Entertainment
Laufey
In this holiday-themed episode, Nora Jones and Sarah Odo welcome the enchanting Icelandic singer-songwriter Leyve. They discuss her musical journey, her recent albums, and share a cozy musical surpris...
Laufey
Entertainment •
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Interactive Transcript
spk_0
Hi, I'm Nora Jones and today I'm playing along with Leyve.
spk_0
I'm just playing along with you.
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I'm just playing along with you.
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Hey, I'm Nora and with me is always Sarah Odo.
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Hello and happy holidays, everybody.
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Yeah, this is our holiday-ish episode.
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I love this time of year.
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Christmas-ish.
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It's my favorite.
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And I feel like we have the perfect guest artist to make us feel cozy and warm and all the holiday feels.
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Yes.
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Our guest today is the captivating singer-songwriter multi-instrumentalist Leyve.
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She is blown up out there.
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I am watching her rise to start them and it is really fun to watch because she is a doll.
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She is incredible musician.
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We had so much fun hanging out and playing music together.
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She is our first Icelandic guest.
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That's true.
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She released her debut album last year called Everything I Know About Love and just released her new album Be Witched a few months ago.
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I think Be Witched is a perfect album title for her because her voice is very enchanting.
spk_0
You were going to say Be Witch.
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I was going to say Be Witch.
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I'm just trying to say it.
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Enchanting.
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Yes, it's beautiful.
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It's like butter, actually.
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It really is.
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And stay tuned for a little holiday surprise if you're feeling jolly.
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Yep, we do a little jingle-jangle.
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We did a couple Christmas songs together that we released as digital singles and so we might just do one of them at the end.
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We had so much fun hanging out.
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I learned a lot from her.
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It's fun to learn stuff from someone who is so much younger.
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It makes me happy for our future.
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Yes.
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She's very smart and cool.
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She's smart, cool and really just beautifully musical.
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So we had a great time.
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Thanks for listening to us for this whole last year plus two months.
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And please like and subscribe if you want to hear new episodes.
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We might be taking a little break after this episode and we're going to be back with some fresh episodes.
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A while.
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So you don't want to miss it the freshness.
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Yes.
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So if you don't like and subscribe then you might not know when we're putting out a freshy.
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Okay, did I say fresh too many times?
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You kept it pretty fresh.
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We appreciate you all.
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Thank you so much for checking us out and sticking with us.
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This has been a blast.
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And there will be more to come.
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So stay tuned and thanks and please enjoy this episode from Leive.
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This is one of my favorite on the album.
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Is it?
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Yeah.
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It's pretty.
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I love it.
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It's not a single though.
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Whatever.
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It'll be a-
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The thing is I love all of them so much.
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I feel like they could all be singles.
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So I can't.
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It's really hard to decide.
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I think that makes sense.
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They're your children.
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They're like your little babies.
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Yeah, I figure you know if the kids like it they'll pick out the ones that-
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Yeah.
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Singles for the kind of music you make, kind of music I make.
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It's confusing.
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I'm like, none of this is going to pop right now.
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Yeah, that's so you all can chill.
spk_0
Yeah, so it's not the same-
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Yeah, I mean the next thing I have.
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The next single is like with an orchestra.
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It's like a orchestra.
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When was the last time there was an orchestral single?
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Well, rarely.
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Yeah.
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For me it's been one other time.
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Yeah.
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Well that's the reason I wanted to be a single because I was like well if I can't decide which one I may as well make it with purpose which is like pushing a symphony orchestra on to-
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Yeah.
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New music Friday.
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Yeah, my label always surprises me by picking the song.
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I didn't think would be a single to do a video or whatever.
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Yeah, I mean I like in the beginning I refused to do a video from the start because I was like I'm not going to do a video unless it starts popping off.
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It starts like getting a lot of excitement.
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Yeah.
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And then it did so now I have to go do a video.
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That's literally I'm waking up tomorrow and going to dance rehearsal.
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Really?
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After you get in late tonight.
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I have a movement coach.
spk_0
Ooh, that's exciting.
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It's going to be a new one.
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Why not, right?
spk_0
Yeah, why not?
spk_0
I'm doing a little something new.
spk_0
Well that's how you keep it fresh.
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Yeah, I did a music video for my last one I had to kiss a boy for the first time on screen.
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Oh boy, how is that?
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So scary.
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But I did it.
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I remember before the scene I like locked myself in a bathroom and I like I looked at the mirror and I was giggling so much because I thought it was so silly.
