A magical web series, a rock concert, and transplant shock - Episode Artwork
Culture

A magical web series, a rock concert, and transplant shock

In this episode of Other, host Alex Offland explores the complexities of mixed-race identity through the lens of art and community. Featuring conversations with author Ruth Azeke and creator Katie Mal...

A magical web series, a rock concert, and transplant shock
A magical web series, a rock concert, and transplant shock
Culture • 0:00 / 0:00

Interactive Transcript

spk_0 Back in November, I went to a show at the Black Cat, a music venue in DC to see Mitsuki.
spk_0 Mitsuki is just one woman, Mitsuki Miyawaki, who performs indie rock songs about love and identity and being a girl in America.
spk_0 She's half Japanese and half white, and she kind of looks like me.
spk_0 She has this song called Your Best American Girl, the single from her latest album that dominated critics list of the best songs of 2016.
spk_0 It's about being in love with someone who grew up in a world different from yours, and realizing that it's just not going to work out.
spk_0 Mitsuki lived a lot of places growing up.
spk_0 She's talked before about not having a strong American identity, and you can hear that in lyrics.
spk_0 Your mother wouldn't approve of how my mother raised me, but I do, I finally do.
spk_0 And you're an all-American boy. I guess I couldn't help trying to be the best American girl.
spk_0 I love you, I love you, but I do, I finally do.
spk_0 I love you, I guess I couldn't help trying to be the best American girl.
spk_0 That night of the show I stood in this crowd of people who didn't look like me, and they sang these lyrics.
spk_0 I wondered what that song meant to them.
spk_0 This is Other, Make Stric in America. I'm your host, Alex Offland, and in this last episode, I'm sharing two stories with you, of women who felt this weight of fruitlessness, and created art to deal with it.
spk_0 We'll also talk about the communities that spring up around art, communities that, in some ways, create a new root system for the rootless people in America.
spk_0 One of the first times I saw a mixed race protagonist grappling with those awkward identity questions was when I discovered Ruth Azeke.
spk_0 Ruth is an author, filmmaker, and Buddhist priest, whose work is mostly autobiographical.
spk_0 Her latest book, A Tale for the Time Being, was the first book of hers that I read.
spk_0 One of the main characters was a half Japanese half-white woman named Ruth, and the experience she depicted of being a half Asian half-white person living in North America really resonated with me.
spk_0 And it's weird, it took seeing a variation of my story told in pop culture for me to realize that I'd been missing that representation my whole life.
spk_0 So I called Ruth up to talk to her about how she thinks about representation and about creation.
spk_0 I grew up in New Haven, Connecticut, and my dad was a professor at Yale, and when I was growing up, there weren't a lot of Asian writers who were writing novels or fiction that I had access to.
spk_0 So I read primarily the canon. There really weren't a lot of writers who looked anything like me or who shared my background at all.
spk_0 So I honestly don't remember ever really seeing the mixed race perspective when I was growing up. I think that's one of the reasons why it took me a long time to understand that I needed to create this.
spk_0 That it was up to me to do this, and that I had the right to do it.
spk_0 And all of her protagonists so far at least have been half Japanese, half white Americans.
spk_0 But she didn't write her first novel until she was 40. Ruth spent the early part of her career working in Japanese television, and then in 1995 she made a film called Having the Bones.
spk_0 It was a documentary about her grandparents' lives, and about the aftermath of her grandmother's death.
spk_0 It's peppered with turn of the century footage of her grandmother as a young woman walking through the forests of Hawaii in a white dress.
spk_0 She narrates the shots with snippets of her grandmother's autobiography, read in accent at English.
spk_0 It's not till halfway through the film that Ruth vests up.
spk_0 Up until now I haven't been 100% accurate. There are a couple things that I made up. Like my grandmother's autobiography, for example.
spk_0 She never really wrote one, so I made it up from the real family stories I'd heard from her, and also from my other relatives.
spk_0 I did sort of the same thing with these home movies.
spk_0 I've seen a photo of my grandfather holding a movie camera, so I know he really did make movies, but his cameras and films were all confiscated after Pearl Harbor.
spk_0 I made up these things because I never really knew my grandparents, and now they're dead, and I didn't have very much to go on.
spk_0 I thought I would understand them better if I just pretended to be them.
spk_0 Anyway, I just wanted to set the records straight. Even though I made up the way I represented them, the facts of their lives are all true.
spk_0 And I did have my grandmother's bones in my closet for the last five years.
spk_0 Ruth's work blurs the lines between fact and fiction, which for her is how she creates scenarios that feel truthful.
spk_0 It is funny because through this act of imagination, of course, you're creating some kind of chimera, some kind of hybrid, something that is once again,
