Culture
Radio Westeros E97 - Bran Stark, part 3
In this episode of Radio Westeros, we delve into the complexities of Bran Stark's journey as he grapples with fear and doubt while exploring the haunted castles beyond the Wall. As Bran and his c...
Radio Westeros E97 - Bran Stark, part 3
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Interactive Transcript
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היי, שואל בשביל חבר, נניח ויש לחבר סחום גדול השקיע,
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ונניח שהוא רוצה לגוף את שמאי לחלוטין,
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שהנושאי החלטה בעברת ביטוח,
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כי זה חשוב לחבר שהאינטרסים שלא בהדיפות הראשונה.
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ומה הם הוא רוצה לבואי ממומכים פיננסים ואו ביקטיביות,
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הוא שקיפות מלאה?
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אז אני הייתי מבליצו על קבוצת קלי.
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קלי מובילה את חומי השקעות,
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הפן סיבה ביטוח כבר חמישים וכמשנה,
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באופן עצמאי הוא ולתית עלוי.
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בקיצור, תמליצו להחבר לחפש את קבוצת קלי.
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או, להתקשר, כוכבית, תשימי ואחת, ארבעים וכמש.
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ו sekarang, זה שתיים להתקשרת את הפתרנטים של נוראים ולרימפים.
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שקיפות עלין, עוקסה, אמרתי האדם, בלד,
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ארץ-מסטרקופי, קבוצת קלצי, דיין, דולרס-פרד,
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מלורד-סוסה, ון הפתיל, חיים-קמנים, דיידן,
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גיל, גייהם, הרבה-וסטרוס, זה מיסקטונק-מסטר,
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לדי-סילרוווינג, מרק, שורתסתה בלק,
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סאטוריין, סללי, דווייה סורטה את העבדים,
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ולדי-טיילס, כסלנקי, תיאלפה פטרין,
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אז, ולדיידן, דיידן, דיידן, דיידן, דיידן,
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היי, שואל בשביל חבר,
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נניח ויש לךבר סחום גדול השקיע,
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ונניח שהוא רוצה לגוף את שמעיל החלוטין,
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שאינו שייך לאף חברת ביטוח,
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כי זה חשוב להחבר,
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שהאינטרסים שלא בהדיפות הראשונה.
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ומה הם הוא רוצה לבואי ממומכים פיננסיים
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ואו ביקטיביות הוא שקיפות מלאה?
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אז אני הייתי מבליצל על קבוצת קלי.
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קלי מובילה את חומי השקעות,
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את הפן סלווה ביטוח כבר חמישים וחמש שנה,
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באופן עצמאי הוא ולתית עלוי.
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בקיצור, תמליצולה החבר לחפש את קבוצת קלי.
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או, להתקשר, כוכבית, תשאים ואחת,
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ארבעים וחמש.
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Whereas early in the journey,
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Branard looked forward to arriving at the wall
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and finding out what lay on the other side,
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he now finds himself full of fears.
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And while a lot of what he fears has roots in old nan's stories,
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as we'll see,
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we also see that Bran is assailed by doubt.
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He knows that all the ways through the wall
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at the so-called ghost castles are sealed by ice and stone.
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סנגן הס צריכת הלוג, רצה או יחבל העצרי ממגדטים
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כcze אתoline getir
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לבח contrad with his sequence, כי לא יודעת ש plus, כן רוצה יפה בגacaktם
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זאת שרחוקת את ייפושי juntoושי סינט עולת של ההביר high painted in from
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perfection- 친복 עוד, רצה של fix
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חקב refund alternative and his secret hope that the mysterious dream visitor would
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help him to walk again it would never come true.
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But there's another fear gnawuring at him that he can't bring himself to share and
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this companions.
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Sometime in the week following the events at switched crown brand had a dream.
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He thinks that maybe it was actually summer's dream and Akk peachback mut על
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הדרמנה pak 에בלו הס deleting אתה הקדו дополнון שהיה להנדבחר女 היה
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שזקה vaccine physicians different than facets and star fireறத means.
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ועושה את תשובה.
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בח крайVIN, את רגע Stud Turnbull, אני wirklich empה לךку זאת!
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לא לה 대통령 את לא רק אצלו לטנbur את רגע.
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אני חודらש אניłecי לכם.
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לעשותствен04 ב deste תח Kunden, אלא אתה אני undergrad.
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אני לבד עם מה Hair Dawn, אז גרבה היא היה בת Deviו 가서 שנוקח
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קראתי, שאני אנבת伸 בהעל Admiral Blown,
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זה שאותד ברורruktur גמל וננה ההיא ון רגיד, מתךピקמישית בטkem fair וזה והעתיים להצאתה,
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למחפה מב
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הלב得 יורה עם פגטים הוקוהה או ההבן ארבע twins
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אפטליה טלופ?
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אורนนן שהructures לא בתופת שם בואו��가.
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sipb帶 は פניJeb
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אם אמר threshold עולה ארבעה talking Goshot,
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מאח régי גסה לצוד פ Shorty form ו彥 פרcely העתם בין téléphone
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אני מאשבי את זה חיור פあの על nước תלסה הכננה
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אם ארבעה ארבעה Marchegiani מפהועיות
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הרווקא פננppe פר slaap
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הרווקא פננה
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�정няה مسנית אלופס içerוא העיתמשนיה המספר שאני מעל בהתת Davidson האנ
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הם מכלעתי ספוקי בישה Els אולי, meantime לא עלי, במhandin.
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גרברו Public S4S2HD XYS Western אשת או י
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הוא שהסופוו שם לא הandomות Voilàoithe
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כל כך עשר לבחר נית acrylic shot.
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בדרך משפרjeron שווה גיטובל מחכירה וה prepזphin מה זה הזו
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וכ puta מה אני חושב שלו Brisbane.
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איט השיוןות הזכו נראה של אלה אף היתו 법 ritq אנחנו עדת ההלחוהש,
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הוא באו כדי עב
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נעשה כמונות ב fist Cuincero ron,
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שכביש התקום,
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שצינבר על פ��וגנות הלאה בראים בכדי ölיברlord sufficient
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בראים שאולו השתיים הלכי, אולו מתזק видно כמונת במותפה,
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עברי י tag gotb, אז יד traits pomocכת שטחיות, לע不過 gerb,
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התמagne לעפerdקhappy ביברו ביברו רורדה, בבקדך שאול
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הdenly שהכך של אף ensuite השתה הemicsיקת זה רוסג שעםory.
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ואני בא�omorph insisted עצק, שעש), recoratos כמעט של על יחד או אפיל야지?
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הared, או לא종 Purd מחינים בו, כן אני לא הולך להDCים שעש,
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וזהenciesי תarloדוונות الذي, insects שאתה, הסît תדפע פי זה לא שאניום ש neurוי, carry איumb Meaner означדilar א
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על פסת מנוורי הוא כתיד ע Lehati
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וכי לקחי שדהיara ישי אמות SD
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זה ועשי שמכ emocograph אני באותו על אבחני
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אחרי מוורי את ארבעilda של��ים
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איי שכחתי לאחריでしょう
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אהשה זו учוותו את הולוען יועל będęurs toadosism,
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אבל זהותו פת çekתובי קלencies והם עוד אה מה depending on me do.
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שאתם אומרת לא כבחדר,其實 אורימפו לא נותני כאן זה למשל חדשת
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מס tendon בלבחו השני או חיה Smasher,
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מתוחד מההתיו והקשלטו было כבר Cocoa חתב hiding עם מהטועה
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שאתה לחיות מסבחתו הייתו בחלטו
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וכן שכאגתב חוקדים ברורים הזכוד עבודה לאה
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ואيدכי אזרו של altre ובעוד או דרחαν,
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הטעותי הכי חודדים ולפנס ליירותו
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tyre להיעשה החלטה Sadher.
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work with Willy Trance.
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קויברנו שהן סייסי ג przypadku זאת לדantry Dus
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שולי enough to give pause to any visitors,
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though jojun as usual seems unfazed.
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and so the trio continue their explorations
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with summer at their side.
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they find a bell tower, a library, a bathhouse,
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the dungeons and the forge,
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harmory and practice yard.
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the main impressions are of immense size and emptiness.
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the watch had taken anything of use
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and left anything they couldn't move to the rats
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who were now the castle's principal inhabitants.
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after hours of exploration,
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Bran concludes,
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maybe it is only a ruined empty castle,
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and then Mira returns as the sun sinks below the western hills.
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she reports on what she saw from the top of the wall.
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the haunted forest hills rising wild as far as the eye can see
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covered with trees that no axe has ever touched.
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I saw the sunlight glinting off a lake
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and clouds sweeping in from the west.
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I saw patches of old snow and icicles long as pikes.
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I even saw an eagle circling.
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I think he saw me too.
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I waived at him.
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that's an interesting tidbit because while the first impulse
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is to suppose that the eagle might have been varomia six skins,
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riding an orale's eagle
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and to gain intelligence about the wall,
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just as John Snow will see him doing during the battle at Castle Black,
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we suggest another option.
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It strongly suggested to readers over the course of the novels
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that the last green seer,
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once known as Bloodraven or Brindon Rivers,
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is able to slip into the skins of many animals
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from his were withdrawn in the far north,
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including but not limited to a crow at Castle Black,
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a cat at Harrenhal,
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a cat in King's Landing,
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and other crows both north and south of the wall.
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And we suggest that it was Bloodraven and the eagle
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that Mira waived to,
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and that he was seeking confirmation that Brind
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and his companions had arrived at the wall
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in order to ensure the success of a stratagem
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that would play out at the nightfought that very evening.
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As Mira reports,
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it's rufally that impressive as the views
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from the top of the wall had been,
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she had found no way down or through,
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she wonders if her brother could have been mistaken in his dream.
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Once again, Jojen expresses complete confidence
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that they are at the right place
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and that there was a gate here through which they would pass.
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The green seer had clearly sent this dream to Jojen
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and perhaps through the eyes of an eagle
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had confirmed that it had the desired effect
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to bring Brandon Stark to the nightfought
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on this particular day.
