Culture
Podcasters Don't Care About Live-Streaming
In this episode of Podcasters Roundtable, hosts discuss the relevance of live streaming in the podcasting world. They explore various perspectives on whether live streaming enhances the podcast experi...
Podcasters Don't Care About Live-Streaming
Culture •
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Interactive Transcript
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Podcasts are roundtable, round 162.
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Is it a podcast or is this just live?
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So we've talked about live before here, but I am curious.
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There have been a couple new platforms I've come on the scene probably since we've done
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that.
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So we will get into that.
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And I think one of our stories has something to do with that as well.
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But do you even care about live streaming as a podcaster?
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Do you do it?
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We are coincidentally doing a podcast right now that we are live streaming.
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Right.
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So let's get into that.
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Let's talk to or let's meet the roundtable co-host Dave Jackson.
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Welcome back.
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Ray, thanks for having me.
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Yeah, this is very meta.
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It's a live stream about a podcast where we're going to talk about is live streaming
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a podcast.
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We could forward to it.
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Well, you know, we don't we don't do topics anymore.
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So we're not going to talk much about it.
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Although whatever that first story is tends to go the first half.
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So if you're the lucky story who goes first, then you get a lot of play.
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So we'll see.
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But yes, Dave Jackson School of Podcasting.com.
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Awesome.
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And brand new roundtableer, John, welcome to your first roundtable.
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Thanks, Ray.
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Thanks, Dave.
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Thanks for having me.
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John Chigee, I sort of run the engineering network.
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It's a network, but it isn't.
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It mainly just a place to put on my shows because I have too many podcasts like so many
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podcasts.
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You listen to Ray.
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Yes, anyhow.
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But yes, the most known for causality and pragmatic podcasts.
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So one, but yes, thanks for having me on, guys.
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Been looking forward to this for quite a while.
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So thank you.
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Awesome.
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And I think that John probably reached out to remind me that he was on the list, which
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is very helpful.
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So podcasters roundtable.com slash guest.
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If you want to be on a future roundtable, and that's where we pull from to get roundtable,
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there's most of the time.
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Sometimes I have to go out and recruit depending on what we are talking about.
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So we want to have as much expertise as possible.
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But you do not have to be an expert to be on the roundtable.
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The whole key to this show is that it is different perspectives from different podcasters
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at different stages in their podcast journey, right?
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So not every podcaster most do not have a show about podcasting, but every podcaster
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knows a lot about their experience podcasting.
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That's what we want this audience to learn from.
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So join us and podcasters roundtable.com slash live is where we're doing this.
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And of course, we're on YouTube.
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So if you want to see, if you're just listening to this, which most of you will be audio
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podcasts, they won.
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They beat out the video podcast YouTube killed the video podcast star.
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And we are on YouTube.
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So we we we give in.
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Check us out on YouTube.
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Also podcasters roundtable.
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So I am having a frosty beverage made of beer, which I invite everyone to do, but it
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is BIOB bringing on beverage, but it is like 930 in the morning wherever John is.
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So John, where are you coming from?
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I'm in Brisbane, Australia.
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So on the east coast of Australia.
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So yeah, it's a beautiful Saturday morning.
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Really literally is a lovely morning out there, but so you'll be sticking to water for
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this one, but that's totally fine too.
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Yes, that's why beverage bring.
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We are keeping the international thing going, Dave.
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We have very successful rate of international contributors here, which I really enjoy.
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And it's it's rarely ever intentional.
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It makes it sound so much smarter.
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That's the thing I'm going to do on it.
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The accents they help.
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That's it.
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All right.
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Well, you know what?
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Stories.
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I think John is the winner with two on here.
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We're thin on stories.
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Is it possible that we have the shortest roundtable ever?
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Don't count on it.
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But John, John, John, we have the chance to have a short roundtable, but who wants that?
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We're going to be gone for weeks.
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Let's just drag this out.
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Maybe I'll break it up into part four.
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You guys like doing podcasts as parts?
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So here before we get to the first story, I'm already jumping off the tracks podcast as
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parts, right?
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You've seen that.
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I swear I've done it actually in the podcast or studio had like an epically long conversation.
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And early on you think, oh, maybe it's a good idea to break this into part one and part
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two.
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I don't know.
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Maybe it is.
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There's arguments for it against.
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John, have you ever done that with the show?
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The next episode?
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I actually, I have.
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And there's the episode I had was episode 82 of Pragmatic.
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It was about Tesla and I had Caleb Elston on from the Tesla show.
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And we talked for four hours straight.
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And out of, I think, respect for my listeners, I figured that's just way too long to stay
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on that topic.
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So I had to split it into two episodes.
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And it was interesting because I got a bit of a 50-50 split of people coming back saying,
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why'd you cut that off?
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I could have listened to that all in one go and so on.
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But I don't know as many people also thank me.
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So I'm not entirely sure what the conclusion is on that is I think you can do it.
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I think it was the right call.
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But I got mixed messages from my audience.
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So I'm not entirely sold, which was the better approach in the end.
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But yeah, I still stand by what I did, though.
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I think you can plant the flag.
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I stand by it.
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But Dave, what do you think about this?
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Because I think it's up in the air.
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It's a tough one.
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I think in four hours, that's definitely something you're going to think about.
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What I hate is when somebody has a show that's normally, I don't know, a half hour and
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they talk to somebody for an hour and then they break it into three, twenty minute segments
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because in addition to the twenty-minute segments, you then have them reintroducing the
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guest again and then doing their little snippet at the end where they're going to do their
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Jerry Springer what we learned today.
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And I was like, if you would cut out all those introductions and what I learned today that
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really wouldn't have been that long of an interview.
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That's where I kind of go.
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I'm going to vote, give it to me on one shot.
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There's always the Dan Carlin hardcore history, but let's face it, Dan is a freak and creates
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incredible content.
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So when he's doing six hour shows, it's, you know, but I'm trying to think that the only
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time I hate it is if a segment can't stand on its own.
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So if they're like, they get to the crescendo and they're like, hey, if you want to hear
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out of the sense, tune in again next week kids, you know, and you're like, ah, you know,
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so and then of course, there's always the Valerie Geller.
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There is no such thing as too long, only too boring line, but I don't know, four hours.
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I think it depends on your audience.
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I always go back to Judy graph did a show called Farman wife, her first hour, her first
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episode was three hours.
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And she gave it to me to kind of give it the one zone.
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I go, Judy, this is three hours long.
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And she goes, yeah, I know my audience is saying it's too short.
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And I was like, what?
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And she goes, yeah, she goes, my audience is farmers.
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And when you see those guys out there and they're, you know, going down these big giant
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rows and they're planting seed or whatever they're doing, she's like, a lot of those
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tractors drive themselves.
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That's why the rows are so straight.
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She goes, the guy that's actually driving is just sitting there to do the turns.
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She's like, so they're bored out of there.
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Oh, they were sitting there listening to the podcast.
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They're like, hey, that was cool.
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You got another one.
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So which I guess means the proverbial podcast answer, which is of course, it depends.
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So I think if you're thinking about it, because I would say my most successful episode,
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and I mean, I don't, it's not science.
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I'm guessing on the round table, I'm not the round table.
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I don't know about that.
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We'd ever, did we, I think, did we do a part one part two?
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I don't think so.
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We might have.
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We did that presentation that we did at whatever conference we were at with me, you and Daniel.
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I feel like there was a part, there was a part two, I think.
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Anyways, on the podcast or studio was like some epically long conversation with an audio
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engineer about compression.
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And people loved it.
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And then I know personally as I'm listening, if the conversation's good and you pull the
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plug, oh man, especially if, if you probably should serve your most hardcore listeners,
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right?
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You're regular subscribers because think about what happens when you do, they're in,
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they're probably in, right?
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John, as you said, like some people said, I could have kept listening to that, right?
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And those are the people who are going to keep coming back.
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And so when you do that, those people listen when the podcast comes out.
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So when you say part two is coming up, they really do have to wait like a full week for
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part two, as opposed to a lot of people will catch it in the archive.
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And it doesn't matter.
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It can go right to part two.
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It's tough.
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And so I think probably having communicating or communication with your audience is probably
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best on this.
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And I'm sure some shows do this intentionally.
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I mean, honestly, there's, there's like a, when I talk to my podcasters at work, what
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I try to get them to do is shorten the episode as opposed to like before we go in, right?
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And have a plan and, and don't, because you could do four hours or even like the same
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two hours.
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And at the end of an hour, you're on topic three, but three and topic three and four were,
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were amazing content.
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A lot of times probably didn't get heard.
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Obviously, you can see this in your retention stats, right?
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At least we have those now.
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That wasn't always a thing, right?
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Dave, we didn't always know like when people were dropping off unless they told us, now
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you can see it.
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I mean, if you're losing the majority of your audience at 45 minutes or something, you
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kind of found out where you should be.
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And maybe that tells you if you're doing to do, you know, an hour and 45 minutes, you
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should split into, right?
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And then check those metrics.
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I think that's probably pretty good.
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And look, we're podcasters.
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We're making of those.
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We go our, all our audiences are different.
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So iterate, like figure it out and then change, I would say.
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Yeah.
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Yeah.
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I was interviewed on a show this week and they, they had me booked from 730 to 930 and I
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emailed them, I go, is this really like two hours?
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And they're like, yeah.
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And I was like, okay, I'll try to be entertaining for two hours.
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That's a long time to like, that's another one.
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That's another one.
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So consider those, okay, let's throw those into it.
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You've got, if you're going to do interviews, right?
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You should probably not, especially ahead of time, that person should know what they're
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signing up for really early.
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Maybe in the first request, hey, I'd like to do an interview with you.
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It's two hours long.
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So you could at least say, yeah, I can't really do two hours, right?
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And it's just not going to work.
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I can do an hour or whatever, right?
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And then there's today's topic, live streaming.
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We are live.
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And this is the only time you hear me say, because I absolutely despise when I hear a podcasters
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say, well, we're going to need to wrap it up.
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We're about out of time.
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What time?
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What time are you out of?
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Like, you're a podcaster.
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I agree.
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Right?
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But in this scenario, you will hear me say that because I've asked an audience to be here.
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The expectation is that we're going to run an hour and someone puts that into their
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schedule.
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And if I'm over an hour, they still want to listen, but they've already planned to do something
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else.
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So in that case, when it's live and it's kind of like we might talk more about what's
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the difference between live and a podcast.
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I think there's a different consideration there for the audience.
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John, what do you think about all of these or any other factors go into deciding?
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Well, um, it, okay.
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So just holding on the interview one for a second, I'll just want to circle back quickly
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that all this conversation jogged my memory on the Tesla episode.
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I actually decided to release a merged, well, as originally recorded version for my
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patrons on Patreon.
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So I actually did do that.
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It's like a DVD bonus.
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Like he threw it back to the DVD bonus content.
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Yeah.
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Exactly.
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So as you were saying, it's like for the committed fans, the people that are really supporting
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the show, then I don't want to make them wait.
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So in the end, I actually did that.
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This is a few years ago.
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So I just blanked on that temporarily.
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So there's that.
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So I agree with that one for sure.
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On the interviewing side, I like like what you were talking about, Dave, you had like
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a two hour block.
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I try and do the same thing when I'm going to interview because I say interviewing.
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I have people on pragmatic.
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It's not really an interview.
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It's just a conversation with someone who's more of an expert on the topic.
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And we just like compare notes and so on.
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But I'd always set that expectation up front.
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And I always asked for what's the end stop.
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The whole four hour thing was just a freak of currents.
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We just kept talking and talking.
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It was great conversation.
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So I didn't want to stop and lucky for me, Nordic Caleb.
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So you know, it was great.
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Font memories of just recording that episode was fun.
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And you shouldn't you shouldn't stop because as a listener, I can tell when that
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happens, right?
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Again, with the time limits, or I can tell even more so when an interviewer doesn't pay
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attention to the question, I'm like, how are you not following up with that amazing
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thing? They just said they're going to next question on their list.
