Entertainment
Behind The Mics: ATRM Patron Q&A
In this special episode of 'Behind The Mics,' the ATRM team dives into a Q&A session with their dedicated patrons, discussing the films that ignited their passion for cinema. Join Luke, ...
Behind The Mics: ATRM Patron Q&A
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Interactive Transcript
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All the other movies.
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Hi everyone, welcome to this extra special podcast from all the right movies.
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My name is Luke and Delvin into the ATRM meal bag with me are Matt.
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Hello, John.
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Hi everybody.
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And Westy.
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Hello.
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This is our half yearly time out from our regular podcast where we feel questions from our biggest
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fans, the glorious ATRM patrons.
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Being shout out to you guys.
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Yes, lovely stuff.
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Always, yeah.
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Thank you to everyone who's contributed with a question.
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We do try and get round to everyone who chips in and try not answer questions from the
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same people all the time.
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We had a lot to choose from this month's sore.
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Many thanks once again.
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Yes, thanks.
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A lot of good ones as well.
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A lot of great ones, so we have to be particular with them.
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We will get to you eventually though.
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Yeah.
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So let's just dive straight into it, shall we?
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I'm good.
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Let's do it.
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Our first question comes from Stuart McDee.
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Hi, Stuart.
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Hi, Stuart.
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Hello, Stuart.
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Stuart says, what film gave you that first love of movies which has seen you end up on
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this podcast?
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Gone all the way back.
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John, over to you first.
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Yeah.
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I mean, the easy answer for me would be Star Wars.
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Singing that as a kid was like having my brain rewired to be honest.
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I think it was for a lot of people.
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Yeah, definitely.
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Some of that 80s classics are so as a kid.
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Like Ghostbusters back to the future in the end.
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I mean, those kind of films, what seemed to have a kind of magic to them as a kid?
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Yeah, yeah.
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And they still deal with me.
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How much do you have that just nostalgia or not?
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But the hard news, I'm sure.
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No, no, it's definitely still there.
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It's still there for Stuart.
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It's no denying that.
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But honestly, what led me to what we do now, it wasn't just movies.
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I've always been drawn to like creativity in general since I was a kid, whether that's
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music or books or films, whatever, always been fascinated by the whole like creative
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process and art in general.
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And most of my working life has been spent in creative industries and one way or another.
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So why we did this, I think movies are this like perfect combination of loads of different
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kinds of creative.
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And we like talking about writing music, visuals, design, loads more.
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So how we do the podcast, it does feel like a kind of natural extension of what I've
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kind of always done.
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Plus, I get the talk about stuff like Ghostbusters basically full time now, which here all of
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me would have thought was pretty cool, I think.
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Yeah, yeah, definitely.
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Although not as cool as playing for Sonland.
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Obviously, that wasn't ever happened.
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Fantastic.
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And what about you, Matt?
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I'll just go back to a film we covered a few episodes ago.
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Of course, Point Blank, because it was a teenager.
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As I said on that episode, it was the first time I went to the cinema by myself and
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thought, actually, this isn't social suicide, which if perhaps was seen as back then.
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Yeah.
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Like I said, then if I hadn't done that, I wouldn't have kind of say your whole rough
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to films I came after that, you know, so the likes of Magnolia, Banger, I'm Alkavitch
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and probably Ghostbine Bang, it's probably the first film I can remember thinking.
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I want to talk about this film with people.
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Very nice.
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Yeah.
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And Westy, first love of movies, first love of movie, I try to go all the way back like
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the very, very first one I remember seeing and just being incredibly excited about not
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quite knowing what it was.
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And that ultimately was Jason, the organ, and just seeing Taylor lost come around the
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whole.
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What are you, Westy?
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That's not telling me.
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I didn't watch it in the fucking cinema.
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I didn't watch it in the video.
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It was on the talent.
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It was fine.
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I mean, we dad Paul's in it because about the toilet was like, well, I put him, he
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paused it on the video and I was like, oh, this right.
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Okay, and we came back down to just to remember, vividly sit watching.
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I must have been about five, I think.
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And it was just incredible.
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Like, what is this?
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Why does the skeleton's fight in this guy?
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And the skeleton's still gray on the, yeah, it's still fantastic.
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You know, the harbys seen it, but it looked like Pension Monument like where we're from.
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She was just pretending it was there.
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And it was like this kind of art and a tape and a life type of thing.
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That was incredible.
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And then I got a little bit older and I missed out on going to say Batman in 1989
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because it was the first of a 12 and I was 11.
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So I mean, I didn't want to take the risk.
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Because the thought I would go to prison or something.
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I was like, just take the risk.
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It took one year, like, sure.
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And then I saw that and that had such an impact on me, just the visuals of it,
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just the whole feel of it, just really made sense.
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And then later on, films that I really wanted to talk about, it was just before I went
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at the uni, just as I met Matt when I was working in the cinema.
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And just before that, I saw the likes of seven and that changed me completely.
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Of just a craft of it, just the technical and just like leaving you with just
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just such an empty feeling at the end of it, everything I thought films had to have a happy
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ending. I saw that and I was just completely changed by it.
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And then films with a happy end, like the Shawshank redemption, I think has a massive
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impact on anyone who sees it for the first time.
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No matter what age you are.
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Yeah.
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And I think that might be a bit of a cliche now, but it is that good.
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It's turned into a cliche.
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So from all of their moments and all of them films where it was just this brand new thing
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that always came to us.
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And the people that I used to talk about all these experiences with were predominantly
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youth free when I was grown up.
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I mean, so that we remember the story.
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Yeah, but of course, impossible to forget is rambling it out your throat.
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Oh, yes, where's the fucking brace yourself?
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Can I get rid of this?
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So that's the whole point.
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And I think I was coming together because we just, it's just such a natural thing.
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We've just done it for so long.
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And we all seem to have very similar tastes and very similar ions in the fire, but we all kind
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of bring something different.
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So it was just, it was an all brain.
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I really just, we all enjoy doing so much as well.
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Do it properly.
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A natural step.
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Yeah, I think so.
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Hmm.
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No, no, no, no, no.
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I don't know about that.
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That was too fucking.
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It's a struggle for me if I'm honest.
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I've said on a number of occasions that I grew up in the VHS boom.
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We all did and very similar to you, John, I watched all the ones that you would expect
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of an 80s, Kades back to the future Ghostbusters Raider, the reanimator, you know, all the classics.
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But there were two that I would say are classes my favorite films when I was like in single figures,
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well, I was really young.
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And the first was Mary Poppins.
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Loved everything about it.
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It was a world that was familiar, but it also took me to this place of wonderment and those penguins.
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I mean, I just can't get enough of them to this day.
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Yeah, incredible.
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Just covered obviously didn't meet me.
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Is there still magnificent?
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Oh, yeah, it's a wonderful thing.
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Yeah, it's to completely timeless.
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It's just just something of itself, isn't it?
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Really?
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Yeah, it is.
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I get really.
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Yeah, it's still grace.
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Yeah.
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And secondly, following a similar path of being taken into a magical world, it was the Wizard of Oz.
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Just blew me away.
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Yeah, yeah, yeah.
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That technical transition into Muriel Land of Oz is still breathtaking.
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It is.
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Absolutely brilliant.
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Yeah, yeah.
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The lie in is still one of my favorite characters.
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There's all the time.
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Yeah, hell area.
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It's pretty much.
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Put them up.
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Put them up.
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It dies through that window at the end.
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That's hilarious.
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Unbelievable.
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It's all good.
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And the wick of which to the west is still better up.
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Great.
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Yeah, brilliant.
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I'll never win you again.
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The water thrown out of the end and just like what a world.
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What a world.
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Yeah, it's amazing.
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Yeah.
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I saw a shone of that at the sphere in Vegas and it was unlike anything I have ever seen.
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Wow.
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Nice.
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The one with all the CGI added background stuff.
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Yes, that's right.
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And it kind of goes back throughout the the whole auditorium.
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It's like a five day experience.
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It's magnificent.
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Right.
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Okay.
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It's unbelievable.
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Yeah.
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Yeah.
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So if you get the chance, I would recommend it 100%.
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Great.
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And then once you've got those two films under your belt, you're aware.
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Where do you go?
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And it led us.
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It led us to kind of meeting together because we all met at university.
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Doing something around films.
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Yeah.
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And that led us to the podcast.
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It did.
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Yeah.
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The yellow brick road.
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Yes.
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Wonderful.
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But thanks for getting the ball rolling stews.
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Great question.
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Yes.
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Thank you, mate.
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Which one of us is Dorothy though?
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Well, you obviously.
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You obviously.
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You've got a dog.
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My wife.
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Yeah.
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You've got the dog.
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That's a reason.
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Next up, we've got a question from Keir Tbarowski.
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Hello, Keir.
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Hello, Keir.
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Keir is a wordy question.
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She said, I found that after watching, discussing and rating bridge over the river
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pie when it came time to do the same for growth point blank.
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And especially the future, I found myself thinking too hard about whether I thought these were worthy and great movies.
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So I asked myself, how do I judge the quality or worthiness or importance of a film?
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Something that gets a little further in description, then I really liked it.
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Sounds silly.
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I know.
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And I came up with an answer that led me to the future.
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It is definitely a ten.
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It definitely is.
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Wow.
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Nice.
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OK.
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So long build up.
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Her question is, how would you answer the question?
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What makes a movie great, important, worthy?
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Three big words.
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Three big words.
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And just to add a bit of context, Keir said, she's got a grad degree in painting and wonder this every time she reads art critics or historians opinion.
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So right.
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Why was that?
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OK.
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Can't you understand that?
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She knows that stuff.
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Matt, do you know your stuff?
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I think we're established by now, definitely.
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Wow.
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He's not in Kansas anymore.
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Cowdy line can take this one.
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I mean, I imagine a emotional conundrum that I'm certain you contemplated when you gave Gremlins a ten math, right?
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Still bringing that over here?
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That's nice.
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Right?
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OK.
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That'll never lie.
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No, do you know what that's a great example to bring up because I think what I've learned on this is to not get too caught up about what the eventual score is going to be because sometimes the score can.
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It really can differ on the mood.
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I mean, sometimes the film doesn't quite connect because of other reasons.
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And I think it's probably a bit lower than I might give it on another day.
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So don't worry about it as much as a year, too, because I think there's different types of tens.
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You know, you mentioned Gremlins, but another one cross-point blank.
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I gave that a ten because that's got a deep, deep personal connection for me.
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A different type of ten is the ten that I gave, for example, Godfather Part II.
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I don't have a particular connection to that on a personal level, but it's placed in cinematic history and the craft behind it simply can't be denied and argued against.
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It has to be a ten.
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That's just the way I look at it.
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It just has to come from the gut now rather than kind of obsessing about it too much.
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So yeah, I just think there's different types of tens and that's just the way I look at it now.