spk_0 mixed. It's half imaginary and half real, or half historical.
spk_0 It's built out of these little scraps of memory.
spk_0 And I suppose it was when I was traveling with having the bones.
spk_0 Young people, old people, people who, you know, of all different ethnicities and racial backgrounds, would come up to me after the screening, and they would say, that's my story.
spk_0 So that was very interesting to me. And that's when I started to realize that in spite of the very specific, you know, my own very specific ethnicity, which is half Japanese, half Caucasian American, that the story itself is in fact a very American story.
spk_0 So there's this web series called Almost Asian that I discovered last year on a blog about mixed race identity, because yes, those things exist.
spk_0 First episode entitled Almost Asian Driver features a half Japanese woman driving her Japanese gradient around in her car. Very badly.
spk_0 Oh stop going through the bump. Watch out, there's a car backing up. You have to watch the arrows. Oh my God.
spk_0 Oh, wow. What are you swarming for? Check out so close to be texting how you're driving. Oh my God, we're going to get in an accident.
spk_0 Katie Malia is the creator and star of Almost Asian.
spk_0 A web series about a half Japanese woman grappling with repeated identity crises. She persuaded her great aunt Sachi, who was 90 at the time to co-star in the first episode.
spk_0 We just wanted to show that full Asian could be in the passenger seat telling me what to do, that she's the good driver and I'm the bad one.
spk_0 Sometimes it makes me cringe because I feel so elementary and it feels so dated and yet when you're mixed for me, I so desperately wanted to feel recognized by a culture.
spk_0 Katie had been working as an actor for five years before creating Almost Asian in 2014.
spk_0 The concept for the show came out of a conversation she'd had with her brother Joel, who's a director.
spk_0 Katie had wanted to write and star in her own series for a while, but she just needed to come up with a concept.
spk_0 She spitballed ideas at him for a while and then he stopped her.
spk_0 He looked at me and he said, right, what you know, right what you feel is true to your heart and what you feel is lacking right now.
spk_0 And what I felt was lacking, inspired by his words, was the mixed race narrative.
spk_0 Their memory being so, it was just like this white bulb when off in my head and it was the path of least resistance.
spk_0 Oh right, nobody's talking about it, how fun and we shot it, not really thinking anything of it. And then it's snowballed.
spk_0 The first season of Almost Asian is about 12 episodes long, each episode about two or three minutes.
spk_0 In every episode, Katie tackles a different facet of being a half Japanese woman working in the entertainment industry.
spk_0 It's honest but not self-indulgent, a little bit self-deprecating, and it's really funny.
spk_0 In one episode, her character is out to eat with a friend, full Asian, and they're talking about a stand-up show they're going to after dinner.
spk_0 I got a stroke right now, I'd be grateful.
spk_0 You always do this, you know.
spk_0 But this, this trying to get out of things, not take any risks.
spk_0 This is my dose.
spk_0 Yes, you do last week you wanted to drive into a wall.
spk_0 Um, technically I said if I ever do drive into a wall, I'll be listening to Ricky Martin, so live in libido, loka is playing during the time of life.
spk_0
spk_0 Our sick.
spk_0 And no, that's not what I meant.
spk_0 What do you mean?
spk_0 I mean, you're using your Asian fusion card again as an excuse to not fit in.
spk_0 I hate that.
spk_0 Effort.
spk_0 Fusion.
spk_0 I'm not a goddamn restaurant.
spk_0 And it's an Asian American stand-up show, Judy.
spk_0 Of course I don't fit in.
spk_0 I'm not stupid.
spk_0 You do fit in.
spk_0 Katie lets it go when the server comes with their food.
spk_0 Oh, gross.
spk_0 Here we go.
spk_0 Thank you.
spk_0 Your mom, eh?
spk_0 Nadi?
spk_0 Yeah.
spk_0 You do need anything else?
spk_0 No, I think we're good.
spk_0 Thanks for your help.
spk_0 Oh, actually, oh my god.
spk_0 I forgot.
spk_0 Joss, six.
spk_0 Which she hands to her friend.
spk_0 And no fork.
spk_0 And that's how the episode ends.
spk_0 With Katie staring at her friend, like, see, point proven.
spk_0 The first time I watched almost Asian, I watched all of the episodes in one sitting.
spk_0 I had never seen anything that embodied my experiences in such a specific way.
spk_0 Which is why Katie felt the need to create the series in the first place.
spk_0 Working as an actor and Los Angeles, Katie says she's judged by her appearance every day.
spk_0 I began auditioning with commercials.
spk_0 And that in itself is very much about, do you appeal to the demographic that they're selling to?
spk_0 Should they not want to go full Asian, especially in commercials, to be more, let's say, whitewash for Middle America.
spk_0 And not a full Asian that would be startling to see in a commercial.
spk_0 They throw us into the mix.
spk_0 We are the water down Asian.
spk_0 So Katie's writing this web series and creating a powerful conversation about the nuance of multiracial identity.
spk_0 Sounds awesome, right?
spk_0 The irony here is that in order to make things like almost Asian, Katie needs money.
spk_0 And she makes money by acting.