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Like let the interview go where it's going to go.
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But you can tell when the interview is pulling the plug and you're like, it was so
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good. What are you doing?
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You you just had the best interview with this person.
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And you just let it go.
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Anyways, John, you're going to go.
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Oh, not just simply.
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I didn't have too much else to add on that.
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One is just that I always look at this way.
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When I've got someone else's time, I have to respect their time limits.
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And I say to them, as soon as we dollar has anything changed, you have a hard
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stop. You know, let's let's talk about, you know, that start up
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front. And if I have to reprioritize the content and if there's questions or
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points we want to cover, then that's what I've got to do in real time.
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And that's just that's just the way it goes.
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And it's painful when you got to pull the plug because they have to go.
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Right. I'll always allow extra time.
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But if I've got someone on who's really busy and getting their time as
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precious, so I have to respect their time and doesn't always work out.
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So it's, yeah, it's painful when they got to leave.
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And yes, it's a really good conversation.
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I'm like, okay, well, thank you.
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Well, in the same way that podcasters remember their one star review, I remember
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the podcast going back to race thing.
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Somebody was interviewing Liz covert who does Ben Franklin's world.
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And she was going over the history of radio and how it's changed.
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And you start to see similarities between podcasting and radio.
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And the host was like, well, we're out of time.
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And I was like, it's a pod.
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I'm like screaming at my dashboard.
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It's a podcast.
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It's not like the, you know, the midday person is coming in and we got to go
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for Kenny, the kid or something.
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I was like, Oh, you're killing me.
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And they're like, Oh, we'll have her back.
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And then they never did.
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And I don't know.
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Is Kenny, the kid, a character, Dave, that I missed on Kenny, the kid is
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actually a guy that was a DJ in Cleveland was really good.
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Like so good that I would like set my alarm 730 on Saturday nights.
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And of course, and here's what he did.
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You ready for this?
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He let people pick the songs.
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Like it was actually a request.
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It was from 730 to midnight.
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And it was so good that you guessed it radio.
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Can do that.
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I was going to say, you know what?
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As a kid, I always called in for the request.
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And then I was just convinced that they took the request that were already on the list.
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Like it wasn't actually a request.
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But I don't know request.
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I once requested Judas Priest and they're like, yeah, we're not going to play that.
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But if you request lover boy, we'll play that.
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And I was like, Hey, rock and reek.
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Can I hear some lover boy?
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And they're like working for the weekend.
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And I was like, wow, okay, that's how that works.
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Well, I mean, let's admit it as podcasts.
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There's most of us were just the kid who was recording, waiting to hear us request the song.
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So we can hit the two button record and play.
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That's it.
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My name, I ban record and play.
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Or my clothes backwards.
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That's an old joke.
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All right.
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I just made up.
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Let's see.
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Liberty dude says, um, your podcast is your art and extension of you.
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Create your vision if feedback makes sense.
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Use it.
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If not, don't art.
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We'll never please ever.
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Everyone don't try.
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And I would say definitely because, you know, I'm talking about, you know, ask your
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audience and get that feedback.
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But there will be the squeaky wheel, right?
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And you have to be keep the, uh, the silent majority in mind, right?
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So take everything with a grain of salt, evaluate the feedback.
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Does it make sense for the show?
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Right?
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It's sure people are going to have.
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Yeah.
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Because if somebody goes, Hey, I want you to go in this direction and you go, yeah,
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that's not really why I'm doing the podcast.
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There's a name for that person.
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It is, uh, not your target audience.
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Like I appreciate you listening, but that's not what we do here.
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Thank you.
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All right.
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It's really, um, that's really hard to do when you're trying to figure out what
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your audience wants.
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The longer you do it and the better you get to know your audience, the better
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you get at it.
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But when I started out, I, I did try a little bit everything, including live
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streaming, which we're going to get to in a second as we live stream.
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Um, sorry, I just love that.
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Anyway, the point is that, um, it's, it's difficult because I've fallen
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into this squeaky wheel syndrome myself and, um, and, and learned some hot
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lessons along the way.
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So one star comment they was talking about.
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Yeah.
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You'll remember that one.
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That one.
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Mine is a bad commercial for a bad show.
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One star.
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I was like, I can quote that like a scripture, but tell me to ask me to quote a
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five star couldn't do it.
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But no, I had a, uh, a woman complain about my podcast rodeo show and I almost
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shut the whole thing down.
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And then I asked my audience and they're like, what are you talking about?
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No, this is because I was like, sometimes I come across this kind of mean.
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And they're like, no, no, no, keep doing it.
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That's just one like, don't pay no attention to the person crying behind the
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screen.
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It's like, she's fine.
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I was like, okay.
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So don't let that squeaky wheel be, you know, too, it may be loud, but it,
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there may, you need to check it for accuracy.
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Or like I said, in some cases, that's not your target audience.
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I think that, um, you know, you can't quote the five star reviews because I
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think those come in and they're more like, they're a lot more like size of
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relief.
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You're like, oh, all right.
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People, people are enjoying it, right?
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It has supposed to that one person who doesn't enjoy it.
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And also the comments are really bad too, because it's just like you suck.
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You're like, oh, I remember that.
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The nice review goes way into why they like it, which is the one you need to
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read and filter into your show and do more of like, hopefully you've done
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that, right?
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But I mean, yeah, shout out those when they come in, shout those out.
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Like, um, those are big.
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Those are big.
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That someone gives you their time to do that.
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And I mean, as a podcast, when we call probably read a review that, that was
spk_0
nice.
spk_0
And it's like, okay, I'm, I'm reaching people.
spk_0
This is working.
spk_0
This feels, this feels better than the beds.
spk_0
And save them.
spk_0
If they came in like as a email, save Mike, make a folder or something
spk_0
somewhere to save those.
spk_0
So on those days, when you're like, uh, time to make the podcast, I called on.
spk_0
Let's go read some of these and put some gas back at my tank.
spk_0
I would honestly say the only reason this show keeps going is because sometimes it's
spk_0
a, you know, we're not here.
spk_0
We're every two weeks, but sometimes.
spk_0
And when I able to show back up and then the guests come on and I meet new
spk_0
people, new experience every time we end, I'm like, ah, that's the reason that
spk_0
that pulls me back in every time.
spk_0
So the audience keeps it going.
spk_0
100%.
spk_0
All right.
spk_0
Let's get into one of the stories, uh, John, now that let's put the training
spk_0
back on the track.
spk_0
There is no track here, by the way, it's the round table, but we'll try.
spk_0
All right.
spk_0
So I picked this one.
spk_0
Um, it was, uh, like wherever you dig, you get your podcasts, um, it was on
spk_0
amplify media about it.
spk_0
I got the link from podcast business, uh, journal, uh, and it talks a bit
spk_0
about, uh, the different platforms and platform providers and different
spk_0
missteps that they've taken and, uh, and how lots of little apps that have had
spk_0
lots of VC money poured into them just haven't taken off.
spk_0
They haven't succeeded, uh, in the, um, and, and does a very light touch
spk_0
analysis on like exactly why they said that was the case.
spk_0
But for me, there were two takeaways.
spk_0
The, um, and the sub takeaway, which relates to the live streaming was the
spk_0
tune in tender to favor, uh, live audio.
spk_0
And I personally didn't understand the attraction of that, but that was
spk_0
cited as one of the reasons why they weren't successful.
spk_0
And then they talked about different ones like, uh, sorry, um,
spk_0
podcast, sorry, uh, and how it was a bit spent bounced across from NPR to,
spk_0
um, uh, automatic, I think it is, uh, and some of the other ones that have had
spk_0
lots of VC funding just haven't gone anywhere.
spk_0
And my observation was that ultimately platform, larger platform providers
spk_0
like Spotify and Apple are tending to succeed.
spk_0
Um, I would probably count YouTube because that's kind of like a balance and
spk_0
maybe even TikTok maybe as well.
spk_0
But that's sort of fringe if we're coming at this from the traditional podcasting
spk_0
angle, which is predominantly audio first.
spk_0
So as audio first, I think at the larger platform play,
spk_0
just seems to be the one that is ultimately more sustainable.
spk_0
And a lot of these other ones are just falling by the wayside.
spk_0
I see apps that are solving problems that don't exist.
spk_0
Like, oh, here's, you know, this one blah, blah, blah.
spk_0
Like I just heard we're another, there's another app that's coming out that's
spk_0
small snippets of audio.
spk_0
And I was like, do we, do we not remember that like, that's how anchor started?
spk_0
It was little like 15 seconds and, you know, TikTok now has gone to 10 minutes.
spk_0
I was like, how many times are we going to start off with a small snippet of something
spk_0
and then it goes up and blah, blah, blah.
spk_0
But like, I know I think bull horn is still around.
spk_0
And I know there's a feature that is different than any other app.
spk_0
But I couldn't tell you what it is.
spk_0
It's probably something to do with feedback or something like that with a name like
spk_0
bull horn. But I know they're around.
spk_0
They're probably VC funded.
spk_0
But, you know, it's, you have to, for me, I use overcast.
spk_0
And the only thing that I have remotely ever thought about leaving overcast for is
spk_0
Marco has come out and said, I'm not doing streaming satoshi's.
spk_0
I'm not doing the whole Bitcoin thing.
spk_0
Not going to do it.
spk_0
And I was like, that's a bummer because that's the one feature.
spk_0
I always tell people that are making those kind of apps where you know, newpodcastapps.com.
spk_0
I'm like, can you just make overcast?
spk_0
Can you just recreate this?
spk_0
And some of them are getting close.
spk_0
And when they get close and they stream, then I'll be like, okay,
spk_0
there's the one feature I need that this app doesn't do that I now want to do over here.
spk_0
But that's, and streaming Bitcoin is just a small percentage of people that even want to do that.
spk_0
But I think sometimes people make apps that are like, oh, this one allows you to do such
spk_0
and such. And I'm like, is anybody wanting that?
spk_0
You know, so.
spk_0
I think you're right about tune in.
spk_0
In the case, it was pretty, the live audio was the brand.
spk_0
Like you understood, I think if you understood what tune in was, you kind of understood that.
spk_0
It kind of felt like radio for podcasters, for producers, in early days,
spk_0
it was the way to get in on, what was it?
spk_0
The echo or something like that.
spk_0
Yeah.
spk_0
Early what it'll do today's and I'm a lifetime pod pocketcast user.
spk_0
I absolutely love it.
spk_0
And the reason I'm trying to remember why I went there in the first place,
spk_0
but it had the best UI early on.
spk_0
And so it hooked me early.
spk_0
And I think people tend to stick with the one that they find and is good enough.
spk_0
But it makes me wonder how much of it is, you know, sort of a network effect.
spk_0
And being early, right?
spk_0
So Apple, obviously, like the first major podcast directory, right?
spk_0
To really have like that network effect, that massive audience that's already there.
spk_0
So that's naturally why people go there.
spk_0
And then they sort of stay there.
spk_0
People don't like change.
spk_0
They don't move.
spk_0
They don't move that often.
spk_0
Spotify, you know, maybe think if you're trying to compete with Google today, could you do it?
spk_0
Right? So I started using Brave browser recently.
spk_0
For I just need another browser.
spk_0
And I like it.
spk_0
But it, you know, I think Brave browser is all about security and then
spk_0
the crypto plays into that a little bit too.
spk_0
So they're trying to find their niche, right?
spk_0
Because going, becoming something bigger than Google or even Safari or Firefox at this point
spk_0
is pretty, pretty hard.
spk_0
Now you could say, oh, Spotify came along late.
spk_0
They busted in their number two, which that number two has kind of always been up for the
spk_0
taking weirdly. It's just been sitting there.
spk_0
We remember the zoom.
spk_0
Microsoft had they had the chance to just lock that in.
spk_0
The number two was locked in by zoom.
spk_0
And then they, you know, rip on RIP zoom.
spk_0
So or zoom.