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Where's your thought process on that one, Westy?
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I mean, it's very much the same if I'm honest.
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I mean, we've gone through it and I have had these moments of like,
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waking up at six in the morning just feeling, ah, right?
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Okay, I've got to get up anyway, but what does that do that for?
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That doesn't reflect what I really kind of think of it, but it really does,
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but it's not what people want it to hear or expect it to hear.
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And I've got friends who listen to the podcast and they say,
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I can't believe he gives such and such.
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They say, I can't believe it's not a, it's not a, it's not a, it's not a, it's not a,
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it's a 10 more to matter with you.
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And this is like, what people forget me in that just
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matter, but this is, this is not a science.
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It's an art form and it's subjective.
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And there's lots of things that you could look at.
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I mean, I look, especially at the confidence in the filmmaker and the technical
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prowess that's in there, the performances, I also look at the pacing of it.
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I look at the legacy behind it, look at the direction, look at the cinematography.
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All of these things kind of tick boxes for me, put down for other people.
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So I think, obviously, it's something that speaks to you.
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That's the most important thing.
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If you find something in there that you that resonates with you that moves you,
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that takes you somewhere else, then to me, that's a really positive thing.
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That's then you're on a five and you're just going above that.
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You just kind of work on how much is it affect me?
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How much does it touch you?
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How much does this resonate with what you're going through or what you have been
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through? There's an incredible discussion with Ethan Holt.
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That's our nine if you want to listen to it.
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And he's just talking about poetry and how important that is and how important
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songs are and how important art is.
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And it's not until you've gone through hell, do you realize that you're
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actually need that?
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You actually need that with you to say people have gone through this.
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And you put films on for different reasons.
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You'll come up from the poem.
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You'll stick something on to feel a certain way and you'll be feeling melancholic.
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You'll be feeling lonely and you want to just watch something that has that similar
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feel. So you know, you're not alone in the world.
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And I think a lot of that is really personal.
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And to turn around and say, well, yes, this is definitely a 10.
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A lot of that for me is based on legacy.
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A lot of that is based on the longevity of it.
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Like Matt said, Godfather Part 2 taxi driver.
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I want to have the conversation where Raiders for all to years attend,
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but people turn around and say, well, no, it's not.
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It's like an aided.
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It's all how it's been done before.
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It's what it's when you say it.
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It's how it resonates.
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And that's a thing I'm in case you get now.
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I don't think she needs to worry so much about what she's paying.
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And I think what she needs to worry about is how much of a self she's putting into it.
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And not worry about how critically that's received much like film.
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You put yourself out there.
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If people resonate with it and get it great.
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If the don't, you've still lost nothing.
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And you've put something out there and that's what people are going to remember you by.
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So that's the most important thing.
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What I can't stand is a cash grab something, get put out there just purely to make money with no,
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no resonance, no emotion, no point behind it.
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Just out there just for the pure fact of making money, I can't get behind that.
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But if something's got heart, if something's got soul, if something's got meaning,
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if something's got a reason to exist, it started to five and works.
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It's way up for me.
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But the earlier point there was, I was at yours yesterday and you were watching the matrix revolutions.
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I know.
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Lovely.
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Yep.
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How did you find it?
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Three.
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That's great.
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Of course.
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Did you have Zulu on in black and white?
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Yeah.
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I was on the laptop on the black, white and I was going upstairs to make a brew right in the matrix.
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It was a different kind of vibe.
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No, I had it on the other night.
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I thought I've really got to give this a try.
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A calm piece by it as I remember.
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And it really is.
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So I mean, the first marriage is my speech.
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We're not going to get into that.
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That's not what we're talking about.
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But anyway, that's my point.
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Yes.
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And a great point of Wars, Westy.
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Thank you, Luke.
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Yeah.
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I think I've certainly, you know, films that are easy tens and then films where people are surprised
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that I've given a 10.
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I've grappled with given like the Godfather and midnight runner 10 on some levels at least.
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Two very different films.
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But for me, they're both undeniably a 10, but for different reasons.
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Exactly.
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I think a distinction needs to be made about certainly my rate and tactics.
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I don't know if it's the same for you, fellas, but I largely rate based on other movies in
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that genre.
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So the Godfather, I'm stacking it up against the big boys and girls in the crime drama category,
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for example, right?
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Okay.
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Midnight run anything in the buddy cop action genre and they're both best in class for me.
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Yes.
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Anything else directed by Martin Brass, basically.
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So you just put in that by Brass.
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Which are both tens, let's be honest.
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Me, Joe Black.
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Anything like that.
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Jesus.
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Everything got to be alright.
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For kids question, I think it's a covenation of a lot of things.
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What a film means to you personally, what impact it had on cinema.
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Did it break through into popular culture in general?
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Is it still relevant?
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I think a lot of those things are quite obvious, but some not so much.
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I'm not a massive fan of the six cents, but I'm well aware of its cultural impacts.
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Yeah.
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And it's absolute place at the table of our classic podcast.
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Something like 28 days later, may seem like a fairly innocuous zombie movie.
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A bloody good one.
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Yes.
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But its influence is absolutely massive and largely unsung.
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We likely wouldn't have trained a person and the walk and dead without it.
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Exactly.
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Yeah.
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So it's a lot of different factors and a combination of all those things from me.
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Kater, I think what about you, John?
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Yeah, I think it's a good question.
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I think probably shown by the fact that we've all entered it slightly differently.
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Yeah.
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I think it kind of ties into our tagline for the podcast, the story of Hollywood one film at a time.
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Because the word we often use when talking about films to talk about is significant,
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which can probably mean a lot of things.
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I mean, a film could be significant because it was massively influential.
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Even if it's not that well known, it could have been an influence on other bigger films.
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It could be significant because it was very successful.
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Like box office wise and had an apartment Hollywood is a business or how things are marked.
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They didn't Hollywood or could just be significant because we love it.
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All of the story of how it was made.
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So we do keep a personal as well.
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Yeah.
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And I mean, for me, from doing the podcast, I think what makes a movie really significant is when it hits a few of those marks,
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ideally all them say George, which we won't stop banging on about made
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important.
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Then there's some of love, but the influence countless filmmakers that making of stories are
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rages and I still love it.
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So that's how I describe a film can be significant or worthy.
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But it's hard trying to explain what makes a film significant or worthy.
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I think I mean, it's like trying to explain why Cardi's shot the taste good.
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I think it's like really difficult.
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I tried that and it's really hard.
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Take it out of the freezer.
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So you need to do a step one.
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Great points all for us and a great question.
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Okay. Thank you.
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Yes.
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Thank you.
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Okay.
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Good luck with the pin.
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By the way, absolutely.
spk_0
Yeah.
spk_0
Good.
spk_0
Let's say again, the moment.
spk_0
Here we are.
spk_0
So you're going to get one.
spk_0
Absolutely.
spk_0
We'd love to see you.
spk_0
We'd love to keep up the doodling.
spk_0
Yeah.
spk_0
Yeah.
spk_0
Always.
spk_0
I keep up the doodling.
spk_0
Always.
spk_0
And next we have another great one from Damian Lanx.
spk_0
Hi, Damian.
spk_0
Hi, Damian.
spk_0
Hello, Damian.
spk_0
Hello, Damian.
spk_0
Damian says, all right, top lads.
spk_0
Well, you know, as well.
spk_0
I love these areas.
spk_0
Thanks.
spk_0
He says, individually, what would be a film you would love to cover,
spk_0
which wouldn't have a chance on the pole?
spk_0
Now, Westy.
spk_0
Yeah.
spk_0
You know what mine is.
spk_0
I can only guess Highlander.
spk_0
No, but one that wouldn't even be touched on it,
spk_0
even double feature just wouldn't get looked at.
spk_0
There's a different kind of branches for me.
spk_0
One that I'll go down there.
spk_0
It's not incredibly popular kind of cinema or really accessible.
spk_0
It's probably seen as being overly pretentious.
spk_0
I would imagine, but I love anything like that.
spk_0
I would literally say anything by Bellatar,
spk_0
the wreck master harmonies is not going to happen.
spk_0
And I think Damian has asked that question.
spk_0
So I would give that answer because it looks at films well and I know that very well.
spk_0
And also a little of films that I really like that I don't think have,
spk_0
like John's just said, the significance of it.
spk_0
I mean, I'd love to do strange days by Catherine Bigel.
spk_0
Oh, yeah.
spk_0
Oh, yeah.
spk_0
spk_0
Don't know if that's just, is that too small?
spk_0
Will that make an impact?
spk_0
I'd like to people want to hear about that film,
spk_0
little things like that.
spk_0
And little ones that I kind of grew up with that I really love talking about.
spk_0
But again, the significance isn't really there.
spk_0
Like lethal weapon three, predator two.
spk_0
You know, it's not the opposite.
spk_0
Gary is a very good predator.
spk_0
We've already been lethal weapon, but lethal weapon three.
spk_0
I've watched that so many times.
spk_0
I love it.
spk_0
It's such a great fun.
spk_0
But like good stuff.
spk_0
Yeah, cop killers.
spk_0
It's never going to hit a classic episode and we're never ever going to be able to talk
spk_0
about that for longer than 30 minutes and four points, you know.
spk_0
So it's one of them things.
spk_0
But yeah, I think my real kind of love is that, you know, really long pretentious black
spk_0
and white cinema, especially the work of Bella Tards.
spk_0
Just, you know, took off skin, anything like that.
spk_0
But I don't really think there's room for that at the moment.
spk_0
I might have to branch off on paper and do like a little Westie's Westie special
spk_0
visual.
spk_0
Westie's called.
spk_0
Oh, yeah, Westie.
spk_0
Westie under the under the stairs or something like that.
spk_0
I'll figure something out.
spk_0
Yeah.
spk_0
I'm in Western corner in black and white.
spk_0
Great.
spk_0
Well, I mean, I don't think we have enough time and the show for me, real of all the
spk_0
shit that I'd love to talk about.
spk_0
I would embarrass itself on the pole.
spk_0
But one that just stands above every other one, head and shoulder.
spk_0
As I mentioned it before, it's been a few door feature polls and came up short.
spk_0
It's blow out.
spk_0
Yes, of course.
spk_0
Address to kill and dress to kill.
spk_0
Yeah, it's a back feature.
spk_0
I mean, that is the best double feature offered.
spk_0
Anybody could get nobody likes it.
spk_0
You've ever learned me ever.
spk_0
And then you kept asking for them back after two days.
spk_0
Can I have them back please?
spk_0
Have you watched them?
spk_0
Was I?
spk_0
Yeah, well, and the 19th of the law, if you have a for any length of time,
spk_0
then it's yours.
spk_0
So I want to avoid that situation completely.
spk_0
That's theft.
spk_0
Yeah, so blow out.