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While Jojen's insistence once again frustrates Brann,
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was more certain than never
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than after their afternoon exploration
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that the only gate was the one they had seen filled
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with stone and ice,
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the group resigned themselves to staying the night
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at the haunted castle.
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Brann's thoughts turn to the legend of the Night's King.
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He recalls Old Nan's tales about the Sinister 13th
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Lord Commander of the Night's Watch,
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which would always end with her suggestion
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that he had been a Stark and perhaps had once lived
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in Brann's very room.
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Brann doubted that very much,
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but here at the nightfall,
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he was hard to gain any distance from the nightmare.
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This was where he had lived
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and ruled with his corpse queen at his side.
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And as the night draws in,
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Brann Stark thinks Night's King was only a man by light of day,
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Old Nan would always say,
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but the night was his to rule,
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and it's getting dark.
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So George is leaning into classic horror tropes here
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at the dark and ancient nightfall,
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even to the point of naming one of its horrors
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the thing that came in the night.
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While Brann is a convenient viewpoint character
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for this part of the story,
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it seems to us that the actual scary stories
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have much more to do with world building
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through the advancement of in-world lore
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and perhaps more importantly,
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establishing this particular location
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as a future setting for something much more dark and horrific
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than whenever Brann experiences while there.
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When we one day return to the nightfall
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with another viewpoint character,
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we'll arrive with full knowledge of its dark past
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and a prevailing mood of dread
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will be easily established with the reader
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by virtue of this very chapter.
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And the day new one of the horror vibe,
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George builds at the nightfall,
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would come in the castle kitchens,
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where a broken domed roof offered more shelter
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from the elements than any other part of the place.
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Brann decides that the strangely elongated weirwood tree
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that is broken through the floor near the kitchens,
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huge central well,
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makes him feel like here at least
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the old gods could watch over him
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in spite of the tree having no face.
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And this of course puts his mind of blood raven,
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once again, perhaps finding a way
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to ensure that the little group
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were exactly where he needed them to be
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for what would come next.
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The kitchen with its huge brick ovens
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and blood stained butchers block
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made Brann think of the rat cook
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and his imagination once again started to revisit stories
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of the past horrors of the place.
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The story of the rat cook is a foundational story
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in the north,
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and it asserts one of the key principles
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of northern culture that a man has a right to vengeance,
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but breaking guest right by killing a guest
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beneath your own roof
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is an unforgivable offense against the gods.
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We've discussed this concept often
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and in many contexts, as most readers know,
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it comes up many times in northern storylines.
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Here, just a few short chapters
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after the red wedding chapters,
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we're given both the background
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and an unequivocal statement
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about the importance of guest right in the north.
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Even the first time reader likely begins to wonder
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what divine retribution might be in store
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for the architects of the single largest
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violation of guest right in known history.
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Brann, of course, knows nothing of this
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in spite of his dream about Robin Gray Wind.
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What he does know is that he does not like
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the well in the center of the room,
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12 feet across with stone steps built into its damp walls,
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the well sinks into a darkness that seems bottomless.
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When Brann and Mira can't see the bottom,
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it's Hodor who takes the exploration to another level.
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He starts by Hodoring into the shaft
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and his first startled, then amused by the echoes that reply.
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Such as his delight in the echoes,
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they unexpectedly tosses a broken stone into the void,
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no doubt hoping to hear another echo returning to him.
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And now the scene in the night for it
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takes on the distinct notes of another homage
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to George's favorite fantasy writer, J.R. R. Tolkien.
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In the fellowship of the ring,
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when the fellowship seeks shelter in
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and passage through the abandoned
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and seemingly haunted minds of Moria,
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they come across a room with an open
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and seemingly bottomless well at its center.
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Much like Brann and his friends,
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it's the room the group has chosen to spend the night in.
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And of course, there's one member of their party
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who, like Hodor, is strangely attracted to the mysterious well.
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In fellowship, we see the scene play out
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from Pippin' Tuk's viewpoint.
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It says, moved by a sudden impulse,
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he groped for a loose stone and let it drop.
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And then came the sound of the stone reaching the bottom.
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Quote, far below, as if the stone had fallen into deep water
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in some Calvinous place, they came a plunk, very distant,
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but magnified and repeated in the hollow shaft.
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Compare this with what George wrote, far, far below,
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they heard the sound as the stone found water.
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It wasn't a splash, not truly.
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It was more of a gulp,
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as if whatever was below had opened
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a quivering, jellied mouth to swallow Hodor's stone.
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Fane echoes, traveled up the well,
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and for a moment Brann thought he heard something moving,
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thrashing a bount in the water.
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And so George leans more heavily into the horror
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with his imagery while Gandalf and the fellowship
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seem at first relieved to know that the sound they heard
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had an explanation.
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Of course, the two scenes diverge again
spk_0
in opposite directions when the outcome of Pippin's tossed stone
spk_0
turns out to be the disconcerting sound
spk_0
of knocking from the deep,
spk_0
which readers of Lord of the Rings know
spk_0
presages something much more disturbing than shadows and echoes.
spk_0
In Brann's case, the echoes also die away,
spk_0
but we shouldn't forget the something
spk_0
that Brann thought he heard coming from the depths.
spk_0
Still, the group enjoy a meal by the fire,
spk_0
Jojen lights before settling down to get some rest
spk_0
with Jojen hoping to be sent another dream
spk_0
to illuminate their next move.
spk_0
Brann wakes from his almost sleep when he hears a noise.
spk_0
As he comes to his senses, he realizes
spk_0
that the noisy he is is not from outside
spk_0
or even from elsewhere in the castle.
spk_0
The noise is coming from inside the very room he is in.
spk_0
And soon it resolves itself into distinct footsteps.
spk_0
Realising its footsteps, Brann begins to catalogue
spk_0
all of Old Nan's stories looking for a supernatural explanation.
spk_0
It says,
spk_0
it wasn't the sentinels he knew.
spk_0
The sentinels never left the wall,
spk_0
but there might be other ghosts in the night for.
spk_0
One's even more terrible.
spk_0
He remembered what Old Nan had said of Mad Axe,
spk_0
how he took his boots off
spk_0
and proud the castle holds barefoot in the dark
spk_0
with never a sound to tell you where he was
spk_0
except for the drops of blood that fell from his axe
spk_0
and his elbows and the end of his wet red beard.
spk_0
Or maybe it wasn't Mad Axe at all,
spk_0
maybe it was the thing that came in the night.
spk_0
And then he realizes that the sound is coming from the well.
spk_0
He's wide awake now, but so terrified
spk_0
he can't even call out.
spk_0
He thinks of Holdor and his stupid stone
spk_0
and realizes that summer isn't nearby to help
spk_0
and the sounds are getting closer by the second.
spk_0
He's able to clearly identify heavy footsteps,
spk_0
labored breathing and a strange whimpering sound.
spk_0
In spite of an urge to hide his head beneath his blanket,
spk_0
Brann manages to wake Mira.
spk_0
She understands and is ready to face whatever is in the well
spk_0
in an instant,
spk_0
but Brann can't bear to let her fight alone.
spk_0
With summer away exploring,
spk_0
Brann resorts to the only option he has.
spk_0
Whereas the first time he slipped into Holdor's skin,
spk_0
it was clearly inadvertent.
spk_0
This time it's fully intentional.
spk_0
It says he slipped his skin and reached for Holdor.
spk_0
It was not like sliding into summer.
spk_0
That was so easy now that Brann hardly thought about it.
spk_0
This was harder like trying to pull a left boot
spk_0
onto your right foot.
spk_0
It fits all wrong and the boot was scared too.
spk_0
The boot didn't know what was happening.
spk_0
The boot was pushing the foot away.
spk_0
And so we see Brann for the first time intentionally perpetrating
spk_0
what Varamere Sixkins mentor Hagon called
spk_0
the worst abomination of all.
spk_0
Holdor's fear and discomfort at the violation
spk_0
is no less this time than it was the first time
spk_0
when Brann entered his mind by accident.
spk_0
And while Brann might be excused
spk_0
for not having any formal training and skin changing
spk_0
and perhaps even for doing something
spk_0
out of what he felt was necessity in this instance,
spk_0
we should pay close attention to Holdor's experience
spk_0
and Brann's awareness of it.
spk_0
For a moment in control of Holdor's body,
spk_0
Brann has the experience of standing and walking.
spk_0
It lasts just long enough for him to recognize the feeling,
spk_0
apparently taking a momentary pleasure in the experience
spk_0
before a wailing noise erupts from the thing in the well.
spk_0
Very close to the top now,
spk_0
that terrifies the real sideline Holdor so much
spk_0
that Brann is flung back into his own body
spk_0
while Holdor begins yelling,
spk_0
Holdor, Holdor, Holdor.
spk_0
Exactly as he had done during the lightning storm
spk_0
at Queen's Crown.
spk_0
Everything happens very quickly after that.
spk_0
Brann sees a huge black shape come from the well,
spk_0
screaming as mirror reading cases it in her net.
spk_0
As the thing rides on the ground,
spk_0
mirror poking at it with her fish spear,
spk_0
Holdor shouting continues,
spk_0
as does the strange wailing from the well,
spk_0
now accompanied by the black thing crying,
spk_0
no, no, don't, please, don't.
spk_0
And so the first time reader experiences a moment
spk_0
of pure terror along with Brann
spk_0
before the wretched begging of the thing
spk_0
encased in the net causes a moment of doubt,
spk_0
which is followed immediately by its response
spk_0
to mirror's stern demand to know its identity.
spk_0
I'm Sam, the black thing, Sobs.
spk_0
Sam, Sam, I'm Sam.
spk_0
Let me, how you stabbed me.
spk_0
Readers lasso Samwell Tali 10 chapters previously
spk_0
when in his flight from the debacle at Crestus
spk_0
with Gilly and a newborn baby,
spk_0
they took shelter in a village that may have been white tree
spk_0
and were saved from a pack of ravaging whites
spk_0
by a flock of ravens and a mysterious man
spk_0
in black riding an elk,
spk_0
who addressed Sam as brother.
spk_0
Now, weeks later, we see Sam
spk_0
rising from an underground passage at the night for it
spk_0
with Gilly and the baby,
spk_0
the source of the strange whaling noise
spk_0
Brann and the others heard in tow.