spk_0
Gotta be careful.
spk_0
These days, zoom is so synonymous.
spk_0
But how did they do it?
spk_0
Again, they already had such a massive built-in audience.
spk_0
And then they threw a lot of money at it.
spk_0
And I'm not even sure if it's been worth it to them at this point.
spk_0
But maybe it pays off.
spk_0
Maybe it will pay off.
spk_0
I don't know.
spk_0
So it's tough to climb that hill.
spk_0
Yeah, I would say if I was launching a new app,
spk_0
yeah, you can go to podcast movement and podcast.
spk_0
But I would like go to different cities.
spk_0
And I don't know, go to the library and do a how to listen to podcasts,
spk_0
you know, 30-minute presentation and show people how to use my app.
spk_0
Because when you go to a current listener,
spk_0
you're asking them to leave something where they've already got playlists set up
spk_0
and their speeds and everything else that they've totally configured this to them.
spk_0
And now like, I gotta go over here and refind all my shows.
spk_0
I would go after people that aren't listening to podcasts yet.
spk_0
And then because then when they learn on that new app,
spk_0
that's now the app that you're gonna have to pry their cold dead hands.
spk_0
Because they like, I've been using this for years.
spk_0
Yeah, so I just remember tuning in back before I had one of these.
spk_0
Yes, kids, this is a radio.
spk_0
That's what we're pulling out to zoom.
spk_0
I thought I was being zoomed.
spk_0
There's a zoom back there, isn't there?
spk_0
I like the brown.
spk_0
I want a brown one.
spk_0
You don't have a zoom date.
spk_0
I do not have a reo.
spk_0
You have a reo MP3 player.
spk_0
Probably do somewhere.
spk_0
Yeah, still rubs.
spk_0
Yeah, that's it.
spk_0
But I would listen to, because tuning head sports,
spk_0
they're like baseball or something like that.
spk_0
I remember once, for whatever reason,
spk_0
the game was blacked out or something like that.
spk_0
I was like, I wonder if I can listen to this on tuning in.
spk_0
And I was.
spk_0
So I was like, well, that's kind of cool.
spk_0
But other than that,
spk_0
I haven't, it's not an app I frequent on a regular basis, if at all.
spk_0
I mentioned overtaking Google.
spk_0
But what about Google jumping in and overtaking Spotify?
spk_0
Apple, right?
spk_0
You, John, you mentioned YouTube, right?
spk_0
And we've kind of all been sitting around waiting for YouTube to do something else with podcasts.
spk_0
Or to, for Google to open up hosting, right?
spk_0
They, they host video that they won the video game.
spk_0
I said that they killed the video podcast star because they won video.
spk_0
There were video podcasts you had to upload.
spk_0
You had to host them.
spk_0
It's still too expensive to host video podcast.
spk_0
Like for, we're not hosting this show or like an hour long, right?
spk_0
You could do who has an eight minute podcast anymore.
spk_0
In the days, early days, there were great like eight to ten minute video podcasts.
spk_0
It's kind of what they were, right?
spk_0
Because you had like geek brief and tiki bar TV and the news, the rocket news.
spk_0
You had all that stuff that was short format.
spk_0
But now most podcasts are long format.
spk_0
To host that on video,
spk_0
and there also used to be a bunch of free platforms.
spk_0
And you can't, people always say,
spk_0
well, you host on YouTube and then you put that in a podcast.
spk_0
But you don't have access to the mp4 and all that stuff, right?
spk_0
So, um, yeah, could YouTube do this?
spk_0
Will they do this?
spk_0
Is it, you know, I don't know.
spk_0
What do you think, John?
spk_0
It was you kind of accounted it.
spk_0
I actually think that YouTube could do it.
spk_0
But I'm not entirely sure they're going to because I think that their branding is,
spk_0
well, you know, we're a video platform first.
spk_0
And they just want to, I think it's more convenient for them to rebrand what a podcast is
spk_0
and say, well, a podcast has, it can have video too.
spk_0
And we got all the podcasts.
spk_0
And it's like, yeah, but it's not really audio.
spk_0
So if I have to look at a screen, I can't listen to it when I'm doing something with my eyes.
spk_0
The, you know, like I should be watching the road when I'm driving, you know, just a thought.
spk_0
But, you know, I think that they definitely have the capacity to do it.
spk_0
On the subject of video podcasts, by the way, I tried an experiment
spk_0
about four months ago.
spk_0
I have my Christmas holidays.
spk_0
I'm like, you know, I'm going to do something different,
spk_0
which is whenever I say that, always get worried.
spk_0
But I got a, what is it?
spk_0
A monogopro was a DJI Osmo, whatever secondhand action cam, anyway.
spk_0
And I connected it to the car and did a couple of little, you know, driving sort of videos
spk_0
related to electric cars and so on.
spk_0
And I've done five episodes of it and I hosted that myself on my server.
spk_0
I've got like, you know, two and a half terabytes of upload bandwidth.
spk_0
And, you know, I'm a geek and I own every layer of the stack because I'm a geek.
spk_0
I'm not your regular, you know, anyway, it doesn't matter.
spk_0
My point is that I posted that and it was sort of, if it ever took off, it would kill my server.
spk_0
So I'm actually banking on it, not taking off, which sounds odd.
spk_0
It was a bit of fun, a bit of an experiment, but it does not scale.
spk_0
So I can absolutely see why YouTube won.
spk_0
It's, yeah, they have, but whether or not they can redefine what a podcast is,
spk_0
remains to be saying, I think.
spk_0
I mean, I think they almost broke themselves trying.
spk_0
Like, YouTube didn't make money forever from what I understand.
spk_0
They lost money, hand over a fist for like many, many years of its existence.
spk_0
And I mean, kudos to them.
spk_0
They saw the long game, I guess.
spk_0
And now they're practically what TV is.
spk_0
I mean, they're practically what music is.
spk_0
I mean, Spotify is committing with YouTube.
spk_0
Kids, it's free people.
spk_0
When you want to hear music, I even go to YouTube and like, I want to hear that song.
spk_0
I'll put on YouTube because I know it's there.
spk_0
Right? I know I can get it with nothing in between.
spk_0
Now, you talked about being able to, you know, they have the premium subscription,
spk_0
which lets you listen without watching.
spk_0
You can even close the app, not close the app, but minimize the app, do other stuff.
spk_0
So if you're in a car, there's just something about like, if there is a video player there,
spk_0
there's some type of barrier.
spk_0
Like, we feel like we're, it just feels wrong.
spk_0
Like, oh, you just have an image in audio, but if you just give me no image in just audio,
spk_0
that feels more like a podcast app.
spk_0
I don't know.
spk_0
Yeah, YouTube is, it's funny because we talked about, there was some research done
spk_0
fairly recently that asked people where they, where they listen to podcasts, just open in it.
spk_0
And I think YouTube was, was right at the very top, right?
spk_0
Because people who listen don't, they don't split it up, right?
spk_0
They don't, they don't define what a podcast is. They just, they just know there's a podcast.
spk_0
They like that's on YouTube.
spk_0
You know, and that, that, that makes a question like, are you on YouTube?
spk_0
Should you be on YouTube? How are you on YouTube?
spk_0
All of that stuff, which we've talked about plenty of times.
spk_0
Well, and YouTube is coming to podcast movement.
spk_0
I'm, is it evolutions?
spk_0
Nice.
spk_0
Or the one that's probably the LA one.
spk_0
Yeah, they're, they're talking.
spk_0
So we're all kind of like, oh, because that's next week.
spk_0
And we're all like, what are they going to say?
spk_0
Like it's, it's all like, okay, well, now you got my, oh, they're speaking or they just come,
spk_0
because they've, they've always lurched, I guarantee it.
spk_0
All the conference we've been there was, I believe somebody is coming and they're speaking.
spk_0
So that's when we all went, oh, because hey, first they're there.
spk_0
I remember when they launched Google podcast about whatever, probably two or three years ago,
spk_0
they were there on this cool, because they had a booth.
spk_0
Like you could talk to somebody from Google and they were explaining how, you know,
spk_0
they were going to make podcasts.
spk_0
Was that exact?
spk_0
Was that exact?
spk_0
Yeah, I was, I was, a couple other people.
spk_0
Yeah.
spk_0
Because I remember the one guy was, we had, we had a guy for a while.
spk_0
We had a guy.
spk_0
Yeah.
spk_0
We could, we could tweet him.
spk_0
And it was amazing.
spk_0
And, you know, I know it's hard to believe, but it seems like Google has retired that,
spk_0
not that they ever, you know, that's what they do.
spk_0
I was going to bring that up.
spk_0
Don't forget that Google has tried and tried and tried at the podcasting thing and they give up on
spk_0
it, right?
spk_0
Whether it's helping, whether it's feed burner or it's, what was the first iteration of Google
spk_0
podcast?
spk_0
It was like, there was something.
spk_0
Google, listen.
spk_0
Yes, Google, listen.
spk_0
They've tried.
spk_0
And then, yeah, I mean, it's not really podcasting, but they had Google plus.
spk_0
Was their answer to that was social.
spk_0
Yeah.
spk_0
Yeah.
spk_0
But so, you know, and if you listen to James Kriglin, he's kind of mentioned that we all
spk_0
know Zach has gone into someplace else.
spk_0
And there was somebody.
spk_0
You went to Apple, I believe.
spk_0
Oh, that's funny.
spk_0
And, uh, and if you listen to James, James is kind of like, I'm not sure who's running the ship
spk_0
at Google podcast.
spk_0
And it's like, it's a bummer because I mean, there are number three now.
spk_0
So it's without trying.
spk_0
I get it.
spk_0
I'm even trying.
spk_0
Right?
spk_0
Like, that's what I mean.
spk_0
Two was up for grabs because no one was trying.
spk_0
Like, yeah, that's unfair to apps that are giving it a hard go.
spk_0
But I feel like it was there for one of these bigger companies to just be like,
spk_0
we're going to own at least the second spot.
spk_0
Right?
spk_0
And Google could feels like they could own it.
spk_0
Now, Spotify's come on very strong.
spk_0
So they probably have it.
spk_0
And of course, their strategy is to make announcements that sound phenomenal.
spk_0
And then just don't deliver on them.
spk_0
Those are costly announcements they're making over.
spk_0
spk_0
It's costly, and I think that's true.
spk_0
Awesome.
spk_0
John, any more to add on this one?
spk_0
Any more thoughts?
spk_0
I don't think so.
spk_0
I think that it's, it's, it's grand that we sort of covered a few times.
spk_0
But I should say, you guys have covered several times on the, on the show.
spk_0
And I do think that the, um, the next big players in podcasting are going to come from
spk_0
non-traditional podcasting areas like YouTube, like TikTok.
spk_0
And I think that that's sort of inevitable.
spk_0
Because of the scale you need to be operating at to actually offer some kind of competition.
spk_0
And I mean, Spotify just keep on throwing money at the problem and, and bring in in more and more,
spk_0
you know, platforms and people and so on.
spk_0
That's their play.
spk_0
They want it to be, don't want to be the one stop shop for your ears.
spk_0
Essentially, you want to listen to audio.
spk_0
They got what you need kind of thing.
spk_0
And YouTube in many respects is trying the same kind of thing.
spk_0
They're just coming out from a different angle.
spk_0
Sorry.
spk_0
Yeah.
spk_0
It's gonna mean you see how this applies out in the next couple of years.
spk_0
How does that affect us?
spk_0
The producers, even listeners, like how do you think, especially producers, right?
spk_0
If you're listening to this show, you probably make a podcast.
spk_0
So I don't know.
spk_0
Do you guys try, is this just a part of B everywhere?
spk_0
Like if there's an offer to, if there's a platform who says they've, they're putting podcasts on it.
spk_0
Because here's the thing too, right?
spk_0
YouTube is not a podcast platform.
spk_0
So it's not as easy to just be there, right?
spk_0
Because you can't just, you can't just put your RSS feed and they take it, right?