spk_0
Departments best, Travolta's best, maybe it's one perfect film for me.
spk_0
I can't get enough of it.
spk_0
And I revisited it regularly more and more as I get older.
spk_0
So I'm just good to go when the time arrives.
spk_0
So whenever you're ready, everybody who's voting, listening, you know, I'll pay for votes.
spk_0
You pay for votes.
spk_0
What about you, John?
spk_0
Yeah, I think there's musicals tend to not do well on polls, which is the same.
spk_0
I love to do some of them.
spk_0
I agree.
spk_0
Meaning,
spk_0
I agree.
spk_0
Yeah, I agree.
spk_0
And singing in the rain, I mean, talking about worthy films, so they don't come much more significant than that.
spk_0
I don't think huge.
spk_0
What Hollywood generally doesn't do great on polls either.
spk_0
No, I'd love to do Psycho or mentioned it.
spk_0
The Wizard of Oz, the making of story for the Wizard of Oz is one of the very best there is.
spk_0
It's absolutely madness.
spk_0
That would be great.
spk_0
So if I'm picking one, I'd like to do a might go network,
spk_0
though wild behind the scene story of some others, maybe they're still good, but as a piece of drama,
spk_0
especially a piece of writing, it's just extraordinary.
spk_0
I'm pretty sure I've had a crystal ball when you roll that film and the cast on the mass of great performances,
spk_0
Oscar's records coming out of its back side.
spk_0
So yeah, network might be the one.
spk_0
Network is, yeah, that's really good for you to replace your Amadeus.
spk_0
It really is.
spk_0
Yeah, that's the next one.
spk_0
It's right into that hall.
spk_0
Amadeus is here for the issue.
spk_0
It's like network.
spk_0
And you just keep putting it on polls.
spk_0
I'm not going to take any more of this shit.
spk_0
Perfect.
spk_0
What about you, Matt?
spk_0
What film do you want to talk about?
spk_0
Well, I'm a bit like John in that out.
spk_0
I'd like to really push to do more like classic Hollywood pre-97ies films.
spk_0
So a big one for that pay.
spk_0
It's been a few polls and I would never come to close, but I think
spk_0
me, Wesy and John would be all over the searches if that came.
spk_0
Oh, yeah.
spk_0
John Ford, John Wayne, we don't do enough Westerns as is.
spk_0
Definitely that one.
spk_0
But then at the opposite end of the scale, I'd also like to do much more recent films,
spk_0
you know, films just from the last few years that I've really put through and made an instant impact.
spk_0
Like, I mean, I'm sure we'll put up films from these decades,
spk_0
but I generally look at the 70s, 80s, 90s and think I'm kind of done with most of those.
spk_0
There's not many from those decades that I'd like to do now.
spk_0
It's right before or after.
spk_0
And I'm also like a big fan of the smaller films, you know,
spk_0
the ones which are much more kind of character based and dialogue based, not so much action.
spk_0
So something like Lady Bird to me would be a great choice.
spk_0
Yeah, great.
spk_0
To great film was critically clear and a thing.
spk_0
Greta Gohig's a really important director for our times.
spk_0
So Sean and one of the best actresses working today.
spk_0
But if I can after it would be the searches in Lady Bird.
spk_0
Yeah, I mean, there's quite a few in that.
spk_0
Oh, isn't that?
spk_0
I mean, like little Miss Sunshine, I can't be fantastic.
spk_0
Yeah, they're all.
spk_0
Yeah, yeah.
spk_0
Sideways.
spk_0
Yeah, sideways would be great.
spk_0
spk_0
Yeah, I mean, the only way that any of those films are going to win is if they're on a
spk_0
pole with similar films with some cells.
spk_0
Yeah, yeah, yeah.
spk_0
The box programming.
spk_0
Yeah, yeah.
spk_0
Well, exactly.
spk_0
Yeah, which I think to be honest, I think we're going to end up doing because these films need to be covered.
spk_0
Yeah, the last four we put up with four black and white films, wasn't it?
spk_0
Yeah, right.
spk_0
We meant one.
spk_0
Yeah, exactly.
spk_0
Yeah, brilliant.
spk_0
Have to start doing that.
spk_0
Yeah, yeah.
spk_0
Yeah, yeah.
spk_0
Teen Pauls, maybe that's the way they go.
spk_0
Mm-hmm.
spk_0
Yeah.
spk_0
Well, thank you very much for the question, Damien.
spk_0
Yes, thanks, mate.
spk_0
Thanks, Damien.
spk_0
Wonderful.
spk_0
Next on our list is a question from Andrew Hunter.
spk_0
Hi, Andrew.
spk_0
Hello, Andrew.
spk_0
Hi, Andrew.
spk_0
Good, I.
spk_0
Good, I, yes indeed.
spk_0
Good, I, yeah.
spk_0
Austria.
spk_0
Well, that.
spk_0
Andrew, if you couldn't already guess, Andrew.
spk_0
He's too used to be for Australia.
spk_0
Just because the question's really embarrassed, it wasn't anything to do with Andrew.
spk_0
Andrew says, greetings, ATRM from the Antipodes.
spk_0
Perocule question, what's your favourite and least favourite Australian film?
spk_0
Does Paul Hogan star in both of them?
spk_0
Cheers.
spk_0
Wow.
spk_0
Wow.
spk_0
Very specific.
spk_0
When I think of Australian cinema, I instantly think of Brian Brown and Mad Max.
spk_0
Yes, you do.
spk_0
Yeah, yeah, yeah.
spk_0
Imagine if Brian Brown was Mad Max.
spk_0
Oh, no, I'd love that.
spk_0
Yes.
spk_0
But if you do think about it for a moment or two further,
spk_0
there's just been so many great Australian films.
spk_0
Happy, yeah.
spk_0
Walk about, wake and fry, crocodile don't dig.
spk_0
Strickly ballroom, talk to me, the dry, the proposition, animal kingdom.
spk_0
You could go on and on and on.
spk_0
Yeah.
spk_0
The truth is I haven't seen a bad Australian film.
spk_0
Optineph.
spk_0
Right, OK.
spk_0
Yeah.
spk_0
So I'm taking this opportunity to talk about two Australian horror films that I really like.
spk_0
OK.
spk_0
And neither of them star Paul Hogan on fortune.
spk_0
OK.
spk_0
Right.
spk_0
Why are the both both quick?
spk_0
And the first one is Wolf Creek to
spk_0
Newbie and it's not the AIDS Wolf Creek.
spk_0
Lovely.
spk_0
Yeah, a very nasty little horror movie written director by Greg McLean 2005.
spk_0
If you don't know it, it's about British backpacks who come across when they encounter
spk_0
the antithesis of Hogan's McDon Dey.
spk_0
John Jarrett's Mick Taylor, not that one, not the one from the storms.
spk_0
It's certainly not for the fear and harder than maybe hits a little too close
spk_0
to real life, considering when it was released.
spk_0
But it is relentless and chilling and will stay with you for days.
spk_0
The other one is a bit of a cheat because it has a US cast in the shape of Stacey Keach
spk_0
and the one and only Jamie Lee Curtis, ATRM favorite.
spk_0
Very nice.
spk_0
Well, look favorite.
spk_0
Yes.
spk_0
Well, John just let him have it, man.
spk_0
I think it's everyone.
spk_0
spk_0
No, I guess we'll hold it good.
spk_0
Yeah.
spk_0
Good.
spk_0
The film is Road Games directed by Aussie native Richard Franklin.
spk_0
Nice.
spk_0
Keach and JLC Sparkle, but an unlikely relationship in the Desolate Australian Outback
spk_0
as they attract down a serial killer.
spk_0
It's a bit of a forgotten film now, not perfect, but it's a sleazy gem.
spk_0
Very nice.
spk_0
You feel like that kind of thing.
spk_0
Right.
spk_0
Just like me.
spk_0
What about you, John?
spk_0
Aussie cinema?
spk_0
Yeah.
spk_0
I'm sure that you look the first one that brings a mind.
spk_0
It was always Martin Maxx.
spk_0
Yeah.
spk_0
I think one of the most raw visceral pieces of filmmaking you could ever see.
spk_0
George Mill, I made it for about $12, I don't think.
spk_0
So I'm like that, yeah.
spk_0
Yeah.
spk_0
I love it.
spk_0
I'm the sequel, which goes absolutely crazy.
spk_0
But another one that we've not mentioned is picnic and hanging rock.
spk_0
Yeah.
spk_0
I knew of it, obviously, but I only watched it for the first time when we cover Master
spk_0
and Commander.
spk_0
Yeah, it's Peter Wierd, isn't it?
spk_0
Peter Wierd, isn't it?
spk_0
Peter Wierd, yeah, exactly.
spk_0
And I loved it.
spk_0
I mean, it's Donnie by Maxx, but it's a mystery.
spk_0
And I guess a lot of people haven't seen it.
spk_0
So a quick snopsies, I think, should get people in.
spk_0
Set in 1900, a girl's boarding school goes in the picnic to hanging rock, hence the name
spk_0
probably.
spk_0
But for the girls, go off exploring.
spk_0
Only one of them comes back and she's too traumatized to explain what happened.
spk_0
I mean, that's all pretty good, right?
spk_0
Yeah, yeah.
spk_0
It's a different level from the 60s, I think.
spk_0
So it has a great narrative, but it's so cinematic.
spk_0
It's got this like really dreamy surreal feel to it, which I really like.
spk_0
So if anyone's going to watch it, I think you showed Bar Warney at the end.
spk_0
It's my drive your mind, but it is brilliant.
spk_0
Yeah, it's got a very David lean look to it, doesn't it?
spk_0
Yeah, yeah.
spk_0
Yeah, yeah.
spk_0
And least favorite Australian film, John, do you have one?
spk_0
No, I've not watched it.
spk_0
I want to be honest.
spk_0
There's nothing I think similar.
spk_0
I've not really seen anything else really in that I've thought.
spk_0
I don't like that very much.
spk_0
I see a toughest to watch was definitely the proposition, which was the first to
spk_0
punish.
spk_0
Oh, yeah.
spk_0
Christmas.
spk_0
I asked you to like you to watch it.
spk_0
Test of season.
spk_0
What's wrong with that?
spk_0
Yeah.
spk_0
Oh, no, it was good.
spk_0
Yeah, Christmas day withings.
spk_0
So yeah, yeah.
spk_0
Yeah, yeah.
spk_0
What about you, Matt?
spk_0
Australian films where you're at?
spk_0
Yeah, very similar.
spk_0
The obvious one was Mad Max, Fivre Ward, but I've mentioned that so many times.
spk_0
The thought was just to mention that again.
spk_0
And to kind of skip to the end again, I've not seen enough Australian films to think of
spk_0
a really bad one.
spk_0
One that I'll say I just liked.
spk_0
I did think about picnic at Hangard Rock, but the other one I'll go for is a film from
spk_0
2001 called The Dish.
