You could argue,
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you could argue he's barely playing the role of a father. But I'm really talking about how we
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meet him in the prologue. Isn't he even with that name ghetto pat? I think it supports this. And I
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the nervousness that anxiety, how how profidia has to urge him on how he constantly seems to be
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having to prove himself that he's worthy to be with her, that he's worthy to be part of this
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resistance group, the French 75, the ease then also with which he falls into fatherhood and domesticity.
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Right. Ghetto Pat seems to be an upper middle class white boy from Ohio who joined the revolution.
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Right. And I have to say Ohio because I'm from Iowa, otherwise I'd say from Iowa. Right. But
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there's a key line and I may not have it exactly right. You may be having it in your notes. My
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notes were completely worthless to me. But there's a scene where he's talking to his mother-in-law,
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profidia's mother. And she says to him something like, you'll never be good enough for her.
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You'll never be up to her standard for my daughter. And I for my daughter. And I think I think she
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says something like, she's a runner. I think the words like a runner. And that will that will have
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or something along those lines. And that will have resonance later. But in the moment, it's clear
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that what she's saying is profidia's she's a hunter. She is always on the move. She is volatile.
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She's never going to be contained. And it's kind of like she's saying, you're a lump.
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You just you don't belong here. Really? You don't belong with her. And and you know, even if you
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reject everything I've said, what are those mentor-protigé relationships fundamentally predicated on?
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And even what are con artists manipulating? I do think it's all about power. And that's at the
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core of every dynamic and decision that's made in this movie. If you if you look at every single one
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of them, including of course that that key scene that that scene where we meet profidia and lockjaw
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and where we see them interacting in other scenes too. It's fundamentally the story of America.
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And oh, what what is that type of power? It is specifically white power, right? And that's what this
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movie hilariously excoriates. Yeah. I think that's right. And I think the mentor-protigé dynamic is
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at play. Even if to me, it's a little more seen through the prism of the father and daughter.
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Actually, we should probably say at this point, Willa, his daughter is a teenager. We do jump
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ahead after the opening section 16 years played really well by Chase Infinity, a relative newcomer.
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It's almost about Bob coming into maybe mentors a strong word.
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But coming into the realization that for him to be the best dad to this young woman,
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he's going to have to shake off the apathy. And he's going to have to be more than what,
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as you're describing, I think you're right, he was probably something of a hangar on in that opening
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scene where we see Perfidia leading an attack on a detention center. And he's the explosives expert.
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And she's telling him what to do. I almost thought he was just the way Decapro carries himself.
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He's kind of like a gun for hire. I didn't know what sort of convictions he had. And then we realized
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there in a romantic relationship that raises another question. Just real quick, you get the dynamic
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that maybe it is almost like he's proving himself like they aren't in a full-fledged relationship
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yet. You could read it. Maybe that too. But basically the point is you don't sense the cause
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is what's primarily driving him. At least I didn't get that sense. I don't think he was
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objecting to it. But he's a little bit along for the ride. And I think in terms of this dynamic
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you're talking about mentor protege, maybe it reverses where the daughter becomes the mentor
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to the to the father. Sure. As the movie goes on. Yeah, let's talk a little bit more about
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the Capriots performance. I think he's just this is a first rate dimmed bulb in the line of the likes
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of course, you know, we're thinking about Jeff Bridges and the big Lebowski or walking Phoenix
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in the other pension ad-a-pitch from Paul Thomas Anderson, right? In here and vice, he's as good
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I think as well. He's almost as good as both of them in those in those films. I really enjoyed
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him here. Not only the way he dims his bulb, like it's clearly because of the drugs, right?
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But it's also because of the psychic weight of this failed revolution and the burden of raising
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a child in this climate because we learn that 16 years have gone by and if anything, things have
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only gotten worse, right? Their movement people are scattered because of an incident we won't detail
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their underground as he is hiding and he's trying to make sense of raising a teenager in this
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environment. It took a while, Adam, but I knew I was on board with the performance. It shifts into
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high-comic gear when he shows up at a parent teacher meeting, stoned, but also weepy. He just says,
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if I get emotional, he takes a drag, he takes a drag during it, but you're right. Right in the
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emotional. If I get emotional, it's just tears of joy. That's all. But the thing about the
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performance is he's not just trying to cover up. He is. He also means it. He really means it because
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he's got a good report about his daughter at school. Yes. And this is just what DeCaprio is trying to
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balance as this character. And yeah, from that scene on, he puts the pedal down and never
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lets up through the rest of the movie. No, I don't or I haven't come up with yet the right
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adjective to describe what I'm thinking about DeCaprio's performance. But I like that of course
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the touch points for it have to be Doxportello because it's PTA and it's a pinching adaptation.
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But it's a very different performance and it's very different than the other go-to, which is
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Lebowski. It just it doesn't it doesn't have that same stoner vibe to it. There is something
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different about it. And I think I think one of the things that's different about it is that
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it just doesn't feel but I think in a good way, it doesn't feel quite as lived in. It feels like
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someone who was transplanted into that character and is still taking it on in some way. And I'm
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really glad that you you mentioned that psychic weight because in the few comments I've seen about
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him here and there or about the character. Everyone talks about him just as and we have so far as
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this apathetic character or someone who you know the revolution's been been gone for a while. So now
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he's just hanging around and he's getting drunk and stoned and and doesn't feel like there's
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a fight anymore or he's he's too lazy or not willing to fight. Going back to what we've said about
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the emotional core of this film, I still see him as fundamentally a heartbroken character.