spk_0
And so now another just, just to distribute some point for us as a podcaster.
spk_0
Now, Davey, work at Lipson.
spk_0
They have a tool that will, will do this over to YouTube, but not all do.
spk_0
And I bet not a lot of people, I bet the most people don't use that.
spk_0
And I don't know why.
spk_0
And I'm totally guessing maybe Davey, you know better.
spk_0
But as producers of podcasts, like, I guess what do I'm asking you guys?
spk_0
Is it, do you see new platform go to a new platform?
spk_0
Or, you know, you said TikTok and I'm like, that makes me think,
spk_0
I got to do something else, which I'm just not going to do.
spk_0
And so I'm making a choice of audience versus work flow, right?
spk_0
Bandwidth.
spk_0
But I know I heard Mark from Captivate mentioned about some platform.
spk_0
I want to say it was in Africa.
spk_0
Like, you know, in the same way that D's are kind of the Pandora of Europe.
spk_0
And Ghana is the super popular audio thing in India.
spk_0
There's one in Africa that apparently is, you know, coming down the pike.
spk_0
So, but that again is taking an app with a build in audience and just, you know, kind of shoe
spk_0
horning in podcasting.
spk_0
Do you, what do you, I mean, as a producer though, do you look for new platforms?
spk_0
Or do you just, I do.
spk_0
That's one of my things that I scratch my head on because when I see somebody that goes,
spk_0
oh, yeah, I'm only in Spotify and Apple.
spk_0
And I was like, I get a couple of hundred downloads from Ghana.
spk_0
Those people speak English and, you know, they might know somebody who knows somebody who
spk_0
wants something that I offer.
spk_0
So, and it's free.
spk_0
That's the other one that I go, it takes maybe a minute and a half to set yourself up on a,
spk_0
on a platform.
spk_0
You do it once and then you're done.
spk_0
And there's, like, it's not like it's going to hurt your show in any way.
spk_0
It's like, well, everything was doing great until I got more exposure in another country.
spk_0
I don't understand that.
spk_0
So, that's the one that always, I just scratch my head because they're like, well,
spk_0
I was thinking about using this one and maybe this one and that one.
spk_0
And I'm like, why would you not just list your show everywhere?
spk_0
Because, you know, you never know who's listening here.
spk_0
I have a centigree, a hundred percentigree.
spk_0
And I think that the first time I heard it was Dan Benjamin on Five By Five saying, you know,
spk_0
be everywhere.
spk_0
I always say, if I have a podcast, I want everyone to be able to listen to it from any platform
spk_0
that they want to.
spk_0
So, I kind of look at it as two categories of those platforms.
spk_0
One's that, like you say, Dave, point to the RSS feed, you know,
spk_0
claim your podcast, whatever.
spk_0
And then you'll automatically suck it up the next time you publish a new episode
spk_0
in your RSS feed.
spk_0
And it's kind of like, it's 10, 15 minutes of your time and then it's done one and done kind of thing.
spk_0
To the left of finger.
spk_0
And then the other category as well, now I've got an extra step.
spk_0
And the extra step is an example like YouTube.
spk_0
And what point is, well, they aren't going to do that.
spk_0
You have to encode the video.
spk_0
If you're on a platform like Libsen, you know, for example, that will export,
spk_0
you can have an export option, which I actually did do on causality for quite some time.
spk_0
I was skeptical, but it was actually low effort on my part.
spk_0
So, you know, thumbs up to Libsen for offering that.
spk_0
And then when I eventually turned that off for a myriad of reasons,
spk_0
I decided, you know, I can actually just do that because I had it in Fairright on my iPad.
spk_0
So I export that as a video and I upload it manually.
spk_0
So, but the funny thing is that the more I do this from time to time now,
spk_0
I've sort of looked at this between premium content, which is like ad free and so on,
spk_0
that I make in a high bit rate, high quality format that I offer for some premium subscribers.
spk_0
And the public available stuff as well as the video stuff.
spk_0
My list of destinations, I've got a checklist that's like this long of things I've got to upload too.
spk_0
Which it gets to be a bit of a hassle.
spk_0
But on the YouTube front, I do believe it is a destination that you do need to be in,
spk_0
even if it is just like my chapter artwork encoded against the audio.
spk_0
I know that some people I've had feedback from people saying,
spk_0
oh, you know, this isn't really a video, why is it on here?
spk_0
And I've other people that have discovered the show.
spk_0
And it's usually based on the anniversaries of different things.
spk_0
So I do, causality looks at cause and effective disasters and incidents and history.
spk_0
And Ocean Ranger had its 40th anniversary of that incident a few weeks ago.
spk_0
And then that particular video was hovering around 150 views.
spk_0
It's now over 8,000 views.
spk_0
And it's like, and some of those people made list start listening to the podcasts
spk_0
and so on, brought up beyond that, bringing in new listeners.
spk_0
And I think you do have to be everywhere, even if it's not an ideal experience.
spk_0
It ties in real nicely to the squeaky wheel.
spk_0
As one person said, why you on here doesn't make sense.
spk_0
And then you have a segment that is discovering your show.
spk_0
The actual healthy engagement.
spk_0
You know, no one's helping you by telling you, go away.
spk_0
So that's a troll.
spk_0
Ignore the trolls, like listen to the people or, you know,
spk_0
obviously if people are discovering you that wouldn't have discovered you before,
spk_0
that's a win, right?
spk_0
And then there was always this question of mixing in that type of content with a
spk_0
quote unquote regular YouTube channel.
spk_0
I wouldn't do that.
spk_0
I've done that.
spk_0
I keep going back to video podcasting because if you don't know,
spk_0
my first podcast was a video podcast.
spk_0
But I remind me of the days when as video podcasters,
spk_0
we had to manually upload to like 20 sites.
spk_0
And then there was a there was a service called,
spk_0
I don't remember what it was called, which is crazy now.
spk_0
It feels crazy.
spk_0
That would finally do it for you.
spk_0
And that was amazing.
spk_0
But then you always had to check and it was a mess.
spk_0
And so, yeah, good days.
spk_0
But that is a perfect segue into, you know, you talked about platforms that are not,
spk_0
I would say podcast focused or podcast centric in that they take your R.
spk_0
Says feed.
spk_0
However, there are podcasts on them, right?
spk_0
I mean, we talk about promotion all the time.
spk_0
And if you want to be on Instagram, you got to make some art and put some audio to it.
spk_0
You know, do different things.
spk_0
These are all things that add to the limited time that most podcasters have.
spk_0
And it's like, do you or don't you?
spk_0
Is it worth it?
spk_0
Livestreaming, right?
spk_0
I mean, that goes right into live streaming.
spk_0
And I put on our list that I want to talk about Twitter spaces.
spk_0
Because that's sort of the newest thing that I've seen that is podcast like.
spk_0
But it's not.
spk_0
And it's it's live.
spk_0
If you haven't joined a Twitter space if you're on Twitter,
spk_0
you'll see someone's avatars just have a glowing circle around it.
spk_0
And it's live.
spk_0
It's just live streaming.
spk_0
But it's a live conversation.
spk_0
We've seen this multiple times.
spk_0
I was mere cat.
spk_0
I still have the t-shirt was mere cat video.
spk_0
I think it was video too.
spk_0
But audio only streaming is not like a thing we've seen too much of if I'm,
spk_0
if I'm recalling.
spk_0
But I've tuned into several Twitter spaces recently.
spk_0
A niche that I've recently started following is very Twitter space centric.
spk_0
And honestly, they're horrible.
spk_0
They're horrible.
spk_0
But the thing is that it's horrible in the worst way.
spk_0
Because guess what?
spk_0
I want the information.
spk_0
Getting to it is a, oh, it's just annoying.
spk_0
So between the bad audio quality, which, you know, not most people,
spk_0
a lot of people aren't going to recognize or care about.
spk_0
Maybe I don't know.
spk_0
You'll certainly see podcast reviews that say your audio is terrible.
spk_0
I can't listen to this anymore.
spk_0
So you should pay attention to that.
spk_0
It is literally the one instrument you have when you're an audio podcaster.
spk_0
Pay, put some investment into your time there.
spk_0
But or time into your investment, whatever.
spk_0
So between that, but I mean, inevitably, right?
spk_0
What does everyone do when they start a live stream?
spk_0
Well, we'll give people five, ten minutes to roll in here.
spk_0
And we'll just wait.
spk_0
What are you doing?
spk_0
What are you doing?
spk_0
So fortunately, I would say most of these are recorded.
spk_0
They're not all recorded.
spk_0
It's an option.
spk_0
So like I can go back and scrub through this stuff.
spk_0
But it's just bad.
spk_0
And it makes me think of podcasts.
spk_0
What's the difference?
spk_0
And so I would not call this live streaming.
spk_0
Because it is this like a, it sort of is.
spk_0
You sort of have the people who are on stage and they can invite other people on stage.
spk_0
I don't know.
spk_0
Have you guys checked out Twitter spaces?
spk_0
I am thinking about doing it now tomorrow.
spk_0
But you'll do it.
spk_0
You'll do it well because you're coming from it as a producer of a show.
spk_0
So Twitter spaces, it's just like where the people who aren't.
spk_0
They're not in podcasts.
spk_0
How do you start a Twitter space?
spk_0
I assume from the app.
spk_0
I've never done it.
spk_0
Okay.
spk_0
So I actually tried it just a heck of a bad, a four or five months ago.
spk_0
It's not even available in Australia since about a year.
spk_0
And I just squeaked in above the requirements.
spk_0
The cutoff is like 600 followers, like a like 630 something on Twitter.
spk_0
I haven't really been super active on Twitter for the last four or five years.
spk_0
There's a lot of negativity out there.
spk_0
And I sort of the platform itself makes me like,
spk_0
triggers me.
spk_0
And maybe that's true.
spk_0
That's true.
spk_0
Pointed out for them.
spk_0
Yes.
spk_0
We triggered.
spk_0
Yes.
spk_0
Are you like you triggered right now?
spk_0
Anyway, so I just fired it up just for the heck of it.
spk_0
And I had one person join.
spk_0
They didn't actually say anything.
spk_0
And it was pretty much 20 minutes of nothing.
spk_0
And it's like, well, I suppose I thought,
spk_0
well, is that Twitter space as fault or is it?
spk_0
I just don't have enough followers that are interested,
spk_0
that know what they're looking for.
spk_0
It was still early days.
spk_0
So it may be a different story now.
spk_0
I joined a couple of other Twitter spaces and finding is right.
spk_0
What you just described is exactly what happened.
spk_0
They're like, well, we're just going to wait a few more minutes for a few more people to
spk_0
join.
spk_0
And I'm like looking at my watch and I'm like, I don't have a few more minutes.
spk_0
I'm just, I'm out by, thanks.
spk_0
This was the waste of my time.
spk_0
It was frustrating.
spk_0
I did not enjoy once.
spk_0
I mean, live streaming we've often talked about,
spk_0
Dave, it's like it's like bonus content almost, right?
spk_0
It's for your hardest core user.
spk_0
And when you say, we're starting at four.
spk_0
That's when the content should be there.
spk_0
It's not we're going to start gathering hanging.
spk_0
It's not a cocktail party.
spk_0
Like, is there not going to mingle first?
spk_0
Like I came here with intention.
spk_0
And as a person who is producing something,
spk_0
the hardest thing you can get is to do is, well,
spk_0
get someone to send you email or feedback.
spk_0
Then it's to show up to your live stream.
spk_0
Very hard, right?
spk_0
That's why time-shifting content is so successful
spk_0
because it's on someone else's schedule.
spk_0
So if someone shows up to your live performance,
spk_0
what we're doing here, you know, try to start on time,
spk_0
but we get to the content and we understand it says, show makers.
spk_0
spk_0
Why I was wondering like at their job,
spk_0
is their boss like showing up at 8 a.m.
spk_0
and he's like, ah, let's see if anybody shows up today.
spk_0
Like, no, you show up at work on time.