spk_0
It soon becomes clear that the man in black
spk_0
who Sam and Gilly have nicknamed called hands
spk_0
had an agenda from the start.
spk_0
After introducing herself,
spk_0
Gilly asks Jojen if he is the one
spk_0
in response to his question, she explains,
spk_0
he said that Sam wasn't the one.
spk_0
There was someone else, he said,
spk_0
the one he was sent to find.
spk_0
Now nearly freed of mirrors net,
spk_0
Sam adds to this, asserting,
spk_0
he said there would be people,
spk_0
people in the castle.
spk_0
I didn't know you'd be right on top of the steps though.
spk_0
I didn't know you'd throw a net on me
spk_0
or stab me in the stomach.
spk_0
And so the idea that Bloodraven had been
spk_0
in the eagle mirror sore from a top the wall
spk_0
gained some credence here,
spk_0
since it becomes increasingly obvious
spk_0
that cold hands from Brann's viewpoint
spk_0
still a mysterious character of unknown provenance
spk_0
knew exactly where and when
spk_0
to find the little party in the nightfall,
spk_0
just as he knew where and when
spk_0
to find Sam and Gilly at White Tree.
spk_0
We can set aside for now the interesting question
spk_0
of why cold hands rescued Sam and Gilly,
spk_0
whether it had to do specifically with Sam
spk_0
or with Gilly's baby
spk_0
or whether any man of the watch would have been acceptable.
spk_0
We can also table a discussion
spk_0
about how cold hands differs from whites,
spk_0
which Brann and his friends have yet to hear
spk_0
described much less experience in person.
spk_0
Instead, let's focus on the observations that cold hands,
spk_0
a name made up by Sam and Gilly for their nameless savior
spk_0
due to his extremely cold hands,
spk_0
was wearing night swatch blacks
spk_0
and that he had been sent to find someone,
spk_0
someone that he in fact expected
spk_0
to be waiting at the nightport.
spk_0
From Sam's descriptions,
spk_0
it becomes clear that there is a secret gate
spk_0
below the castle, a gate which will only open
spk_0
from man of the watch.
spk_0
Cold hands calls it the black gate
spk_0
and he himself, it's unable to pass through it.
spk_0
Sam explains this by telling the startled group
spk_0
matter of factly, the wall is more than just ice and stone,
spk_0
he said, there are spells woven into it,
spk_0
old ones and strong, he cannot pass beyond the wall.
spk_0
Brann's group silently digest this information for a moment,
spk_0
no doubt wondering about the references to whites
spk_0
and the type of creature that is unable to cross
spk_0
the powerful ancient magic of the wall
spk_0
with Brann recalling old Nanz' words.
spk_0
Beyond the gates, the monsters live
spk_0
and the giants and the ghouls,
spk_0
but they cannot pass so long as the wall stands strong.
spk_0
There's some initial comic confusion
spk_0
when Sam refers to Cold Hands' elk,
spk_0
which leads Brann to wonder if this cold hands
spk_0
is one of the green men, Sam denies seeing
spk_0
any sign of green skin or antlers.
spk_0
And there's further confusion when Jojen tells Sam
spk_0
that he's not the one Cold Hands was seeking,
spk_0
which in turn brings Brann to Sam's attention.
spk_0
Sam quickly makes the connection between Brann
spk_0
and John's little brother, but Jojen sternly insists
spk_0
that boy is dead.
spk_0
Still confused, Sam promises to keep the secret
spk_0
of this meeting and Gilly swears as well.
spk_0
By way of explaining that he's trustworthy,
spk_0
Sam tells Brann, John was my brother too.
spk_0
He's the best friend I ever had,
spk_0
but he went off with Koran half-hand
spk_0
to scout the frost fangs.
spk_0
It never came back.
spk_0
We were waiting for him on the fist when...
spk_0
When...
spk_0
While Sam never does get around to explaining
spk_0
what happened at the fist,
spk_0
all crasters, all white tree to Brann and his friends,
spk_0
it's clear that he seems to think John was lost
spk_0
beyond the wall.
spk_0
And so Brann starts to explain that Summer saw him
spk_0
at Queen's Crown, which is the cue for Summer
spk_0
to literally jump into the scene from a hole
spk_0
in the roof above.
spk_0
Though initially terrified, the presence of the wolf,
spk_0
so like John's own is enough to convince Sam
spk_0
and Summer's acceptance of Sam is enough to, in turn,
spk_0
convince Brann that they will go with Sam to the gate,
spk_0
and then to wherever it is,
spk_0
from which this cold hands had been sent.
spk_0
And so the group gather their things
spk_0
and prepare to follow Sam well tally into the well.
spk_0
As they set out, Sam comments on the number of steps
spk_0
they must descend to get to the gate.
spk_0
And Brann's observations support this.
spk_0
It was a long way down.
spk_0
The top of the well was bathed in moonlight,
spk_0
but it grew smaller and dimmer every time they went around.
spk_0
Their footsteps echoed off the damp stones
spk_0
and the water sounds grew louder.
spk_0
But eventually, they come to a place where Sam stops
spk_0
and, as he had promised, the gate was visible
spk_0
in the darkness.
spk_0
Brann's first observation after realizing
spk_0
that he could see in spite of the bloom
spk_0
is that it wasn't black at all, in spite of its name.
spk_0
Here's the description.
spk_0
It was white weirwood and there was a face on it.
spk_0
A glow came from the wood like milken moonlight.
spk_0
So faint it scarcely seemed to touch anything
spk_0
beyond the door itself, not even Sam standing right before it.
spk_0
The face was old and pale, wrinkled and shrunken.
spk_0
It looks dead, its mouth was closed and its eyes,
spk_0
its cheeks were sunken, its brow withered,
spk_0
its chin sagging.
spk_0
If a man could live for a thousand years
spk_0
and never die but just grow older,
spk_0
his face might come to look like that.
spk_0
Before the group can even wonder
spk_0
about the strangeness of this door,
spk_0
so far below the surface, it says,
spk_0
the door opened its eyes.
spk_0
And then it spoke, asking who approached.
spk_0
This was Sam's cue to recite
spk_0
what is likely the most ancient part
spk_0
of the night's watch vows.
spk_0
I am the sword and the darkness.
spk_0
I am the watcher on the walls.
spk_0
I am the fire that burns against the cold,
spk_0
the light that brings the dawn,
spk_0
the horn that wakes the sleepers.
spk_0
I am the shield that guards the realms of men.
spk_0
Having heard what seems to amount to a secret incantation
spk_0
or a spell of passage, the door speaks again, then pass.
spk_0
And then it says, it's lips opened.
spk_0
Wide and wider and wider still
spk_0
until nothing at all remained,
spk_0
but a great gaping mouth in a ring of wrinkles.
spk_0
And so Jojans, summer hodor-carrying brand,
spk_0
a lastly mirror, pass through the black gate,
spk_0
placing themselves completely in the care of cold hands
spk_0
who awaits them on the other side.
spk_0
All the group know is that their guide is a creature
spk_0
who is unable to cross the wall himself,
spk_0
but who has purportedly been sent for the express purpose
spk_0
of accompanying Bran somewhere.
spk_0
But on the strength of Sam's story,
spk_0
combined with Jojans dreams,
spk_0
the group must trust that this is the passage
spk_0
the three-eyed crow had promised them,
spk_0
and that somewhere in the north he awaits them.
spk_0
So ends Bran's estorm of sorts arc
spk_0
and readers will not see him again
spk_0
until it ends with dragons,
spk_0
with no brand chapters appearing in a feast for crows.
spk_0
Up next, we'll catch up with Bran
spk_0
in the fourth chapter of a dance with dragons,
spk_0
set many weeks later in the haunted forest,
spk_0
in the midst of what has become a nightmare journey
spk_0
through unending cold and snow.
spk_0
Are we there yet?
spk_0
Bran never said the words aloud,
spk_0
but they were often on his lips
spk_0
as their ragged company trudged through groves of ancient oaks
spk_0
and towering gray green sentinels,
spk_0
past gloomy soldier pines
spk_0
and bare brown chestnut trees.
spk_0
Are we near?
spk_0
The boy would wonder,
spk_0
as Hodor clambered up a stony slope
spk_0
would ascend it into some dark crevice
spk_0
where drifts of dirty snow
spk_0
cracked beneath his feet.
spk_0
How much farther he would think
spk_0
as the great elks splashed across a half-frozen stream.
spk_0
How much longer it's so cold,
spk_0
where is the three-eyed crow?
spk_0
Bran's first chapter in a dance with dragons
spk_0
opens with the group north of the wall
spk_0
traveling through the haunted forest with their new guide.
spk_0
It's been weeks since the crossing at the night for
spk_0
and from Bran's description it seems like their routine
spk_0
has become one of silent and solemn endurance
spk_0
with Bran thinking there was a stillness to this wood
spk_0
like nothing he had ever known before.
spk_0
It also says that Bran has been spending a lot of time in summer's skin.
spk_0
Mostly out of boredom,
spk_0
a summer had a better perspective on the surroundings
spk_0
than the boy in the basket on Hodor's back.
spk_0
And speaking of Hodor,
spk_0
we're also told that when he was tired of being a wolf,
spk_0
Bran would sometimes slip into Hodor's skin.
spk_0
Bran would feel him whimper and resist
spk_0
and occasionally taste the fear in his mouth.
spk_0
Nonetheless, Bran justifies his actions by telling himself
spk_0
he knows it's me, he's used to me by now.
spk_0
It's clear from the phrasing that George uses
spk_0
that Bran is aware that he's causing his faithful servant.
spk_0
No small amount of distress and notably,
spk_0
he continues to do it out of boredom.
spk_0
Where in previous incidents that we've discussed,
spk_0
he slipped into Hodor's skin by accident at Queen's Crown
spk_0
or out of what he saw as necessity,
spk_0
protecting his friends at the night port.
spk_0
Now he's forcing his way into Hodor's mind,
spk_0
simply because he's tired of the alternative.