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And then I like looked at myself and I was like you are a professional.
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I was like you are a professional and you're going to push through this.
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You spent way too much money to not go through this.
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That's true.
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So I pushed through because I'm a professional.
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Was he a professional?
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He was an actor.
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Yeah, he was an actor.
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So he like walked me through it too.
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It is great.
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It helps to know that other person is.
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Yeah, yeah.
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No, it helps gracious.
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It helps so much and we were all good friends at the end of the shoot which was good.
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But it was definitely a new one for me like acting of it.
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But I kind of enjoyed it in the end.
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It can be fun.
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Now, dancing is going to be interesting.
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I tried to dance thing once and it never came out.
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I just realized I said it went that well.
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I used to think I was a good dancer but I think I'm just a good like interpretive dancer.
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Yeah.
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I'm question.
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Yeah.
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Are you doing like a diminished thing?
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Actually, I think I did.
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I think you did both.
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Actually.
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I kind of like you switch it up.
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I kind of like that.
spk_0
I'll just follow you and I'll avoid the B in case.
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Let's do that.
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Okay.
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Alrighty.
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One more kiss.
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One stainless.
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I don't want to go to sleep.
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Pale moonlight.
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Misty eyes.
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All allow myself to have me just tonight.
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And I hold on to every ounce of sleep.
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I know he don't love me quite like I love him.
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I swear to myself as he leaves her down.
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This will end till he haunts me again.
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I'll pretend you stay forever.
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Lay me down.
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Go to sleep.
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Haunt the always as he reps me around.
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And I hold on to every ounce of sleep.
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I know he don't love me quite like I love him.
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I swear to myself as he leaves her down.
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This will end till he haunts me again.
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I'll just go to sleep.
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I'll just go to sleep.
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I'll just go to sleep.
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I'll just go to sleep.
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I'll just go to sleep.
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I think it was one time I posted a little clip of from the start.
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I went to my manager and I was like I think I posted that a little bit early.
spk_0
But why?
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He was like you do whatever you want.
spk_0
I think you've done a good job of knowing.
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You don't want to do it too early so the excitement doesn't.
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People aren't angry at you.
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I was going to say what's the negative?
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Sometimes if it's a little early, people are waiting for it for so long.
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I was like where's the song?
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It wasn't a bad thing.
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I just remember doing a song from my second album way early on.
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It was a couple of years.
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I had written it and tried it for my first album but it didn't make it so it made the second album.
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I'd had it for a long time and we always did it.
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It was tricky because I was with the band and we were working out the arrangement.
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I ended up with five different versions of it.
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Not just different versions but very different arrangements.
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But really?
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In the end it almost spoiled the newness when you're in the studio for the first time.
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Right.
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Capturing a song.
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It didn't spoil it at all.
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But I was confused.
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I completely get that.
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When songs turn into such a different beast, they've been recorded.
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I try to keep the integrity of the song as much as possible.
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But I almost see it sometimes as two different versions of the song.
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The form that I wrote at first in just me and one instrument.
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And then the recorded version.
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I've been releasing orchestral versions of the same song.
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I have a live version, a studio recording, and orchestra live recording.
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I think a couple of my songs have three or four versions out.
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And it's like, I kind of like that.
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It's great.
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It kind of reminds me of all the old jazz musicians.
spk_0
They had like five to four versions of dream a little dream of me.
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Yeah.
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In different cities.
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Take three exactly.
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The live album from the Vanguard.
spk_0
Yeah, exactly.
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Yeah.
spk_0
No, when I talk about my film, Bill Evans recordings is always such a joke.
spk_0
I'm like, yeah, but like take three, right?
spk_0
Take three, right?
spk_0
Exactly.
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Because the old jazz records they put on all those extra takes.
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Like, so takes.
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I kind of like that.
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I like that.
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I like that sometimes.
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I don't like it when you start hearing the same song over.
spk_0
Yeah, yeah.
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You know, but.
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It's so clear.
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Yeah, it's awesome.
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Because there's really no bad one.
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Exactly.
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Yeah.
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Exactly.
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No, it's cool.
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It kind of tricks my brain into thinking like, oh, like that version will never be.
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There's no final version of a song.
spk_0
That is a good thing to remember.
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Yeah.
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Because I think it's really easy to get caught up in that.
spk_0
Definitely.
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And you're recording.
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I think that's how I like have at least gotten through like this album and whatever so quickly.
spk_0
It's because I was just like, I don't hold on to my songs for that long.
spk_0
I'm like, if that's how I wanted it in the moment, I'm not going to overthink it.
spk_0
Yeah.