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Yes. Josh Esselmer. I think I think that is also part of who he is and that's driving so much
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of his apathy. It's not just that what was me you know quote unquote the 60s aren't here anymore.
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I think he's a heartbroken character. I used a word earlier at the start of my comments that I want
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to come back to a little bit because it relates to to Paul Thomas Anderson in the filmmaking and
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you have to be careful a little bit how often you go to certain words or phrases that as a critic
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when praising movies especially in the same year when we talked about sinners. I spoke about it
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having the rhythms and audaciousness of some of our boldest musicals. I know that punchrunk love
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feels to many like a musical despite there being no no singing in it. And of course there are numerous
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sequences we can point to in Paul Thomas Anderson's filmography where we can single out the fluidity
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and the intricacy of the camera, the elaborate nature of the shots right the coordination with the
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performers. But with battle I had a different sense and it was largely in that extended I'm going
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especially when we haven't mentioned him yet especially when Benicio del Toro gosh was on screen
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and I wonder if you were thinking I wonder if you were thinking the same thing I was because
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even though you liked the movie more than me we were both a little down on the mellowness of
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Benicio del Toro and the Phoenician scheme and here it couldn't have served this movie better.
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He is so good as as this sensei in this movie who who ends up coming to the aid not only of Bob
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when he most needs it but also so many other people in in a scenario that he even himself describes
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it as as a Harriet Tubman like situation going on. Wait a Latino Harriet Tubman situation.
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There you go right that's exactly what it is but when he's on screen it it it relates to how
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the camera Josh slows to match the calmness of that character who truly is like the conductor
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of the Latino Harriet Tubman like situation all the movements that are occurring I was I was
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keenly aware of the blocking everything that was occurring not not of the camera how it was moving
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but everything that was occurring within the frame the choreography of it that's the word
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for the camera to capture not not how the camera again was moving within this face but how the camera
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was there to observe for us how we were then able to observe in that space with a sense of
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often real-time urgency it wasn't like the long shot in boogie nights right where you know
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we see William H. Macy's character kill himself right and it's it it draws a lot of attention
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to itself it's about us being able to to observe in real-time and that that sense of intimacy
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and urgency but it's not overwhelming it's heightened but it's steady bodies are constantly in
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motion but it never feels jagged or jarring the only way I could really describe it and and here
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it's just a little bit of a trick that pta pulls off he somehow creates a serene intensity
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carriage
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courage yeah thank you hey thank you sensei thank you thank you god damn it
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that's a great great description of it I the one thing I had to put out there in blue sky
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after I saw this was maybe Benicio del Toro will save us all because that's what I can't
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so I think he has this it's this bemused spiritual calm you know we should say this is when
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the town has been taken over by the military the streets they've instigated among protesters
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and an attack and that is what proceeds the the underground railroad to go into effect to get some
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of these mostly women and children not violent criminals women and true children who are being
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targeted by the military and del Toro's calm balances with de caprio's antichness this relates to
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our discussion of how invested in the cause is Bob because there isn't until there's a moment where
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del Toro is giving him clear calm directions about what to do where to go and and Bob pauses
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catches a breath and that's when he screams out Viva revolution right yeah it's not it's not so
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much because he's about to you know to to make a blow against the authorities it's because he knows
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what to do he's he's he's been told let's do it but del Toro in this scene and yeah the blocking
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in the camera because we're following him upstairs downstairs through back rooms in and out of shops
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this elaborate system he's put together but he just has this this sense of assuridence to him
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that is so reassuring and to your point about the Phoenician scheme yeah that was one of my
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my main qualms about that movie is how is it constricted del Toro into a Wes Anderson type
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of character other actors have given their best performances as of that type but to me it just
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did not fit del Toro who needs to have a certain looseness I don't know if I identified it as much
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while watching the Phoenician scheme until I saw him here and I think this might be a career best
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turn for him because there is even when he's playing villains like really scary guys which he's
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done in the past there's this same sense of calm or looseness where he's not always he's not
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necessarily taking the scene or the the actions as seriously as you think he should be but it's because
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he knows what he has a firmer grasp on it and this this whole sequence just allows him to be this
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this grumbly sage who's who's rumbling through these halls not being heard because he knows exactly
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what to do it's wonderful in addition to the politics of the film is we're describing it that we
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were on board with the emotional core of it that we've talked about that that didn't resonate with
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us the humor of the film you can find humor in all of pta's movies I'm pretty sure I had a scene from
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licorice pizza is my funniest moment of 2021 or it was the runner up I'm certain I had a scene from
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inherent vice is my funniest moment of 2014 I probably still put boogie nights as his funniest film
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but I think this would be my number two Josh and it's it's also obviously his most action oriented
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film his most suspenseful despite that steadiness I was talking about and there is a chase scene at the
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end this is one of those movies where I'm sitting in my seat with my knee bouncing in rhythm to the
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score you know wondering where this is exactly going and feeling the intensity of it and actually it
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it is a steadiness where you're feeling it kind of the entire film so you've got that right you've
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got that intensity that's that's maintained for almost the entire two hour and 50 minute running
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time but all those elements are are culminating with that humor and even though I I'm not someone who
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has read pension I I understand that pension ask some of it through films like inherent vice that
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pension ask postmodern sensibility tinge with paranoia as it is here that absurdist sensibility and
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the bottom line is we haven't mentioned this part of the story yet and I want to mention it here
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because it relates to the humor I mean hails Saint Nick this will mean something to you when you
