Entertainment
Bonus Episode! Black Country, New Road's Charlie Wayne and Lewis Evans
In this bonus episode of Earwax, hosts Hillary and Cody chat with Black Country, New Road members Charlie Wayne and Lewis Evans about their new album 'Forever How Long.' They discuss the ban...
Bonus Episode! Black Country, New Road's Charlie Wayne and Lewis Evans
Entertainment •
0:00 / 0:00
Interactive Transcript
spk_0
Knock Knock Knock Sound
spk_0
Skate Sc�
spk_0
spk_0
spk_0
spk_0
spk_0
Welcome back to Earwax. My name is Hillary and I am joined as always by Cody.
spk_0
I'm here. What's up? What's up?
spk_0
And remember, we said we were going to take a break. We did.
spk_0
But guess what? We never rest.
spk_0
We never rest.
spk_0
Except for after this week, because we will rest after this week.
spk_0
This is the first, this is the last surprise.
spk_0
Surprise. Surprise bonus episode.
spk_0
So before we go on our summer break, you can follow us on Instagram or TikTok.
spk_0
Maybe both at EarwaxPod. Check us out.
spk_0
And we have sort of a special arrangement for the episode today.
spk_0
Yeah, the reason that we're not taking a break because we never rest is because we never rest is because we have two members of black country
spk_0
in New Road, Lewis Evans and Charlie Wayne. They came on and talked about their new records forever. How long?
spk_0
I am very excited to get this to this conversation shortly.
spk_0
If you haven't heard about this record, it just came out on April 4th this year, 2025.
spk_0
And it's their third studio album. If we're not counting their most recent album, which is live from Bush Hall, March 2023.
spk_0
Yeah.
spk_0
Is when that came out, it's both a concert film and a live album.
spk_0
And that's quite a large gap, especially for how long they toured that album.
spk_0
They've had quite a few lineup changes.
spk_0
So there are some really interesting things to talk to them about in this episode about this album in particular.
spk_0
It's a real change for them.
spk_0
These guys were really gracious with their time. We really enjoyed having them on.
spk_0
And so on the front end of it, we'd like to say thanks to black country new road for for
spk_0
for sharing their time with us. And we hope you guys enjoy our chat with them on the other side of
spk_0
in store events and new releases.
spk_0
Last round, I promise. Last round of in store events before our break.
spk_0
Starting off with Berkeley, all three locations is one we've been creeping up on for a while now.
spk_0
Friday, May 23rd at 5 p.m. we're having a listening party for stereo labs new album.
spk_0
Instant holograms on metal film.
spk_0
Yes, yeah, we'll be good.
spk_0
Yeah, it's going to be awesome.
spk_0
Also at all three locations, Friday, May 30th, 5 p.m.
spk_0
is another listening party for the grateful deads. The music never stopped. That will be long.
spk_0
And at the Berkeley location on Monday, May 26th at 6 p.m.
spk_0
Something pretty unique. Joe Dart of Wolfpeck will host a base masterclass at Amiba Berkeley.
spk_0
That's so crazy. That will be cool. Yeah.
spk_0
San Francisco location Wednesday, May 28th, 5 p.m.
spk_0
Listening party, 10th anniversary release, Sufion Stevens album, Carrie and Lohl.
spk_0
Be there. Be there.
spk_0
And as always, you can find more information about all of our in store events at Amiba.com.
spk_0
I've heard some things have been releasing lately.
spk_0
Some new one, you know, I feel like Spencer since you're here.
spk_0
Do you have any?
spk_0
Invo.
spk_0
Wait, wait, wait, wait. Are you waking up from my break?
spk_0
We're on break, I thought. Are we on break?
spk_0
Oh, yeah, about that.
spk_0
Insert 10 sound effects.
spk_0
All right, all right, all right. Roll time's sake.
spk_0
Why not just one more for the road. One more for the road, y'all.
spk_0
The black country new road. Oh, Cody, Cody, Cody.
spk_0
Honestly, sick reference, Cody. That was rad. Thanks.
spk_0
Nicely done. Well, yeah, I got a quick list for you today,
spk_0
but mostly just because I'm so excited for us to get to our guests that we have.
spk_0
First off, we have a brand new stereo lab album releasing and titled instant holograms on
spk_0
metal film. We all agree is maybe the most stereo lab sounding.
spk_0
I agree. We've ever heard. We're all very excited about that one.
spk_0
We covered them weeks ago now. But since then, it's been nationally ranked as one of the best
spk_0
podcast episodes in history. Please make sure to check that out and make sure to check out.
spk_0
In history, instant holograms on metal film on CD, standard vinyl and clear.
spk_0
When I laughed just now, it wasn't because it was a joke.
spk_0
It was because it was so true. Yeah.
spk_0
I was filled with emotion laughter emotion. Yeah.
spk_0
For the best podcast episode in history. Continue.
spk_0
We are also getting a brand new album from American pop duo Sparks.
spk_0
The new album is simply titled Mad with an exclamation point. I know Cody likes punctuation.
spk_0
I think it hits the nail on the head for these modern times.
spk_0
That name you can pick up mad on CD, standard vinyl and light blue lenticular vinyl.
spk_0
That means I'll spend most of my time doing the little swisher thing with my thumb
spk_0
now on the cover. Smart. Smart. Smart.
spk_0
Also want to shout out this box set releasing that sounds awesome and titled strobes in space.
spk_0
Indie Sleeze, new rave and future disco 2000 through 2009.
spk_0
Coming to you on neon pink purple petrol tri color vinyl. Love.
spk_0
Honestly, they went for it and I'm here. They knew it was our last one.
spk_0
Yeah. They went for it. Thank you.
spk_0
Every color variant in one. Thank you. Various artists.
spk_0
Thank you. Various artists on that one.
spk_0
And of course, last but not least, to come all together now.