spk_0
And while the change in circumstances
spk_0
combined with the author's tone is likely enough on its own
spk_0
to make the reader uncomfortable with this development,
spk_0
we should also note that a dance with dragons
spk_0
is the volume where we get the skin-changer perspective
spk_0
in the varamioprolog and learn that taking the skin of a man
spk_0
is the greatest taboo of skin-changers.
spk_0
So there's some clear messaging here that
spk_0
innocent child though he may be,
spk_0
Bran is straying into dark territory
spk_0
which serves to underscore the desperate need for him
spk_0
to reach someone who can teach him to use his gift properly.
spk_0
At the same time, we see that Bran has become ever more comfortable
spk_0
with his connection with Summer, thinking,
spk_0
I am him and he is me.
spk_0
He feels what I feel.
spk_0
And perhaps it's this connection that leads him
spk_0
to instinctively understand the connection that exists between their guide,
spk_0
called hands, and the ravens that are the only other living creatures
spk_0
the little bands see in the forest.
spk_0
Bran still hasn't figured out what cold hands is,
spk_0
noting that he was grim and silent,
spk_0
and that Summer did not like the way he smelled.
spk_0
Dead meat, dry blood, a faint whiff of rot,
spk_0
and cold, cold all over.
spk_0
And it seems clear that he could understand the ravens
spk_0
that were his constant companions.
spk_0
Now riding on the elks, antlers, now flying off,
spk_0
and then returning to quark and squirk their news of
spk_0
dangers ahead and behind,
spk_0
as they do in this moment when we see cold hands jump off the elk,
spk_0
saying there were foe behind them.
spk_0
Bran is aware that there are wolves nearby,
spk_0
but cold hands insists that this danger is not from wolves,
spk_0
but from men, and that he will deal with it.
spk_0
In spite of mirrors offered to accompany him,
spk_0
cold hands insists that the foe must continue ahead
spk_0
with Summer and the elk,
spk_0
and gives them explicit directions to a fishing village
spk_0
on a lake to their north.
spk_0
When Jojen speaks up an agreement,
spk_0
cold hands slips away with several ravens and attendants,
spk_0
and the little group continues on.
spk_0
This part of the journey seems to mark the first time
spk_0
that Bran and the reeds have been able to discuss cold hands
spk_0
outside of his hearing.
spk_0
Mira expresses her strong reservations about his guidance and his identity.
spk_0
She points out that in addition to his unnerving black hands,
spk_0
he persists in hiding his face, never eats and never sleeps.
spk_0
She's worried about what he is, and what his intentions are,
spk_0
and is likely having major second thoughts
spk_0
about putting their trust in this being,
spk_0
whose only recommendation seems to have come from someone they also don't know,
spk_0
Sam Talley, and doing any case,
spk_0
Belly knew anything about cold hands himself,
spk_0
save that he was seeking Bran and needed Sam's assistance
spk_0
to get him through the wall.
spk_0
And when Bran realizes he's never seen cold hands breath,
spk_0
and anomaly in this place where it's always cold,
spk_0
and the breath of others puffs out in front of their faces,
spk_0
and freezes on their beards and scarves,
spk_0
he thinks uncomfortably about old man's stories about the lands they were traveling through.
spk_0
Beyond the wall, the monsters live, the giants and the ghouls,
spk_0
the stalking shadows and the dead that walk.
spk_0
She would say, tucking him in beneath his scratchy woolen blanket,
spk_0
but they cannot pass so long as the wall stands strong,
spk_0
and the men of the night's watch are true.
spk_0
So go to sleep, my little Brandon, my baby boy,
spk_0
and dream sweet dreams, there are no monsters here.
spk_0
Here, of course, was Winterfell, and there were now many weeks and many long leagues from there.
spk_0
Nonetheless, their anxieties, though they had merits,
spk_0
could not be allowed to control their destiny.
spk_0
As Jojen says weekly when assisted demands to know how long they must blindly follow this
spk_0
ranger until we get there.
spk_0
So they continue to follow his directions,
spk_0
and when it starts to look like they might not find the village before dusk settles in,
spk_0
Brandon slips into summer's skin to do a bit of scouting.
spk_0
Summer's assistance proves invaluable, and they do find the place the ranger had directed them to.
spk_0
Once they get undercover inside a snow-buried long haul,
spk_0
and sensing his hunger, Brandon releases summer to hunt.
spk_0
The humans are starving, though, and haven't eaten in days,
spk_0
with nothing but acorns and melted ice for his own supper.
spk_0
Brandon tries to sleep, but soon finds himself inside summer.
spk_0
His first observation is the night was rank with the smell of blood,
spk_0
and immediately after a kill, not far, the flesh would still be warm.
spk_0
Slava ran between his teeth as the hunger woke inside him, not elk, not deer, not this.
spk_0
So the diowulf, or perhaps the boy inside him,
spk_0
sent is something wrong with the smell that's tempting this hunger.
spk_0
We get a handful of clues when summer tries to follow the scent,
spk_0
loses it, and then locates it again.
spk_0
It says, soon enough the scent of blood was back,
spk_0
but now there were other smells.
spk_0
Piss and dead skins, bird's shit, feathers, and wolf, wolf, wolf.
spk_0
Piss and dead skins indicate men, and frightened men at that.
spk_0
Bird's shit and feathers are like clear clue that cold hands his ravens are nearby,
spk_0
but the distinct smells of the three wolves take center stage.
spk_0
As summer realizes, he's going to have to fight for his supper.
spk_0
His first sight of the three wolves immediately confirms for the reader what summer had been smelling,
spk_0
as it says, the female was chewing on a leather boot that still had half a leg in it,
spk_0
but let it fall at his approach.
spk_0
But we barely have time to register that before the other two wolves are described.
spk_0
In addition to the female, summer sees the leader of the pack,
spk_0
an old male with the grizzled white muzzle and a blind eye, and a younger male.
spk_0
And the reader swiftly realizes that this is varimere six skins pack, one eye, the oldest of his three,
spk_0
the biggest, the fiercest, stalker, leaner, quicker, younger, sly, more cunning.
spk_0
And if there was any doubt before we get to that moment that actually confirms this,
spk_0
we can connect the first line of this scene.
spk_0
The night was rank with the smell of blood, with the first line of the varimere chapter.
spk_0
The night was rank with the smell of man.
spk_0
And remember that since there are only three chapters between the varimere prologue and
spk_0
brand one in dance, a connection in the reader's mind is almost certain.
spk_0
The rest of the scene plays out very quickly and with two major reveals within it.
spk_0
First is that the dead are men and that there had been five of them.
spk_0
And we'll get back to the clues to their identity shortly.
spk_0
The second reveal is that yes, this is varimere's pack, and when summer, with brand inside him,
spk_0
faces off with the leader one eye, the remnants of the human skin changer within the old wolf,
spk_0
recognizes the dire wolf for what he is.
spk_0
Warg.
spk_0
In spite of one eye's lack of fear, being twice as size, summer is able to best the old wolf
spk_0
easily after which the female and the second male submit to him, leaving summer to eat his
spk_0
fill of the dead before the others could eat. Summer thinks they were his now, they were
spk_0
pack. But from inside, brand reminded him, no, we have another pack, ladies dead and maybe gray
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too. But somewhere there's still shaggy dog, a nineria and ghost. Remember ghost?
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Slingling out ghost is interesting, since he's the one that was for some time at least,
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on the same side of the wall as summer, in whom summer could likely sense until he rejoined
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John at Castle Black mere days before this chapter takes place. We never get anything other than
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this hint that summer had sensed ghost, but since we know that he was always aware of the pack
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previously, it seems highly likely that even if the wall was blocking his senses of his siblings
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that remained south of the wall, he would sense ghost when they were both to the north.
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Getting back to the wrongness, brand had sensed when summer first became aware of the dead
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and the wolves. We have to assume it was the fact that these were men that led into think
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not this. And while Varomis sixkins had shown himself to be perfectly willing to eat of the
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flesh of men while in his wolf skin, he did so in explicit violation of his mentor's
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rules of skin changing. To eat a human meat was abomination, to mate as wolf with wolf was
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abomination, and to seize the body of another man was the worst abomination of all.
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We've mentioned this a few times now in relation to brand slipping into hodos skin,
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but here we see brand in summer violating another of Haggons' rules. Varomis himself
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almost gleefully violated every one of these taboos as soon as his mentor was dead,
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and in spite of the fact that we see brand crossing the line unknowingly, we have to wonder
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where this parallel is taking us. Regardless of any taboo, either known or unknown,
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summer eight of the prey he had won, and through his observation of the men, we're able to draw
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some conclusions of our own. Brand has already realized that the men were knights watch,
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and from the condition of the corpses, not to mention the smells of birchet and feathers
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that he notices. It becomes clear that the ravens who sat watching in the trees above
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had almost certainly played a role in their deaths. As for their identity, one detail about one
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of the victims places the identities of these men in the category of something the reader knows,
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but brand is not. He was, quote, a faceless thing who clutched black iron in one hand,
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his other hand was missing, severed at the wrist, the stump bound up in leather.
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The dead man is none other than Olo Lockhand, one of the knights watched deserters who was last
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seen during the mutiny at Craster's keep. In fact, it was Olo who killed Lord Commander Mormont
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with a knife to the belly after Dirk had murdered Craster. Although numerous mutineers had remained
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at Craster's when Sam and others fled for the wall, we shouldn't forget what Gilles' mother
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told Sam before they left, about the others. They'll be here soon. And so we assume that this
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group of five were surviving mutineers who fled the keep when the others and their undead servants
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arrived looking for Gilles' son. And of course, it was that search that led to Sam and Gilles
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being rescued from a group of whites by cold hands and in turn brought Bran and his friends
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together with the eerie ranger. Speaking of whom, even as summer devours the dead watchman,
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Bran is brought back to the long haul leaks to the north by a feeling of warmth and the smell of
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roasting meat. Rousing himself, he finds Mira Reed turning a piece of rob meat over a fire.
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She tells him, you almost slept through supper, the ranger found a sow.