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see the movie if you haven't wow Saint Nick is one of the funniest three word phrases you'll hear
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all the year at the movies and I want to praise I want to praise Paul Thomas Anderson and whoever
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I should look it up whoever his casting agent is because whoever is responsible for coming up with
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this group of completely unrecognizable for the most part unrecognizable but innocuous looking
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evil middle aged white dudes they deserve a raise I'm thinking I'm thinking and I what for the record
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I I wanted to give them praise I went to IMDB and I just did not have the time to scroll through
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every name and try to identify them I couldn't I couldn't pick them out you know the pictures didn't
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line up or whatever but the I'm thinking of the second in command to lock jaw who we see interrogate
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to some people yeah perfect right every single person and one of them I can't believe I didn't
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I didn't recognize this guy even though now of course I see it he's the tone bar yes but but other
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than Tony Goldman who you do most of us do know the one guy who we see later in the house who at
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first is silent and we're not sure that he's going to talk oh yeah that's that's Kevin Teg that's
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Kevin Teg from the bar owner of the double doose in Roadhouse so clearly a classic that guy we
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we kind of recognize him right yeah otherwise all those other guys are that guys that we don't know
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and I'm calling these innocuous looking evil middle-aged white dudes the Tony gold when all stars
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and every one of them in this movie Josh is just so perfect this is the Christmas adventures club
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this is like adventures here we see pulling the strings we learn and it's so funny I saw it just
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on blue sky today Alyssa Wilkinson the New York Times critic say something about being out in New
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York and she's pretty sure she I think she says I'm like pretty sure I saw a member walking
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down the street I'm sure I we had the same thing here what would that be now we're walking down
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and we saw a guy sitting like a really nice house in town here and he was out in his yard just
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sitting on the patio in like a you know innocuous but but very expensive clearly like sweater vest
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and we both were like we looked at her like oh he's in the Christmas adventures club yeah has to be
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so this is so funny and it is it is really fun and it's sometimes it's beautifully I'm
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going to call it a sequence that has the humor and also the filmmaking chops and this is actually
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part of the entire sensei sequence but at this point del Toro's character has sent Bob off with
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some skaters he said these guys will get you safe where you need to go and the route is across
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the rooftops because as I said the military has taken over the streets and are just you know
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shooting at random below this is shot by Anderson and cinematographer Michael Bauman from a distance
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and in silhouette and so you have these these skaters these younger guys with their boards just
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you know very beautifully leaping in silhouette from but one building to the other and just as
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you're thinking like oh this is a I have this sense of like mythical resistance and yes then we
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have Bob stumbling behind them right barely able to keep up yes and and that's just you know the
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this is what's so great about this movie too is it's willing to puncture those moments that's the
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word yeah it's not taking itself too seriously even though right it's probably going to be the most
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serious movie that comes out in the United States this year but it doesn't get hairy itself this way
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rising shine hi what's up what's up home it's it's me again Bob Ferguson I don't
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if you remember but we we we spoke earlier on the on the phone I think we had a little misunderstanding
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I think we got off on the wrong foot I was trying to get the rendezvous point for my daughter
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right if you can't answer what time is it I cannot give you the rendezvous point this is a key
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ten in the room I'm surprised I do love that it punctures that mythos there but what it does with
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that imagery is still astounding that shot that silhouetted shot of those those younger men on
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the skateboard is still among the the most vivid shots in his filmography and think about what he's
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given us through ten films I have one that wowed me even more and it's during the climactic car chase
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which we won't even say who's involved but it is taking place on this stretch of desert hills and at
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one point it's they must have placed the camera on the hood of one of the cars three cars are
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involved and as the vehicle kind of rolls up and down this this road the road is like an unculating
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road and the experience of watching it from that point of view was it was anxious but also mesmerizing
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and it it was inducing in me because it kind of is repeated and goes on and it was inducing
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me in me like a nausea but also a sleepiness and and the only thing I could think about is when I
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got out of the movie and even a day or two later like what was that all about is oh that's how I
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felt for the last ten years I've exited life has felt like being on that road of dipping up and down
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and not knowing what's over the next hill and what it might do to you and my goodness however they
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got that shot and sustained it so that it works in terms of suspense but also on a certain level
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just pure beauty is incredible well it kind of goes back to what I was saying and we were talking
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about it is intense and suspenseful and yet it feels I I remember the feeling of watching it and
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what you're talking about with the undulation there's a certain serenity to it as well isn't it
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so it's it's it's it's crazy how they they managed to balance that in this film there is
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I think we've we've had the discussion we probably wanted to have and we could close here
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but I will at least raise that I knew within about 10 minutes of this film that among the conversations
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that we're going to be had about this film there was definitely going to be the discourse
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around a certain issue with the movie one that one that the two of us probably aren't the best
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people to weigh in on but I knew there was going to be a discourse and sure enough I woke up
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this morning and I actually these days I'm not on social media much at all but I I will usually wake
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up and just sort of check in and the very first thing I saw this morning it had begun Josh I don't
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know if you know what I'm referring to but I guess I will throw out vaguely do you want to get
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feedback on an upcoming show and get into whatever this discourse might be yeah I mean we're
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going to have to I'm unaware of it okay I've I was I was in a bunker before seeing this and I've
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tried to be in a bunker aside from you know that Alyssa Wilkinson comments and if you other things
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sense until we've had this conversation I okay cannot wait till tomorrow to be able to dive into
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okay all the critics who I respect their takes and I'm sure there's going to be some pushback I