spk_0
This wouldn't be an episode of.
spk_0
If I didn't get the mention.
spk_0
Sophie's oil of every pearls on inside, which will be available to you this Friday
spk_0
on Pearl Sunrise vinyl.
spk_0
All right.
spk_0
We got another variant of that record just under the wire.
spk_0
Yes, and other while Pearl Sunrise.
spk_0
Honestly, I can't wait to see what it looks just like.
spk_0
But why?
spk_0
All right, guys.
spk_0
All right, go back to sleep, Spencer.
spk_0
Thank you.
spk_0
Nice.
spk_0
So sweet.
spk_0
All right, and we're back. Do you guys want to introduce yourself real quick?
spk_0
Sure. I am Charlie.
spk_0
Yeah.
spk_0
Excellent.
spk_0
My name is Lewis.
spk_0
And we're both in Black Country New Road.
spk_0
Yes, right.
spk_0
It's the opposite of me.
spk_0
Yes, and Black Country New Road has just come out with a new album, Forever How Long,
spk_0
released on Ninja Tune on April 4th, 2025.
spk_0
You guys are already mid-tour about a month and a half in,
spk_0
started in the UK, just came over to the US recently.
spk_0
We want to start off asking you some questions about how the tour's going so far.
spk_0
Sure.
spk_0
Yeah.
spk_0
You guys have a show tonight at the Wiltern.
spk_0
Yeah. Have you played LA before?
spk_0
Yeah, a couple times.
spk_0
Yeah.
spk_0
You actually played the Wiltern before
spk_0
with Black Midee in 2022.
spk_0
Awesome.
spk_0
Just great.
spk_0
So one of the things I want to ask is that you guys have had a pretty interesting path leading up
spk_0
to this record.
spk_0
And I think Charlie, you mentioned that this album was your first normal album rollout.
spk_0
I saw that and that it made me chuckle.
spk_0
I wanted to ask, what is it like experiencing what is old hat for most bands as new and normal?
spk_0
Yeah, I guess I think that when I said that, it does definitely ring true.
spk_0
This is the first kind of regular album cycle in that we're not releasing an album
spk_0
to be like a pandemic or like without a key member of the band.
spk_0
But yeah, I don't know.
spk_0
I think it is just like, everything is obviously exceptional.
spk_0
Like it's an extremely lucky and weird position to even be in a position where you're like,
spk_0
yeah, this seems like a normal thing to do.
spk_0
There's nothing normal about that.
spk_0
That's right.
spk_0
And that's not lost on any of us.
spk_0
But it is just like, yeah, it's strange, I guess.
spk_0
Like, kind of announcing an album, releasing singles, and then it comes out,
spk_0
and then you play shows around it.
spk_0
I don't know.
spk_0
It's like, it doesn't kind of feel like jeopardized in any necessary way, which is cool.
spk_0
Yeah.
spk_0
Does it sort of feel like you're navigating?
spk_0
Okay, this is what a band, a standard tour is going to look like compared to any other
spk_0
album that you've done before.
spk_0
I suppose in any way, I guess it's like, yeah, I think so.
spk_0
We're just maybe not playing catch-up so much.
spk_0
Sure.
spk_0
I think that the, because we actually didn't ever really do a huge amount of touring
spk_0
for the first two albums, really.
spk_0
spk_0
And then, yeah, the last time we were at the Wilton, and in LA playing,
spk_0
we're just kind of like on this extremely long run of touring that you basically did for
spk_0
sort of, Bush called the live album that we did, where we were just kind of playing and playing
spk_0
and playing and playing shows, kind of make up for lost time, really.
spk_0
And so this time around, it's just kind of like, yeah, this is where we should probably be.
spk_0
Yeah.
spk_0
Yeah.
spk_0
That's a way.
spk_0
Now that you've been touring for a while, do you feel like there are certain identifiable moments
spk_0
within your set where it sort of feels like everything comes together, everybody's playing,
spk_0
like, at the same time, you're like, I love this part of the set.
spk_0
It works always.
spk_0
Yeah, there's definitely moments.
spk_0
But, you know, there's a feeling that with us as a band, which is, you know, what makes it
spk_0
a really appealing thing to see life, but it's a feeling that it could all fall apart just like that.
spk_0
I get so envious watching bands that just play tunes with four chords,
spk_0
grooving out, thinking like, that must be so chill.
spk_0
But I've got kind of a hyperactive mind, and I get anxious about the whole thing all the time.
spk_0
So I'm always worried that it's going to fall apart when maybe not everyone else is.
spk_0
Yeah, there's definitely moments where like, it's guaranteed to bang, I think, and, you know,
spk_0
at the moment, we've got a couple of those in the set when we haven't had that for a while.
spk_0
You know, we always used to have it in like a couple of the old tunes, like from first and second
spk_0
album that were like guaranteed to just be like quite big moments. But since the Bush Hall stuff,
spk_0
it's all been a lot less like safe, I think, music, just purely on a performance level.
spk_0
It's been less safe, like it's not always guaranteed. But yeah, there's a few more that groove
spk_0
on this album. So yeah. The safety of it, I'm sure when you're writing these songs, you,
spk_0
I would imagine you have moments where you're like, we're really making this difficult on ourselves,
spk_0
just like adding more instrumentation, like making things more complex every time.
spk_0
Sure. And there's so many times where you've been arranging a tune for like three or four days
spk_0
in a row. And you, at the end of it, you kind of listen back to the demos you've made. And you think,
spk_0
we've just made this so much worse in the first place. And then you've just got to strip it back
spk_0
and go back to go back to the first step. We had that with the song Two Horses, where it was originally
spk_0
a lot better than the version that we'd done to it. So yeah, it's, yeah, it can definitely get
spk_0
carried away with it for sure. So how much of that is like the freedom of being in the studio
spk_0
and the restriction of trying to capture it live? Because the last two projects with Bush Hall and
spk_0
Prepper How Long, it's two opposite ends of the spectrum. You got one, you kind of
spk_0
fly in the plane as you're building it. And then this one, you got to stretch your legs in the studio.