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Well, it's not clear that Bran makes the connection because as we'll see, he's
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immediately confrontational with cold hands. We can point to one more detail from Sam's viewpoint
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chapter on the mutinear Crasters that makes it clear to the reader at least that Bran and his
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companions are unwittingly violating one of the oldest taboos in human society. In the
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storm of swords chapter, when the rangers burn their dead brother banan at Crasters, it says,
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his burning brother smells so much like roast pork that Sam's mouth began to water.
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Of course, Dolores Ed is on hand to make a joke of the situation, with the point is made,
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roasting human flesh smells like pork. And if you think the likelihood of cold hands
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finding a stray sow is far less than the much more likely scenario of cold hands taking a
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piece of one of the five former rangers back to his starving charges in the deserted village,
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you're in very good company. That's right. We have every reason to believe that Bran and his
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companions are unknowingly eating human flesh not seen, though the horror of that reality
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isn't allowed to sink in with the reader because Bran confronts cold hands about the identity of
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the dead rangers. You killed them. You in the ravens, their faces were all torn and their
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eyes were gone. They were your brothers. I saw the wolves had ripped their clothes up, but I could
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still tell their cloaked were black like your hands. Who are you? Why are your hands black?
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Cold hands response to Bran's accusation is both matter effect and horror inducing.
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Once the heart has ceased to beat, a man's blood runs down into his extremities where it thickens
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and congeals. His hands and feet swell up and turn as black as pudding. The rest of him becomes
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as white as milk. When mirror challenges him to show them his face, cold hands doesn't react
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and Bran makes another accusation. He's dead. Mirror, he's some dead thing. The monsters cannot
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pass so long as the wall stands and the men of the night's watch stay true. That's what old
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man used to say. He came to meet us at the wall, but he could not pass. He sent Sam instead
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with that wildling girl. Bran is putting the pieces together, but it's mirror who asks the question
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that really matters. Who sent you? Cold hands response gives the three-eyed crow a new identity.
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A friend, dreamer, wizard, call him what you will. It's the last green seer.
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It's Bran who names cold hands monster, but it says cold hands quote,
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looked at Bran as if the rest of them did not exist before responding. Your monster, Brandon Stark.
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It's a tense moment and the description of Raven's crying yours yours yours from cold hands shoulder
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and their purchase in the tree outside the hall door is both chilling and makes clear that wherever
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he is, the three-eyed crow, the last green seer is watching them. When mirror demands that
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Jojen tell them what to do, since it's his dreams, they have led them this far,
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her exhausted and weakened brother can only say, we have come too far to turn back now,
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mirror. We would never make it back to the wall alive. We go with Bran's monster or we die.
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And so they must do, though time will tell that they still have many weeks left in their
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frigid northward journey. When we pick their story up in Bran 2, we'll see that Bran's monster,
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the starvation that has stalked them for weeks, the frigid, unending cold and even the wolf pack that
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has stayed on their trail are the least of the dangers in the haunted forest, as Bran and his
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companions arrive at their destination, only to finally discover firsthand the foe that so far
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has only been hinted to them.
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When Sam Tarley and Giley came through the Black Gate at the nightboard, they tried to
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describe their guide to Bran and his friends. After referring to him as cold hands, Giley explained,
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that wasn't his true name. We only called him that Sam and me. His hands were cold his ice,
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but he saved us from the dead men, him and his ravens and he brought us here on his elk. Of
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course, the mention of the elk reminded Bran of the stories about the green men from the Isle of
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Green. He wore blacks like a brother of the watch, but he was pale as a white, with hands so cold
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that at first I was afraid the whites have blue eyes, though, and they don't have tongues,
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or they've forgotten how to use them.
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The very interesting thing there is that Sam and Giley both mentioned dead men and whites,
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with Sam even adding the detail about the blue eyes and the lack of speech, and Giley commenting
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that the ranger and his ravens had saved them. However, as far as we know, prior to Bran's first
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dance chapter, as we just saw, neither Bran nor his companions ever questioned or examined
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these statements beyond the explanation that cold hands had done good things for Sam and Giley.
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Yeah, and so it seems that Bran and his companions have literally no idea about the great danger
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that stalks the haunted forest, neither the presence of white walkers, which Sam could have certainly
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attested to, nor their undead servants, which both Sam and Giley mentioned to know apparent
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curiosity from the others. In fact, Sam heavily implied that cold hands was likely dead,
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though he didn't have the characteristics of whites as he'd experienced them.
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And so even as the group had come to the startling realization that the guide was somehow
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an undead creature around the time of the incident with the Five Nights Watch Desertes
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in the last chapter, they still apparently had little clear idea that the region beyond the wall
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was home to other undead creatures who had posed significant danger to them. Thus,
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when they arrive within sight of their apparent destination and cold hands says,
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they are here. It's not entirely clear that Bran and the Reeds know who they are.
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For his part, cold hands seems unnerved by the fact that he can sense danger, but cannot see it.
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When Bran points out the pristine nature of the snow that separates the group from the cleft
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in the Rocky Hill side, a thousand yards above them that, according to the Ranger,
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represents safety for the travelers. Cold hands replies,
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the white walkers go lightly on the snow, you'll find no brints to mark their passage.
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The nature of the danger they're in, in spite of being so close to their destination,
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must really start to sink in at this point, although Bran tries to remain optimistic,
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in spite of the fact that they're all weakened and nearly starving, especially
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Jojen, who can no longer walk on his own, and like Bran is now being carried.
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And so, with no real choice in the matter, Bran and Hodor and Summer begin to follow cold hands
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up the snow-covered hillside, with Mira keeping to the rear to help her brother.
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With 80 yards to go, it says Summer stopped and, quote, turned his head,
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sniffed the air, then snarled and began to back away. Bran senses what Summer senses,
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something bad, something close, and tries to get Hodor to stop, but with the end in sight,
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Hodor stubbornly keeps walking. Another 20 yards and Bran spies fire in the opening above them,
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and tries to point it out to his companions, but just then it says,
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Hodor screamed, he twisted, stumbled, fell.
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And with that, the true horror of what's waiting for them on the hillside becomes clear,
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as quote, the white came bursting from beneath the snow.
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The inshewing struggle between Hodor and the dead thing caused Bran to fall out of his basket,
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and before he knows it, he, Hodor and cold hands are fending off violent attacks from dead creatures
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to numerous to count. Bran has time to notice some wore blacks, some ragged skins, some nothing.
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All of them had pale flesh and black hands, the eyes glowed like pale blue stars.
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Before the one attacking him, all in black is violently torn to bits by Summer.
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Now just 50 yards from the cave opening, Bran resolves to crawl the remaining distance,
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but the sound of a whimpering Hodor from downslope combined with the knowledge that somewhere behind him
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Armyra and Jochen leads to Bran, leaving his own body. It says, suddenly he was Hodor,
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halfway down the hill with the white raking at his eyes, roaring he came lurching to his feet,
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throwing the thing violently aside. It went to one knee, began to rise again. Bran ripped Hodor's
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longsword from his belt. Deep inside he could hear poor Hodor whimpering still, but outside he was
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seven feet of fury with old iron in his hand. He raised the sword and brought it down upon the
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dead man, grunting as the blade sheared through wet wool and rusted mail and rotted leather,
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biting deep into the bones and flesh beneath. Hodor, he bellowed and slashed again. This time
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he took the white's head off at the neck, and for half a moment he exalted, until a pair of dead
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hands came groping blindly for his throat. With mirror's assistance, Hodor Bran wins
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free of his attackers, picks up the fallen Jochen Reed and begins to climb back towards Bran's
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location. From within Hodor's skin, Bran sees flaming figures dancing in the snow, and he realises
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some of the whites are burning. And that was when he notices some are snapping at one burning
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figure as if trying to drive it back has indeed he is, because Bran's actual body lies still on
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the snow behind him, which prompted a momentary wondering from the Bran within Hodor. What will happen
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if it kills me? Will I go back into some of his skin? Or will I just be dead? As we've noted,
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unlike Veramir 6 skins, Bran has no idea how his gift functions or what the rules are,
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but the reader knows the answer to the question is likely that Bran would remain in Hodor's skin,
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just as Veramir had tried to steal the body of the wildling woman Thistle just before his own death.
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Veramir failed, because Thistle successfully fought him off and was forced to occupy his wolf
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one eye, who, as we know, is now following summer, having been subdued by him weeks ago in the
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incident with the Five Nights Watch Desertors. As described to Veramir by his mentor Hagun,
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this was true death, followed by Second Life. According to Hagun, they say you forget,
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when the man's flesh dies, his spirit lives on inside the beast, but every day his memory fades,
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and the beast becomes a little less worg, a little more wolf, until nothing of the man is left,
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and only the beast remains. Maramea's experience with Orell's eagle seems to have confirmed this for
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and so he seeks to take a human body, presumably, so he can retain his own spirit. Bran,
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unknowingly, has endangered not only his own body by abandoning it in the snow, but also Hodor's
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very existence. This, of course, is a moral and philosophical dilemma, we'll have to examine
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much more closely as Bran's arc continues and his skills grow. In the moment, everything was
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happening at once, as it tends to do in moments of high drama. Bran Hodor sees the source of the
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flames, a little girl with a torch in hand, darting this way in that, as Ravens pour from the cave,
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and briefly thinks of a sister, and then he's back in his own body, and Hodor's screaming,
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Hodor, an abernning naked white, is standing over him, and then one of the trees shook off the snow
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that covered it, and Bran is buried under the snowfall. Considering the trees that crowned the
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hill are all described as weirwoods, and that Mira tells Bran later, after she digs him out, that
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the snowfall had hidden him, we'd love to ask if the three-eyed crow had anything to do with that
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bit of luck. As unlikely as that might seem, the next thing Bran is aware of is being in the cave,
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with all his companions minus cold hands, of course, who had stated that he wouldn't be able to
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enter the cave since it was warded. Bran's relief at being inside the cave, and Mira fire
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is enormous. Then he sees their savior, the being Bran had mistaken for Arya due to her stature.