spk_0
So obviously you have the skills to show up
spk_0
and perform at a certain time.
spk_0
But if it's a webinar, it's like, hey,
spk_0
where's everybody from?
spk_0
Oh, look, Pekipsi.
spk_0
Good.
spk_0
Oh, all right.
spk_0
Cincinnati's in the house.
spk_0
Oh, Texas, Texas.
spk_0
It's hot there.
spk_0
Yes, I'm like, it's so boring.
spk_0
And then if that's not bad enough,
spk_0
when you then post it later, you do not edit it out.
spk_0
Right.
spk_0
So now I have to fast forward through.
spk_0
Oh, London's in the house.
spk_0
Look at the, oh, wow, Brisbane.
spk_0
It's like, okay, you know, that drives me nuts.
spk_0
MattiCare says the clubhouse was just as ridiculous.
spk_0
So Twitter's basis felt like an answer to clubhouse.
spk_0
Like clubhouse was stealing,
spk_0
not stealing, but they were getting a lot of attention,
spk_0
a lot of attention.
spk_0
Like, like, it was part of the scarcity model
spk_0
because early on you couldn't get in,
spk_0
like unless you were like, specially invited
spk_0
or something, something ridiculous like that.
spk_0
And when that ran out, so did clubhouse.
spk_0
I don't know.
spk_0
It's probably still a thing.
spk_0
There's probably still a community there.
spk_0
But he said it started out fresh and exciting
spk_0
and quickly devolved into something boring and horrible,
spk_0
which is what I feel like most of these turn into.
spk_0
Now you could say, you could say the same thing about podcasts,
spk_0
like in terms of anchor opened up,
spk_0
you got a bunch of trash in there
spk_0
because it was low effort content.
spk_0
And that, you know, I'm always torn between,
spk_0
did that help or her podcasting, right?
spk_0
In terms of like, it got people in,
spk_0
it got in, it got in words and voices
spk_0
that wouldn't have been heard,
spk_0
but it also turned a lot of people off
spk_0
because they couldn't weed through the garbage, right?
spk_0
So same thing with Twitter spaces.
spk_0
These things never seem to last
spk_0
because I don't think that they are,
spk_0
what you find out is the most of them are not that great.
spk_0
And I don't know if podcasts work better
spk_0
because when you find one,
spk_0
you can just subscribe and then you can kind of count on it.
spk_0
It's more organized.
spk_0
Really is because at least then I know
spk_0
what the podcast is going to give me week to week.
spk_0
Twitter space is very random.
spk_0
Now if we as podcasters ran a regular Twitter space,
spk_0
it would be much different.
spk_0
But what are the platforms going to be there
spk_0
or not in a year?
spk_0
Probably not.
spk_0
But Ray, they're just keeping it real.
spk_0
They are just keeping it real.
spk_0
They're keeping it real.
spk_0
When I was in Nashville,
spk_0
I was talking to somebody and I said,
spk_0
so tell me about your podcast and he said,
spk_0
oh, we do it Rogan style.
spk_0
You know, just me and the co-edits talking about comic books.
spk_0
For two hours.
spk_0
Yeah, and I was like,
spk_0
yeah, that's not a thing.
spk_0
Like it is a thing,
spk_0
but it was like,
spk_0
you're like,
spk_0
are you interviewing celebrities like Joe is?
spk_0
Oh, well, then it's probably not going to work.
spk_0
I mean, what do you want to get out of it?
spk_0
Like it's going to work if you and your friends are having fun.
spk_0
So I joke about four dudes in a comic book.
spk_0
It works if that is like your week in activity,
spk_0
stellar, but you know,
spk_0
most people who start a show,
spk_0
they actually want people to hear it.
spk_0
And they want more people to hear it every week
spk_0
because why else are you talking to a microphone
spk_0
and putting it out in the world?
spk_0
John, you look like something.
spk_0
Yeah, I,
spk_0
yeah, I'm nodding a lot because I'm agreeing a lot.
spk_0
I think the problem with life for me is that it's a time,
spk_0
it's like a time slice of exposure.
spk_0
So, you know, if I put a podcast out there that's up there,
spk_0
24 hours a day, seven days a week,
spk_0
anyone may happen across it.
spk_0
And, you know,
spk_0
they'll just,
spk_0
they'll just, that looks interesting.
spk_0
I'll just keep that for a rainy day kind of thing.
spk_0
Or when I'm, you know, doing my,
spk_0
doing my combine harvester up and down the field
spk_0
or whatever I'm doing.
spk_0
And, and they may like it.
spk_0
They may listen to it and they say,
spk_0
oh, this is really good.
spk_0
I'll give another episode a go of that.
spk_0
And before you know it,
spk_0
they hooked on it and they listened every episode and so on.
spk_0
And you've got a, you've got a fan of follow of the show.
spk_0
But with live, the problem is that you've got this little slice in time
spk_0
when you're actually making that content.
spk_0
And I mean, I know you can record it and post it later,
spk_0
but the attraction of life is to be there when it's live
spk_0
so that what you can do is you can say,
spk_0
well, here are some comments like we have right now on this show.
spk_0
Coming in real time, we can talk about it on the show.
spk_0
But that's a very narrow slice of time in a week.
spk_0
If you're not there for that narrow window, you miss out.
spk_0
And it's the problem with that is that in order to get more people
spk_0
to actually come onto that,
spk_0
they have to come on when it's happening.
spk_0
And I did actually stream pragmatic live
spk_0
at two different stages of the production of it.
spk_0
So back in 2014, I did it and I did it again in 2018.
spk_0
And it never really,
spk_0
because I could never find a time zone that suited everybody.
spk_0
There are a lot of US-based listeners like the majority of my
spk_0
listeners are in the US, but I have a reasonable number
spk_0
from Europe and a reasonable number from Australia.
spk_0
So finding one time to do it is extremely difficult.
spk_0
So I felt like in the end, it wasn't worth the effort.
spk_0
So I've kind of pulled the pin on live just,
spk_0
and I asked recently the patrons, I put a survey and said,
spk_0
hey guys, would you be interested in resurrecting live?
spk_0
And the answer was the unanimous no.
spk_0
So.
spk_0
Wow.
spk_0
Yeah, it's plus it's a different scale.
spk_0
I know when I first started doing things on StreamYard,
spk_0
I was horrendous because I could not stop,
spk_0
like mid-sentence, I'd be talking along and then be like,
spk_0
and really my favorite microphone is,
spk_0
oh, look, Tina said this.
spk_0
And I was like, wait, what?
spk_0
I was just all over the place.
spk_0
So that has to come in.
spk_0
If you're taking, I have it set up where people can jump
spk_0
into StreamYard while I'm doing it live.
spk_0
You better have the skill and the courage and the courage
spk_0
to tell someone, hey, thanks so much for showing up.
spk_0
We're glad you're here and kick them out.
spk_0
Because if you listen to any radio show,
spk_0
somebody would be like, man, I think the brown should trade
spk_0
may field. He's an idiot.
spk_0
And that's why.
spk_0
And then the host will say, yeah,
spk_0
he didn't have a good year last year, blah, blah, blah.
spk_0
And then the gas will go, yeah, I think we should trade him.
spk_0
He's like, they just keep repeating the same point.
spk_0
And that's where as the host, you have to realize, okay,
spk_0
this person has said all the, like, whatever they were
spk_0
bringing to the table, they put it on the table,
spk_0
and they don't want to leave.
spk_0
So you have to have the skill to go, hey,
spk_0
thanks so much for Colin Sparky.
spk_0
And next up, we have whatever.
spk_0
But yeah, lives a whole other thing.
spk_0
Plus if you're the engineer and you're trying to do fun things,
spk_0
like, oh, that wasn't good.
spk_0
You know, now you have a lot going on.
spk_0
So it's live is fun.
spk_0
I get maybe 3% of my audience if I'm lucky.
spk_0
The show's up live.
spk_0
So that's the other thing.
spk_0
And then you have to make sure not to go.
spk_0
My favorite is when I listen to Joe Rogan watch YouTube.
spk_0
That's the best audio ever.
spk_0
Because he's like, hey, uh,
spk_0
Terry or whatever is, you know, co-host is put that up on the screen.
spk_0
Oh, look at that.
spk_0
Oh, look at that.
spk_0
Oh, no, no, no, no, did you see my,
spk_0
yeah, this is fabulous audio.
spk_0
So that drives me nuts.
spk_0
Yeah, it's, uh,
spk_0
you, you, you have a comment.
spk_0
No, so Tiana says my favorite podcast records live.
spk_0
I love it because they bring questions and comments from the live chat.
spk_0
My input gets into the podcast each week.
spk_0
Well, there you go, Tiana.
spk_0
You're in your input is put into this podcast.
spk_0
But there you go.
spk_0
It's because, um, you know, and we can do that, right?
spk_0
The why does this show do live?
spk_0
Because it, the stream yard is a, um,
spk_0
it's a tool I use to connect remotely with people in Australia.
spk_0
Like quite honestly, it's easy, all right?
spk_0
Um, stream yard is made.
spk_0
I did, uh, so I produce at work where I'm not on camera.
spk_0
And I also use stream yard and it depends.
spk_0
Like I'll use riverside for remote recording,
spk_0
because you'll get the highest quality remote recording.
spk_0
But I use stream yard day in and day out for this style of round table type
spk_0
podcast, because I did it all from my phone.
spk_0
I produce for my phone.
spk_0
Everything you see me doing here,
spk_0
which actually I do a lot more,
spk_0
bringing banners and CTAs and all this stuff.
spk_0
Stream yard makes it extremely easy and people can join.
spk_0
They don't have to be on Chrome.
spk_0
Like it can be on most devices.
spk_0
Like just all these reasons, right?
spk_0
So it's the right tool for the right job.
spk_0
And for the round table, we do this.
spk_0
And look, I'm talking to podcasters.
spk_0
So audio, right?
spk_0
The audio is mixed.
spk_0
Oh, however, and I don't have a premium stream yard.
spk_0
Because as you see that, uh,
spk_0
John's got the lovely stream yard duct today.
spk_0
Congrats, John.
spk_0
Skype headphones and all.
spk_0
You're the winner.
spk_0
But, uh, it's a malered award for stream.
spk_0
We love your stream yard because you're free and you're still here.
spk_0
And, um, which is Dave's, you know, not a good business model.
spk_0
But they have a premium and they'll split out.
spk_0
I haven't tried it yet.
spk_0
So I don't know about sync issues and all that stuff.
spk_0
And it's not endorsement.
spk_0
Hashtag, not sponsored all of that.
spk_0
But, um, yeah, we do it because it's easy.
spk_0
And I, again, I talked to podcasters.
spk_0
The audio is good.
spk_0
I do some live mixing here in real time.
spk_0
So that when that audio was done,
spk_0
I actually record it on this side natively.
spk_0
So mine is a separate track from the guest.
spk_0
But the guests, they know how to do audio.
spk_0
Now most podcasts are not going to have this.
spk_0
They're not going to have the luxury of bringing on people
spk_0
who have great mic setups and know how to be on microphone.
spk_0
So it works for this.
spk_0
Um, but, uh, let's see.
spk_0
My favorite podcast here, uh, doesn't wait.
spk_0
She starts on time.
spk_0
And there was another.
spk_0
Let's see.
spk_0
Tiana also said, if you do it right, um,
spk_0
doing the live recording of your podcast can work really well.
spk_0
And I think doing it right, you know,
spk_0
Dave, you mentioned how a lot of it is not post-produced, right?
spk_0
So, uh, uh, uh,
spk_0
a Twitter space might get recorded.
spk_0
And then it just, it just sits there as, as the same raw,
spk_0
ugly audio that it was.
spk_0
And there is some element too.
spk_0
If you're live, you might be able to do that.
spk_0
You might be able to welcome people in and,
spk_0
and have a little bit of almost pre-show.
spk_0
And post-show, but as a recorded show that you're going to publish, right,
spk_0
that should be tightened up, so to say.