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surprise it hasn't started already because so far it's just been a wave of raves seen star ratings come
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through on on letterbox so yeah I'm gonna dive into all of that tomorrow and perhaps we'll pick it up
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yeah when we we get some feedback which sounds good because lines I I had thoughts
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because they relate to the experience I had watching the movie they don't relate to the thoughts
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or I should say the specific criticisms that this person had because they just came out this morning
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and I didn't have time to read though so I wasn't I wasn't going to be reacting to that article
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necessarily or not at all I was just going to be talking about what I saw on the screen now as it is
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the the discourse will pick up in the days before our next episode and maybe we will be more
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informed and we can talk about it and hey this is a movie that needs to be interrogated I mean just
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because I'm in line with it's totally relative politics if you want to say that doesn't mean that
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it's a film that has everything lined up perfectly right it's capturing chaos and capturing a way
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to to honorably respond to that chaos from my point of view but it doesn't mean that it has
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everything right along those lines so I'll be curious to see that and I think you know the only
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other thing I would say on the on the political front is I almost part of me was like this doesn't
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even really feel political because it's it's not arguing against you know a political direction we
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may be heading towards you know and it's not even offering an alternative political vision to our
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current circumstances that goes to your point about you know whether it's it's endorsing the
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this guerrilla groups actions it's it's just mirroring what we're in right through this comically
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absurdist lens and all I can say is that by doing that it goes back to what I said at the top it
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felt like this desperately needed fresh air to me it's like that this is what I've just been feeling
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why are we not talking why are we not recognizing this and and one battle after another is at least
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doing that is it doing it perfectly um probably not and yeah we'll see we'll see what quams other
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people might have about it it's a good thing I don't expect perfection from art even from Paul
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Thomas Anderson one battle after another is currently playing in wide release if you see it and
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agree or disagree you can email us feedback at thonespotting.net
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Adam as we've mentioned a couple of times on the show here I'm across the pond spending a year
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in Scotland pursuing a master's degree over here and so yeah I've been scrambling to figure out
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where am I going to see movies to keep up not only with movies but for the show have found a couple
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of theaters in a nearby town including one how about this Adam I can be loyal to our sponsor regal
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cinemas because cinnab world the theater just a few towns away is part of the regal family so
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I have to figure out yet if the regal unlimited benefits which we've been talking about in the
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show and our great for regular movie goers if they have something like that at cinnab world for now
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get 10% off all non alcoholic concessions sign up now in the regal app or use the link in the
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description and use code film spot 25 to receive your discount imagine this you're a man down on your
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luck and your brilliant plan cut a hole in the roof of the McDonald's sneak in before opening
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and rob the place not once but 45 times this isn't some Hollywood fantasy it's the unbelievable
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true story behind the new film roof man starring chaining Tatum as Jeffrey Manchester after his
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arrest he escapes prison by literally clinging to the bottom of a truck and then he secretly lives
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inside a toys rs for six months eating baby food exercising on store bikes even installing his
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own surveillance system using baby monitors all while planning his next move it's directed by
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Derek C in France who's an interesting director and it stars two actors we appreciate quite a bit
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here on film spotting kirsten dunce does Lee she's the woman who unknowingly falls for this man
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living a crazy double life and chaining Tatum of course as Jeffrey who is one of those actors who
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brings charisma and some charm and humor to every role that we've seen him in this is a movie that's
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rooted in real life events and supposedly Josh has some real edge of your seat twist in turns
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as well it's one I'm interested in seeing looking forward to catching it when it comes out on
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October 10th roof man one of the wildest true stories you'll ever see again in theaters only
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October 10th well listening is the number one thing you can do to support an independently
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a very substantial way to support us is to join the film spotting family which you can do at film
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spottingfamily dot com we want to thank family member Ramie must say in Lee lind Michigan
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Ramie's letterbox handle is our m a s s e yeah this is tough because producer sam did a great job
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of phonetically spelling out the name and I'm not sure where he got that from maybe he reached out
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to this family member but the problem is you do have to put where the the emphasis is so is it
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Ramie or is it remy this is me I look this up because I do I would be I would be saying this and
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I would have to I think it's remy I'm gonna go ready okay I checked it on far four vote so we'll
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will see we'll hear from remy you're ready and see what they say from here on out we're gonna
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call him he and I'm gonna hope that's right please tell us remy or remy which pronunciation is correct
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after moving to a city where I knew nobody other than my now wonderful wife I found myself missing
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the movie conversations that regularly sprung up with my college housemates after watching the
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banshees of an asheran I was desperate to have a discussion with someone anyone film spotting
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was the first result online and adam and Josh hooked me in and haven't let go since a favorite
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review or segment top five movies for graduates found me at the right time the respect for hyomi
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isaki from both adam and Josh let me know I was in the right place and because of their top five I
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watched Columbus and Icaru for the first time and adored both good job by us what review did we get
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wrong I can't find it on film spotting but here at kazoo korea does monster I thought it was
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brilliant and one of my favorites of the year sorry Josh you didn't like that movie Josh yeah
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I was a little down on it but hey in the case of korea I'm probably wrong so that's okay
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letterbox top four spirited away I mean here you guys are simpatico again fantastic mr. Fox
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there will be blood that one there will be blood is great in the fall I love the fall as well
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okay tarzum sing a favorite movie that remy revisited recently bongjun hose memories of murder
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good one a random filmmaker that he loves rob reiner not necessarily because I think he's one of the
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great filmmakers but he certainly doesn't get enough love from film nerds a movie you credit with