spk_0
How much not overindulgence, but how much do you try and like capture a song that can be replicated
spk_0
live versus like not really caring about that? And just like, it's going to be what it's going to be.
spk_0
It's going to be as big as it's going to be. Yeah, I mean, I think that like this, with basically
spk_0
everything that we've done before was kind of the the ethos was like, we're going to go to the studio
spk_0
and just record it. Yeah. And I think that was kind of like, you know, there wasn't any real sort of
spk_0
inspiration in that it was just like, we didn't really know what it was like. It's sort of kind of
spk_0
felt like, you know, made sense to go and just like, do it. Yeah, I guess. And I mean, I think also,
spk_0
like, I mean, particularly with like with the second album, like, we really let into that, like,
spk_0
we didn't have a producer necessarily the guy that like produced Dance from up there was like Sergio
spk_0
who was our loud like live sound engineer at the time. We really want to lean in just like playing
spk_0
together in a room and like not really having any of it up as if we could avoid it and just have
spk_0
it sound like massive as a band playing together. And I think that's kind of because like the
spk_0
the sort of compositions of songs like made sense for that. And that wasn't the case with like
spk_0
forever how long it was just like, we knew when we were like writing and arranging that the songs
spk_0
could be performed live as the sixth of us playing in a room, but they would sound probably better
spk_0
and more interesting if we just like kind of lent into the idea that it didn't necessarily just have
spk_0
to be singing together in studio. And I think they also like functionally, none of the singers
spk_0
Georgia Tyler or May really wanted to kind of do the same thing where we were just like tracking
spk_0
stuff live in a room because I think like fundamentally their vocals wanted to be recording a bit more
spk_0
of a controlled environment. And so that just kind of I guess provided a sort of like an opportunity
spk_0
to be like, well, yeah, we actually don't have to record all together. We can record separately.
spk_0
We can lay our stuff up. We can like have it sound however we actually wanted to think of it as being like,
spk_0
yeah, this has to be like very sort of pure talent. For sure, recording stuff together. And
spk_0
yeah, I don't know. I think it was it was a cool opportunity. I think, you know, and then the
spk_0
bands always have been a live band. And I think there was never any sort of like, there was never
spk_0
any worry that we wouldn't be able to kind of do at least like, you know, justice to the songs.
spk_0
For sure. Live setting. That must have felt really freeing to get out there and like really show
spk_0
people what a new version of yourself looks like. I can only imagine I'm also really curious.
spk_0
The lyricist for each song is also the vocalist assigned to each song on that album. On the new
spk_0
album, it was that was there ever a point where somebody thought about giving their song to another
spk_0
person? Or is it more of the process is so personal, you need to keep it for yourself to really
spk_0
do it justice? Yeah, lyrics wise, yeah, we don't really have a say in other people's lyrics at all.
spk_0
That's always ever since day one of the band. That's always just kind of been a, that's the original
spk_0
songwriter's realm and you don't go near it. And obviously, you know, if people want help or
spk_0
if people want, like for example, Charlie contributed some backing vocal lyric when we really needed to
spk_0
make something make sense, you know, so like, yeah, there's definitely some input, but there's
spk_0
it's not really a done thing. I originally wrote the tune of Salem Sisters and I was singing that
spk_0
live, but then when I decided that I didn't want to sing on the record, I asked Tyler if she wanted
spk_0
to do that song and so she changed the lyrics and yeah, so it's yeah, I would say lyrics wise is,
spk_0
you know, it's got to be personal to the person singing it. And at the end of the day, they're the
spk_0
one that's got to go and sing it live every night, every time we play gigs. So it has to be at least
spk_0
somewhat meaningful to them or hopefully not too meaningful to them because otherwise, you
spk_0
know, so they have to have that control, I think. Totally. I think that's honestly a really respectful
spk_0
choice among the bands. And I was going to ask about Salem Sisters too. I saw that you had a
spk_0
a lyrical credit on there. It's the only lyrical credit I noticed other than one other person
spk_0
on that song that that wasn't one of the three vocalists, you know, how did that come about?
spk_0
Well, yeah, so I think it kind of came about because, as Lewis said, like, he originally wrote
spk_0
the song and then and then had a whole sort of world that kind of been created and then
spk_0
asks Tyler if she would, you know, like sing it and then kind of, I guess, like, adapt it for
spk_0
herself. And then she ended up writing quite a lot of the lyrics and kind of, I guess, like,
spk_0
like creating her own version of it with with Rashid, her boyfriend. And like, and I think,
spk_0
they, yeah, they just kind of did it together. And then, and then, like, you know, me.
spk_0
Well, yeah, I'd written these like nonsense lyrics for the backing vocals when I was really jet lagged
spk_0
at some point. And in my mind at that time, I was like, this sounds fucking sick.
spk_0
And then I like, I think I showed them to Luke and he was like, it's cool, man, but
spk_0
it weird. And and so they kind of stuck because they didn't make any sense to the song.
spk_0
And and so they stuck throughout Tyler's Tyler Rashid's new adaptation of the lyric. And then
spk_0
when we were in the studio, we were like, okay, this has to change because these are a bit random.
spk_0
Yeah. And so Charlie stepped in and managed to make you kind of, you managed to like adapt
spk_0
kind of what I was saying originally to to make a bit of sense with the story.
spk_0
It was a pretty nice. Yeah. Yeah. It just changed a few words here and there. Yeah. Exactly.