spk_0
I think 2000.
spk_0
Oh, yeah.
spk_0
Very nice.
spk_0
spk_0
I mentioned this when we covered a pull or 13.
spk_0
I'm already fascinated by the whole era of NASA and the London on the moon.
spk_0
And this is a true story about a radar dish in Australia that I was pivotal to getting
spk_0
the signal from the moon and transmitting it around the rest of the world.
spk_0
And it's just in this really small farm town in Australia.
spk_0
And it was famous for that one thing.
spk_0
And it stars Sam Nale and it's just a proper heart warmer.
spk_0
It's very, very funny.
spk_0
It's a great story.
spk_0
Yeah.
spk_0
The dish is one I want to mention.
spk_0
It's a really, really great.
spk_0
Beautiful.
spk_0
It is very good.
spk_0
And something you can't really go wrong with in the past.
spk_0
Oh, some needs brilliant.
spk_0
Yeah.
spk_0
Yeah.
spk_0
A dish recommend and the dish, which is very nice.
spk_0
There we are.
spk_0
It's a little bit moving.
spk_0
Mark the dish bottle.
spk_0
I'll take that.
spk_0
You're stacking up the nicknames as neat as possible.
spk_0
I kind of keep on.
spk_0
Good dish, too, mate.
spk_0
The butcher.
spk_0
Yeah.
spk_0
We're just going around.
spk_0
The kitchen over really good.
spk_0
The blade is the butcher.
spk_0
The dish.
spk_0
The whisk.
spk_0
Mother whisk.
spk_0
spk_0
Westy Australian films.
spk_0
Yeah, love them.
spk_0
Yeah.
spk_0
She was until this question that I started looking at.
spk_0
We're going, actually, I really love Australian cinema because it does have this fearlessness
spk_0
to it.
spk_0
Yeah.
spk_0
This independence to it.
spk_0
There's like a big foot you.
spk_0
Do you know there's no big studios going out there and you need to pile this into it.
spk_0
One I've seen recently that I really enjoyed is the roar.
spk_0
Oh, yeah.
spk_0
If you've seen that on DiPias.
spk_0
Very, very good film.
spk_0
Really enjoyed that.
spk_0
And then going back to the ones that seemed before, I mean, I love Chopper.
spk_0
I think that's an incredible.
spk_0
Oh, yeah.
spk_0
Probably one of the best debuts of recent years for Andrew Dominic.
spk_0
I think that's an incredible film.
spk_0
Wagon Fright, I love.
spk_0
I thought that was really a big, big, tough watch, tough one.
spk_0
spk_0
Gallipoli is fantastic.
spk_0
Oh, yeah.
spk_0
That's really underrated war film.
spk_0
So it gets absolutely fantastic.
spk_0
And that ending of John's talk about endings that will drive you mad.
spk_0
That one will just complete you destroy it, but it's fantastic stuff.
spk_0
Yet, BMX Bandit.
spk_0
Which is probably one of the greatest lost really phones ever made.
spk_0
And I've got the DVD and it says the citizen came of BMX movies.
spk_0
Which is up from the review.
spk_0
I can't deny that that's absolute gospel truth because it is.
spk_0
You've got Kevin, isn't it?
spk_0
You can't get into me in that debut.
spk_0
It's fairly may fun.
spk_0
The kids absolutely love it.
spk_0
It's great fun.
spk_0
But when BMX used to be like really kind of cool.
spk_0
And it still is, I guess, but not in that way.
spk_0
Yeah, and I mean, try to think of ones that were bad, but not necessarily for the right reasons.
spk_0
I think they're just poorly constructed.
spk_0
I very quickly made and the one that's broke to mind was the one from 1970 with the Ned Kelly biopic with Mick Jagger.
spk_0
Oh, brilliant.
spk_0
Oh, yeah.
spk_0
And I just felt very rushed and very like, well, it's got Mick Jagger in it.
spk_0
You know what I mean? It's not freejack.
spk_0
Thank goodness.
spk_0
Thank goodness.
spk_0
It's kind of on a par.
spk_0
It's the Australian freejack.
spk_0
And then you're too maybe beyond ThunderDome, but that's because you're comparing it to one of two.
spk_0
They're incredible.
spk_0
So you can't really go wrong with Australian cinema.
spk_0
I think there's some incredible, incredible films to check out.
spk_0
And if you're not savvy on it, then get on it because it's just constantly reward nothing.
spk_0
I turned around that one.
spk_0
So just turn 60's pop stuff.
spk_0
Everybody's all these Australian films.
spk_0
Exactly.
spk_0
Yeah, that's the problem.
spk_0
Was Rod Stewart in the proposition?
spk_0
When the South believe scene.
spk_0
So a lot of favourites, not many least favourites, and no Paul Hogan.
spk_0
No, I love Droughton Aldon, Dave.
spk_0
That's just too much.
spk_0
You love too, don't you?
spk_0
I love too.
spk_0
Yeah.
spk_0
You're the best sequel ever made.
spk_0
Very specific question, Andrew, but a great one.
spk_0
Nonetheless.
spk_0
Yes, very, very good.
spk_0
Very good stuff.
spk_0
And next on the mic is Philip Beatty.
spk_0
I feel it.
spk_0
I feel it.
spk_0
I feel it.
spk_0
Philip says, what movie images or scenes are you constantly reminded of in everyday life?
spk_0
Philip says, some of my ones, if the moon is out during the day, I always think of the Death Star hanging over Scarif in Rogue One.
spk_0
If anyone ever says the whole time, I have to try hard not to respond with a bad impression of Sally Field.
spk_0
I've got a whole lot at the end of this.
spk_0
I have to be really good.
spk_0
And seeing a packet of juicy fruits, chewing gum always reminds me of Warnflue of the Coosness, of course.
spk_0
Yeah.
spk_0
Yeah.
spk_0
Yeah.
spk_0
John, what about you?
spk_0
Yeah, I've got a couple.
spk_0
Whenever I'm driving and see someone doing a 3.2 and it always reminds me of awesome powers.
spk_0
And you're corridors.
spk_0
Yes, it's ridiculous.
spk_0
And when you're doing it yourself, you're like, awesome powers.
spk_0
Awesome powers.
spk_0
No, what are you talking about?
spk_0
Yeah.
spk_0
Just like four, three phones, isn't that?
spk_0
You know exactly what the toilet is?
spk_0
Yeah, it's great.
spk_0
Whenever I'm in Morrison's and see someone buying apples, I've always wanted to say to them, how would you like their apples?
spk_0
Yeah.
spk_0
When they have, yeah, making glass in the Morrison's I go.
spk_0
Yeah, I was going to get back down here.
spk_0
And getting in a lift for years, I used to always think, imagine if like T1000 on daggathins
spk_0
thought, shoot them down through the ceiling.
spk_0
Yeah.
spk_0
Yeah.
spk_0
Yeah.
spk_0
spk_0
spk_0
Over that one now, thankfully.
spk_0
Yeah.
spk_0
Thank goodness.
spk_0
Just through the door now.
spk_0
Is it not the roof?
spk_0
Yeah.
spk_0
Close the door quick.
spk_0
Over to you, Matt.
spk_0
Whenever I make a cup of tea, I'll circle the spoon around the rim like cutthin' caida and get out.
spk_0
No.
spk_0
Try and hypnotize yourself into the sunken place.
spk_0
Excellent.
spk_0
And the work too.
spk_0
We do one-chink, sink, do that.
spk_0
Because that if you're making a proof of someone.
spk_0
Yeah.
spk_0
I only do when it's only me now, obviously.
spk_0
Come round a mat.
spk_0
Do you want to cup a tea?
spk_0
Definitely not.
spk_0
Oh, no, really.
spk_0
Excellent.
spk_0
What about you, USD?
spk_0
Few.
spk_0
A few of you.
spk_0
And I wasn't, I didn't know how many until I started thinking about it once I read this question.
spk_0
And I'm like, oh God, I need to stop.
spk_0
But every time I get out the car, you know, when you put your foot down, you know that low angle at every, every film,
spk_0
where you say the shoe and then it comes up, make kind of like cranes up with the guy when you shut the door.
spk_0
I imagine that every single time I step out the car, put one foot down, wait for the camera to start going up,
spk_0
then I kind of just picture it in my head every single time.
spk_0
When I used to shoot weddings, used to have disposable cameras that used to give to people and used to go around.
spk_0
And they just take these shots to kind of throw away stuff.
spk_0
And every time I pressed a shutter on that and wound it on, was just shone of the dead.
spk_0
I used to be in the slaughter.
spk_0
Great.
spk_0
Every time I wind film on, it's just that really slow.
spk_0
And every day, I kind of get away from it.
spk_0
Just the noise of it, just brings home.
spk_0
A couple of things I say all the time is, this is a bummer man from Big Lebowski.
spk_0
This is a bummer, man.
spk_0
And it's like, it kind of takes the edge off some things.
spk_0
But people don't quite know what it is yet.
spk_0
And then it's like, I'm enjoying my coffee.
spk_0
I'm thinking about what I'm having.
spk_0
If I'm having a fight with someone, I'm seeing here, I'm enjoying my coffee.
spk_0
I'm doing that whole entire time.
spk_0
And then every single hotel corridor, I don't care how long it is, it's the shiner.
spk_0
No matter where I am in the world, it's just if it's a long hotel corridor, that is it.
spk_0
It's the shiner.
spk_0
I thought we were going to see an exception there.
spk_0
I thought it would be an exception.
spk_0
It's like upside down, it's gone.
spk_0
If it's a long, creepy corridor, no matter what it is, it's just like that's always smacked at the shiner for me.
spk_0
Yeah.
spk_0
Yeah.
spk_0
It's totally Zoom effect in your head.
spk_0
Yeah.
spk_0
Always.
spk_0
Yeah.
spk_0
Yeah. I mean, love this question because my ideas are filled with affectations from movies and TV shows.
spk_0
Yeah.
spk_0
Some of the ones that came to mind, whenever I make a sandwich, I always tap the top of the bread like a young Henry Hill and Goodfellas.
spk_0
Oh, yeah.
spk_0
For some reason, don't know why.
spk_0
Don't know why.
spk_0
Just do it.
spk_0
I always give a good sign to a hand dryer when it turns it on like Mr. Orange and Resort.
spk_0
Is that what dogs?
spk_0
Yeah.
spk_0
And a strange one, whenever anyone mentions an 80m, I always pause for a second and then say an 80m like Aton Shiger in no country.
spk_0
Oh, somebody don't know why it's in there.
spk_0
It's really weird.
spk_0
If you get confused, going, are they talking about us?
spk_0
Is it 80 or?
spk_0
Not 80.
spk_0
Lots of fun on that question, Philip.
spk_0
Very nice.
spk_0
Thank you.