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becoming a cinephile he says my dad love gym carry movies when I was a kid and after showing my
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brother and I ace ventura when nature calls we watched the Truman show and it completely altered
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what I loved about movies I can still love a terrible exquisite film like ace ventura but the
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Truman show let me down a path of loving movies for something a little different I can see that
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terrible exquisite for ace ventura that's kind of great thank you remy for joining the family
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and for all those years of listening in addition to keeping us doing what we're doing your support
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comes with perks Josh they get to listen early and add free I'm not sure if you're aware they get
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discord just an unruly bunch now actually they're they're quite really great group of film spotting
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family members over there having wonderfully insightful and sometimes absolutely absurd conversations
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and you get our monthly bonus shows we have channels over there devoted to music books sports food
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but yes also movies new releases older films TV you name it September bonus show was our
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trivia spotting addition that is now available Josh the one you know you slept through because you're
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in Scotland I did I slept quite well how did you do where did you place that's all I really want to know
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I I did not podium who I didn't I didn't make the top three but but my team fared well I mean we
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I think we got at least seven right both rounds and I went quite deep in the in the lightning
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round the captain's lightning round I think I was the topic it was it was directors and it was
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of directors of Sundance winning films okay I think I was the last I was the third from last out
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so I I had it I had a shot and and the one the one I went out on is so depressing because
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as Sam and I were talking about later there were ones throughout where you were you were just
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praising the Lord that you didn't get because you you should have known but you just could not pull
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the name you know Josh how it is yeah I can't pull the name and and and then there were others that
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that you knew and you were so grateful that you got those the one that I went out on the one
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of my movies the the movie that I championed years ago on the show and I mistakenly said
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the duplos brothers because I thought about Mark duplos being in the film right right right
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I'm not going to say well I'm gonna say that I thought Thomas was a little too quick on the draw
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and I think you should be allowed to think out loud for a second like why does the first thing you
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say have to be your Thomas why does the first thing you say have to be your final answer why can't
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you think out loud but right after I said it and everyone jumped on me for being stupid I it hit
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me of course that like Lynn Shelton Lynn Shelton of course directed hump day I mean I knew it it took
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me a second but wow that's the way it goes yeah it is it's how Trevor you spotting can go yeah it's a
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October bonus we are going to do a draft with a family member looking forward to that please do
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learn more about becoming a member and supporting the show at FilmSwitingFamily.com
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Hi you sound so sweet are you nervous about talking to me yeah
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you know we got to be like really careful about doing this yeah Adam you caught up with a new film
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called Predators as you mentioned earlier this shouldn't be confused with the animated predator killer
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of killers which came out earlier this year still hope to catch up with or Predator Badlands which
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is coming to theaters next month this is totally different Predators is documentary from director David
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Oset about the reality TV program to catch a Predator the premise of this show was basically hunt
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down child Predators lure them to a film set where they would be interviewed and then arrested it
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ran from 2004 to 2007 so yeah I'm fascinating idea for a documentary I'd love to hear what they
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do with this sort of material in the doc they do a lot yeah they do a lot and I I don't know I
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could be wrong I don't know if they actually learn them to a TV set or if they learn them to
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an actual house that had basically been turned into a TV set but I'll say this the the opening of
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the trailer that that you just heard is also the opening of the movie so yes right from the start
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it is as deeply unsettling as you might expect this material to be Predators lingers long after
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the final frame I remember to catch a Predator on TV I remember seeing bits of it this isn't
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revisionist history because anybody who did watch it regularly if they watch this show they might
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after it feel like maybe I shouldn't say that out loud or maybe I should feel guilty about it all
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let others wrestle with their conscience or not I do remember seeing maybe an episode or two but I
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certainly was not familiar with the lore around it or the fact that people would go to conventions
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around of course true crime and Chris Hanson I knew he was a celebrity but I didn't realize that
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he was a celebrity to the extent that he was and that there were all these to catch a Predator
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wannabes now on YouTube basically doing this same and to be fair just like Chris Hanson they are
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working usually with police with authorities and they are catching actual Predators right so you
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you can point to real justice being done but there is a downside to a lot of this whenever you
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have punishment as entertainment there is a downside to this that this movie and you can imagine
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that will this movie explores that and I mentioned that I didn't know the lore I also didn't know
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about some of the recurring gags almost on the show or some of the catch phrases at the end of
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the trailer you hear the documentarians say to Chris Hanson you're free to go some people
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watching this may feel like you have something to answer for what do you say that
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you're free to go apparently that's what Chris Hanson would say to all these Predators who
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would somehow and the movie talks about this would stay there and talk to him rather than run out
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the door but it wouldn't have mattered either way he says you're free to go of course they're not
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free to go as soon as they walk out the door they're police there to apprehend them but when I say
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deeply unsettling I want to be clear that yes occasionally it's the behavior of Predators like
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the guy we hear there on the phone in the in the trailer but mostly it's it's the movie's project
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in a good way it's the it's the questions that it it wants to and does pose that there
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are just no answers to Josh I mean that that you're going to be wrestling with I said it lingers
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the questions you're going to be wrestling with throughout and and maybe for days after like I was
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I can answer the question of whether or not the show was terrible I think it was terrible even if it
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did result in legitimate Predators being caught even if it did provide something in some cases
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cathartic for victims of sexual abuse but the movie considers what it wants us to think about what
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what it poses as its main goal is to get us to think about and get some of the people on camera to