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I can never look.
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I'll never look back at, you know, my musical decisions from when I was making that album and regret them.
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Because that's just what I wanted in the moment.
spk_0
Yeah, it was a record of the moment.
spk_0
Exactly.
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Yeah.
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Yeah.
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spk_0
And it's your painting a brushstroke and it's an abstract thing.
spk_0
And you're just sort of filling it in as you go, right?
spk_0
Right.
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And it's what it is.
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Yeah.
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Exactly.
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This is so fun to get to hang out.
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I know.
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I know.
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I know.
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It's such a joy for me.
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I mean, obviously, I've been such a fan of yours for genuinely since I was a baby.
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So to get to even sing with you is like, it feels like stepping into a record or something.
spk_0
It's incredible.
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I mean, you're such an incredible musician.
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You switch on guitar, the cello.
spk_0
We were playing around with the cello yesterday.
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It was amazing.
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And then you play piano, really beautiful.
spk_0
Oh, thank you.
spk_0
I'm like, can I play the piano?
spk_0
No, no.
spk_0
Because I can't play anything.
spk_0
You know, like I was mentioning yesterday, you're such a, the way that you play is so uniquely you.
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And to get to hear that, like kind of Nora Jones touched on songs that I've written is like absolutely mind blowing to me.
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It's so cool.
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Thanks.
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I'm excited.
spk_0
I feel like I feel very familiar in your songs because they are with the kind of chord changes that I grew up with.
spk_0
Two five ones.
spk_0
Yeah, I mean, the two five ones.
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I mean, I had to really train myself to not play sevens and like alterations.
spk_0
Whenever I started playing other kinds of music, because my hands would just normally go to the...
spk_0
That's definitely, I suffer from that illness as well.
spk_0
Yeah, but I mean, it's okay.
spk_0
Yeah, I mean, I don't hide from it.
spk_0
They're all kinds of, the amount of times I've been in sessions and people are like, yeah, it's almost like a little bit of a rub there.
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And I'm like, yeah, but it resolves.
spk_0
Yeah, it resolves.
spk_0
It resolves, yeah.
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It's like, hey.
spk_0
Oh, yeah, no, I like like the dirtiest chord that then resolves.
spk_0
And like, I always say like the beauty is in that tension.
spk_0
Yeah.
spk_0
I think that's like when people are like, oh, especially like when young, like Gen Z, when I think what they hear in my music that is unique.
spk_0
I don't necessarily think it's like unique to me, but I think it's unique maybe for, you know, this year and this time.
spk_0
It is just that tension and resolve that doesn't exist as much in pop music.
spk_0
Yeah, that's true.
spk_0
Yeah, I don't even know.
spk_0
Some of the most popular pop songs now, like I hear they have like either like some 251s or like kind of that tension and resolve.
spk_0
And people like, what is this? And in my head, I'm like, it's the tension.
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Yeah.
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Yeah.
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It makes sense.
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I like the type of rope and music.
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Yeah.
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Oh, it's the best.
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Of course, me too.
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I was wondering if we could try that song Valentine.
spk_0
Yeah.
spk_0
Yeah, absolutely.
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My little jazz standard.
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I love it. It's kind of a, yeah, well, that's what I like about it.
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It's a jazz standard.
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And I think because you have all these younger fans, of course they love the music, but I also feel like some of these songs speak to their moments.
spk_0
Yeah.
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Because growing up, listening to Lush Life, you know, that's one of my favorite standards.
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But I couldn't relate to it when I was a kid.
spk_0
Yeah, exactly.
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And something about this song has that sort of first love, the kind of thing that I feel like.
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I think that's one of the ways I've managed to, because I went into this like always with the goal of appealing to a younger audience.
spk_0
Okay, you did.
spk_0
Yeah, consciously.
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Consciously.
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Yeah, I made a point out of it.
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I remember there's so many great jazz musicians and that sort of kind of like an older audience and have served me also as a listener.
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But I think what this generation really cares about is, is relatability.
spk_0
Well, I also, I'm a very honest person and the way that I write is very much the way that I speak.
spk_0
So it kind of, I guess, naturally ended up being like that.
spk_0
But I think the reason that I've managed to grow such a Gen Z audience with music that sounds, I guess a bit older is because the lyrics are, I guess a little more relatable than a Lush Life, you know.
spk_0
Exactly.
spk_0
As wonderful as that song is.