spk_0
Yes. Thank you, Philip.
spk_0
Thank you.
spk_0
And next we have a question from Lou Pellegrino.
spk_0
Hi, Lou.
spk_0
Hi, Lou.
spk_0
Hello, Lou.
spk_0
So the greatest name of any 80m, Peter and ever.
spk_0
Yeah, this guy is.
spk_0
And you love this guy.
spk_0
Lou says, what is your favorite movie in which the main character does what you do for a living?
spk_0
Or something close to it when you aren't podcasting.
spk_0
Right.
spk_0
He says, I'm a public school teacher in the US and I find that most movies about teachers are pretty bad,
spk_0
but I really enjoy who's used and children of Alessagod.
spk_0
Thanks for a great podcast.
spk_0
It's inspired me to watch a lot of movies I wouldn't have otherwise.
spk_0
It's an absolute pleasure, Lou.
spk_0
You're welcome.
spk_0
Yes, thank you, miss.
spk_0
Very kind word.
spk_0
Yes.
spk_0
Matt, over to you.
spk_0
I've just got a very nice job.
spk_0
So this is a difficult question.
spk_0
It is, yeah.
spk_0
Well, involves watching a load TV.
spk_0
What do that with?
spk_0
Yeah, fair enough.
spk_0
Maybe the Truman Shore.
spk_0
Just the idea of watching that 24 hours, I think.
spk_0
Okay, lovely.
spk_0
Yeah, well, yeah.
spk_0
Like I say, it's a nice job.
spk_0
So it's not being represented accurately on film ever as far as I can tell.
spk_0
Well, there's a niche that you need to exploit.
spk_0
Yeah.
spk_0
Well, you know, we've got a question coming up about what film would we make?
spk_0
I'm going to make a film about my job.
spk_0
Brilliant.
spk_0
Excellent.
spk_0
Boom's on seed for that one.
spk_0
Oh, yeah.
spk_0
spk_0
Rivid and stuff like that.
spk_0
See what the video drum.
spk_0
Yeah.
spk_0
What about you, Westy, your job?
spk_0
Well, I'm a photographer.
spk_0
There was quite a few of you to choose from.
spk_0
And I like to keep myself to myself.
spk_0
So I thought of one hour photo.
spk_0
And this kind of type of list.
spk_0
And I really enjoyed Civil War because that's what I think I do.
spk_0
You know what I mean?
spk_0
So I'd say what your parents think you do.
spk_0
What you think you do is kind of civil war.
spk_0
Yeah, the White House is falling and I would shoot film.
spk_0
Like that's not going to happen.
spk_0
Is it not a million years?
spk_0
And every time I'm editing because there is an element of retouch.
spk_0
There is an element of post process and that you have to go into.
spk_0
It would normally be in a dark room.
spk_0
Now everything is digital as the nor has been for years.
spk_0
But every time I try to enhance something or I take something out.
spk_0
Or as I can take a light switch out the background or something.
spk_0
I always zoom into it.
spk_0
And every single time I just say enhance 224 to 176.
spk_0
It's a massive murder to Blade Runner.
spk_0
Every time I zoom into something and do that in my head or I say it out loud.
spk_0
And some people sat next to me and was going, what did you say?
spk_0
I was like, doesn't matter.
spk_0
It's a matter of hands to 24176 every single time.
spk_0
So yeah, that reminds us of that.
spk_0
Great.
spk_0
The one that came to my mind was Scott says he's after hours.
spk_0
Griffin Dunn players Paul Hacker did a day there at Entry Clerk.
spk_0
Now this isn't what I'd do for a living.
spk_0
But I've certainly done jobs as mundane as this in my time.
spk_0
Right.
spk_0
Paul's life mirrors his job as Dull and Bore.
spk_0
And just another face in the crowd.
spk_0
No action, no excitement.
spk_0
And then he goes on the wildest of rides downtown New York.
spk_0
Phil with lots of weird, sexy and threatening situations.
spk_0
And all he wants to do is get back to his boring world or keep on getting thwarted.
spk_0
And there were many times doing a similar job that I wish I could have been whisked away
spk_0
to downtown New York for a few sexy rides.
spk_0
It's kind.
spk_0
We have a great way to put it.
spk_0
What about you, John?
spk_0
Yeah, well, I mentioned before, but I worked in the creative digital industry for a few years.
spk_0
So I think the social network is a pretty obvious one.
spk_0
Less lawsuits and deposition from me, thankfully, but of course late nightcording sessions and building something is a team.
spk_0
That's all very familiar.
spk_0
And I've worked with a couple of pretentious douchebags in fuck you flip flops as well.
spk_0
I think you have yet.
spk_0
That's just a streak.
spk_0
Yeah.
spk_0
I was being a designer and the film that I didn't love but thought nailed parts of that kind of design industry experience was a devil wears prada.
spk_0
Yeah, yeah, yeah, fashion design.
spk_0
But yeah, impossible deadlines, a crazy boss who's never happy getting feedback, which makes no sense.
spk_0
And people who have no eye for like design or anything, thinking that they're experts all that stuff really rings true.
spk_0
And also it's not a film, but madmen.
spk_0
I love this.
spk_0
I know, now we're just going to bring pictures to the clients.
spk_0
Yeah, absolutely brilliant.
spk_0
Yeah, excellent.
spk_0
Thank you very much for the question, though.
spk_0
Yes, thank you, Luke.
spk_0
Thanks a lot, Luke.
spk_0
Our next question comes from Catherine Price.
spk_0
Hi, Catherine.
spk_0
Hi, Catherine.
spk_0
Hello, Catherine.
spk_0
Catherine says, what two movies would you say you've seen the most times in your life?
spk_0
Not necessarily favorite movies, but the two movies you've rewatched the most.
spk_0
You can exclude Christmas movies if you want.
spk_0
Westie will be very happy to hear that.
spk_0
I'm over the moon for that.
spk_0
Thank you, Catherine, because none of them would be in contention anyway.
spk_0
Let's be honest.
spk_0
What would be Westie?
spk_0
There's a few that are kind of tied, but I've had a pick one that I just, yeah, that kind of pipped it.
spk_0
Highlander.
spk_0
Brilliant.
spk_0
Probably watched that more than any other film.
spk_0
Brilliant.
spk_0
Because it was one of the very first films I got in VHS.
spk_0
And I just kept watching it and just how it works.
spk_0
That's how it works.
spk_0
I was like, if I like my film, nobody else has seen it.
spk_0
Nobody else knew what it was.
spk_0
My mom was annoyed with me, dad, because he got us in for Christmas and said,
spk_0
you know, they have to kill that.
spk_0
I've cut the heads off.
spk_0
So it felt like I was kind of knowing anyway.
spk_0
So I just watched it, watched it, watched it.
spk_0
And I love it.
spk_0
I still absolutely adore that film.
spk_0
And from the age of about 17 onwards, I think every single month, I watch the shining.
spk_0
So it'll be the shining for me to just constantly.
spk_0
If it's not on physically, it's playing in my head somewhere.
spk_0
So yeah, then two films for me.
spk_0
In Hotel Room corridor.
spk_0
In Hotel Room corridor.
spk_0
That's why I keep thinking about it.
spk_0
I mean, all the answers could probably relate to the shining if I'm on the screen.
spk_0
spk_0
Yeah.
spk_0
Yeah, I've seen that countless times.
spk_0
I know what inside out.
spk_0
Yeah, well, I've mentioned one of them already.
spk_0
It's midnight run.
spk_0
The film I've seen hands down more than any other.
spk_0
Well, well.
spk_0
Two hours of the most beautiful character right in situations, comedy action and
spk_0
locations to die for all of them.
spk_0
Yeah.
spk_0
The other one I think is the burbs.
spk_0
Right.
spk_0
spk_0
Yeah.
spk_0
I saw it when it first came out late eighties.
spk_0
I've watched it regularly since that's well over 35 years of rewatchers.
spk_0
I really wouldn't be surprised if it's at least once a year on average.
spk_0
Mm-hmm.
spk_0
Never gets old.
spk_0
Never gets tired.
spk_0
I like the wonderful thing.
spk_0
I do like to sometimes look out the window, spend some of my days looking out at my
spk_0
nib is just hoping that one of them is the club X.
spk_0
Just a little, just a little day of dream to myself.
spk_0
This is coming out here in the garden.
spk_0
I'm just trying to get some goddamn sleep.
spk_0
Smoked fuser guys, outside.
spk_0
Outside, obviously.
spk_0
Yeah, outside, obviously.
spk_0
All those are beauties.
spk_0
You got to mix them in with those.
spk_0
And of the you, John, most watched.
spk_0
Yeah.
spk_0
Well, there's loads I've seen many times.
spk_0
Obviously the original Indiana Jones and Star Wars trilogy from when I was a kid.
spk_0
Yeah.
spk_0
As a teenager, I had the Maid Wixon repeat for a good while.
spk_0
Yeah.
spk_0
Brilliant.
spk_0
Not revolutions, obviously.
spk_0
No, no.
spk_0
I'll leave this to the US.
spk_0
No better than that.
spk_0
But Catherine asked for two.
spk_0
And this term won't say because the only film is I remember watching as an adult.
spk_0
And as soon as they were finished, put the atmosphere back on again.
spk_0
Oh, yeah.
spk_0
So one's back to the future.
spk_0
Yeah, it is.
spk_0
Yeah, okay.
spk_0
Pretty much perfect.
spk_0
I think.
spk_0
Yeah.
spk_0
And the other is Amadeus, which is obviously the whole weird choice.
spk_0
Three hours of classical music and F. Marie Abraham being furious.
spk_0
But get those on back to back.
spk_0
And you've got films about one of history's biggest musical geniuses.
spk_0
And then Mozart.
spk_0
So I agree.
spk_0
A combo.
spk_0
We finally put Amadeus and I'm still going on about it as if we haven't.
spk_0
I know.
spk_0
I know.
spk_0
I thought we would have put that in the bed.
spk_0
Yeah.
spk_0
No, no.
spk_0
No, we'll bring that work in there.
spk_0
That can replace it.
spk_0
That's right.
spk_0
Ed, what about you, maths?
spk_0
You're most watched.
spk_0
Well, the verbs would be one for me as well because I'm raised.
spk_0
Like you, I watch when it came out.
spk_0
I'll just remember it to me.
spk_0
It's a summer holiday film.
spk_0
So I remember it's a kid summer holidays.
spk_0
I literally would rent it to take it back and rent it again.
spk_0
So good watching to our three more times during the week.
spk_0
And I would do that for about three or four summers.
spk_0
Right.
spk_0
As a kid.
spk_0
Obviously group a little bit.
spk_0
But even now it's one of those added to early rotation every summer.
spk_0
Of course, big.
spk_0
And a lot of time the verbs goes on.
spk_0
So that would definitely be up there.