spk_0
Well, if there's a willing, it's said like the way that you guys talk about, like lyrics being
spk_0
precious and like, you don't want to fringe upon someone else's work. Yeah. Does that allow for
spk_0
someone stepping in that to be like pretty respectful and be like, hey, like, there's like a
spk_0
trust there that like, because you don't do that very often whenever someone does step in. It's like
spk_0
clearly this person has the best of intentions and like they, oh yeah. No one's really stepping
spk_0
in out of their own choice. I think no people are, you know, we're very, very extremely communicative
spk_0
as a band. Like nothing goes on said when we're arranging and when we're writing together. So if
spk_0
if we need help, we ask each other for help. So it's, yeah, it's never like a you need me right now.
spk_0
So that is something that I wanted to touch on because that that sense of togetherness and like
spk_0
cantonous and vulnerability that translates from the outside looking in your interviews and your
spk_0
music and your performances. I like you to speak to that a little bit more and like how do you
spk_0
continue to build that kind of culture and like what is it that like what is it that drives that?
spk_0
I think I don't know. It's sort of one of those things which just kind of happens actively rather than
spk_0
like thinking about. Sure. Sure. I think we have kind of like we have hopped on about it almost
spk_0
the point of it becoming obnoxious. I think I think it's really. I think it's really.
spk_0
Absolutely wonderful. Yeah. Yeah. We do a lot of research into bands that actively dislike each
spk_0
other. Oh my god. Like even now are constantly at each other's throats. Yeah. So to see like through
spk_0
the interviews and the performances, the sensitive community and like caring that you have for one
spk_0
another is quite refreshing. Yeah. It's helpful to have six of us to hold each other accountable.
spk_0
Yeah. But I think like when you have even if you're really good mates and even if you're
spk_0
mates before your before your band mates, your friends before your colleagues, you know, even if
spk_0
that's the case, if there's less of you, it tension is so easy to build up. Yeah. But tension is
spk_0
really alleviated by the fact that there's so many of us in the band. And you know, if you're like
spk_0
sick or someone you can hang out with someone else and that's fine and then you don't resentments,
spk_0
don't build up in the same way. Whereas if you're in a band like a three or four piece and you're
spk_0
and you're not getting on like can be much harder, much harder touring. And I think also we
spk_0
it's really helpful that all of the creative stuff is very split up. Everyone kind of feels like
spk_0
they have a stake in the game. There's no one that is like there's no one whose opinions aren't
spk_0
listened to. Which is also another thing that causes a lot of tension when you have like principal
spk_0
songwriters and then sure they're the only ones that are having a say and then oh guitarist, you know,
spk_0
Albert Hammond Jr wants to write something. Then you get so much tension and so we're lucky with those
spk_0
because of those things and I think we definitely try and instill this kind of everyone is listen
spk_0
to everyone is creatively as important as the next person because that allows for a lot more
spk_0
longevity in the band I think. Yeah, in other bands it's almost always like jealousy or control
spk_0
issues or just people lashing out not knowing how to communicate with one another and just acting
spk_0
on their emotions in the moment seems like you guys have I can only imagine that that kind of
spk_0
relationship is built through trial and error and like just knowing that like being able to own up
spk_0
to your shit when you know you do something or being able to speak to one another about you know
spk_0
open communication like you said. Yeah, yeah, it's also built up from the fact that you know we like a
spk_0
lot of bands that struggle were very young when they started obviously we were young but we've
spk_0
had like bands before and it's and we've gone through a lot of difficult situations as musicians
spk_0
so we kind of have always felt like a bit back to the back against the wall since we started so it
spk_0
it means that we take it for granted a lot less and we don't we're never made to feel like we're
spk_0
going to be huge big pop stars and everything's going to be sorted for you and then as soon as
spk_0
shit hits the fan you know relationships within bands can go bad but you know I've filled
spk_0
feels a bit like we're well pressed for yeah not hating each other too much. I think it's also just
spk_0
like it has always just been extremely fun to make music together it's never been kind of like
spk_0
if we didn't you know if that wasn't good or if we didn't really get on then we just would have
spk_0
like there has been ample opportunity to stop like that's that opportunity is continue to
spk_0
and present itself so I think if we wanted to we don't believe in omens
spk_0
no it seems like growth through experience yeah nice yeah well it's nice to have five other
spk_0
people that have gone through the same the same thing yeah and it's like it is it's an interesting
spk_0
kind of unusual circumstance that only a handful of people can really relate to so there is an
spk_0
element of like leaning on each other but like you said like it's nice to have enough people that
spk_0
when things start to go sideways you can kind of like all right we're gonna step away and you know
spk_0
talk to this person for for a bit um I want to talk about the the arrangements on on the album because
spk_0
they're they're right up my alley the kind of bro oh my gosh I from from from the jump I was like
spk_0
yes please um there's just such a wealth of sound and like instruments you got like
spk_0
mandolin harpsichord harmonium all that all that stuff were there any instruments that you guys
spk_0
wanted to use but had to learn to use on the fly well the main one was really the the recorder
spk_0
the recorder yeah which I yeah I guess you may have been eluting I saw that but I didn't know
spk_0
if there was anything else no yeah well no there was other stuff and I think that like the other
spk_0
stuff in the studio was kind of like we just didn't like you know we wanted to use like the the
spk_0
onsmasthano in the studio which like you know all which we ended up not using not using it turns out
spk_0
a timpani's timpani's I had to learn how to use the timpani's cool um which was sort of a kind of
spk_0
you know 50 minute YouTube but you can add it to that resume yeah I don't think I'll ever boast
spk_0
about the record but uh no the record is was kind of the main one I think there was yeah for this
spk_0
like the title track of the album um we well yeah I guess I mean it's like again like the ethos of
spk_0
the whole album was kind of just like let's just fuck it like yeah do whatever like if we can we
spk_0
don't have to just like play like the instruments that we kind of always played and um and yeah that
spk_0
was like a really fun thing to kind of lean into particularly because the songs were just like