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I love that song.
spk_0
I wasn't a kid that wrote it like 17 when he wrote it though.
spk_0
Billy Sherwin, was he like 18 when he wrote it?
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I think you're making me right.
spk_0
He was young, but I think back then 18 was a whole other life.
spk_0
That's true.
spk_0
He used to visit all the very great places.
spk_0
Yeah, I don't know.
spk_0
I recently learned that Paul Enka wrote my way for Frank Sinatra when Paul Enka was only in his early 20s, which is also kind of bonkers to me.
spk_0
That is like, yeah.
spk_0
That is an old man song.
spk_0
That is an old man song.
spk_0
He did write great song, but an old man one for sure.
spk_0
He did write it for Frank when he was, I guess, later in his career.
spk_0
Still, I don't know to get that emotion.
spk_0
It was pretty cool.
spk_0
However, my music is very, I definitely write about very, well, I guess the experiences that I've been going through in the past, you know, four years of writing, which is very much like moving out of my home and being like young,
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in a new city for the first time, falling in love for the first time or stuff.
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That's the magic.
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It's funny. I write my albums or my journals.
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I even look back to some of the first songs I wrote on my first EP and I'm like, wow, that was really young.
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That was very, I don't think like that anymore.
spk_0
It's pretty cool.
spk_0
Yeah, it's your journal.
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It's your record of that time.
spk_0
I think come away with me was the first song I wrote when I moved to New York and I started playing guitar.
spk_0
And it was very simple because I didn't know very many chords on guitar.
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My EP is very much like that.
spk_0
It was my first time playing guitar as well.
spk_0
Yeah, I like that.
spk_0
I think one of the reasons I started writing on guitar, and I still, even though I'm a much better piano player, than a guitar player, I still write mostly on guitar, I think, because I just know chords and not too much.
spk_0
I can focus on the writing.
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The emotion and the lyrics.
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Exactly.
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The lyrics were like the piano I can get carried away.
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There are just too many options and I understand it too well.
spk_0
I've written more songs on guitar for that reason, the same reason.
spk_0
Not that I'm fancy on piano, but you're pretty fancy on piano.
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You know, anyway.
spk_0
Let's try this song, Valentine.
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Valentine.
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Valentine.
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Valentine.
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Valentine.
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Valentine.
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Valentine.
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Valentine.
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So cute.
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I love that.
spk_0
Sorry to chime in on as many her when she sees my daughter.
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So lovely and dainty.
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Dainty.
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It's so sweet.
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It's a cute one.
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It's a big swing.
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It's definitely one of the songs I look back and I'm like, yep, I was definitely 21.
spk_0
Yeah.
spk_0
I laid out on that lyric.
spk_0
Yeah.
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I know I sing that now and I'm like, yep, those three years ago.
spk_0
Yeah.
spk_0
It's funny, right?
spk_0
I think it's great.
spk_0
It's a cute one.
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First love kind of thing is just so we've all been there.
spk_0
Yeah, you know, I think for my young listeners, it feels relatable and I think for older listeners,
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even me now being three years older, it reminds me of a kind of like a sweet time, innocent time.
spk_0
Yeah, I love that.
spk_0
So you're in the middle.
spk_0
I met you about three weeks ago, I guess.
spk_0
Right.
spk_0
Yeah.
spk_0
We did a show together in Gensperous.
spk_0
Yeah.
spk_0
That was fun.
spk_0
It was.
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And since then, I feel like you're going through a lot.
spk_0
That's crazy.
spk_0
You're doing really great.
spk_0
And I feel like you're kind of people are getting turned on into your music really fast.
spk_0
I'm trying to not say you're blowing up because that just sounds obnoxious, but you kind of are.
spk_0
It's, yeah, it's a crazy time.
spk_0
I kind of can't believe it.
spk_0
Yeah.
spk_0
Especially with the kind of music I make and have sought out to make, it's I never, ever, ever would have dreamed of, you know, that it would breach kind of, you know, people that don't listen to this music.
spk_0
Normally, you don't, you know, have a history of listening to jazz music, which was always the goal.
spk_0
It just is so wild to me.
spk_0
Well, that's funny because I heard you say you've said a few times that it is kind of your goal to turn younger people on to jazz.
spk_0
Yeah, absolutely.
spk_0
You very clearly think want to do that.
spk_0
Yeah, that's kind of like the whole reason I make music, I would say.
spk_0
But I love that.
spk_0
I never thought about music that way personally.
spk_0
Yeah.
spk_0
I never thought about how or who it should be received by because I wasn't that forward thinking.