spk_0
And the other one would probably be the thing to serenity pivotal film for me.
spk_0
One where I really like played it with me.
spk_0
Pounds like will you buy it for us?
spk_0
Like it's not going to give us nightmares.
spk_0
It's just brilliant.
spk_0
And I remember for some reason it was all something I would watch last thing
spk_0
on a Sunday before going back to school on the Monday.
spk_0
It would just put us in the right frame of mind to get it.
spk_0
The right frame of mind.
spk_0
Yeah.
spk_0
But it's got to be better than the bleakness of this end.
spk_0
Yeah.
spk_0
This Sunday is scary.
spk_0
The Sunday news.
spk_0
spk_0
You're warning at the school on the Monday with that massive hat on.
spk_0
Yeah.
spk_0
Yeah.
spk_0
spk_0
spk_0
Yeah.
spk_0
JNB straight down the neck.
spk_0
Nobody trusts anybody anymore.
spk_0
I'm going to roll by each time.
spk_0
And it's Monday morning.
spk_0
Great.
spk_0
Thank you very much, Catherine.
spk_0
Yes.
spk_0
Thank you, Catherine.
spk_0
Thanks a lot, Catherine.
spk_0
Now, our next question is from Tim Bruce Lair.
spk_0
Hi, Tim.
spk_0
Hello, Tim.
spk_0
Hello, Tim.
spk_0
Tim, great question.
spk_0
In all of world history, who would you pick as the fifth member of A.T.R.M. to talk
spk_0
movies with on your show?
spk_0
Wow.
spk_0
Okay.
spk_0
All of world history.
spk_0
Wow.
spk_0
A lot of question, Tim.
spk_0
Yeah.
spk_0
You know, it'd have to be somebody we all get along with.
spk_0
Who would get our sense of humor, who would add a different dimension.
spk_0
I had a number of content as to the crown.
spk_0
Gandhi or Nelson Mandela, you know, it's a tough choice.
spk_0
Of course.
spk_0
Yeah, but I'm keeping it fairly modern.
spk_0
Well, very modern, actually.
spk_0
I'm going with Natasha Leone.
spk_0
I've mentioned mine over in the past.
spk_0
She's in Russian dollopography.
spk_0
It's orange is the new black history.
spk_0
Daughters.
spk_0
Lord's more.
spk_0
She I just think she would be a perfect fit.
spk_0
And this is a shout out if she's interested.
spk_0
Because she would get all the pop culture references.
spk_0
She'll add a Lord of her own.
spk_0
She's incredibly funny, smart, articulate, magnetic, engage in.
spk_0
It's an orbiter.
spk_0
Very nice.
spk_0
It's not her then Eric Morgan.
spk_0
If she's not available.
spk_0
Oh, lovely.
spk_0
Yeah.
spk_0
Very nice.
spk_0
Funny bonds.
spk_0
Yeah, brilliant.
spk_0
What about you, John?
spk_0
Fifth member of the 80 hour on crew.
spk_0
Yeah.
spk_0
I mean, the first name that spring the mind, probably because we're talking about
spk_0
Michelle Muttra's Roger, are you but Roger the director?
spk_0
Oh, lovely.
spk_0
Yeah.
spk_0
Nice.
spk_0
Very, very, very big, big Rod's think.
spk_0
Greg asked for real.
spk_0
Yeah.
spk_0
If you were still with us, it surely have a podcast.
spk_0
Yeah.
spk_0
Of course, of course, of course.
spk_0
Of course, of course.
spk_0
Thank God he's not.
spk_0
We'd be done for.
spk_0
In terms of filmmaking, I'd love to pick the brain to Billy Wilder.
spk_0
Great one.
spk_0
Nice.
spk_0
spk_0
I know.
spk_0
I'm obviously an stunnedy Kubrick as well.
spk_0
Get him to explain himself once and for all.
spk_0
But I'm going with a very left field choice in Dorothy Parker.
spk_0
Right.
spk_0
So she was this legendary writer and critic from the 1920s onwards.
spk_0
I think.
spk_0
Yeah.
spk_0
And then you, you know, she was a screenwriter as well.
spk_0
And she won the Hollywood blacklist in the 50s.
spk_0
Mm-hmm.
spk_0
But she's so great.
spk_0
If you've not read her writing, I'd highly recommend it.
spk_0
She's hilarious.
spk_0
I never pulled any punches when right.
spk_0
You know, Hollywood fighting.
spk_0
Yeah.
spk_0
spk_0
Which is basically more of a bloodlisted.
spk_0
So she's fitting in nicely.
spk_0
I reckon she won 100% have a podcast as well.
spk_0
Have you ever still around the day?
spk_0
Yeah.
spk_0
Definitely be listening to it.
spk_0
So brilliant.
spk_0
Either Parker or Ebert together at last.
spk_0
Nice.
spk_0
Excellent.
spk_0
What about you, Matt?
spk_0
On a similar vein to Ebert really, but I'd have a big buzz Norman on.
spk_0
Oh, yeah.
spk_0
I love it.
spk_0
I love it.
spk_0
I mean, somehow we've never mentioned him like his opinions on films.
spk_0
No.
spk_0
But we really should have, because for listeners outside the UK for a while,
spk_0
he was like the preeminent British film critic.
spk_0
It was what's Barry Norman think for you.
spk_0
You know, film 92, 93, whatever the score of the year.
spk_0
It was like a staple for me.
spk_0
It was.
spk_0
Oh, yeah.
spk_0
I came out.
spk_0
I wanted to know what does Barry Norman think of it.
spk_0
He was on the deal.
spk_0
So obviously sadly no longer with us.
spk_0
But if he was, I'd love to get Barry Norman on.
spk_0
There was a time I would say all of the night, these days,
spk_0
like if he used to talk about films, he'd be like,
spk_0
are you Barry Norman?
spk_0
spk_0
Yes.
spk_0
Yeah.
spk_0
And that was an insult apparently.
spk_0
spk_0
I'm not talking about films.
spk_0
spk_0
Westie, 5th member of the 80 RM group.
spk_0
Gang is gone.
spk_0
No, I would go.
spk_0
I mean, I have to go direct as I kind of looked further.
spk_0
But I don't quite know where they would, where other people would sit.
spk_0
Hitchcock, I would love to have involved.
spk_0
He'd have the answer to everything, but he would just have so much intellect
spk_0
in their thoughts.
spk_0
Just a bit of massive cigar in there.
spk_0
Just a plume of smoke.
spk_0
It was incredible on the video.
spk_0
And the score says he, I mean, he's going better.
spk_0
Yeah.
spk_0
Living now knows more about film.
spk_0
spk_0
And he's just been a cyclopedia and he's really engaged and really funny.
spk_0
And I think you would like literally know everything.
spk_0
But at the same time, be really interested.
spk_0
Know what everyone else has thought to wear on things.
spk_0
Yeah.
spk_0
And he's just a very accessible guy.
spk_0
And finally, just selfishly, I don't know how well it would do,
spk_0
but just to kind of get somebody else's view on visuals and how they've changed
spk_0
and how important that is and how it looks now.
spk_0
I would write back at someone like Edward Hopper and just say like,
spk_0
what do you think of this?
spk_0
Oh, really?
spk_0
I'd get Caravaggio and then show them all the petition.
spk_0
Just be like, I'd get them show them Godfather.
spk_0
Be like, look at that.
spk_0
I'd be like, wow, it's this move and imagery.
spk_0
It just got you in me.
spk_0
Yeah, exactly.
spk_0
The show is the light and dark.
spk_0
And just I would just, you know, even just one episode just to go with
spk_0
like cinematography with a period of time.
spk_0
Of course, Caravaggio doesn't it?
spk_0
Yeah.
spk_0
Just something like that will be incredibly impressive.
spk_0
I can't give a definitive answer apart from Martin's course is.
spk_0
So that's my show.
spk_0
Brilliant.
spk_0
Good one.
spk_0
Marty.
spk_0
Yeah, four great choices.
spk_0
And thank you, Tim.
spk_0
Lovely stuff.
spk_0
Yes, Tim.
spk_0
Thanks, Tim.
spk_0
Alpinultma question comes from Kim Jackson.
spk_0
Hello, Kim.
spk_0
How you Kim?
spk_0
Kim says, has your amazing ATRM journey unfolded the way you thought
spk_0
when you recorded your first podcast?
spk_0
What outlandish dreams do you have for the future?
spk_0
Can you tell us about the book?
spk_0
Thanks for inviting us to be part of the ATRM family.
spk_0
I'll tell you what, beautiful words.
spk_0
Thanks for being part of it, Kim.
spk_0
Thanks, Kim.
spk_0
Thanks a lot, yeah.
spk_0
I'll be there from the start.
spk_0
Yes, indeed.
spk_0
John, do you want to take that first?
spk_0
Yeah.
spk_0
I mean, has that unfolded?
spk_0
How I thought I would say not really?
spk_0
Because I mean, what we do is still such a young thing, like digital content creation,
spk_0
it's still evolving all the time.
spk_0
So it's really hard to know where it will be from kind of one year to the next.
spk_0
Yeah.
spk_0
You can have an educated guess.
spk_0
But also you've got to roll with it.
spk_0
Is a great thing.
spk_0
Yeah.
spk_0
One sign.
spk_0
I've just gone full time with the ATRM I would six weeks ago, which is exciting and terrifying
spk_0
at the same time.
spk_0
So looking forward to seeing where we can go in the coming months.
spk_0
And as far outlandish dreams, I mean, I'd love to have an ATRM office, a full time team
spk_0
of like great people helping us out on various things, making stuff that we love.
spk_0
Not sure if it's possible, but we're going to try.
spk_0
So I guess time will tell.
spk_0
We're on the book.
spk_0
Yes, coming along.
spk_0
Came thanks.
spk_0
We have to submit the manuscript next month, another month after November to our publisher.
spk_0
And the publisher is like 2026.
spk_0
So though that's not confirmed and takes a while to go through all the editing processes and stuff.
spk_0
So watch this space.
spk_0
Please.
spk_0
Yes.
spk_0
Exciting stuff.
spk_0
We'll keep you updated.
spk_0
What about you, Matt?
spk_0
Your ATRM journey?
spk_0
I'm similar to John.
spk_0
No.
spk_0
I didn't think it would be anything like it has been like, no, no.
spk_0
No.
spk_0
No.
spk_0
No.
spk_0
You know, when I first jumped on to do that, Ryan can cue big.
spk_0
I thought, oh, this will be a laugh.
spk_0
And it might be one.
spk_0
You were wrong.
spk_0
I'm not like, yeah, I want to.
spk_0
Like, see if I was going to be one and don't know in a long haul.
spk_0
Trapped.
spk_0
Yeah, Trapped forever now.