spk_0
So we do it because it's convenient and it works.
spk_0
Do I think this does well?
spk_0
And you know, we get, I don't know what we get.
spk_0
Um, you know, any one of these can do,
spk_0
you know, 500 or a thousand views on, on YouTube over time.
spk_0
And the audio is going to do better.
spk_0
But again, we're back to that thing where we're being discovered.
spk_0
Um, so it's a bonus, right?
spk_0
Live is also a super bonus.
spk_0
Um, we do like feedback and we try to work that in when possible.
spk_0
But if this is a, this is a hardcore podcast roundtable,
spk_0
listener is going to actually maybe come over once in a while,
spk_0
see what we look like and quickly run away back to the audio.
spk_0
Well, and I always wonder if it's just me,
spk_0
if you're listening to an audio podcast and it's good and the host is talking to you
spk_0
and it's a great content.
spk_0
And then all of a sudden towards the end, they go, hey,
spk_0
and don't forget, be sure to like, subscribe and smash the bell.
spk_0
There's a part of me that goes, oh, they're not talking to me.
spk_0
And I don't know if that's just a Dave thing.
spk_0
But for the whole time, I thought they were talking right to me.
spk_0
And I was like, oh, I've just been listening on a YouTube thing.
spk_0
Is, is, do you guys feel that way?
spk_0
I mean, if you're saying it clearly,
spk_0
somebody's thinking it, right?
spk_0
Not just you.
spk_0
So which is important, right?
spk_0
Because again, when we're doing live, if I'm showing something like,
spk_0
oh, hey, check out this new microphone that I got, you better describe the microphone.
spk_0
You need to understand what you're doing and who your audience is.
spk_0
That you know you're going audio only at some point.
spk_0
Love your book back there, Dave.
spk_0
And if that's all I say, but like, what's the book?
spk_0
Like, give me the title.
spk_0
Like, what are you, what is he talking about, right?
spk_0
So don't make the audio only audience work for it or miss out on it.
spk_0
But so, so yeah, I mean, if you are thinking something, again,
spk_0
what is like the teacher in class always said, you know, ask,
spk_0
no, stupid questions because if you have the question, someone else does too.
spk_0
So your audience is also having those same thoughts.
spk_0
So if you have those thoughts, especially as a producer,
spk_0
that's important feedback that you just got from yourself to be conscious of in your own
spk_0
productions. There you go.
spk_0
Yeah, I think, um, Dave, you're right.
spk_0
It's an interesting point about it.
spk_0
It is a different technique when you're doing live.
spk_0
And just thinking about that, as you were saying, and I'm like, well,
spk_0
maybe that's where I failed in my attempts is that I didn't draw in enough of the comments.
spk_0
I mean, I did, but I probably could have done a better job of it.
spk_0
So upon reflection, as a few years ago, but the other point to just to reiterate is,
spk_0
it has to be the right show for it because there are so many podcasts of so many different kinds,
spk_0
some I heavily produced, some are just, you know, chats amongst friends and so on and so forth.
spk_0
And shows like causality, for example, where I just record it solo.
spk_0
I mean, that's, there's no point doing that live.
spk_0
You know, it's, I'd like to say it's all done in one take.
spk_0
Okay, it's done in a take, but there's a lot of editing anyway.
spk_0
So it's like, that's very different.
spk_0
Whereas pragmatic was the only one for me that really fit.
spk_0
And even they didn't quite fit quite so well.
spk_0
So I think if you have the right kind of show that can incorporate that life content,
spk_0
you do it well, then there's probably a place for it.
spk_0
So maybe the key question to anyone who's producing a podcast is,
spk_0
is my podcast, the right fit to even try live in the first place.
spk_0
And if it is, then have at it and see how it goes.
spk_0
I suppose.
spk_0
Yeah, that's hugely important.
spk_0
I, I've done solo shows.
spk_0
This is the first show I wouldn't have talked with that.
spk_0
I was going to say I wouldn't do that with a solo show.
spk_0
I did that.
spk_0
That's the podcast or studio started off as the whole concept was a live streamed podcast Q&A type of,
spk_0
of, of, of, of format.
spk_0
And guess what?
spk_0
When you're new, no one's there asking you questions.
spk_0
So it's just me playing bad creative comments, DJ music, making up questions or having some
spk_0
friend bringing a question.
spk_0
It didn't work.
spk_0
I got that.
spk_0
It would have worked better now.
spk_0
Sure.
spk_0
Still really hard as Dave probably knows with the, you know, his review podcast review show.
spk_0
You really have to plan for that kind of engagement, I think.
spk_0
And so, um, or, you know, build up a massive audience because again,
spk_0
such a small percentage is going to show live.
spk_0
So it really does go to, yeah, I mean,
spk_0
I saw, I did see a solo podcast make, do like a live stream of show.
spk_0
And it was very fascinating as a, like, uh, as a, well, probably because I'm, you know,
spk_0
person who produces podcasts to see the sausage being made.
spk_0
But that was a one off, right?
spk_0
You're like, I'm not going to tune into this every week, probably not, right?
spk_0
So it does, it's a very good point to pay attention to, you know, does your format fit a live format?
spk_0
Yeah.
spk_0
I know I had, uh, one week where my co-host, let me know, hey, we usually do 90 minutes.
spk_0
I can only stay an hour.
spk_0
I'm like, not a problem.
spk_0
And so we politely dismissed him at the appropriate time.
spk_0
And I had 30 minutes and I'm thinking, not a problem.
spk_0
At that point, the chat room will be popping along.
spk_0
I'll have topics and it's doing live solo is very strange because you're kind of
spk_0
looking for your audience to be the co-host and chime in.
spk_0
Except there's what a 30-second delay on StreamYard.
spk_0
So there's this, it's just a weird getting any kind of momentum going and you're just begging.
spk_0
I was begging people to pop in and play co-host and it was just, it was one of the things I'm like,
spk_0
okay, note to self.
spk_0
The next time Jim asked to leave early, we're shutting the show down.
spk_0
Like, hey, thanks so much for only doing 60 minutes this week.
spk_0
See you later.
spk_0
Bye.
spk_0
So.
spk_0
Effie says, I would say never in my life will I make time to listen to a live podcast in my schedule.
spk_0
Yet alas, here I am for the third time as I pull my son up and down the buildings always.
spk_0
So shout out to Effie for being a power listener.
spk_0
She loves the roundtable.
spk_0
We love her.
spk_0
So thank you so much.
spk_0
But again, your hardcore audience may tune in.
spk_0
So it really is why are you doing it?
spk_0
And we do it as it's because it's an easy way for us to record with remote people.
spk_0
You know, always talk about production and people say,
spk_0
I'll just send microphones to your guest, not on this show, other shows.
spk_0
If you are doing a regular code, if it was just Dave and I showing up every week,
spk_0
I would expect different things of Dave.
spk_0
Now, he already has those things.
spk_0
Good audio and the video looks good.
spk_0
But when you have guests who are coming in for one time only,
spk_0
this is what this platform really helps with because you have to lower the barriers to that
spk_0
entry as much as possible.
spk_0
Right?
spk_0
Obviously, I'm going to make sure that they, you know, I'm going to ask, can you wear some headphones?
spk_0
Do you have a decent microphone and we're walking through the what that is?
spk_0
But again, so this show, this live format, we're just lucky that there's a live button in
spk_0
addition to the record button and it just all works out.
spk_0
And we have, you know, we get to get the audience involved here because again,
spk_0
as I said at the top of the show, that's what this show is all about is like,
spk_0
give us your experience, right, at every level.
spk_0
So I think great point, John, about, you know, does your show sort of fit the format?
spk_0
And then is it too much work to add it?
spk_0
Really?
spk_0
And is it worth the payoff?
spk_0
Because it's...
spk_0
Yeah.
spk_0
It's not, there's no, I don't know how much payoff there is other than connecting with your audience,
spk_0
which is really cool, like seeing people who listen is amazing because you don't see that
spk_0
when you're doing a podcast by yourself and you're not live and you're not somewhere
spk_0
where people are interacting with you.
spk_0
I mean, obviously if you get emails and stuff,
spk_0
but it feels different in real time, right?
spk_0
So if you want to connect with that, you know, with a portion of your audience,
spk_0
it's really good for that too.
spk_0
Yeah, that's...
spk_0
Sorry, good.
spk_0
It's kind of a middle ground.
spk_0
Like when I'm up on stage giving a presentation,
spk_0
I can see how many people looking down at their phone and it can get depressing sometimes.
spk_0
You get the ones that are engaged and so on, you know, but...
spk_0
But this is somewhere in the middle, you know, so you can...
spk_0
You do get some time delayed feedback, but, you know, that's some, yeah, anyway.
spk_0
So yes, the Australian guy, hi, my name's John Chijee.
spk_0
Hello.
spk_0
Awesome.
spk_0
Thank you.
spk_0
It's all good.
spk_0
We, you know, blahb was good for actually getting the audience
spk_0
into the stream, right?
spk_0
If you wanted to bring...
spk_0
Hey, collar!
spk_0
Except the collar was on video.
spk_0
Most of the time.
spk_0
And if you were lucky, the collar didn't come in to just troll your stream.
spk_0
And rip you.
spk_0
But, um...
spk_0
Yeah, I don't know.
spk_0
There...
spk_0
It has a clubhouse in Twitter spaces.
spk_0
This is the two most recent sort of like, let's just turn this thing on and see what happens
spk_0
with a few of our friends.
spk_0
And so while I've wanted to get the content off of there, it's very difficult.
spk_0
And I think it's just the difference is production, right?
spk_0
And maybe it's in...
spk_0
It's even branding.
spk_0
Like, Twitter spaces supposed to probably be pretty casual,
spk_0
where I think clubhouse felt like it was a little more organized
spk_0
that the mission was like to have a presentation, right?
spk_0
Whereas Twitter spaces feels like, hey, press this button and go live.
spk_0
Which is, you know, like Instagram live.
spk_0
Probably no different.
spk_0
It's like, go live anytime.
spk_0
Let's do this.
spk_0
So, I just...
spk_0
I'd like to see.
spk_0
Look, if you're doing Twitter spaces, care about your audio.
spk_0
Maybe get to the point.
spk_0
It's all on time.
spk_0
I think we...
spk_0
We'll have a point.
spk_0
Have a point is very...
spk_0
Yeah, well, you know what?
spk_0
I mean, the ones that I tune into, that's how you got me.
spk_0
You got me.
spk_0
I mean, look, if you're a YouTuber, you learn very fast.
spk_0
That if you do not deliver on the title, they're gone.
spk_0
And YouTube gives you because they're a wall garden, they give you the analytics.
spk_0
And you learn real fast or you don't.
spk_0
And then you don't get many views.
spk_0
But if you're a good YouTuber because of those analytics,
spk_0
you learn real quickly that like,
spk_0
I have...
spk_0
If you got someone to click play, like,
spk_0
you are 75% of the way there.
spk_0
Like the thumbnail worked.
spk_0
The title worked.
spk_0
And then you opened up and here's what happens every time.
spk_0
Every time.
spk_0
Blah, blah, blah, two minutes.
spk_0
Let's get right into it.
spk_0
They always say, let's get right into it.
spk_0
What are you talking about, dude?
spk_0
You just didn't get right into it, can you see a pet peeve?
spk_0
So, hey, this is as a from a YouTuber to a YouTuber.
spk_0
Get to the point.
spk_0
Really quickly.
spk_0
Here's another phrase.
spk_0
But before we get to that,
spk_0
and I always want to go, if you hear yourself saying that,
spk_0
whatever comes after that phrase,
spk_0
better be really, really good stuff because your audience is like,
spk_0
hey, we're waiting for the stuff.
spk_0
And you're saying, oh, but before I get to that,
spk_0
I'm like, oh, yeah.
spk_0
Because there are times when I say that, I'm like,
spk_0
I'm breaking my own rule.