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spk_0
But I think with the nature of the way you have to make music these days, it makes a lot of sense to have to think about that stuff.
spk_0
Yeah, right.
spk_0
Well, I grew up playing classical music and jazz music and I went to jazz conservatory, if you all for school.
spk_0
To Berkeley?
spk_0
Yeah, so I have all this formal education behind me for these styles of music that kind of seem like they're only for those who have the formal education.
spk_0
Yeah.
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And I love the music so much and I want to make it kind of accessible to all.
spk_0
And I think one of the reasons that people believe that these genres of music are dying out a little bit is because it's lost that air of relatability and accessibility.
spk_0
Which jazz music in the beginning was meant to be that.
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It was kind of breaking out of classical forms.
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And I guess in a way of trying to save these styles of music, I've gone out to make this kind of music and make it accessible for all.
spk_0
But I think that's great because I've heard of other people doing that as well, but they are more of a historical route.
spk_0
You're writing original music and you're not trying to do something old.
spk_0
You're just doing what you feel in an original way.
spk_0
I think that's why it's being related to so well.
spk_0
Thank you.
spk_0
Well, this generation, they don't really care what the music sounds like.
spk_0
Of course they want good music, but they want just somebody that they can look to.
spk_0
The way I carry myself and the way I go about social media, for example, and releasing and all that is very pop music.
spk_0
The way that I go about it is very much a pop-focused career, which I wanted.
spk_0
But the second I opened my mouth, it's kind of like Valentine.
spk_0
It's like songs that sound kind of old.
spk_0
But because they're written about my current experience, it's my modern experience.
spk_0
I think there's some sort of connection there that gets to the new generation.
spk_0
I think it's really neat.
spk_0
I'm really surprised that it somehow worked out.
spk_0
Previously, when I'd walk around and people would ask me,
spk_0
like, oh, you are honestly one of my main examples for somebody that could bring music that was less traditional in that sense
spk_0
and bring it to a wider audience.
spk_0
There were so few examples.
spk_0
It was really only you for a while that I had to look up to that.
spk_0
So it's really cool to be sitting across from you and talking about this.
spk_0
Yeah, exactly.
spk_0
But it's such a different world now.
spk_0
It is.
spk_0
It's so different.
spk_0
You're like a social media master, and you have to be that.
spk_0
Yeah.
spk_0
I mean, that's the way that I've managed to connect to a young audience.
spk_0
Yeah.
spk_0
Because they're all on social media.
spk_0
Yeah.
spk_0
I also enjoy it.
spk_0
But if you don't enjoy it, people can tell and they won't connect to it as women.
spk_0
Yeah.
spk_0
I'm lucky I enjoy it.
spk_0
Yeah, you're lucky.
spk_0
It's not a given to want to do it along with doing music.
spk_0
They're kind of two separate things that now the industry kind of requires you to do both.
spk_0
Yeah.
spk_0
I'm just lucky I enjoy it.
spk_0
I've seconded a bunch of friends lately and they're struggling because it's not the artist's
spk_0
brain to be a self-promotion.
spk_0
You have to be your own.
spk_0
You have to be like a business woman.
spk_0
You are a business woman.
spk_0
And that's what I find so fascinating that you're so on top of it all.
spk_0
At a young age, I don't think I really knew my way around stuff at that age.
spk_0
Well, maybe by your age I had to, but I mean, did you start out just as a teenager watching
spk_0
TikTok or was it me?
spk_0
I don't know.
spk_0
No, no.
spk_0
I mean, so I was at Berkeley.
spk_0
I was just a student there and then I was studying cello.
spk_0
And yeah, while we got sent home because of the pandemic, so I went home and I had just a couple
spk_0
of weeks or so I thought of break because of COVID.
spk_0
And I just said to myself, you know, I'm going to post little videos on myself online playing jazz
spk_0
standards and songs that I've written that sound like jazz songs and just kind of, that
spk_0
was my challenge to, you know, try to write as much as possible and post as much as possible.
spk_0
And I actually didn't even have TikTok at that point.
spk_0
I remember my sister came, I have a twin sister.
spk_0
Yeah.
spk_0
She and her friends had been watching TikTok and she went to university in Scotland.
spk_0
And I remember my sister was like, you know, you should get on TikTok.
spk_0
Like there are a lot of singers on here and I remember rolling my eyes and feeling like this
spk_0
is so stupid.
spk_0
Like this is not for me at all.
spk_0
Like I'm never going to like get into that.