spk_0
I just think of some of the mental thing, not necessarily me that's done that, but some of the crazy things that happened with us, like if he'd said,
spk_0
we'll do a podcast with Kurt Astagas, talked about his favourite movies.
spk_0
Well, no, that's not going to happen, obviously.
spk_0
What was our each out was.
spk_0
Some of the interactions with hard, do you remember the kind of mild panic we all had when we put up the hot fuzz tweet thread in Ed Graffs on a fact checkered one by one.
spk_0
spk_0
Yeah.
spk_0
Ed Graffs actually fact checkers.
spk_0
Yeah.
spk_0
This is all right.
spk_0
If you say it went well, you said it was 98.5% correct.
spk_0
So I'll take that.
spk_0
I think he also said while at the truth get in the way of a good story, which I love that quote.
spk_0
Exactly.
spk_0
That's great.
spk_0
Yeah.
spk_0
So if you said that to me at the side, I said, no, that's you.
spk_0
You can't happen.
spk_0
That's just really outlandish.
spk_0
So yeah, it's just been constantly surprising.
spk_0
And I imagine there'll be many more surprises still to come.
spk_0
Yeah.
spk_0
I mean, the direct is I've been in touch.
spk_0
Christopher McCory got in touch.
spk_0
Yeah.
spk_0
Yeah, I miss this year where you love what we did.
spk_0
Yes.
spk_0
Yeah.
spk_0
It's very nice.
spk_0
Popular.
spk_0
Popular in more ways than what?
spk_0
Yeah.
spk_0
Yeah.
spk_0
Let's look.
spk_0
It's lovely.
spk_0
What about you?
spk_0
What about you?
spk_0
spk_0
I mean, yeah, I don't really tend to stop to reflect much, because I think we're just, we're
spk_0
going to add a pace where it's just, it's just very enjoyable.
spk_0
And there's always something to talk about.
spk_0
There's always something new coming up.
spk_0
So we don't really get the chance to sit and go, wasn't that lovely?
spk_0
Because we're writing them.
spk_0
I love it.
spk_0
So it's just, you know, it's, it's part of the journey and it keeps going.
spk_0
I mean, it's gotten a lot more streamlined than it has.
spk_0
I think it's gotten a lot more professional.
spk_0
I think we've trimmed a lot of the fat off from where we've come from.
spk_0
But I think the beautiful thing is that you can see where we've come from.
spk_0
Maybe sound repair, you can go back to them earlier episodes and you can kind of see how we've
spk_0
actually shaped the episodes and everything that we're putting it.
spk_0
Oh, yeah.
spk_0
I think it's a real commitment from everybody and a real commitment to our friendship as well that we're still here doing it and still, you know,
spk_0
entertain by each other, which is really nice and really kind.
spk_0
But I think it works because we've all got the roles and we all have respect for each other's roles and respect for each other.
spk_0
And I think we'll bring something new to the party, even when it's a film that we've all spoke about
spk_0
400 times, you know, we'll get a focus on it and say like, well, you know, we're talking about
spk_0
RoboCop, we'll talk about Lord of the Rings again.
spk_0
It's like, yeah, but we're really going to talk about it this time.
spk_0
Yeah.
spk_0
You know, so there's different elements of it.
spk_0
But yeah, I mean, it's just such an enjoyable ride.
spk_0
You know, I'm not looking at the second drop of the rollercoaster because I'm still on it.
spk_0
So I'm just having a good time with my hands in the air to be perfectly honest with you.
spk_0
I don't remember Q1 for the ride.
spk_0
I just remember being on it and it's good and I'm enjoying it and we all are.
spk_0
So on what, not what are you?
spk_0
Two rights.
spk_0
Absolutely.
spk_0
We were talking about Lord of the Rings the episode and that before when we, I'm going
spk_0
way for that.
spk_0
It's going to be hilarious, I reckon.
spk_0
Yeah.
spk_0
Absolutely epic.
spk_0
So one of the things where you just, there's lots of things that I'm looking forward to talking about where, you know, if we're sitting in the
spk_0
pulpit, we wouldn't actually get to it and I'd come home and be like, oh, shit, I should have mentioned that.
spk_0
Where is this?
spk_0
We're getting a chance to write it all down to guess we're talking about it all.
spk_0
We're no, we're fitted all in.
spk_0
Yeah.
spk_0
So it's nice to have the structure to it.
spk_0
We're put at the same time.
spk_0
Have that relaxed vibe.
spk_0
We're going to bring what we need to bring to it.
spk_0
Yeah.
spk_0
Absolutely.
spk_0
Stirring a lot of unique elements into the pot.
spk_0
Yes.
spk_0
Yeah.
spk_0
And it works.
spk_0
It certainly does.
spk_0
And when John Westy and I went to see his golden messenger, live in Leeds, I didn't expect a slightly drunken conversation to have morphed into what we've created.
spk_0
I think it's a shop or a pizza restaurant, sorry.
spk_0
Yeah, that's right.
spk_0
Yeah.
spk_0
Yeah.
spk_0
Incredible.
spk_0
Went back and recorded aliens on the phone.
spk_0
We didn't have any minute of aliens.
spk_0
We talked about aliens with no, we talked to them and I must have that somewhere and I don't know where it is.
spk_0
No, we don't have it.
spk_0
It's somewhere.
spk_0
We'll have it somewhere, but I mean, never hear it.
spk_0
Non-sensical, absolutely garbage.
spk_0
No, I want to hear that.
spk_0
It was a good idea and I think me and Luke drove back because John was living in Leeds at the time.
spk_0
We thought, well, listen to it in the car on the way back.
spk_0
I'm actually, you know what?
spk_0
This isn't bad, you know?
spk_0
spk_0
Yeah.
spk_0
But I think I was still drunk.
spk_0
You weren't because you were driving.
spk_0
I think I went a little bit crazy into the early hours.
spk_0
So I was like, this is great.
spk_0
And you're like, well, you know, some of it's all right.
spk_0
How's your doing now?
spk_0
I'm not supposed to be a show like that.
spk_0
That's amazing.
spk_0
Like, Westy, let's just, you know, yeah.
spk_0
Well, it's done now.
spk_0
It's not for me to be refined.
spk_0
That's fine.
spk_0
Yeah, that won't make the end.
spk_0
Yeah.
spk_0
I love you three just to walk around every day with this and just be like, don't you say?
spk_0
spk_0
Just sniff it out.
spk_0
Just chewing the fun of all the bullshit as I go through.
spk_0
That would be perfect.
spk_0
Live editing.
spk_0
Live editing.
spk_0
I don't think we expected too much from those first few episodes.
spk_0
And we didn't get lords, but considering we were absolute nobody's, I think we did very well.
spk_0
And we've grown well beyond our expectations since that open and day.
spk_0
Yeah.
spk_0
And what I will say is that, yeah, we've created this, of course, but one of the things that makes us who we are is our listeners.
spk_0
The engagement we get from you guys, the wonderful words we get, particularly from our incredible Patreon community as well.
spk_0
So again, thank you.
spk_0
Future plans, I mean, you know, skies the limit for us, I think we're not just limited to podcasting all of that is our first love.
spk_0
I think my ultimate goal would be movie producing.
spk_0
That would be now with the what?
spk_0
Hey, you know, I'm going to hear a few sniggers in the back there, but you watch us go.
spk_0
Let's do it.
spk_0
Let's do it.
spk_0
Yeah.
spk_0
So yes, a little snapshot of the future past and present there Kim.
spk_0
Very nice.
spk_0
Thank you for the question.
spk_0
Thanks, Kim.
spk_0
And our final question comes from Ryan Chippor, another long time listener.
spk_0
All right.
spk_0
All right.
spk_0
All right.
spk_0
Ryan, a big one, he said, I'd be interested to hear what film each of you would make.
spk_0
What's the plot?
spk_0
What's the title of the film?
spk_0
Who's direct and who's starring?
spk_0
You've got an unlimited budget from the studio.
spk_0
In brackets, Westy will probably include a DP as well.
spk_0
You're absolutely right, Ryan.
spk_0
Correct.
spk_0
But Matt, it's over to you first.
spk_0
What's your magnum opus?
spk_0
There's a Stephen King novel called The Dark Half and it did make a version of it.
spk_0
I think early 90s, but it's pretty bad.
spk_0
If anyone has read a bit, it's about obviously because it's Stephen King.
spk_0
It's about a writer who has like issues, but he's created a pseudonym to write some other
spk_0
more successful novels, but he kills the pseudonym off.
spk_0
And he does a fake burial for it.
spk_0
But the pseudonym character actually comes to life and so it's going on a rampage, tries to get the original off and tries to take all his life.
spk_0
Like King Kill and Batman.
spk_0
Yes, that's exactly what it is.
spk_0
It's King Kill and off back then, but back comes back for revenge.
spk_0
It's really underrated novel.
spk_0
And I think it would do really well as a film if someone could do it just to so I would make that.
spk_0
I would have Rose Glass direct to Bigger.
spk_0
She may have seen more.
spk_0
So she's got horror trolling life.
spk_0
spk_0
And then she made love like splitting.
spk_0
So she had the ability to go from a very provincial British horror to this American film.
spk_0
So she could do the American aspect of the justice.
spk_0
I would have Oscar Isaac is the author.
spk_0
And then as a kind of sinister pseudonym come to life Tom Hardy.
spk_0
Right?
spk_0
Oh, wonderful stuff.
spk_0
Excellent.
spk_0
I know, God.
spk_0
What about you, Westy?
spk_0
Here it comes.
spk_0
The whatever one's waiting for.
spk_0
Well, I've already been written.
spk_0
It's fine.
spk_0
I've had this in remind for a while, you know, from the day day dot really.
spk_0
Right.
spk_0
Okay, it's Stanley Kubrick's Western.
spk_0
Oh, yes.
spk_0
Because Kubrick is made a perfect film and every genre I think and never got to make a Western.
spk_0
So that's your first pitch.
spk_0
This is Stanley Kubrick's Western.
spk_0
Obviously he's not around anywhere to direct this.
spk_0
So it's called a town called redemption.
spk_0
Brilliant.
spk_0
Right.
spk_0
All right.
spk_0
So there's a retired hired gun settles down.
spk_0
So I think like kind of unforgiven territory.
spk_0
Right.
spk_0
Right.
spk_0
But this guy is played by Daniel Deilois.
spk_0
Of course it is.
spk_0
I mean that four big chops settles down.
spk_0
Get some land.
spk_0
Only to find the residents of the closest town and not what they've seen.
spk_0
Because you go into town it gets applies.
spk_0
Everything's just a bit weird.
spk_0
So.
spk_0
Nice.
spk_0
Direct by Scorsese.
spk_0
Lovely.
spk_0
Okay.
spk_0
Yeah.
spk_0
So we've got a little bit of pull.
spk_0
Not Kubrick.
spk_0
Although he's in Kubrick's Western.