spk_0
impossible to arrange in a traditional band set up like there is a version of forever how long
spk_0
the the track where the band is kind of playing on it and it's playing on the on you know overlaid
spk_0
on top of the recorders um but the like the songs themselves kind of the heart of them are just
spk_0
kind of really difficult to arrange the traditional band set up so we just didn't do that
spk_0
and yeah so with the record as we were speaking to Mayabout it and she was like okay I can basically
spk_0
see like either you're playing five clarinet of five recorders and the clarinet is expensive and
spk_0
too hard to learn too hard read easy choice but most sort of you know six year olds in you know
spk_0
uh at least a sort of rude inventory grass in recorder yeah recorded yes so we yeah that's kind
spk_0
of what we did and then and I think like between Lewis who's already like a sort of you know
spk_0
very accomplished woodwind player windess a windess of course yeah wind yeah um and in May
spk_0
and Alfred Alfred Gabriel yeah with friend Gabriel Chooley who's like an incredible recorder player
spk_0
he came over to my house and we all sat around the dinner table and learned how to play the recorder
spk_0
with him and he was coming around and just like adjusting people's finger positions or like
spk_0
where the recorder was I like it was great that's so fun yeah rules get it's like going back to school
spk_0
yeah it is yeah yeah um you were talking about the immense like orchestral production of all the songs
spk_0
on this album uh I have a favorite I'm not sure I haven't been reading reviews more than I have
spk_0
been reading facts right but I I'm not sure if it's a popular one two horses I'm sure is a huge
spk_0
it it's great I love the storytelling but specifically I love the storytelling of the instrumentation
spk_0
how did you guys find to put together so many different facets of that song there are so many stages
spk_0
I mean it just I think this is kind of the example of the song that we just made worse
spk_0
like in trying to put together those stages we just I really like it no no it's just original
spk_0
yeah George's original composition so she brought in like this song and kind of actually had like a
spk_0
logic project you know which was sort of like you know much more work than she and that's rare we
spk_0
never we've never really do it like that no normally it's just like you know like like you know someone
spk_0
will come in and like bang out something which would just sort of seems kind of impossible to play
spk_0
and then we'd figure out the next like three weeks or so um but George kind of came in with
spk_0
all of our homework done and like had like basically a more or less complete idea of a song
spk_0
with it you know with like a drum part with like guitar parts and it kind of felt like it had
spk_0
a sort of flow to it and then we basically took it apart and like made it way more busy than it
spk_0
needed to be and put our own sort of spin on it and it's kind of like when we were playing it for
spk_0
a bit and it was just like well that's fine I've not but not not great um and um so then we just
spk_0
kind of like well the original was what we've kind of made things interesting and it was fun to play
spk_0
and so then we went back to the drumble with it kind of and um and uh that yeah I think with with that
spk_0
song particularly like it was a case of just like listening to what was originally brought in and
spk_0
kind of actually honoring it rather than being like this has to kind of feel like everyone's put their
spk_0
own spin on it yeah um which often is the way which you kind of I guess uh make the album like feel
spk_0
like it's you know six people lost like whoever is kind of brought the skeleton of the song in
spk_0
to kind of flesh out um but yeah I don't know I think that with in that case it just just kind of
spk_0
had to like follow it follow what was already laid down it takes a high level of self-awareness to
spk_0
be like too much yeah because I am I want more all of the time yeah you might be the only one
spk_0
there's a yeah arguably yeah arguably you could say we actually have a serious lack of self-awareness
spk_0
and I think I think uh yeah we definitely try and tone it down but for us I feel like that is
spk_0
still quite vibrant so I think it just sort of shows how much you guys love like really really
spk_0
like whole sound just like it feel you make us it's six piece band feel like an orchestra
spk_0
it's really impressive yeah um also I wanted to ask about this double LP collectors edition
spk_0
of forever how long yeah there's some different things on it the second half of the track list is
spk_0
in a different order and then forever how long the title track is split on uh to two sides of the
spk_0
second disc was that an emotional choice was it a technical choice that was a silly idea that
spk_0
James bored came up with when we were doing a pre-production rehearsal there's the line says
spk_0
uh the line that may says is um uh a hesitating silence and when we we were doing this it was the
spk_0
first time he'd heard it when we were doing the silence he was like she had the side switch there
spk_0
hello and and everyone was like oh yeah yeah funny and then we were thinking about that's actually
spk_0
a really and um and so uh and so you kind of create your own silence sounds that
spk_0
it potentially is really but um it's funny it's funny so that was yeah that was James's idea so
spk_0
it's not an emotional thing it's more of a funny thing good and it's a good way to instill your own
spk_0
personality yeah yeah yeah record yeah but the do you want to explain the track list the track list
spk_0
is sort of sort of like you know in it is really good sort of being in a band of sort of six people
spk_0
where everyone has their opinions and gets to voice them all the time um because you know things are
spk_0
kind of constantly musical and you're able to change things except for you know like the track list
spk_0
or not I guess like it was um yeah so we had to we had to come up with the with the track list basically
spk_0
and there was sort of an idea of it um that we kind of were doing in the studio and we were kind of
spk_0
reaching the end of the three weeks and we started speaking about like oh what do you reckon you
spk_0
know it could be and it always felt as though um without really speaking about it um so it's kind
spk_0
of stupid it was you know an assumption that like you know the cold country would kind of be at the
spk_0
end of the album um and it would kind of follow sort of you know um that that kind of form um and it
spk_0
just like I think for for like may particularly she was like really just don't want that
spk_0
which is completely that's her song yeah so yeah so yeah I mean the kind of the way in which
spk_0
it sort of goes is that um everyone gets to sort of like uh we normally kind of vote and whoever
spk_0
gets a majority kind of go to that unless someone really like you know really really gives a
spk_0
ship which is you know I think there's something quite you know like a track list it's like that