spk_0
This is for children, you know.
spk_0
And then of course, like everyone else, I kind of got sucked in and I think I posted one video
spk_0
of myself singing, I wish you love and I'm like accompanying on cello.
spk_0
The cello, yeah.
spk_0
Yeah.
spk_0
And it just kind of immediately caught into the algorithm or something and all of a sudden I had all these
spk_0
young people commenting on it being like, oh my god, like this sounds like something out
spk_0
of a movie or reminds me of my grandparents or something.
spk_0
And it was really then that it kind of clicked in my brain that my generation had a hunger
spk_0
and understanding of this kind of music.
spk_0
It just hadn't been presented to them yet.
spk_0
So I kind of, you know, after that video kind of jumped on the train and kept on doing that.
spk_0
And it was kind of a perfect storm of events.
spk_0
I had my first song set to release the third week of the pandemic.
spk_0
It was just for fun.
spk_0
Like I literally uploaded it onto like tune core or whatever myself.
spk_0
And yeah, it's all just snowballed from there.
spk_0
It was all just a really lucky, lucky kind of string of events.
spk_0
But social media is definitely the reason that, you know, I'm not sitting in my bedroom in Iceland.
spk_0
Yeah.
spk_0
And got to move to LA.
spk_0
So I have, you know, as much as artists are inclined to hate on social media,
spk_0
I'm very thankful for where it's brought me.
spk_0
And it's given me a lot of control and leverage kind of as an artist myself to run my own business
spk_0
exactly the way I want to.
spk_0
And that's what you're doing.
spk_0
And release exactly the kind of music I want to.
spk_0
Like nobody's ever like when I wanted to release Valentine, you know.
spk_0
Not a single person was like, hey, you know, I don't know if Gen Z is going to like a jazz song like that.
spk_0
You know, nobody ever thought that because I'd already posted it on TikTok
spk_0
and it had already, you know, shown that it was there that there was interest there.
spk_0
It's pretty cool.
spk_0
You can take control like that.
spk_0
And once you're in the machine and people are excited.
spk_0
Yeah.
spk_0
It's just connection with other people.
spk_0
Yeah, it is.
spk_0
It is this direct line of communication that I have with my audience.
spk_0
And that helps me so much as not as to know what they want.
spk_0
Like obviously I make music for myself first and foremost.
spk_0
But I also have an audience.
spk_0
And I listen to them.
spk_0
And it's really neat to have that direct line of communication.
spk_0
And so fun to respond to fans and respond to DMs.
spk_0
And they're never expecting it.
spk_0
Yeah, they're excited.
spk_0
They get so excited.
spk_0
I still remember like, yeah, I was only about three years ago.
spk_0
I remember I posted a video of myself like from a practice room at Berkeley singing
spk_0
down by Emily King and like playing along.
spk_0
And she commented on the video or shared it or something.
spk_0
And I remember I had to like take myself out of class.
spk_0
Like I just see myself out because I was like so nervous and so excited.
spk_0
And I like remember it like standing in the hallway hyperventilating.
spk_0
Because I was so excited that like Emily King had commented on my video
spk_0
and it encouraged me so much to like continue.
spk_0
And I now have that power, which is the coolest thing in the world.
spk_0
So you know, whenever I see a cover of one of my songs that a fan has made
spk_0
or you know a nice DM and I just, if I have a moment, I respond.
spk_0
Because maybe one day I won't be able to.
spk_0
Yeah.
spk_0
But until that day I'm going to engage as much as I can.
spk_0
And because you remember how that felt.
spk_0
Yeah, I remember so well.
spk_0
There's like a couple of artists who are now my friends even
spk_0
that I like did covers of their songs and I was like freaking out.
spk_0
It's like so sweet.
spk_0
That's so cool.
spk_0
Like I can in one second like make someone's weak.
spk_0
It's crazy, right?
spk_0
It's weak.
spk_0
It's all.
spk_0
Yeah, it's so crazy.
spk_0
Yeah.
spk_0
So that's awesome.
spk_0
I mean, I'm sure you feel that power too.
spk_0
Like when people come to you and you know tell you how much your music has
spk_0
meant to them or what they've done.
spk_0
It's wild how that happens.
spk_0
I could learn a lot from you on social media.
spk_0
Also that.
spk_0
Running your own show being such a good business person.
spk_0
Also, you're on a label.
spk_0
But it's kind of self-run.
spk_0
Is that what's the label you're on?
spk_0
Oh, my label is called A.O.L.