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think about is what happens when the camera turns off and we see when we have to see these people
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as people as human beings can we do that should we do that and there are two scenes I will say and
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I won't get into a lot of details because I want people to see the movie to see this and and
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experience it for themselves but there are two scenes in the movie Josh where you watch
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catchers of Predators both pretty hard line both enured to this when confronted with their humanity
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they soften they do they they do see their humanity and what I appreciate about the movie is that
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the documentarian the director oset he doesn't take those moments as clear victories
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he doesn't try to simplify things he actually reminds you usually in these moments that
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let's not forget that these people these Predators did show up because they were going to have sex
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they thought they were going to have sex with someone underage and in one case they brought alcohol
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because they thought they were going to have sex with a 14 year old predators is a documentary that
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the dares to question everything including itself and I think that's really bold about the project so
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from the comfort of my TV I can sit here as an enlightened liberal man and talk about how we need
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to see their humanity but what if it was my child what I be what I really be feeling so generous
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and I can't wait to discuss this movie with someone who's seen it I haven't had that chance yet Josh
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because I am as much as I do appreciate the movie and I do I really recommend people see it
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I'm very conflicted about the ending it's not a spoiler because it's in the trailer and I alluded to
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it earlier but I didn't know it I hadn't seen the trailer I was waiting the whole movie
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and I said to Sarah who was watching it with me like when are we going to find out the whole
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movie has been building to this it has to be building to it are they going to interview Chris Hanson
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they they have to confront Chris Hanson or they have to tell us that they tried to get Chris Hanson
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on camera and he refused to be interviewed but but if they don't if we don't get the interview or
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we don't get the disclaimer honestly the movie is is almost worthless because the whole movie has
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been in some way building up to it oh so it would be derelict in his duties as a documentarian
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and the journalistic enterprise would be sunk here well he gets him he gets him and and the interview
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is is entirely appropriate I think the inquisition if you will is entirely appropriate but how it
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concludes how it concludes aesthetically I feel icky about I'm not I'm not sure I'm on board with
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the choices that that Osset makes again something I would love to discuss with someone
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so I mean this is grueling subject matter and you know someone who watches predators may not be
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in the mood to see something else along these lines but the way you're talking about the humanity
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the question of that in a reminds me of this documentary I saw way back I think 2015 at Sundance
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called pervert park and it was about a Florida trailer park that was basically founded to provide
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a place for registered sex offenders to live because their their options are severely limited you
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know can't can't live by schools can't because a condition of their parole and it's a movie that's
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very much about you know that one aspect it sounds like predators is partially interested in is
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what humanity might there be right people like this now this is on the other side of justice
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in this case so it sounds like it's very different to that to that end but still interested in
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that question so so yeah if if people are up for thinking about these sorts of really difficult
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issues a little bit more I'd also recommend pervert park predators is currently playing in limited
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release next week here on film spotting we've got a top five inspired by our conversation about one
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battle after another with Leonardo DiCaprio I think I've read this or heard this somewhere that
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it was a dream of his to get to work with Paul Thomas Anderson and certainly fans of PTA's work
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like I am and so many people are and I know you are Josh as well it it only seemed fitting that
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we finally got a big star like Leo working with Paul Thomas Anderson so what are the actor director
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combos that we haven't had that we'd like to see I should know the answer to this because when I
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proposed this top five at a film spotting production meeting several weeks ago I think I looked up
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or maybe on the call we looked up we've done something similar to this before I can't remember if
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done exactly this top five or something like it but either way certainly worth revisiting because
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it's been a while that we've done something like it and I haven't started the work yet but I'm
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excited to do it yeah I I'm struggling where do I start do I start with the directors or do I
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start with the actors yeah yeah right now I'm feeling like starting with the actors might be
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a bit more fun yeah because there I can certainly think of five and I'm not going to name them
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here but like five you know relatively new names and it doesn't have to be it could be veterans we
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could go with but right now I'm thinking about new names who I'm excited about where they're at
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in their career and thinking about where they might go and you know pairing up with a a
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top flight director is a way to to kind of move up in in your career so I'm leaning towards that
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path but yeah I haven't really sat down to think about it much yet as soon as you said it I have to
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say my immediate thought was to start actor because I think I can build the director off of I can
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match the sensibility of the director to the performer I know you can do the opposite to but for
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some reason it feels more natural for me to to match the director to the actor doesn't this go
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back to the del Toro conversation and maybe with Wes Anderson now I think he's brilliant in
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Wes Anderson's the French dispatch but that allowed him to have in that case a little bit of the
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mournfulness that he can carry in some of his performances whereas the Phoenician scheme was a
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little bit a little bit more prescriptive of what he needed to do so yeah it's I don't know if I
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would have ever said but in CEO del Toro an actor I love he needs to pair with Wes Anderson I
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probably wouldn't have thought of that I don't know if I would have thought with Paul Thomas Anderson
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either and would have missed out on one battle after another but but yeah it's yeah it'll be an
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interesting experiment to conduct Sam had a very good related prompt in the film spotting family
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discord and in the newsletter this week he said Paul Thomas Anderson can only make one more film
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and I'm gonna knock on wood and hope that that doesn't happen the star of the film can't be anyone
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that he's ever worked with before who is that star and I think I might take up that mantle for