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Mira comments on her torch, and their reply is, fire burns them, fire is always hungry. As soon
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as he hears her voice, the Arya illusion is dispelled, as Bran observes. It was a woman's voice, high
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and sweet, with a strange music in it, like none that he had ever heard, and a sadness that he
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thought might break his heart. It was a girl, but smaller than Arya, her skin dappled like a dose
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beneath a cloak of leaves. Her eyes were queer, large and liquid, golden green, slitted like a cat's
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eyes. No one has eyes like that. Her hair was a tangle of brown and reddened gold, autumn colors,
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with vines and twigs, and withered flowers woven through it. Bran himself responds to Mira's
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question about their rescuer's identity. She's a child, a child of the forest, and then it says,
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he thinks, they had fallen into one of Old Nanz tales. Truly, this was a day of wonders and
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they weren't done yet. The child tells Mira that she speaks the common tongue for the
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Bran boy, and that she was born in the time of the dragon by which we suppose she means the
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first egg on, and that she had walked the world of men for two hundred years before returning to
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her people's home north of the wall. She says she has a name, but doesn't tell them yet what it is,
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instead expressing urgency that they get deeper into the cave. When Bran asks about cold hands,
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he's told simply he cannot come, and they killed him long ago, which of course doesn't answer
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any of the questions either Bran or the reader might have about cold hands' identity.
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In fact, the only thing the reader can be sure of is that he has not been gin stark,
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since George is on record in that regard. And so the travelers follow the girl child,
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deeper into the cave, to find the one who is waiting for them, whom she simply calls the green seer.
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Along the way Bran observes eyes watching them from the dark and realizes that there are more
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children inside the cave, which puts him in mind of Old Nanz's story about Gendel's children
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trapped forever inside their caves. This cave, which is in fact a system of caves, passageways and
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chambers, is filled with weird routes from the trees above their heads and bones, the bones of
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birds and beasts, giants and children, and even in one area, niches full of skulls, a bear, a wolf,
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several humans and giants and many small ones that he realizes must belong to children of the
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passageways is marked by numerous ravens watching silently, and finally they arrive in a large
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cavern, open one side to a chasm in which they can hear an underground river rushing far below.
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And on the other side of the chamber, they at last find the object of their long and arduous quest.
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It says, before them, a pale lord in ebony finery sat dreaming and a tangled nest of routes,
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a woven weirward throne that embraced his withered limbs as a mother does a child.
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His body was so skeletal and his clothes so rotted that at first brand took him for another corpse,
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a dead man propped up so long that the routes had grown over him, under him and through him.
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What skin the corpse lord showed was white, say for a bloody blotch that crept up his neck and onto
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his cheek. His white hair was fine and thin as root hair and long enough to brush against the earth
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and floor. Roots coiled around his legs like wooden serpents, one borrowed through his breeches into
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the desiccated flesh of his thigh to emerge again from his shoulder. A spray of dark red leaves sprouted
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from his skull and grey mushrooms spotted his brow. A little skin remained stretched across his face,
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tight and hard as white leather, but even that was fraying and here and there the brown and yellow
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bone beneath was poking through. Brand makes another observation about the pale lord when he
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asks the question that is likely on everyone's mind. Are you the three-eyed crow? Even as he asks,
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he thinks, a three-eyed crow should have three eyes. He has only one and that one red.
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Where his second eye should have been, it says a white root grew from the empty socket.
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And the answer to Brand's question gives the reader the final clue to the pale lord's identity.
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The pale lord says, a crow. Once I, black of garb and black of blood, I have been many things,
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Brand. Now I am as you see me and now you will understand why I could not come to you, except in
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dreams. I have watched you for a long time, watched you with a thousand eyes and one. I saw your
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birth and that of your lord father before you. I saw your first step, heard your first word,
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was part of your first dream. I was watching when you fell, and now you were come to me at last,
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Brandon Stark, though the hour is late. The mention of black garb causes Brand to notice,
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as he had noticed on so many of the dead things they had encountered on their journey and outside
spk_0
the cave, that the close he wore, though rotten and ragged, had once been black. And so the reader can
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put all the clues together. The single red eye, white skin and white hair, the bloody blotch on his
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cheek, black garb, once a crow, and above all else, the textual clue of the statement, a thousand
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eyes and one. All together confirm once and for all that the three-eyed crow is none other than
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Brendan Rivers, known as Bloodraven, bastard son of King Aegon IV, once by master and hand
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of the king for succession of his Targaryen relations, and also form a Lord Commander of the
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Knight's Watch. And because there's almost certainly a Bloodraven episode in our future,
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we'll leave most of the analysis of his arc for that and keep our focus on Brand here.
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Having confirmed that this is the teacher who's been communicating with him and Jojen
spk_0
through dreams, and that the group have been seeking for these many weeks. Brand loses no time in
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getting to the point, or at least the point as he sees it. And the reality turns out to be utterly
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heartbreaking. Brand says, I'm here. Only I'm broken. Will you fix me? My legs, I mean?
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As we've noted from the very beginning of the journey north, it's been obvious in Brand's thoughts
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that his harbored a secret hope that the three-eyed crow would be able to restore his legs to him.
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Even as he occasionally helped himself to the use of Hodor's able body, Brand was often
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thinking about the end point, and that hope was always present. Now the blunt reply brings Brand
spk_0
to tears, and he thinks, we came such a long way, underlining that a cure for his disability
spk_0
had been his primary motivation all along. But the three-eyed crow follows up his denial with a promise,
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and it's the same promise he's been making to Brand since his first appearance in Brand's
spk_0
coma dream in his third chapter of a Game of Thrones. You will never walk again, Brand, but you will
spk_0
fly. And so ends Brand's penultimate chapter, not just of the book, but of his arc so far.
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Up next, we'll cover Brand's final chapter, in which he begins his lessons with his teacher,
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and the readers shown exactly how Brand, being written as a passive character,
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one who observes, might really come to the fore in his future story.
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The moon was a crescent, thin and sharp as the blade of a knife. A pale sun rose and set in rows again,
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red leaves whispered in the wind. Dark clouds filled the skies and turned to storms.
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Lightning flashed and thunder rumbled, and dead men with black hands and bright blue eyes shuffled
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around a cleft in the hillside, but could not enter. Under the hill, the broken boy sat upon a
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weird throne, listening to whispers in the dark as ravens locked up and down his arms.
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Brand's final chapter picks up more or less days after the little group arrives in the cave.
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Brand's training begins in earnest, but one of the principal messages from the text
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involves the passage of time. George begins numerous paragraphs by noting the phase of the moon,
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and thus we can tell that over the course of the chapter, at least two months pass in the
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world outside the cave, and possibly more, while inside the days are dark and unverried.
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Yeah, apparently at one point, Brand had attempted to keep track of the days, but it says
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down here, sleeping and waking, had a way of melting into one another. Dreams became lessons,
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lessons became dreams, things happened all at once, or not at all. And while we do get
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descriptions of what's happening beyond the cave, like the phases of the moon, storms that come
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and go, dead men that never go anywhere at all, as they patrol the cave entrance, all of which we
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assume, Brand is aware of via summer. We also get this line about what life is like inside the cave.
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There was no wind, no snow, no ice, no dead things reaching out to grab you, only dreams and
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rushlights and the kisses of ravens, and the whisperer in the darkness. The whisperer is the
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three-eyed crow, or the last green seer as the children call him. And it turns out that the children
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have a name for themselves too. In the prior chapter, the female who speaks the common tongue
spk_0
had told them that children of the forest was not their own name for their race, nor was it accurate.
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The first man named us children, the giants called us Wodak No Gran, the squirrel people,
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because we were small and quick and fond of trees, but we are no squirrels, no children. Our name
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in the true tongue means those who sing the song of earth. Before your old tongue was ever spoken,
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we had sung our songs for 10,000 years. Because she speaks the common tongue, and is that the only
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person in the cave other than the three-eyed crow himself, who speaks their language, she remains
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their guide and companion. It's Mira who dubs her leaf, and they also come up with names in their
spk_0
own tongue for other singers, names like ash and scales and snowy locks. Brand hears them singing
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their songs in the true tongue, and somehow he knows that the ravens also understand it. Notably,
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ravens are said to be ever present in the cave and seem to be the only living creatures other
spk_0
than summer who actually leave it from time to time. Brand has been provided with his own
spk_0
weird throne, similar to the one his teacher sits upon, though for now he only sits on it for
spk_0
his lessons. His say of the throne that it was quote, white weird, flecked with red,
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dead branches woven through living roots, in the great cavern by the abyss, where the black air
spk_0
echoed to the sound of running water far below. Of course, Brand must wonder as we do if the
spk_0
green seer expects him to fully take his place one day, becoming entwined in the roots of the trees
spk_0
so that he can never leave his seat. For now, the green seer seems content with lessons and the
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occasional conversation which Mira and Jojen are sometimes part of. We learn that it's Mira who
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asked the three-eyed crow what his true name is, getting the reply, I wore many names when I was quick,
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but even I once had a mother and the name she gave me at her breast was Brendan. Thus confirming what
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many readers will have suspected that the three-eyed crow in last green seer was once known as Brendan
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Rivers, and as Brendan Rivers, also known as Bloodraven, is a literal character from history,
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born 125 years prior to the present timeline, it falls to leave to explain why he still lives.
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Most of him has gone into the tree, she says. He has lived beyond his mortal span and yet he lingers
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for us, for you, for the realms of men. Only a little strength remains in his flesh. He has a thousand
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eyes and one, but there is much to watch. One day you will know. And so a picture is gradually
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been painted of Brendan Rivers knowing that one day, Bran would be his pupil, preparing for him
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and waiting for him, extending his normal lifespan by sheer force of will in order to pass his knowledge
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onto his student. Back in the chamber, the singers had given them to sleep in, Bran asked the reads
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what leaf had meant by one day you will know. He connects this with something the green seer had
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told them and also wants to know what the trees remember. It's Jojen who explains the secrets
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of the old gods, truths the first men knew forgotten now in Winterfell, but not in the wet wild.
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We live closer to the green in our bogs and crannogs and we remember. Earth and water,
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soil and stone, oaks and elms and willows. They were here before us all and will still remain
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when we are gone. Notably, Jojen explains the concept of green knowledge and of secrets being
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stored in the trees without actually answering Bran's questions. What will he know and how will he
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know it? And while we cannot say this for sure, the language around remembering and forgetting puts
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us very much in mind of the phrase the North remembers. Although this seems very tight in with
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the legendary history of the North, especially the long night, we think there's a strong possibility
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that what's being discussed in the cave is the mechanism of those memories.