spk_0
And they're really, really great and have been so supportive.
spk_0
And they support all my projects.
spk_0
And they kind of let me release whatever music I want.
spk_0
And I have like full creative control.
spk_0
And yeah, it seems like a really, really like best case scenario.
spk_0
It's like all these things that at least at Berkeley, you know, people are always talking about how like if you're with a label,
spk_0
like you don't get to make your own decisions and stuff like that.
spk_0
And my experience has been entirely the opposite.
spk_0
So what are the typical label or their?
spk_0
I mean, I would say so.
spk_0
There's not really anything they do that other labels don't do.
spk_0
Okay, but are they a major label?
spk_0
No, they're not considered a major label.
spk_0
But I believe they're under Sony now.
spk_0
Oh, gotcha, gotcha.
spk_0
That's great.
spk_0
Yeah, I own my masters and own my publishing.
spk_0
And it's cool.
spk_0
I didn't know that meant when I was with you.
spk_0
You know what I mean?
spk_0
Yeah, well, I mean, there's so much transparency in social media now.
spk_0
And like obviously with Taylor Swift, you know, speaking so much about it.
spk_0
And and re-recording all of her older albums.
spk_0
It's like, it's very kind of at the forefront of a lot of young artist's minds now.
spk_0
Yeah, and it's been empowering because it educates you all as to what the business is behind the scenes of business.
spk_0
Yeah, absolutely.
spk_0
I remember when I signed my record deal.
spk_0
It was not for a ton of money and we did 14 songs for the first album.
spk_0
And I had a publishing deal like in the works.
spk_0
But I only wrote two and a half songs on my first album.
spk_0
It was a few covers and a lot of songs from my band members at the time.
spk_0
I was a new songwriter.
spk_0
But we get close, we start pressing the records.
spk_0
And it comes out that I didn't understand any of this at the time until after the fact.
spk_0
The label only pays 75% of the publishing per song.
spk_0
So you have to get every publisher to agree to that.
spk_0
But of course it's favorite nations, which I didn't know anything about.
spk_0
And so if one person doesn't agree, then nobody agrees to it.
spk_0
Wow.
spk_0
And also the label only paid for 11 songs on an album.
spk_0
So here I had 14 songs out of pocket for three.
spk_0
I was going to be way out of pocket for three songs plus the extra 25% of each song.
spk_0
If that makes sense, quick math.
spk_0
But it was too late to go back because everything had been pressed and finalized.
spk_0
So this all kind of came out at the end right before the album came out.
spk_0
And I panicked a little.
spk_0
And then for now, I'm like, okay, ever since then I was very...
spk_0
You know, I learned my lesson is what I'm saying.
spk_0
But it's just little things like that that you don't think about.
spk_0
No, I mean, I've had my own version of that too.
spk_0
You know, like you kind of don't...
spk_0
It is odd in the beginning, especially for young artists.
spk_0
You really don't know anything about the music industry.
spk_0
And it is so, so, so confusing.
spk_0
Like I'm still learning so much every single day.
spk_0
I always tell people, like I got my master's degree in music business for my manager.
spk_0
Because he's still to this day teaching me everything.
spk_0
Like there's to know and there's so much to know.
spk_0
But like my first few songs I had no clue about any of that stuff.
spk_0
And I was just lucky that I had my manager swoop in and kind of like help me take care of it.
spk_0
That's good.
spk_0
spk_0
Yeah, you need people to help you through it.
spk_0
But also it's great to know that you're wise to the most of the stuff.
spk_0
I'm like very careful.
spk_0
Well, I remember like at Berkeley, like in music business classes that we would take.
spk_0
Like my main takeaway was like, don't be careful before you sign anything.
spk_0
Yeah, of course.
spk_0
Make sure you have a lawyer and whatever.
spk_0
So like I remember, you know, when I first started getting phone calls and emails from labels and managers and stuff like that,
spk_0
I was like, okay, slow down.
spk_0
I took all the meetings, but I refused to sign anything until I had like a manager and a lawyer.
spk_0
It's good.
spk_0
So it was like this puzzle piece.
spk_0
I remember the first few months of doing this, I was very confused because I really needed help,
spk_0
but I also wanted to make sure it was the right people helping me.
spk_0
That's good.
spk_0
I kind of walked around blindly for a bit, but it was all worth it.
spk_0
That's great.
spk_0
Would you ever consider signing a big deal and losing control of your masters?
spk_0
Is that something that's crossed your mind?