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one of my five picks why not I mean I'd love to I'd love to the great question I'd love to do the
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decaprio pta pairing that inspired the top five why not go ahead and use it for one of my picks
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yeah I like it'd be fun I'll maybe steer away from that and let you have that one okay thank you
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you can you can go with Wes Anderson and we'll have the battle one battle about Anderson after
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another you can send your actor director combo picks to feed back at film spotting.net and yes we
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would love to share some on next weeks show also next week results and your comments from the current
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deeply flawed and deeply difficult film spotting pull I said you know it's actually not a deeply
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flawed poll it's a really good one when it feels impossible to answer and I will stall and procrastinate
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and do almost anything to avoid answering it you agreed the other way you know it's a really
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really good poll is when the answers are almost evenly split I have not looked at the results
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Josh in about five days so it's possible that it has changed that there's been a shift but the last
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time I looked it was about 33 33 33 33 and in fact right now wow the the number one answer has
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has taken a little bit more of a lead but it's currently 36 33 30 yeah think about that deeply
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difficult deeply difficult in that deeply flawed okay you can still vote at film spotting.net
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and yes we would love for you to leave a comment we might share your thoughts on air if you'd like
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to see our current show schedule some of the episodes we have planned the reviews we have coming up
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go to film spotting.net and click on episodes we want to keep you up to date on what they're doing
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on our sister podcasts the next picture show looking at cinema's present via its past it's part two
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of their till you drop pairing so this week they're talking about the Stephen King adaptation the
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long walk which just came out previously they set that conversation up by looking at Sydney Pollock's
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1969 film they shoot horses don't they that one featuring Jane Fonda new episodes of the next picture
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show drop every Tuesday and you can find them wherever you get your podcasts I want to mention one
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more time maybe we'll get another plug in but at least one film spotting family member posted in
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the discord they heard me plug this last week Josh and they must be somewhat in the area because
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they heard the promotion and said that sounds great I got to get a pass I'm going to refocus if
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you're anywhere in the vicinity of Iowa city Iowa film scene is having their fourth annual refocus
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film festival celebrating the art of adaptation it's October 9th through the 12th and you can come
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a live taping of a film spotting top five segment Friday October 10th 4 30 pm that will be with me
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and since I can't record with you I'm going to bring on you know our great third wheel our regular
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third wheel Michael Phillips will be taping that with me we are going to share our top five Iowa
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writers basically grads of the famed Iowa writers workshop or people people who were born in Iowa the
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films that have been adapted from their works one of the things I'll say we haven't totally ruled
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this out yet I guess I haven't made a ruling but I think I know where I'm I'm going to lean
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what you have to also consider is what do you do with people who are famous for teaching at the
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Iowa writers workshop not that there's a lot of great film adaptations of his work but if you go
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that route it opens you up to all of Kurt Vonnegut's adaptations for example Josh yeah so you know
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there's different criteria you could include but some great films I mentioned last week the new
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park Chanuk film is playing the new film train dream starring Joel Edgerton is playing at the
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the zodiac killer project new documentary from Charlie Shackleton which is very really interesting
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yeah playing at the fest so worth getting a pass if you're in the area please do check it out
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refocus film festival dot org all right let's embarrass ourselves with some massacre theater this is
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where we perform a scene and you get a chance to win a film spotting prize last time was this the
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video debut of masquer theater atom that I think there's an addition to floating somewhere
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video on the other but really the the official debut and yes you have me totally self conscious now
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but that's fine we'll get to that all right well last time we masquer this scene smoking
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rooster flares that was close we're out of flares man
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he's already on us
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oh this is not good
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tom crews and miles teller in 2022's top gun maverick written by Eric Warren singer Aaron Kruger
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and Christopher McCory and directed by Joseph Kaczynski that masquer was part of our five
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years five movie show a couple weeks back we also had reviews of spinal tap two and the history
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of sound on that show there is always a tie in so why that scene from top gun maverick well
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Alexa doubly has the answer I believe the masquer theater was top gun maverick the tie in would be a
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movie sequel that was released years nay decades after the original was released as is the case
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with spinal tap two and I'm just going to put this out there so all the true tap heads get it
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are you sure it's deadly and not doubly there you go Josh I'm sure they appreciated that
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yep here's David Allen who said it's got to be top gun maverick here are the connections one like
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spinal tap two this is a sequel that came many years after its predecessor two one could say tom
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crews feels like a continuation of Robert redbirds dashing smile and swagger I don't know we may
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have to discuss on our upcoming top five rubber redford movies Adam David Allen's third point
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the right stuff has some thematic crossover with the top gun movies and I believe that came up
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on your list Adam for Glenn Powell's next vehicle is the running man which like rear window is
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an examination of voyeur culture okay rear window on my list that's right we close with Ron and
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have a town PA you both went above and beyond on this mask or theater I laughed out loud on hearing
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you both pretend to have mask on playing out the pivotal ending scene where tom crews maverick and
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miles teller rooster are in a dog fight against the nameless bad guys flying next gen fighters thank
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you for making my day you're welcome Ron you're welcome everyone you know who's not welcome all
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the people who just wrote in top gun the original it's not the original it's the sequel Josh of course
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just like spinal tap to get with our listeners also yeah can you imagine Adam if we had a prop budget
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like how good we would have been if we had actual masks okay not just you start hands maybe next time
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and yes as at least one listener one entrant pointed out we did go with coal for the name of
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maverick referencing coal trickle from days of thunder we went with Andrew from miles teller's
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rooster a reference yes to whip lash Josh reach into the not very brimming film spotting hat and