spk_0
Kubrick's dead.
spk_0
This is actually going to happen.
spk_0
Oh, right.
spk_0
Sure.
spk_0
Like if Kubrick was going to direct the Western.
spk_0
It's shot like Kubrick would shoot.
spk_0
Is it like AI?
spk_0
Right.
spk_0
Is it like AI in the hands of Spielberg.
spk_0
This is in the hands of Scorsese.
spk_0
That kind of deal.
spk_0
That kind of thing.
spk_0
Yeah.
spk_0
spk_0
Right.
spk_0
You know, I'm annual Lebesque.
spk_0
He's going to shoot it.
spk_0
Or high fan high tome.
spk_0
Whoever's whoever's available.
spk_0
So it's going to look fantastic.
spk_0
Whoever's available.
spk_0
It's your fantasy.
spk_0
You can choose over your.
spk_0
Oh, Lebesque then.
spk_0
So he's going to shoot.
spk_0
It's going to look fantastic stuff.
spk_0
Towncore redemption.
spk_0
Unlimited budget.
spk_0
Lovely.
spk_0
So.
spk_0
They're not what the scene in the town.
spk_0
Right.
spk_0
But.
spk_0
Right.
spk_0
He'll go.
spk_0
He has the twist.
spk_0
Vampires.
spk_0
Brilliant.
spk_0
But.
spk_0
Right.
spk_0
Moonlight kills them.
spk_0
Not sunlight.
spk_0
We're kind of a reverse vampire.
spk_0
spk_0
It's the mythology I love it.
spk_0
Exactly.
spk_0
So a mess with them.
spk_0
So the only thing that can kill them is silver.
spk_0
So he finds a silver bullet.
spk_0
Now, down your day, Lewis's character has built his homestead.
spk_0
And he finds a silver mine underneath it.
spk_0
So he's the only one who can take these fuckers out.
spk_0
All right.
spk_0
So it's kind of quick in the dead kind of thing.
spk_0
Where there's this whole kind of quick draw thing where they always win.
spk_0
And I'm working on it.
spk_0
I'm working on it.
spk_0
Okay.
spk_0
So Lewis is in there.
spk_0
Anthony Hopkins plays his neighbor.
spk_0
That's going to be.
spk_0
But he tells him the story of these reverse vampires.
spk_0
And he's like, what you're talking about, then goes into the finds out.
spk_0
And the bad guys Al Pacino plays the oldest one who's like, you know,
spk_0
crystal old vampire dude and Gary Oldman's in there with him.
spk_0
Brilliant.
spk_0
So that's the idea of the build the squad around that.
spk_0
That's a town called Redemption.
spk_0
It's going to be good.
spk_0
Reverse vampires.
spk_0
I love it.
spk_0
I love it.
spk_0
Lovely.
spk_0
Excellent.
spk_0
Oh, brilliant.
spk_0
Of course.
spk_0
All in spanish.
spk_0
It's on the Mexican border.
spk_0
Yellow tiles.
spk_0
She will.
spk_0
You've got to end with Hopkins seeing all you think about Redemption,
spk_0
all the damn vampires.
spk_0
Brilliant.
spk_0
Maybe.
spk_0
Yeah.
spk_0
I'll put that in the first draft.
spk_0
I'll see.
spk_0
Yeah.
spk_0
You might eat someone's liver.
spk_0
We'll start.
spk_0
spk_0
spk_0
Well, I've always had in mind a sweeping crime epic set in New York.
spk_0
I mean, obviously, obviously about the eighties crack epidemic that hit the shores,
spk_0
covering all the five burrows from the decaying Bronx to the upper five wall street.
spk_0
It's cultural.
spk_0
The societal impact.
spk_0
Looking at all walks of life.
spk_0
I genuinely do think that would be a great story.
spk_0
I think it's an untapped narrative.
spk_0
The only thing that comes close to it is New Jack City.
spk_0
But this would blow Van Peoples out of the water.
spk_0
Yeah.
spk_0
Of course.
spk_0
I'm having Spike Lee in the director's chair.
spk_0
And the film is just going to be stuffed with all my favorites character actors.
spk_0
So it's going to have John Lengwiz Amod, Louise Guzman, Keith David, Michael Imperioli,
spk_0
Bobby Kanavali, we'll even A.I. Dennis Verena in there as a Toothnose cop.
spk_0
Love it.
spk_0
Get it all in there.
spk_0
Love it.
spk_0
And we're calling it solid rock.
spk_0
Oh, that's bad.
spk_0
There it is.
spk_0
Yeah.
spk_0
And that's on wax now.
spk_0
It's just in case anybody steals the idea.
spk_0
Our episode of Time Stamp.
spk_0
So if solid rock comes out in three years time, I'll be furious.
spk_0
That's a doubtful.
spk_0
That's why it's your own productions, obviously.
spk_0
Yeah, there you go.
spk_0
Lovely.
spk_0
Yeah.
spk_0
And John, you're going to bring up the rear.
spk_0
Bring it home.
spk_0
Yeah.
spk_0
Well, this kind of goes butterwashed that earlier when I was younger.
spk_0
I loved writing stories like we're roll loads as a kid.
spk_0
And then later on, I actually wrote a couple of pretty detailed treatments that will flesh out enough.
spk_0
That could have been turned into screenplays if I'd been so.
spk_0
Oh, yes.
spk_0
Happy to bore you with what the main one was about.
spk_0
If you'd like.
spk_0
Go for it.
spk_0
Go for it.
spk_0
Everybody's bated breath.
spk_0
So I describe it as a bit like Blade Runner, a bit like Escape from New York.
spk_0
Brilliant.
spk_0
Right.
spk_0
Although probably as good as Escape from LA.
spk_0
Right.
spk_0
Don't put yourself down.
spk_0
Don't stop what you bitch on a night.
spk_0
Some people like that.
spk_0
It was called where city falls.
spk_0
So in dystopian future, obviously, where the US government has created all these manmade islands off the coast to combat over population.
spk_0
And the main in the biggest island has turned into very much the rich on one part of the island.
spk_0
They're not rich on the other.
spk_0
So it was an action adventure thing set on that one island.
spk_0
Massive.
spk_0
It would have cost $400 million to me.
spk_0
But Christopher Nolan's style action, but with big themes about like society and class capitalism identity, you know, like all the light stuff that's used.
spk_0
You would like to.
spk_0
I was a money on it.
spk_0
So yeah, I reckon $40 million to me, it gets probably 300 million to market it because no one's heard of it or me.
spk_0
Yeah.
spk_0
From the right room brought you nothing.
spk_0
So yeah, I'll be sticking to the podcast, I think, but that was all fleshed out into an entire story end to end.
spk_0
Nice.
spk_0
Very good series for Netflix.
spk_0
Yeah, we could work as a series.
spk_0
Yeah, in terms of who was going to do it, I was hard when I was writing it.
spk_0
I had a Ryan Gosling in my mind as the lead.
spk_0
Really?
spk_0
I remember.
spk_0
And directing it.
spk_0
Westy, obviously.
spk_0
Oh, there you go.
spk_0
I mean, I might be going to the sound call redemption, but we'll see what we've got.
spk_0
Blown as out.
spk_0
Well, I'm going to have to say I might be busy.
spk_0
I might be doing.
spk_0
I'll give you a call.
spk_0
I'm going to give you a call.
spk_0
Good class, call whatever it's called.
spk_0
Sorry, mate.
spk_0
I've got a lot on.
spk_0
Loots on.
spk_0
I'm not doing any massive Netflix series.
spk_0
Wonderful stuff.
spk_0
Well, thank you very much for the question, Ryan.
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Our final question.
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Yes, thank you.
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It was excellent.
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It was a good one.
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And that's the end of it.
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Thanks to Stuart, Kate, Damien, Andrew, Philip, Blue, Catherine, Tim, Kim and Ryan for your contributions.
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And thanks to everyone else who submitted a question, we will get to you eventually.
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Yes, thank you so much, guys.
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Keep me posted.
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Everybody on them.
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Yeah, what you'd be here.
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And if you'd like to submit a question for the next Q&A episode, you can sign up to become a
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an ATR MP at Renard Petry on.com forward slash all the right movies.
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Becoming a patron will also give you access to huge podcast archive.
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Hundreds and hundreds of hours of movie content produced by us guys here.
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And that's also available on Apple Podcasts, Spotify and YouTube.
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It is.
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You might also become a patron of the month.
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A couple of our question askers there were a patron of the month, I believe.
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All right, nice, yeah.
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Yes, that's right.
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Yeah, yeah.
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So that's you get yourself in the running for that if you can sign up to be a patron and untold riches.
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Yeah, untold.
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Well, probably that, but no, just a shout out.
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That's why the one told.
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Because it's not existing.
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If you do like what we do here, you know, and why wouldn't you please consider taking a couple of minutes out of your time
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to give us a positive rate and on whatever podcast platform that you use.
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We live five stars.
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If you don't think we're worthy of that, then you don't need to rate us.
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No, just that.
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You know, that's fine.
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Talking about where we want to go, then doing things that can help us out massively.
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Yes, we really can't.
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Yes, we really can.
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And a nice write-up would also wouldn't go miss.
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Of course not.
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That'll be very nice.
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Coming next for all the right movies, King Kong in God shit on Westy mat and I as we hit the earlier mean streets with detective Alonzo Harris,
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it's Denzel at his best, Intrain and Day, a one I'm very excited about.
spk_0
But do you mean you two guys are as well?
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Yeah, right.
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King Kong, copycat, bloody pathetic.
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I'm still on chopper.
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Is that the first Denzel on the podcast?
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I believe it is.
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I think it is.
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That is crazy.
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That is.
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I mean, what a weirdo start as well.
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It's a good one.
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It's a big start.
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Yeah.
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Then two weeks after that, if you didn't think good again and you're bigger, it bloody well.
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Can you know?
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John Matt and Westy are at the start of a magnificent journey as they go behind the scenes on the enormous,
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the gargantuan, the Lord of the Rings, the fellowship of the ring.
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Yes.
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They run back again.
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You love the munch.
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It's going to be super sized, isn't it, John?
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Yeah, it's going to be a big, big one.
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The biggest?
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The biggest?
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Yeah.
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A lot to look forward to this month, not to mention as well, brand new episodes of our Peter and exclusive podcast,
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Double Feature and The Watchlist.
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So Lord's going on.
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Indeed.
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And as ever, we are active all day all night on social media.
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You can catch us on X, Blue Sky, Instagram, Threads, TikTok, our Facebook group, and our website,
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which is all the right movies.com.
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And that is a wrap, everyone.
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Thanks once again for our patrons for your questions and if you want to be in the hot seat, sign up to support us on patreon.com.
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Thanks for listening, everyone.
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Thanks for listening, guys.
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Thanks a lot, you are.
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Thanks a lot.