spk_0
isn't okay time to be like I'm I'm vetoing this yeah um and it was the only time we've ever had two
spk_0
people sort of vetoing one another because I was you know I was really like this just doesn't make
spk_0
any sense for country should be the out of and they was like what's my fucking song
spk_0
he's not going at the end of the album um you're you're out you're asking yourself here because we had
spk_0
a pit for kids to be the other day and we we didn't name oh did we put the person that uh
spk_0
no I was being a real prick about it I think like it was like three in the morning on like um
spk_0
it was three in the morning we were at a tour bus at a service station in like Manchester or
spk_0
outside of Manchester and I like managers were like begging and begging and begging for us to just
spk_0
like come up with a final track list and we were all just sat in different parts of the tour bus
spk_0
like listening to the album over and over again in different orders um when like finally may sort of
spk_0
came in and was like look I think that the track list this is what I really want um but uh like um
spk_0
ideally in the iDical world I'd quite like for like my track list to be maybe like exist somewhere
spk_0
so maybe it could be on the special edition um which actually then became like quite like a nice
spk_0
neat way of like the majority sort of rule in in favor of goodbye you know the track list was on
spk_0
the album being the the actual track list but the sort of uh the the special edition is the alternate
spk_0
track list which is quite a nice you know nice way it's like he's sort of actually
spk_0
way of kind of you know it's obviously quite confusing but also like but now that you've explained
spk_0
it it's very deep yes there's also a bit of hidden audio at the end there is of the cold country
spk_0
on the on the special edition vinyl which is interesting yeah I don't want you to spoil
spk_0
yeah um dang that is so cool yeah it's really nice that it exists uh and that it's accessible
spk_0
for all of your fans so they can experience the album in different ways like and especially
spk_0
coming from a band where you guys are so vocal about being so fair to one another and wanting to
spk_0
have your opinion on display you know um also going off of that I noticed I watched one of your
spk_0
live sets for this album front uh in the UK and you changed the set list order you moved socks
spk_0
like two songs down is that uh traditional for your whole life set right now and is there a choice
spk_0
behind that um we're trying to mix it up a little bit we did a crazy random set list order last night
spk_0
we just played we only played the album last night in Santa Ana but it was um we just tried to mix it
spk_0
up completely but yeah I think just if when you get to used to songs being in the same place
spk_0
it means that you get really um it takes you really off guard when they move in a set list and you
spk_0
kind of need to keep mixing it up so that you can be a bit prepared for anything to be able to adapt
spk_0
you know yeah um and uh yeah I think socks is is is an interesting one because we have to play that
spk_0
quite tactically because we've now we're now playing it so Tyler's playing piano and May's playing
spk_0
because on the record Tyler plays piano and just sounds just sounds better when the because it's so loose
spk_0
Tyler is like singing in a really uh kind of vibrato way and accompanying herself exactly like
spk_0
it's kind of like Randy Newman style you know yes and so uh it was it kind of felt necessary for
spk_0
Tyler to be playing piano on that one so we swap now and to like save as much awkward silence as
spk_0
possible we try and put that one uh we try and put socks after a tune where Luke's been playing
spk_0
acoustic guitar so me and Luke can kind of um dovetail the previous song into the sock so yeah it
spk_0
it doesn't always work out you know like he was a fresh yeah yeah we just try trying trying to make
spk_0
sure the the set the live set builds a bit more of a performance because I think we're quite guilty
spk_0
of sometimes just like rocking up playing the song playing the song playing the song just like just
spk_0
having big gaps in between the songs not really communicating just like you know playing well but not
spk_0
making it so much of a show and uh so we kind of make it more of a show yeah we kind of fell into
spk_0
that like during Bush Hall we just kind of like because we wrote it like as a set right we just did
spk_0
the set every every night and didn't really change the order or kind of when it felt like we
spk_0
should change the order it felt really random and that was it I mean you were also doing it for
spk_0
what two years yeah yeah yeah yeah yeah yeah it's insane yeah it's just completely fine but you know
spk_0
so it is important yeah to be mixing up yeah yeah keeps you guys present yeah it just keeps you
spk_0
engaged with the material yeah exactly we we wanted to give you guys because you sent us some record
spk_0
selections that we weren't able to to touch on but we wanted to give you guys the opportunity to kind
spk_0
of lay out and and talk a little bit about the albums that you did send us and like what they
spk_0
what they mean like how how you see their fingerprints on on your work and the the albums that we
spk_0
that we received were um peasant by Richard Dawson summer teeth summer yes summer teeth by
spk_0
Wilcoe and insignificance by Jim O'Rourke so yeah I would love to hear you guys takes on those like
spk_0
what those why why you chose those is like these these records are sort of blind spots yeah they're
spk_0
kind of blind spots I know summer teeth a little bit yeah but the other two I had not heard of oh really
spk_0
yeah yeah I know I know I listened to that Richard Dawson it's really beautiful oh my god I can see
spk_0
some of the crossover like orchestral league we're very inspired by him yeah yeah I love Richard Dawson
spk_0
yeah probably the the best musician in England at the moment really I think like and he has been
spk_0
for years as well he's been going out for a long time and kind of always maintaining this cult status
spk_0
that he's got and yeah he's pretty he's a complete genius and peasant is I mean peasant is
spk_0
an older album of his I guess nearly 10 years old now but um that's I think a timeless a completely
spk_0
timeless album yeah I think that actually that album probably is uh one of the few albums that you
spk_0
could sort of like definitively say was an inspiration for for everyone ish for for like this record
spk_0
what I think they're like I mean uh in that in the sense that like everyone in the band kind of
spk_0
comes at the music from a slightly different angle and everyone approaches like songwriting
spk_0
and performance and like like sound like their own personal sound in a different way but I think
spk_0
that peasant was definitely an album that was kind of thrown around a lot in terms of like
spk_0
you know just kind of like I've had like it would be really cool at the sound a bit like peasant
spk_0
like it's cool yeah I think it's just like the way in which it doesn't sound like peasant.