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pick out this week's winner our winner is David Zobal from Roswell Georgia congratulations David
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email feedback at film spotting.net and we will set you up with your very own film spotting t-shirt
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film spotting tote bag or trial membership to the film spotting family broad sheet journalists have
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described my impressions as stunningly accurate well they're wrong i've not heard your Michael came
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but I assume it would be something along the lines of byna and sparkle came that is where you were so wrong
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we move on now to this week's edition of massacre theater i think the tie-in is going to be
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pretty obvious here Josh and we don't have any fancy sound effects that we need to employ here no
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no masks that we have to pretend to be putting on though producer sam picked a scene that does
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involve throwing our voices a bit. multiple voices yeah he's basically making us each play two
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characters yeah and he should run that struggle enough each playing a single character that's
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that's correct i struggle playing myself every week how also expect me to do this apparently he
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thinks i've been about a month in the uk here and i have a firm command yes of a british accent
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but i'm up in scotland it's totally different sam i mean i haven't been hearing people like this i
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mean come on yeah this is this is going to be rough it's it's going to be rough but we're going to
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go for it you are going to hear us attempt multiple voices in at least one instance maybe maybe two
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back to back and we are going to change the names in a couple of cases as we are want to do here
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on masquer theater josh you started off are you ready yeah let's do it and action where are we
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can't to bury we're close anyone know if there's a hotel around here what didn't to promise me a
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little bit of action you still like it in the afternoon would you do rob a train low up a building
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you told me he was swath why ain't got a drunk he swath should have seen him in the old days when
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he was a real activist you were a activist i just wanted to get laid one time the police came to
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throw us out of our squat and Dalton invited them up for coffee to negotiate only coffee was spiked
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with ketamine and see i played in america live we got out of our play in america there that was easy
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i don't know that i performed otherwise if you know what film we just masquerred email the
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movies title in your name and location to feed back at film spotting dot net your deadline is
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monday october thirteenth we'll select the winner randomly from all the correct entries i'm expecting
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just a big full film spotting hat and announcing in a couple of weeks josh that's our show
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if you want to connect with us on social media you can find adam and the show on instagram
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facebook letterboxed youtube all as film spotting i'm at those places also hanging out on blue sky
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as larson on film we are independently produced and listener supported you can support the show by
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joining the film spotting family at film spotting family dot com you can listen early and add
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free you'll also get a weekly newsletter from producer sam monthly bonus episodes our latest
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just went out as well as access to the entire show archive for show t-shirts and other merch go to
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film spotting dot net slash shop in that film spotting archive you can get past Paul Thomas Anderson
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conversations like our review of licorice pizza eight fifty three phantom thread that was episode six
spk_0
sixty four inherent vice episode five seventeen the master was episode four fifteen there will be blood
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episode one ninety three the more in depth conversation was for its tenth anniversary episode six
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fifty eight and we talked about magnolia on episode seven fifty two that was part of our nine from
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ninety nine series and we just put that back in our feed a little from the archive episode
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just this past week so you can find that available to all listeners in the main film spotting feed
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quick note adam as you are going through that list i meant to say while we were reviewing one
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battle after another and talking about the humor phantom thread you know underrated for a funny it
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is very dry very dry very dry but quite hilarious yes almost anytime
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or would cock it monishes anyone is is high comedy right exactly yep okay streaming or out
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the od you can see play dirty this is with the key stand field and keegan michael key written
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and directed by shane black in order to score a major heisen expert thief played by mark wallberg must
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outsmart a south american dictator the new york mob and the world's richest man okay i'm curious
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the lost bus is out Paul greengrass has a new movie out josh a man rescues a teacher and her students
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from a wildfire with matty mccanae in america for rarah huh been a while since we've heard from yeah
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mr greengrass obviously very interested in this one anemone daniel de luis returns to the screen
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in son ronans feature directing debut hope to catch up with that one good boy as dark entities
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threaten his human companion a dog must fight to protect the one he loves most yes it's a horror movie
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josh told from the perspective of the family dog indy wire gives it four and a half stars
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oh saying one of the years scariest movies and one that doubles as a tribute to the bond between
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people and their four-legged friends this is killing me i i was going to try to fit this in adam and
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then as you know unless nurse and viewers probably can tell got hit with a bug and
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have been down and out so had to take it off the viewing list but man come on that sounds great
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you know you know you want to see that can you see that or is that one that maybe you can get a
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screener too i was going to ask for a screener link but maybe it'll maybe it'll get a release
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around these parts as well okay happy end this is a feature debut from japanese american director
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neosora a near future japan braces for a devastating earthquake michelle bopray our friend says maybe
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the best looking film of the year also outlimited is predators the documentary recommended by me
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earlier in the show golden i is being re-released for its anniversary and very eager to see this one
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bennie safty solo directed the smashing machine it's the story of mma fighter mark her starring
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dwayne johnson hope to see that one but next week we are planning our top five actor director
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combos weed like to see if you've got a pairing you want us to consider or you just want us to read
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on air send it our way feedback at film spotting dot net film spotting is produced by golden
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joe de so and sam van hogren without sam and golden joe this show wouldn't go our production
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assistant is so fee campanar special thanks to everyone at wbe z chicago more information is
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available at wbez dot org for film spotting i'm josh larson and i'm at him campanar thanks for
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listening this conversation conserve no purpose anymore the bot
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fun
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film spotting is listed supported join the film spotting family at film spotting family dot com and
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