spk_0
There's all these verbal triggers.
spk_0
And this goes for podcasts too.
spk_0
When you start to say, well,
spk_0
well, it was pretty good conversation.
spk_0
Or that's probably a good place to wrap up.
spk_0
And guess what you're planning to do after that sentence.
spk_0
Well, after about like five more cents,
spk_0
you're planning to give all your calls to action.
spk_0
Hey, sign up.
spk_0
They're gone.
spk_0
Like you can see it in your analytics.
spk_0
Soon as you have any kind of verbal cue that it is over,
spk_0
that line goes straight down.
spk_0
Straight down on the graph.
spk_0
They're gone, man.
spk_0
People had stopped.
spk_0
They do the model thing where you have a little snippet
spk_0
off to the credits to keep them there.
spk_0
And I have done that as a producer.
spk_0
But like most people don't find out
spk_0
till later that they missed it.
spk_0
That's it.
spk_0
Yeah.
spk_0
You know what?
spk_0
It's amazing.
spk_0
We did not make the shortest round table ever.
spk_0
In fact,
spk_0
the quite the opposite is could end up
spk_0
being one of the longest because what have we done?
spk_0
We've done one story.
spk_0
Now I turned the intro into a whole other story,
spk_0
which is what we do here.
spk_0
But let's actually let me look.
spk_0
So we got one of John's stories.
spk_0
Is yours more compelling?
spk_0
I mean, I, you know,
spk_0
we get this conversation about keeping the listeners here.
spk_0
It's more about
spk_0
if you're trying to get an advertiser,
spk_0
Tom Webster has a latest episode of I Hear Things.
spk_0
And in a nutshell,
spk_0
it used to be if you wanted to reach 50% of all of the podcast audience.
spk_0
You had to advertise on seven different networks
spk_0
to reach that without having any kind of.
spk_0
When you say networks, what do you mean?
spk_0
Like the I Heart's like the.
spk_0
So you mean actual like almost platform.
spk_0
Those are platforms.
spk_0
Right. Platforms.
spk_0
That's a good.
spk_0
That's a better one.
spk_0
So.
spk_0
And he said they just redid that study.
spk_0
And now you only have to advertise on four platforms to reach the entire quote
spk_0
unquote.
spk_0
50% of 50% of week.
spk_0
Yeah, I thought originally it was everybody.
spk_0
It's 50% of weekly listeners.
spk_0
And the reason for that.
spk_0
A, all these platforms keep buying the really popular shows.
spk_0
And I think it was two weeks ago.
spk_0
He mentioned that most of the growth and podcasting
spk_0
is coming from the really popular shows that are getting people to.
spk_0
Hey, you know, did you hear what so and so the celebrity said on this week's show kind of thing?
spk_0
And I just thought about it.
spk_0
I was like, well, that keeps going down.
spk_0
On one hand, I'm kind of worried about it because
spk_0
if you're not on a big network, how are you going to get advertising?
spk_0
So I understand that thought.
spk_0
But I also say, yeah, but they're also not pulling in super niche shows.
spk_0
They're bringing in celebrity shows and things like that.
spk_0
And I have a niche show.
spk_0
I do a podcast about podcasting.
spk_0
And yet I can still get sponsors.
spk_0
Now, I don't have enough downloads to quit my day job and nettle nine yards.
spk_0
But I just thought it was interesting that
spk_0
the networks are getting bigger and the shows on the networks are getting more listeners.
spk_0
So if you're into advertising and you have a show that's everything for everybody,
spk_0
you know, you have a niche down a bit, that might be a little
spk_0
harder road to go down.
spk_0
If you're thinking, oh, I'm going to start a podcast and get advertising.
spk_0
And it's like, that's never really worked, you know, for 90% of podcasters.
spk_0
But based on that particular report, it's not going to get better apparently.
spk_0
Well, there's, I mean, there's two things there, right?
spk_0
If you're an advertiser saying, should I get in the podcast, what are you advertising?
spk_0
Right? If you're advertising soda, you have to get across those, the mass audience, right?
spk_0
But if you're advertising, like, I don't know, I'm trying to think of something very niche, right?
spk_0
If you're advertising, oh, what's that?
spk_0
Bell buckles, I don't know.
spk_0
Bell buckles, right? There's probably, there's a lot of, yeah, there's a lot of, I won't
spk_0
get to and be more successful with your money.
spk_0
So, and as a podcaster who is looking for advertising, I think a lot of people would see
spk_0
its dad and be very disappointed, right? But look, most of you who listen to this,
spk_0
you're probably indie podcasters, which is like, I would categorize as sub 1000 to,
spk_0
I don't know, sub around the 1000 range listeners, right?
spk_0
Like, real come back every week type listeners.
spk_0
Those aren't the advertising you want. You're not making money with that.
spk_0
Like, that's Google banner ads on your blog. It's intrusive to your audience for a few pennies.
spk_0
The advertising you want is the, Bell buckle guy, right? Like, who you have a show about,
spk_0
you know, I don't know, country, western, wear or something. And like, like, 90% of your audience,
spk_0
where's a buckle, Bell buckle? And you know what I'm saying? It's like, there's an advertiser for you.
spk_0
That's not the one. You don't want the soda people. You want something that fits your audience.
spk_0
So like, I get it. What it says to me also too is like, if you listen to this show,
spk_0
I could probably pull up your podcast app and also find maybe like five other shows and one of
spk_0
them is a top 10 show, right? So that like, people who listen to podcasts also listen to like a show
spk_0
that gets a lot of reach because like you said, a lot of times that's people's entry point into
spk_0
podcasting, right? And then if they're lucky, they dive off and they find something very specific for
spk_0
them, right? But. Well, and that was one of Tom's points. It's like, if, you know, the smaller shows
spk_0
want advertising and that in itself, there are some people like, I don't want to add them. I'm
spk_0
just doing this for fun. Most don't want. But he was saying, if you want any kind of advertising
spk_0
the future, you're going to have to learn how to work together. And to me, networks, I am not
spk_0
sold on the concept of a network. But somehow you're going to have to tie yourself together to say,
spk_0
okay, I've got six shows. We all talk about the same thing. Mr. Neat sponsor, you won't work with
spk_0
2000 downloads, but will you work with 10 now that I've got five shows kind of thing? So
spk_0
which I agree. I mean, obviously more downloads makes it much easier to get a sponsor. But,
spk_0
hey, I'm not sure everybody sold on getting a sponsor. And I don't know that's
spk_0
networks. I've just, I had a network this week where basically, well, I've said this before,
spk_0
Ernie and Bert started podcasts because they've known each other forever. You know, three years later,
spk_0
they don't talk to each other. And, you know, it's Bert locked Ernie out of the account, deleted all
spk_0
the files. It's just not pretty. So be careful if you're going to, you know, team up with another
spk_0
podcast. It makes me think it's ugly. It makes me want to ask John, the someone who I think said
spk_0
has had a lot of podcasts or either runs sort of a network like it started out that way, right?
spk_0
It started out where I had some other people that were signing up to produce content as well. And
spk_0
they would get a split of the of the ad revenue back in 2015. But it's very quickly that I wanted
spk_0
to get engineers on the podcast space. I wanted more engineers like genuine, out there in the
spk_0
field mechanical process engineers, chemical engineers and so on. Well, it turns out they're making
spk_0
a heck of a lot more money doing their day job. So it's a really, really sold on giving up their
spk_0
personal time to give away, essentially, their knowledge for what is a disproportionate amount of
spk_0
money. The ultimate conclusion was it wasn't worth it for them for their time. So I, it started
spk_0
out more as a network with that. And then over time, it just ended up being me, which is why I
spk_0
keep every time I look at engineering network as a title, I stuck the brand, I started with a branding,
spk_0
but it reminds me a lot of 70 decibels back when it was all just my early kind of thing. And
spk_0
I feel much the same kind of way as Mike did at the time. So, but so that that was an interesting
spk_0
experience. Again, a hard lesson. But for me, what I struggled with early on is I did have,
spk_0
Mike, Greg Manning 14 was really taken off. I was getting sponsors really easily, like big,
spk_0
big name sponsors and so on. Well, I call the big name sponsors. But like my experience,
spk_0
particularly with Squarespace is that their their cutoff level, their threshold is kept going up
spk_0
and up and up. So I started out at like 5,000 downloads in a third day period. And then six months,
spk_0
seven months later, I went back and it was up to 25,000. And it's gone up again since then. So
spk_0
they won't even talk to you if you're like a, if you're not above that minimum threshold. And a lot
spk_0
of the costs, a lot of the advertisers, you know, they want to know that their investment is going
spk_0
to get a return. So they they equate more downloads to more ears and hence, you know, I better return,
spk_0
you watch your conversion rates and so on and so forth, which is fine because that's their business.
spk_0
They're advertising. They want to see a reaction, a response and a return on their investment,
spk_0
which I understand. But the part that was difficult for me to learn initially is that the difference
spk_0
between an advertiser and a sponsor, whereas a sponsor is more interested in just brand recognition,
spk_0
getting their name in there out there and they're not so concerned about getting massive return
spk_0
on it. But they tend to stand by you for longer. And those sorts of sponsors are gold. And,
spk_0
and yeah, so I had a long running sponsor in many tricks and they continue to sponsor the show up
spk_0
until very recently, where I kind of made a bit of a decision and nothing of do with any of the
spk_0
sponsors or advertisers. But I just decided that I was getting enough money from Patreon support
spk_0
as well as from Apple channel podcast subscription that I didn't really need to be bothering with
spk_0
sponsors. And so I kind of I found that nation. I built that audience. But that took seven, eight
spk_0
years of continuing to create content. It didn't happen overnight. And that kind of let me down the
spk_0
road of well, I guess there's there's different flavors of advertising and sponsors. And, and if you
spk_0
want to make money from your podcast, it's certainly in my niche anyway, is the niche method with
spk_0
premium supporters that that want to just encourage you to keep making the content. But that was my
spk_0
experience anyway, certainly your mileage may vary. But you sure it wasn't seven days or seven months
spk_0
or seven years. I say that to everybody that's like the the norm that I hear. And, and there
spk_0
definitely cases like John's where it's longer on occasion. I'll run to people who are shorter.
spk_0
But I actually tell people three years, like minimum, if you're starting from zero, you know,
spk_0
if you've got somebody else, maybe not as long, but it takes a while. How do you like the the
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iTunes subscription? You're the only person that I'm doing that keyed in on that too. And I was
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like, he is the first I've heard say anything about it. Well, okay. I did a couple of articles on my
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my blog. I have another blog tech distortion.com. And I did blog on my experiences. But just the
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summary high level summary is I got on the platform and it took me a long time to get in when they
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first announced it. I imported the audio in a way that was not the way they intended it to be used.
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So I ended up having to scrub it all and start over once it was actually out because I couldn't
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be to test it. And so once I got a beta tested, it's just it's just another destination. The things
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I do like about it is that it makes it very easy for people to subscribe and support that way.
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But that's pretty much where it ends. I mean, it's an apple interface. So it's kind of nice and
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pretty and lovely and all that. And that's great. You know, not a negative, but the negatives for me
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are you have no idea who your listeners are. There's no way for them to really give you any feedback.
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You can't get in touch with them. And on the technical level, you have to upload a stereo wave
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file. I mean, I've been producing podcasts in 96 kilobit mono for forever, less than that in
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some cases, you know, for bandwidth constrained people. And having upload a uncompressed wave in
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stereo, which is really just the same channel duplicate, election right. And of course, as a wave,
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you can't have embedded chapters. You can't you can't have anything. It's and then I apply the
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DRM to it. And that can take hours. Like I've uploaded a way file was like 1.4 gig or something like
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which is not hard to do an hour and a half show, right. Right. Yeah. And I hit refresh refresh.
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It says processing audio. And I'm like, yeah, but like it's that was you're still going. Okay.