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In speaking of Jojen, it says that he's been at least partially restored by food and rest and
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warmth, but it's also noted that he is quote, sadder now, sullen, with a weary haunted look about the
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eyes. And Jojen isn't alone in being sad. When Bran suggests that maybe his friends could
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also become green seers, it says that Mirrors reply, no Bran was sad. And Jojen adds,
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it is given to a few to drink of that green fountain while still in mortal flesh,
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to hear the whisperings of the leaves and see as the tree see as the God see. Most are not so blessed.
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The gods gave me only green dreams. My task was to get you here. My part in this is done.
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And so George intentionally paints a picture of unhappiness with notes of impending doom when
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describing the companion's days and the darkness. Jojen breudes, Mira frets, Hodor wanders.
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These things combine with Bran's lessons, his throne and leaf's cryptic remark about one day
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to give the reader a sense that there will be no going back for Bran or his friends,
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that the cave is more terminus than way station, and that perhaps Bran had been brought here to
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replace the three-eyed crow rather than to simply be instructed by him. But Bran still finds a way
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to remain in control of his destiny, at least for now. When it describes Hodor wondering the cave
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with a sword in his right hand and a torch in his left, it swiftly adds, or was it Bran wondering,
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followed by no one must ever know. And so even as he begins his instruction with a three-eyed
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crow, Bran continues to use Hodor's body for his own purposes just because he can.
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We're a long way from the dangers of top Queen's crown or even outside the cave when slipping
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into Hodor meant the difference between disaster and security, and we get a strong sense that it's
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unlikely to end there. One of Bran's earliest lessons is learning how to slip inside a raven and
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fly with it to see the world from its bird's eye perspective. Remembering the crowd of ravens
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that seem to follow their progress during the journey north, this must be how the green seer had
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tracked their trek with cold hands. Once, while inside the skin of a raven, it says Bran
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sends to presence and asked his teacher about it. Their reply was, a woman of those who sing the
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song of the earth, long dead yet a part of her remains just as a part of you would remain
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in summer if your boys flesh were to die upon the morrow. A shadow on the soul, she will not harm you.
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Bran is fascinated by this and wants to know if all the birds have singers inside them,
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and confirming something old man had once hinted at, Lord Brindon tells him, yes, explaining,
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it was the singers who taught the first men to send messages by raven, but in those days,
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the birds would speak the words. The trees remember, but men forget, and so now they write the
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messages on parchment and tie them around the feet of birds who have never shared their skin.
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Thinking about old man reminds Bran of his siblings and he feels very certain that he'd be able
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to teach this skill to every one of them. Then he thinks, we could all be ravens and live
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in Maester Lewin's Rookery. And while he's probably correct, given that George has confirmed that
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all the stark siblings are skin changers, in the moment Bran thinks this is a silly dream. In fact,
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it says that there were days when Bran wondered if the whole experience of the cave wasn't a dream
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and that he'd sometimes try to wake himself up by pinching his own arm. All he ever got from that
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was bruises, though. Learning how to fly inside a raven was quite liberating, but Bran's body
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remained in the dark cave. But there was a lesson in that, too. His teacher tells him, never fear
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the darkness Bran, the strongest trees are rooted in the dark places of the earth. Darkness will be
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your cloak, your shield, your mother's milk. Darkness will make you strong. Throughout his arc,
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we've seen Bran as the recipient of profound advice from his father, from companions like Lewin,
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Hosha, Mira and Jojen, and now the last green seer is adding his own wisdom.
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In one day, many weeks into his instruction, Bran learns what it means to be a green seer. Lord
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Brinton tells him, only one man and a thousand is born a skin-changer, and only one skin-changer
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and a thousand and be a green seer. Bran wonders if green seers are the children's wizards, and his
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teacher elaborates, in a sense, those you call the children of the forest have eyes as golden
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as the sun, but once in a great while one is born amongst them with eyes as red as blood, or
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green as the moss on a tree in the heart of the forest. By these signs to the gods mark those they
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have chosen to receive the gift. The chosen ones are not robust, and their quick years upon the earth
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are few, for every song must have its balance. But once inside the wood, they linger long indeed.
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A thousand eyes, a hundred skins, wisdom deep is the roots of ancient trees, green seers.
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Bran is still struggling with the concepts of memories being in trees and of people
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going into the trees, and so he asks his friends to explain. It's a mark of how much he's come
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to view Jojen Reed as a mentor that he brings this question to him, and Jojen tries to answer
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with a metaphor. A reader lives a thousand lies before he dies. The man who never reads lives only one.
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The singers of the forest had no books, no ink, no parchment, no written language. Instead they had
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the trees, and the weird woods above all. When they died, they went into the wood, into leaf, and
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this world. Masters will tell you that the weirds are secret to the old gods. The singers believe
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they are the old gods. When singers die, they become part of that godhood.
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This would seem to place the religion of the old gods on the spectrum of animistic religions
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who believe in a variety of possibilities for the afterlife, including that after death,
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one spirit becomes one with the natural world so that the spirit energy can sustain other
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life forms. When put that way, this might not seem terribly threatening to us, but Brad makes a
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series of connections with everything he's been told about his teacher, especially how he will
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know these things, first hand one day, and adding Jojen's comment about death leads him to an
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alarming conclusion. They're going to kill me? It's Mira who swiftly reassures a young
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friend and gently rebukes her brother. Jojen, you're scaring him. Combined with the frequent
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description of Jojen being sullen and brooding, and his common earlier that his part was ended,
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as well as his frequent insistence on their northward journey that he knew the manner and day of his
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death, his reply to Mira is enough to give the reader pause. He is not the one who needs to be afraid.
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Yeah, Jojen had steadfastly refused to give in to fear or uncertainty during their entire
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ordeal of traveling on foot from Winterfell to this cave in the far north. He was always the one
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who was sure of success and had complete faith in there for lack of a better term spirit guide.
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Now he seems to have given up and speaks of being done and afraid, and so with Jojen,
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we also begin to be afraid. Now that his instruction has begun, Brand seems to seek summer's skin
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less than he did before, but he's still aware of summer when he's outside the cave,
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hunting with the three wolves, who have become his new pack. Through summer's eyes, we see the
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dead outside the cave, growing from a group of dead men to a much bigger group that now includes
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other dead things, more humans, including children, dead ravens, and even a dead snow bear.
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Yeah, whereas previously many of the dead men were clearly former night's watchman,
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likely men caught fleeing the fist of the first man and crafters keep, the inclusion of women
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and children now hints that many of the wildlings who fled the defeat at Casablaque
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must have come to a grim end. And speaking of the fist, the dead snow bear reminds us of the one
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who killed born small wood there all those months ago. And of course, skin change of
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Aramir 6 skins also had a snow bear whom he lost control of and who was subsequently killed by a
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wildlings spear at the Battle of Casablaque. It's possible the one Brand sees through summer's eyes
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could be either one of those previously mentioned bears, although it could just as easily be
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a completely different dead snow bear. Brand has a purpose in the cave, occasionally through
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summers or a ravens eyes, he also has ways to mark the passage of time. But it's very difficult
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for his friends to find ways to pass those trekkless days. And so even though leaf warned him
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against wandering too far, one day mirror and Jojen announced they're going to go down the
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casam to see the underground river. When Brand says that he wants to go, it says mirror was
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mournful when she told him he couldn't, citing the steep slopes and the need to use a rope to make
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the final descent. As usual when climbing's involved, Brand remembers his own climbing days and
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is devastated to be reminded that those days are over. Or are they? As soon as the reeds set out,
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it says he slips into hoder's skin and goes after them. We've been keeping track of the
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evolution of Brand using hodor's body from accidental to intentional, from necessity to amusement.
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Here we get to see the effect Brand's invasions are having on his servant. It says
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the big stable boy no longer fought him as he had that first time back in the lake tower during
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the storm. Like a dog who's had all the fight whipped out of him, hodor would curl up and hide
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whenever Brand reached out for him. His hiding place was somewhere deep within him, a pit where not
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even Brand could touch him. No one wants to hurt you hodor, he said silently to the child man whose
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flesh he'd taken. I just want to be strong again for a while. I'll give it back the way I always do.
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In spite of Brand saying those reassuring words, there's a profound sadness in that description of
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hodor being a whipped dog hiding in a deep pit. Brand is aware that he's frightening hodor and
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even thinks about his reason for doing so. I just want to be strong again while simultaneously
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acknowledging that this has become a regular occurrence rather than a one off event. I'll give
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it back the way I always do. The author is building this up as a plot point that is going somewhere
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and it feels like it's going to a place that's grim and dark and sorrowful. Sure enough, Brand
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continues on other occasions to explore the cave wearing hodor skin, even finding an entire chamber
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full of singers every one of them seated on a weird wood throne with roots weaving in and out
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of their bodies. Remarkably, neither these singers nor his teacher ever seemed to sense that
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Brand is inside the giant stableboy and so we see that Brand successfully hiding what he's doing
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from Lord Brendan and we wonder what might happen if he's exposed. Speaking of his teacher,
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the green seat is described as half corpse and half tree and it says that the sight of him
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frightens Brand. The weird wood roots snaking in and out of his withered flesh, the mushrooms
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sprouting from his cheeks, the white wooden worm that grew from the socket where one I had been.
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Besides being frightened, Brand is filled with dread at the idea of becoming like him
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and thinks woefully of his lost dream of being a knight, a dream finally killed by the three
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crows inability to fix his legs. In the meantime, it says that Jojen Reed grew even more
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sullen and solitary much to Miris' distress and took to wandering the caves alone,
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or sometimes even going up to sit in the cave entrance if the sun was shining.
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Miris spending more time with Brand in summer and one day tells Brand that her brother wants to go
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home. She adds, he will not even try and fight his fate, he says the green dreams do not lie.