spk_0
I think it would have to be for a lot of money.
spk_0
I think hopefully I'm in the position now where like I don't think anybody would be crossing me and telling me what to do and what not to do.
spk_0
I think people realize that I'm very strong-minded and know what I want musically.
spk_0
But yeah, I'd have to, for a lot of money to give up my master.
spk_0
It wouldn't be a quick decision.
spk_0
It wouldn't be a quick decision.
spk_0
It would be a group decision too.
spk_0
I love that everybody knows what that means now.
spk_0
Because of Taylor's way of thinking.
spk_0
No, I know it's funny.
spk_0
She's not the only one, but it's pretty big.
spk_0
It's good.
spk_0
It's brought on so much transparency in the music industry and kids are walking a little less blind into these big scary meetings.
spk_0
Yeah, well good.
spk_0
I'm glad.
spk_0
Yeah.
spk_0
I'm glad you're smart.
spk_0
It's I have a good team.
spk_0
I will say after I released this song, somebody commented.
spk_0
It's so Nora Jones.
spk_0
Really?
spk_0
Yeah.
spk_0
That's funny.
spk_0
I actually don't think so.
spk_0
I think it's so you.
spk_0
I just remember that.
spk_0
So I said that.
spk_0
It's so nice.
spk_0
It's a nice piano, right?
spk_0
Yeah.
spk_0
I'm glad you're going to play piano.
spk_0
Yeah.
spk_0
I know.
spk_0
I'm really bouncing around all instruments now.
spk_0
I'm excited.
spk_0
You're going to play piano.
spk_0
I'm so excited to have the world on it.
spk_0
That's such a good call.
spk_0
spk_0
Did you study classical piano also?
spk_0
So cello and piano.
spk_0
Yeah.
spk_0
Classical.
spk_0
Growing up.
spk_0
Yeah.
spk_0
Intensely.
spk_0
Very intensely.
spk_0
Your mother's a violinist?
spk_0
Yeah.
spk_0
She's a violinist.
spk_0
Yeah.
spk_0
My grandparents were also a violinist and a pianist.
spk_0
Oh wow.
spk_0
And your sister is a violinist?
spk_0
She's a violinist.
spk_0
Yeah.
spk_0
She plays on a lot of my recordings.
spk_0
That's cool.
spk_0
Anyone else's musical?
spk_0
No.
spk_0
Just.
spk_0
Yeah.
spk_0
Where did the jazz come from?
spk_0
Just my dad.
spk_0
Well, my dad really liked jazz music.
spk_0
spk_0
Yeah.
spk_0
So he played a lot.
spk_0
So he played a lot of jazz music.
spk_0
And I think for me, like when I started singing, I always had kind of like a dark, like low,
spk_0
deep voice.
spk_0
And I could kind of resonate with like Ella Fitzgerald.
spk_0
And like, of course, my voice is not nearly like theirs, but kind of had that darker quality
spk_0
to them.
spk_0
And the recordings with like the big string ensembles and stuff, I could kind of relate
spk_0
to that.
spk_0
Like it kind of felt like a middle world between like classical music and something new, something
spk_0
newer.
spk_0
So I kind of, that's how I fell in love with jazz.
spk_0
That was the only music I really sang.
spk_0
Like there's a video.
spk_0
You never sang classical.
spk_0
No.
spk_0
You know, I don't love classical singing that much.
spk_0
spk_0
Maybe I'm exposing myself.
spk_0
I might come around.
spk_0
I might come around.
spk_0
Like a Alice.
spk_0
Okay.
spk_0
There's one recording on Maria Callas singing a Samsung and Delilah.
spk_0
It's like one of the most beautiful songs in the world.
spk_0
I know.
spk_0
She had a lot of heart.
spk_0
Yeah.
spk_0
That I will say.
spk_0
Cool.
spk_0
I love the song.
spk_0
This is a deep song.
spk_0
I mean, it is a deep song.
spk_0
You know, we were talking about Valentine and being young and all the relatable first.
spk_0
This one feels old.
spk_0
I've definitely matured a bit.
spk_0
Yeah.
spk_0
My songwriting and experiences have matured a bit.
spk_0
I love this one.
spk_0
I'm glad we're going to do it.
spk_0
I love this song.
spk_0
I love this song.
spk_0
I love this song.
spk_0
I love this song.
spk_0
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spk_0
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spk_0
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spk_0
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spk_0
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spk_0
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spk_0
I love this song.
spk_0
That was the first video I've ever filmed online.
spk_0
What is it?
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