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How much I don't even know how much compute resources they're throwing at this thing, but it can't be
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much. I don't know. So it's been okay. I'm probably getting about 10 to 15% of my overall
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podcast income from that space, but that's taken a year to build up. And it took a while to get
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started. So yeah. Do you know what any if you say, David, rather not answer that, that's fine.
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Do you know what percentage of your total downloads has now gone to premium?
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That's a great question. I do not. No. For causalities, the only show I'm really tracking
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downloads on. And and even that off the top of my head, I couldn't tell you. No, it's a good question.
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I'm sorry. I wish I did. My guess is going to be 3% probably because the the one that still blows
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me away is I was listening to radio lab and radio lab has a gazillion people listening to it.
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I mean, it's this great science show and the whole nine yards. And they did kind of a PBS thing
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where they're like, Hey, we're raising money. We've got to do this. And you know, we have a big team
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and we're jetting all over the country to to make these things for you. And if you'd like to support
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the show, you know, you could for just, you know, 13 dollars a month, you can feed a small child
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or whatever their pitch was. And they said, we're trying to get up to 1% and I was like, wait a
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minute. This is a show that when you say radio lab, if you're in front of a listener, they're like,
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Oh my God, I love that show. And they're trying to get up to 1%. I was like, wow, that's that's
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a lot of money though. I mean, there's two sides to it. It's like that's a 1% of their
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audiences. I'll take it. Yeah. Right. But why are they having so much trouble converting a
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rabid audience, right? Into premium. It just tells you it's really tough. Like these are these
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high threshold events that I'm telling you are really hard feedback live, like premium, very
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hard, right? And you might not need much to convert. But if you're motivated by any of those,
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you probably starting off in the wrong place. You have to be motivated by the content.
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You just have to. Creating daily said I was able to get 10,000 K sponsor with 400 total downloads
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on my saltwater fishing show. Got to frame the sales pitch correctly. Quality over quantity
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works with big and small brands. And so, you know, my only question is, did that deliver? Right?
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Like there's also the scary thing of over, you know, of pitching and then the advertisers like,
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we didn't get any conversions from that were to go on. Right? So you got a lot of money one time
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and he probably did. I mean, this is a saltwater fishing show, right? Very targeted. Right? If you're
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selling saltwater fishing boats, one sale and that that that advertisers were very happy, right?
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I'm coming back. Right? If you're selling rods, some of those are very expensive, but maybe
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you have to sell a lot more. Right? So it all goes back. We keep talking about like, what's the fit
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for your audience? What's the style of your show? Like it's it's all a personalized fit. And so,
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you know, if you need a personalized fit here, if you want to get links in real time, this is it.
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This is the shout out I do to tune into the live and the video before I start saying this is the
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end. I'm putting it right here. Dave puts links to all this great stuff, even stuff links that you
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might not get when you go to the show notes at podcastaroundtable.com. Dave puts them in the chat.
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I mean, this is what co-hosts do to the poor you. That's a whole other question. Host co-hosts,
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we won't go in that. We'll save that. We've done that before. But I'm just saying podcastaroundtable.com
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slash live. Check us out. They signed, let's see, creating says, yeah, they signed 52 weeks this
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year. So, hey, right, right advertiser, right audience, it works. So we'll have to get
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creating daily here, which is like, you know what? That must be the YouTube channel. I don't know.
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podcastaroundtable.com slash guest. Crake daily. Come on. We'll talk to you. I mean,
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generally we do like you to have a podcast, but it sounds like you do have one. I assume that's
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not just like a YouTube show. Maybe you're calling that a podcast. Oh, that's fun stuff because we
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deal with that too. So definitely sign up and that obviously, and obviously it applies to everyone
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who's listening. Do we want to hit that last story? Can we do it? Look, if you're live,
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you're free to go. This is the rule of what's the conference, Dave, where the rule was a
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not word camp pod camp pod camp, which was the rule was like, you can feel comfortable, get up and leave.
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Yes. Yeah. Yeah. Because I'll tell you what, as a presenter, it's weird to get someone to see
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John, you talk about presenting. So when gets up and leaves in the middle of your
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middle of your talk, it feels very much like a vote of confidence in your presentation.
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But when you go into it, understanding, hey, I just want to check in and don't be offended. So
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the presenter knows the audience knows because even on audience, I'm like, I want to stay because
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I don't want them to feel like that. Right? So I'm apparently I'm too sensitive. But so if you're
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live, bail out, we're going to we're going to attack this one story. We went from shortest to
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longest round table ever. Let's do this. That's John's story. What do we got? Okay. So this is also
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sort of about the whole Spotify situation. And I find it interesting. I have a point of personal
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interest with with audio books and particularly this one. So this is Spotify's latest purchases.
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You know, is that they've acquired a findaway voices and findaway voices is an audio book production
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platform service. What do you want to call it? So if you want to create an audio book, you go to
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them and you say, you know, who have you got and look at the rates, listen to do an audition.
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And then, you know, as a as an audio book producer, then I can like record that and so on. And they
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handle all the payments and all that sort of stuff. But then it goes out to any pretty much every
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platform you can imagine. So whether that's audible, you know, whether that's Apple books, I forget
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what they call it. Now I think it is just books. But in any case, it goes out to the Kindle store,
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all that. And honestly, because I've done two audio books via that service. So my ears sort of
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pricked up when Spotify bought them. And I'm like, okay, so it's it's a clear part of their play
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that an audio book is a very highly produced podcast of a certain kind of podcast, I should say.
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It's kind of funny because I was thinking about this the other day with causality because
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causality is heavily scripted. But it's not a book. I could turn it into a book and then call it
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an audio book if I wanted to rather than a podcast. But the line is very different. But of course,
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you know, then you've also got nonfiction books and fiction books and, you know, someone reading
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Harry Potter is very different from me doing episode of causality. But anyway, so what I found
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interesting about this was because Spotify is just it's just taking the next slice and the next slice
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and the next slice. If it's audio, they want to play in that space. And I'm not entirely sure that's
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a good thing in the long term because I mean, my experience with Final Way was great because you
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get on any platform. But are they going to start locking that down and say, no, now Spotify
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exclusive kind of, you know, I that that's my concern and longer term. And I definitely think
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that's a valid concern because everything I've seen from Spotify is we're buying all these tools
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and, you know, I feel like I'm at a pink Floyd concert. They're just putting up another brick in
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the wall and they're building it up to where eventually it's like, well, I do mean I just in
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Nashville, I was at this thing called the Gaylord Hotel. And it was literally like five hotels
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that they just stitched together. They're like seven different restaurants and at the whole point
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of it is you don't have to leave. You can just stay here and keep spending your money right here.
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I mean, they had a boat ride in the middle of the hotel. I mean, it was huge. And I think that's
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what Spotify is looking for. They want to have a boat ride in the middle of their app. It's so big.
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And I mean, I don't blame them. I just I'm with what John is saying. It's like, wait, I I like the
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service before because it did this. And then it got acquired. And now, oh, it doesn't do what
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it used to do. And, you know, which just means somebody else has to step into that spot where they
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were and say, Hey, remember those guys, how these to do this? We do that now. So it'll be
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interesting to watch. I haven't actually seen Spotify push on the actual. It's only just
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having recently in the last few months. So it's one of those watch this space. And right now they
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haven't called the pin on other platforms. It's business is usual. But of course, that tends to be
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the way these things go is I'll do BAU for the next six months, 12 months, and then suddenly the
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hammer falls. And it's like, yeah, you know, how we used to go to output to Apple books store, not
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anymore. Sorry. Go somewhere else kind of thing. So we'll wait and see. But I'm yeah, I think you
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share my concern with that Dave. So yeah. Well, and also does that mean I'm going to have to listen
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to your book in Spotify because I have a whole library in audible. And I've got my, you know,
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again, I've got my favorite audio book app, you know, be interesting to see how they do that. And
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should be interesting. Yeah. Well, they tried to move YouTube viewers over to Spotify. I don't know
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that that worked out very well. Right. I mean, podcast listeners a little easier, right? Even though
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like I'm going to have two apps, right? I mean, it's not, it's not easy, but it must be nice to
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have a ton of money to sort of throw at the wall. Let's see what sticks because I think that's
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like Google who tries a lot of things that we like, but not enough people like them or not
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enough people use them. They might like them. And then they go away. And there's always that
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slightly cynical voice in my head being an old musician that I go, yeah, don't forget that,
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you know, behind the scenes, a lot of people that are pulling the strings are, you know,
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record labels and such that have worked a deal with Spotify and I'm like, record labels, not
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really known for treating their customers or fellow employees. If you want to call a musician
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employee, I'm like, yeah. So I hate to, I don't know, judge the, how's that go? Judge the child by
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the parent or whatever, but I'm like, we'll see how this works out. So awesome. Well, I,
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you know, I didn't do the thing where I said earlier, where I should have asked the guest. Can
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you stay a little longer? I said, I, excuse the audience. Everyone, you can go, but I kept John
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here, you know, his morning is, he's just started his morning. He's probably has like a whole
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list of things to do. Dave and I are like, Dave's definitely in the night. I'm winding down to the
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night. But so I want to say thank you, John, for hanging out with us a little extra longer. And,
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you know, that's a good sign when we go along. It just meant that, you know, you did a really good
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job and we enjoyed the conversation. So once around table or always around table, we'll have you
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back on anytime. Why don't you let us know where we can find, I guess one podcast or, you know,
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like me, I have stuff. Yeah. I have the one website that takes it all the things, which I assume you
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do too. So thanks again. Yeah. Well, no worries. Thanks for having me. It's been fantastic.
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If people are looking for my work on the engineer network, it's at engineer.network. Just go to that
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full network, not like dotnet. Some people get that. But yeah, so engineer.network and you'll find
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all the shows that I make the ones I make most regularly are causality and pragmatic. And if you're
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into Twitter, I'm also at John Chigee on Twitter. And if you're into the Thetaverse, it's at
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Chigee at engineer.spice. Awesome. And we'll link it up in the show notes podcast around table.com.
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Do you have engineer.net? I doubt it because that's probably crazy. Yeah. Yeah. That was, that was,
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yeah. Because there's always that trick, right? You're like, the thing that people tend to do
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sometimes, it's good to have them. But it is hard to do that in the domain space because
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Dave owns them all. I mean, he could probably buy it from Dave. I do own a few. Yes. He has a
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quite a problem there. They're on the bookshelf. I can see him. I see all your domain, Dave,
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they're hanging out and put those away, buddy. It's not a flex. Awesome. Hey, Dave Jackson,
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cohost. Thanks for coming back. Yeah. Always fun. Race said this earlier. It's always, you know,
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at the end of these, you always like, oh, that's why we do this. This was a lot of fun. It's always
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great hanging out. Thanks to the chat room. You can find me, Dave Jackson's school of podcasting.com.
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Yes, Dan, better late than never. Dan Powers in the chat showing up at the end. You know,
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the beauty is that we are time shifted. And I am recording this unlike Twitter spaces that
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sometimes don't get recorded, which just feels very, it's either incompetence or they just,
spk_0
they're just messing with you. Guess what? I'm not, you made me mad. I'm not showing up the next one.
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So, all right. But Dan will still be here. So you can listen to the whole thing. All right,
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everyone. Thank you so much. Podcasts around table.com slash guest. Sign up up here on the round table.
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Or just, you know, find us on YouTube. Podcasts around table.com YouTube.com slash podcast
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around table. I probably indicated that we were stopping. So no one's hearing that. If we, if we,
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if they're gone, so it's okay. I could probably like, I could probably say a lot of things right now
spk_0
that no one will ever hear. But thank you. If you're here, you are the power listener. And we
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appreciate you. We've goodbye. We're out here.
Topics Covered
podcast roundtable
live streaming podcast
podcasting platforms
podcast guest participation
podcast audience engagement
podcast episode length
podcast content strategies
international podcasting
podcast metrics
podcast retention stats
podcasting experiences
podcast co-host dynamics
live podcast recording
podcast storytelling
podcast audience feedback