spk_0
It doesn't sound like peasant but there are similar it's yeah sure yeah no musicality for sure
spk_0
I think that just like the the like the sound of the album and like storytelling and like you know
spk_0
I think um they were just the like the way in which like the guitar sound like the kind of the acoustic
spk_0
percussion I think just obviously that album you know up for a round doesn't sound like that but
spk_0
like it just when we were kind of writing it um I know I was like definitely listening to to it like
spk_0
a lot I just think it's like really like strange uh songwriting and like sort of harmony and then
spk_0
they kind of breaks down into these like really beautiful like kind of not necessarily like quiet but
spk_0
just like I don't know like um yeah I don't know just just like just really really like wonderful musical
spk_0
moments and that's not to say he's only got one amazing album like there's so much more yeah
spk_0
he's got like 2020 kind of a pop record um which he released in 2019
spk_0
yeah okay he's prediction was off yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah
spk_0
and you know a ruby chord that came out a couple years ago and that is like a really amazing
spk_0
it's kind of a sci-fi album yeah which is cool it's a sci-fi folk album yeah interesting concepts
spk_0
yeah yeah it's amazing yeah really interesting yeah he released an album on Valentine's Day actually
spk_0
same days the horse girl record um and I went see him play at rough trade it was awesome yeah cool
spk_0
we saw him at the end of the road festival a few years ago and he started the set it was just
spk_0
him and and drunken his drummer and they started the set with a 15 minute accapella song with
spk_0
just a kind of repeated like about a medieval quilt maker yeah that's really amazing old
spk_0
really well Renaissance fair that seems on frand yeah I do like like you mentioned he is able to do
spk_0
this thing that I feel like you guys do as well where the it's it starts off very soft and pretty
spk_0
and light and then eventually like grows to this breaking point where it sort of explodes I
spk_0
I definitely see some sort of similarities yeah definitely yeah well I've just very inspired by him
spk_0
it's amazing cool yeah well I'm sold I gotta go yeah his whole his whole discography now yeah
spk_0
yeah yeah yeah we can talk about the other ones yeah yeah yeah yeah will go Jim or Rort well the
spk_0
will co album um I saw on a on a how I met your mother forum is a prediction Ted Mosby's favorite
spk_0
will co album slash the will co CD from that episode is summer teeth even though it was released
spk_0
like five years prior to the episode the and any and he describes it as his new will co CD in the
spk_0
episode the fans believe that head Mosby's favorite will calm would be summer teeth because it's
spk_0
got the most Mosby in qualities I think and do you adhere to that belief yeah I think it's quite
spk_0
it's you know it's for pitch and fey um yeah no it's it's I just I love I love will co so much and for me
spk_0
the the pop sensibilities of this record is just this is the one for me I don't know I obviously
spk_0
Yankee hotel fox truck is incredible and a bit more of a kind of masterpiece but I like the lighter
spk_0
will co stuff and and this is chock full of bangers he's just banger on I'm always in love amazing tune
spk_0
yeah summer teeth amazing tune shot in the arm amazing tune shot in the arm he's a jar amazing tune
spk_0
shot in the arm's kind of reason why the timpani is re even on the arm Lewis Lewis sent
spk_0
sent over shot in the arm um to me like as we were kind of rising it I think he might have been like
spk_0
a bit before we went into studio he was the message was check out the timpani's on this song
spk_0
he's like well I gotta learn championing out and uh yeah then it was just kind of like oh okay it
spk_0
just makes sense it's kind of you know to to learn a new instrument yeah um but yeah that's such
spk_0
good album yeah I love this it's just like amazing I think like will co one of those bands that
spk_0
again we kind of like uh spoke about quite a lot and you can't really hear on the album at all but
spk_0
like it just really viby album yeah it's great yeah yeah and then jimma rock one yeah
spk_0
insignificant yeah well there's obviously a link yes in jimma rock and will co he did the
spk_0
produced Yankee hotel fox truck right Yankee Fox truck hotel Yankee hotel fox truck and uh and uh
spk_0
and also like him and Jeff Tweedie have collaborated as well in loose fur as well you should check
spk_0
out they're really good that's a really good collaboration uh and yeah jimma rock he's like
spk_0
certainly an odd bloke but he some of the some of the like most the most perfect production I've
spk_0
ever heard on alternative rock music ever I think the most dials in tones yeah it's pretty
spk_0
achievable sounds incredible yeah um and I love I love how you know inspired by back rack he is
spk_0
yes and it's so like it's this you know on the song in significance it's just like absolutely
spk_0
rips and then you get this kind of beautiful like uh plinky plonky moments you know yeah I also I hear
spk_0
a lot of him in the new MJ lendemann album I don't know something about about that feels really
spk_0
jimma rocky to me the especially um uh the shape i'm in or is it you don't know the shape i'm in
spk_0
do you know the shape i'm in yeah that one yeah yeah that is um i really feel uh the jimma rock
spk_0
feeling to that i think he's just i mean in significance i think it's brilliant but he's got such
spk_0
like a kind of like broad palette i think um in terms of that kind of like american american
spk_0
rock style that i think uh in significance obviously is like kind of you know an amazing like all
spk_0
rock album but also like the halfway to a three way EP that's so good it's literally like
spk_0
insanely good and i think uh it's it's a bit more kind of like dialed down and softer particularly
spk_0
like particularly in sort of like there's you know it's like acoustic guitar and and like brushed
spk_0
brushed percussion um but the songwriting is just like so strong like the arrangements are so good
spk_0
and like it's so easy to listen to but also just like uh and it's not you know it's not like a
spk_0
challenging yeah isn't too at all it's just like it's yeah his his lyrics don't endear you
spk_0
dim but that's the point yeah exactly but you know it's like i do find sometimes i can't listen to