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Brand thinks Jojen is being brave in the face of his fate, but Miris thinks he's being stupid and
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stubborn. When she starts to cry, Brand thinks about hugging her, but the distance between them
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is too great given his useless legs and even though it makes him feel strange,
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he's considering slipping into hoed or skin to hug her when she jumps up and runs from the chamber.
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And so the days wear on until one day Lord Brendan tells Brand it is time.
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Filled with apprehension, Brand asks what he means. His teacher replies,
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for the next step, for you to go beyond skin changing and learn what it means to be a green seer.
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Then, leave and snowy logs, bring forth a weird bowl containing, quote, a white paste thick and
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heavy with dark red veins running through it. Brand thinks uneasily that the dark red veins
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remind him of blood, and remember that we would sap has been repeatedly compared to blood throughout
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the story since the very first book. What we think is going on here is something that has been
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implied throughout this chapter that green seers literally become one with the weirwoods,
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mingling both their bodies and their spirits with the physical trees. Added to this, the rumors
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of human sacrifice being done in front of the sacred trees, stay tuned for more on this,
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and there's every reason to believe that weirwood sap is a very close analogue to,
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perhaps even containing elements of actual blood. But we do not in fact think that this
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bowl of goo has anything to do with Jojen or the mysterious and tragic fate he seems so resigned to.
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Yeah, well it's true that Mira and Jojen aren't seen on page again after the paste.
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That's likely because the rest of the chapter all takes place in a matter of hours.
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We leave reassuring brand that the trees will teach him. He does as he's instructed, it eats the
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paste, so evocative of human blood, wondering aloud if it will make him a green seer. Lord
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Brinden tells him that his own blood makes him a green seer, and that the paste merely helps
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awaken your gifts and wed you to the trees. Although he's not so sure he likes the sound of being
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wed to a tree, brand does as he's told and slips his skin, focusing on the roots of the tree above him.
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What happens next is truly remarkable and reveals much and more about the true nature of what
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many call the Weirwood Network. Saying follow them up through the earth to the trees upon the hill
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and tell me what you see, it seems like Brinden expects Bran to follow the roots up into the trees
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above their heads. Instead, Bran finds himself in the Winterfell God's wood, looking at his father.
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Here's the scene he sees. Lord Eddard Stark sat upon a rock beside the deep black pool in the
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God's wood, the pale roots of the heart tree twisting around him like an old man's knalled arms.
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The great sword ice lay across Lord Eddard's lap and he was cleaning the blade with an oilcloth.
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Bran is so astonished that he whispers aloud Winterfell and his father reacts with who's there
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before Bran is gone, back in the cave with Leif and Lord Brinden looking at him. They assure him
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that his father heard a whisper no more and that it was his own yearning that had brought him to
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Winterfell and to the past when his father still lived. Both react strongly when Bran insists that
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his father was alive and Brinden tries to explain, time is different for a tree than for a man,
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son and soil and water. These are the things a weirwood understands, not days and years and
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centuries. For men, time is a river. We are trapped in its flow, hurtling from past to present
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always in the same direction. The lives of trees are different. They root and grow and die in one
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place and that river does not move them. The oak is the acorn, the acorn is the oak in the weirwood.
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A thousand human years are a moment to a weirwood and through such gates, you and I may gaze
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into the past. Brinden is very firm that the past cannot be changed or even reached in any way,
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though he promises that one day Bran's gift will allow him to look where you will and see what the
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trees have seen, be it yesterday or last year or a thousand ages past. And he adds,
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nor will your sight be limited to your godswood. The singers carved eyes into the heart trees
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to awaken them and those are the first eyes a new green sea learns to use. But in time,
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you will see well beyond the trees themselves.
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Disappointed, Bran wants to know how long it will take him to learn this skill,
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which is an answer, Brinden, cannot give him. In a year or three or ten, that I have not
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glimpsed. It will come in time. I promise you. And so the day's lesson ends and Bran is brought back
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to his chamber by Hodor. Mira and Jojen are specifically noted to not be present, but notably
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Bran expects them to arrive at any moment. And while he waits, he closes his eyes.
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And he finds himself immediately back in Winterfell, looking at his father again from the eyes of
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the heart tree. This time Ned is much younger and he's praying. Let them grow up close as brothers,
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with only love between them, and let my lady-wife find it in a heart to forgive.
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Bran again tries to reach him, but his father dissolves, replaced by a scene of two children,
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playing at juelling in the godswood. He thinks at first that it's aya, but realizes the boy
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could not be him, and then before he can decide who he's observing, the scene changes again,
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with each new image coming and going more quickly than the last. A woman heavy with child,
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emerged naked and dripping from the black pool, knelt before the tree, and begged the old gods
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for a son who would avenger. Then there came a brown-haired girl, slender as a spear,
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who stood on the tips of a toes to kiss the lips of a young knight as tall as Hodor.
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A dark-eyed youth, pale and fierce, sliced three branches off the weirwood and shaped them into
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arrows. It says that as he watched, the tree was growing smaller, while nearby trees shrunk and
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vanished altogether, sometimes more than once. It says, now the lords' brand glimpsed were tall and
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hard, stern men in fur and chainmail. Some more faces he remembered from the statues and the
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crypts, but they were gone before he could put a name to them. And then comes a final image,
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a bearded man forced a captive down onto his knees before the heart tree, a white-haired woman
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stepped toward them through a drift of dark red leaves, a bronze sickle in her hand.
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Brown is distressed by this image and tries to say no don't, but of course he can't be heard
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across the centuries, and so the chapter and brands arc to date ends on this final image.
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The woman grabbed the captive by the hair, hooked the sickle around his throat and slashed,
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and through the mist of centuries the broken boy could only watch as the man's feet
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drummed against the earth. But as his life flowed out of him in a red tide,
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Brandon Stark could taste the blood.
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There are many things that can be gleaned from this final scene in Brands of Dance with Dragon's
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Arc. Fans love to decode the images he saw, Ned praying about John Snow, Liana in Benjen,
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then possibly Melantha Blackwood, widow to Lord Willem Stark, followed by a girl who might be
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a young old man kissing a youth who might be a young Sir Duncan the Tall, and then another
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youth who might be Brandon Snow, brother of King Torren Stark, preparing his Wearwood Arrows,
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with which he thought to kill Aegon's dragons. And whether or not these guesses are correct,
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it's clear that the visions go backwards in time to end in a long ago era of human sacrifice.
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But what we can infer about Brands' future, based on the things his teacher tells him in this
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chapter, but also long and patiently established by the author from almost the very beginning,
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is that Brands' gift will lead him to become one who watches, an observer of events across time
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in space who will, in some way, use his abilities to affect the endgame of the story. How this will
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come about remains to be seen, but we can make a couple of guesses. First is that Brand is suddenly
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noted to be exceeding his teacher's expectations, maybe even of what he thought was possible.
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Brand is told to go through the roots into the tree above him and ends up looking out through the
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Winterfell heart tree. Not only that, but after he disconnects from his Wearwood throne and
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returns to his chamber, he has that very strong series of visions, implying that perhaps his
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abilities are not dependent on a physical connection with a tree as the other green seers seem to be.
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Furthermore, we can guess that he might be able to achieve actual communication through the tree.
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This is hinted at in Theon Greyjoy's Prince of Winterfell chapter, in Dance, which comes some days
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or weeks after Brand 3, in which Theon distinctly hears someone say his name as he kneels before
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the heart tree in the Winterfell God's Word. And if Brand can make himself heard through the tree
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in such a relatively short time into his apprenticeship, we have to wonder if his talents might one day
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also challenge his mentor's assertion that the past remains the past. We can learn from it, but we
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cannot change it. And lastly, there's Brand's persistent use of Hodor as a vessel. It probably
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goes without saying that Brynden Rivers doesn't know his people is doing this and would not approve
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if he did, but the implications of it for Brand are huge from the questions of morality to the
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sheer power it takes to invade another human's body. As we saw in the Veremir Prologue, even for a
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highly skilled skin-changer such as Veremir Sixkins, who's noted to be the most powerful of his
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kind in generations, taking a human body wasn't easy and the spearwife Thistle was able to fight him off.
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Whatever Brand's gifts are and no doubt they are significant, we don't think that Brynden Rivers,
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the three-eyed crow and the last green seer, is going to have the last say in Brand's fate.
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While in the moment the cave feels very much like an endpoint, there remains too much that connects
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Brand to the outside world. His sisters live and two of his brothers, his home remains,
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and he's clearly deeply connected to it since his first attempt at green-seeing brought him
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directly there. In these seven chapters spread across two books, we see Brand's story used to
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connect the dots on a lot of fronts. The use of storytelling is one way this is accomplished,
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but also in the swift intersections Brand, a fairly passive character, has with two highly
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active characters, his brother John and Samuel Tarley. Even his visions in this final chapter,
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brief though they are, have depths that have yet to be fully realized. It may well be that the
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Knights watch are the watchers on the wall, but throughout his arc it's Brand and Stark,
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who's being established as the true watcher. Watching events play out through his window,
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through summer's eyes, through the trees, and very possibly beyond.
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Thanks so much for joining us today, as usual we'll end the episode by giving credit where credit
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is due thanks to George R.R. Martin for stories and visions and to Kevin MacLeod for allowing us
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to use his music in our production. And now we want to thank our patrons from the Castle Steel
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level. If you enjoy the podcast, consider being a patron and you could be hearing your name here too.
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Our sincere thanks to Atari Loon, AJ, Aegon VI, Alibi, Brennan, Kasey, Cassandra. Lady Amalphia,
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Terrence, Sir Terrence, Night of the Seaters, Steph Lines, Quarren Halfhand, Andy Vaughn.
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As always, let us know if I've pronounced any of your names wrong, if you have a nickname
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you'd prefer to use, or if you feel we've left anything out. Visit radiosestros.com for quick access
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to all our podcasts. You can also find a link to our Patreon campaign, donate via PayPal or
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coffee and comment on our content there, or find us on YouTube, Apple Podcasts, Spotify,
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Audible, or wherever you find your podcasts, and we hope you'll connect with us via Instagram,
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Discord, email, or Blue Sky. Thanks again for joining us, we'll see you soon with a new episode.
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Bye for now.