spk_0 And to get acting jobs, she has to audition for roles where she plays the stereotypes of Asian women.
spk_0 I remember having this one audition for,
spk_0 how it was like a house hunter show, but it was a comedy.
spk_0 And they asked me to do an Asian accent, which is always funny to me because Asian accent,
spk_0 it doesn't really get any more generic than that.
spk_0 You'd be a little bit more specific, but they don't care.
spk_0 So I went in and I did it and I immediately felt this wave of shame and guilt.
spk_0 And it just felt like such a lie and it also felt so offensive.
spk_0 And yet the cast network did look it.
spk_0 He was not Asian and he thought it was the greatest thing ever.
spk_0 And there are so few opportunities for people of color and Asians that then you want to get the job.
spk_0 So you play up the stereotype.
spk_0 This is the double buy in that creative people face when they're trying to create culture that reflects them and is different from the mainstream culture.
spk_0 But people don't invest in risky ideas.
spk_0 So to bootstrap it, they need to work within the system that's run primarily by people who don't get where you're coming from.
spk_0 They play the stereotypes, the end result, the stereotypes live on in the larger culture.
spk_0 Gosh, what are you doing? You're paying your bills with this industry.
spk_0 You suck it up and you do it.
spk_0 That only lasts so long until you just can't take it anymore.
spk_0 But here's the thing.
spk_0 Even though it's really hard to see these stories that reflect us, they do exist.
spk_0 And that work is worth highlighting.
spk_0 Because the way I felt when I first watched almost Asian, that was magic.
spk_0 There's this thing that happens to plants when you move them from one container to another.
spk_0 It's called transplant shock.
spk_0 Basically, the plants fruits are stunned from the new environment and they freak out because they don't know how to establish themselves in this new landscape or pot.
spk_0 Here's a report from Purdue University's Department of Botany.
spk_0 New transplants do not have extensive root systems and they're frequently stressed by a lack of sufficient water.
spk_0 Plant suffering from water stress may be more susceptible to injury from other causes such as the weather, insects or disease.
spk_0 When several stresses are being experienced, the plant may no longer be able to function properly.
spk_0 Reading that felt familiar.
spk_0 The story of immigration in this country is one of fruitlessness and often transplant shock.
spk_0 When people leave their lives and families to build new ones in a new country, they leave parts of themselves behind too.
spk_0 Whether through language or culture or sheer geography, chances are their kids will be more American, whatever that means,
spk_0 and less of whatever their native culture is.
spk_0 Often, you can't trace your family history back generations.
spk_0 Or you don't know your grandparents because you don't speak the same languages then.
spk_0 Maybe you don't even know their names.
spk_0 This rootlessness is more likely when you're in an interracial family of immigrants.
spk_0 Not only did one or both of your parents leave their homelands, but they've done this transgressive thing.
spk_0 They had a child with somebody of a different race.
spk_0 Sometimes the consequence of this is disownment, or at least strong disapproval.
spk_0 So for many years, I accepted my rootlessness and even defined myself by it.
spk_0 It wasn't until I started working on this podcast that I felt its weight.
spk_0 Crazy thing is, it took working on this podcast for me to discover the other people, journalists, writers, artists, musicians, who felt this pain too, and who created art with it.
spk_0 So, yes, transplant shock is a thing in plants.
spk_0 But there's this other thing you can do with plants, and it's called propagation.
spk_0 You take the cutting of a stem or leaf, and you take care of it.
spk_0 Place it in some water, give it lots of sunlight.
spk_0 And sometimes, when you do it just right, when the environment is just so, your little clipping will begin to grow its own roots.
spk_0 Working on this project, I felt like one of those cuttings, tenderly watching my own roots grow.
spk_0 I've been filling my head with books and music and articles and films that are parsing these themes in a way that feel so familiar.
spk_0 And somehow, I found a community for myself.
spk_0 And while it's not a fully grown root system, it's something close to that.
spk_0 Thanks for listening to other Mixed Race in America.
spk_0 If you've listened to this whole mini-series, you've heard me mention a subscription offer at the end of every episode.
spk_0 That's an offer we're giving just to listeners of this podcast.
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spk_0 That's w-a-p-o.st-other-100.
spk_0 This podcast was written and produced by me, Alex Lachlan, with editing from Terence Samuel.
spk_0 You can subscribe to other Mixed Race in America on Radio Public, Apple Podcasts, or wherever you get your podcasts.
spk_0 If you enjoy listening to other Mixed Race in America, please go to Apple Podcasts and leave us a nice review.
spk_0 Thank you to JJ Pazway for writing our theme music and to Chris Kindred for designing our logo.
spk_0 Other Mixed Race in America is a podcast from the Washington Post.
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