spk_0
it for too long because it makes me feel a bit like bad yeah negative negative sure you don't
spk_0
sit in that too long no no but it's um that just you know musically it's amazing also eureka that
spk_0
albums incredible as well i'm not so much into the um ambient kind of stuff ambient music's never
spk_0
really done it for me just um there's enough chords middle ground though is is that uh what's the
spk_0
name of the album with the disco ball in the front of it yeah i can't remember the name of that
spk_0
that's that's uh decent that that album is kind of the middle ground between is like ambient stuff
spk_0
and it's like you know like it's very sort of John phased our cards like and um it's the
spk_0
final track on that bad timing that's bad timing yeah the last track on bad timing is like it's
spk_0
sort of 10 minute kind of you know ambient like uh super John phased our guitars and then it's
spk_0
like about like minute sort of you know eight like just uh completely opens up and just like really
spk_0
like awesome um beautiful like you know uh shuffles yeah like fun or rock it rewards patience it does
spk_0
reward patience and you know and he's not singing on it so yeah there you go yeah it's not to say he's
spk_0
he's like you know he's a he's a bad lyricist or no he's going to make him lyrics yeah go like
spk_0
and i actually miss his lyrics on that i'd miss his singing his vocal presence on that album on
spk_0
bad timing his melodies like his vocal melodies are always so good yeah if anything that should be a
spk_0
testament uh how good he is as an artist that he can take his lyrics and vocals completely out
spk_0
and still like show off what he has exactly exactly you know he's amazing he's so good would be great
spk_0
to work with him but you've got to Japan to do it you know not in budget at the moment oh also I saw
spk_0
um you're you guys did a what's in my bag um recently and you chose Rosalía's el malkader
spk_0
love that i love that album love that album honestly very interesting pop music the flamenco
spk_0
influence i feel like came in at a time where it was not happening is frequently especially on
spk_0
american radio stations i love rosalía fantastic i regret um in some ways choosing that album because
spk_0
i don't speak any Spanish i can't even ask me what my favorite song was i was like i don't
spk_0
fucking know what i think i can't say any of these words um so uh but i'd love that album i really
spk_0
love it and it's um you know rosalía is just is probably one of my favorite pop musicians i don't
spk_0
even know she's really a pop musician she's like a pop music she's so operatic honestly her vocals
spk_0
are incredible yeah i think uh yeah i i think she's definitely multi-genre yeah yeah well i saw it
spk_0
pre-revera and it was so good and it's something i was thinking about recently when i saw Sylvan
spk_0
Estrada in mexico um is that one of the biggest privileges of of doing what we do as a band
spk_0
isn't just being able to see loads of amazing places and loads of amazing musicians play
spk_0
but it's being able to see amazing musicians who sing in a different language yeah amongst the people
spk_0
who speak that language and that that and rosalía like obviously i wasn't i didn't listen to motor
spk_0
as much but i was like i knew those songs so well and to hear everyone speaking catalan around me
spk_0
while she was doing it amazing and then Sylvan Estrada like those songs i know like the back of my
spk_0
hand so many of her songs and to hear people singing it in Spanish when i don't know the i don't
spk_0
know the lyrics whatsoever i don't know what they mean at all but i know like every melodic and like
spk_0
inflection and every embellishment she does so it was just amazing to be surrounded by
spk_0
banished speaking people while while you know listening to that music which means a lot to me
spk_0
yeah it means so so such a different thing to me than it was to them yeah that's a massive privilege
spk_0
what what what we what we've got you know oh yeah i have definitely like sang along to a rosalía
spk_0
song that i didn't really know what it meant and then looked up the translation and been like oh
spk_0
i was feeling something very different but not tragic
spk_0
yeah
spk_0
yeah awesome we'd like to thank you guys so much for coming on this was an absolute
spk_0
pleasure the record absolutely grips thank you thank you i really fell in love with it and
spk_0
i hope the tour continues to i hope you continue to crush it on you thank you
spk_0
yeah definitely well thanks i haven't i thank you yes cool awesome great thanks
spk_0
um thank you all again so much for listening thanks so much to charlie and louis for joining us to
spk_0
talk about their new record black country new roads record if you haven't heard already uh
spk_0
forever how long just came out check the record out check them out on tour if they're coming to a
spk_0
city near you it's a good time to do it or travel to go see them too yeah just go see them go see them
spk_0
this is our new email also tick tock an instagram you can follow us there at ear wax pod
spk_0
head over to amyba.com where you can find information when you sign up for our email list
spk_0
about in store updates coupons contests all kinds of good stuff while you're there one more time
spk_0
free shipping music movies pretty cool it is pretty cool it is and while you're still on the internet
spk_0
go over to youtube check out there what's in my bag series i think we may have mentioned it in the
spk_0
episode but black country new road did a what's in my bag a couple of years back they got a ton of
spk_0
pics because there's six people in the band need a Simone Rosalia modest mouse van Dyke park king
spk_0
crimson arthor Russell just uh Joanna Newsom it's just crazy there's so much there they have exquisite
spk_0
Joanna Sternberg there you go we were talking about Lizz Lizz Franz Lizz I could go on about
spk_0
Franzz list but we'll save that for after the break thank you all so much for listening we will
spk_0
see you after the break we promise this time
spk_0
you
spk_0
you
spk_0
you
spk_0
you
spk_0
you
spk_0
you
spk_0
you
spk_0
you
Topics Covered
Earwax podcast
Black Country New Road
new album Forever How Long
music industry insights
album rollout experience
live music performance
studio recording process
Stereolab new album
listening party events
music tour experiences
indie music scene
band lineup changes
live album Bush Hall
upcoming music releases