Lifestyle
"The Toynbee Convector" by Ray Bradbury
In this final episode of season 13 of Lavar Burton Reads, Lavar shares Ray Bradbury's thought-provoking short story 'The Toynbee Convector,' exploring themes of time travel, human desti...
"The Toynbee Convector" by Ray Bradbury
Lifestyle •
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Interactive Transcript
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Hi, I'm Lavar Burton and this is Lavar Burton Reads.
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In every episode I have hand picked a different piece of short fiction and I've read it to you.
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The only thing these stories have had in common is that I love them.
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And we hope you have too.
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This is indeed the final episode of season 13 of Lavar Burton Reads, y'all.
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But here's the thing. You know how much I love reading aloud and so rest assured,
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I'll figure out how to continue to engage with you in storytelling that we love.
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And as it's the final episode, it really made sense to read something today by one of the greats.
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A speculative storyteller whose work has endured for decades, the great Ray Bradbury.
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Ray Bradbury's stories are so powerful and appealed to so many people partially because they are
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lyrical and colloquial, often playful, while all the time engaging with difficult truths.
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The story that I've chosen for today is one of Bradbury's tales about time travel.
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I think it's about human destiny and hope for the future.
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More than anything. I think it's about the power of human storytelling.
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The Toin B Convector was written in 1983 and first published in Playboy magazine.
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And then later featured in a collection of short stories by the same title,
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a Toin B Convector. And it's still in print today.
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Go Ray.
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As one of the characters explains, the Toin B in the name refers to the historian Arnold J. Toin B,
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who said, any group, any race, any world that did not run to seize the future and shape it
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was doomed to dust away to the grave in the past.
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Can't wait for you to hear this story.
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You'll find a content advisory for this story in the written episode description.
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And now if you're ready, let's take that deep breath.
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Yeah.
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Yeah, us.
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The Toin B Convector by Ray Brandbury.
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Good.
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Great.
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Bravo for me.
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Roger Shumway flung himself into the seat, buckled himself in,
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revved the rotor and drifted his dragonfly super six helicopter up to blow away on the
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summer sky heading south toward Lauea.
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How lucky can you get for he was on his way to an incredible meeting.
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The time traveler after a hundred years of silence had agreed to be interviewed.
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He was on this day 130 years old. And this afternoon at four o'clock sharp Pacific time,
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was the anniversary of his one and only journey in time.
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Lord, yes, one hundred years ago Craig Bennett styles had waived, stepped into his immense
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clock as he called it and vanished from the present. He was and remained the only man in history
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to travel in time. And Shumway was the one and only reporter after all these years to be invited in
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for afternoon tea. And the possible announcement of a second and final trip through time.
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The traveler had hinted at such a trip.
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Oh, man said Shumway. Mr. Craig Bennett styles, here I come.
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The dragonfly obedient to fevers seized a wind and rode it down the coast.
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The old man was there waiting for him on the roof of the time
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lamissary at the rim of the hang gliders cliff in lollia. The air swarmed with crimson, blue,
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and lemon kites from which young men shouted while young women called to them from the lands edge.
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Styles for all his 130 years is not old. His face blinking up at the helicopter was the
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bright face of one of those hang gliding Apollo fools who veered off as the helicopter sank down.
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Shumway, covered his craft for a long moment, savoring the delay.
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Below him was a face that had dreamed architectures known incredible loves,
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blueprinted mysteries of seconds, hours, days, then died in to swim upstream through the
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centuries a sunburst face celebrating its own birthday. For on a single night 100 years ago,
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Craig Bennett styles freshly returned from time had reported by tell star around the world to
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billions of viewers and told them their future.
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We made it. He said we did it. The future is ours. We rebuilt the cities,
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freshen the small towns, clean the lakes and rivers, wash the air, save the dolphins,
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increase the whales, stopped the wars. Tossed solar stations across space to light the
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world colonize the moon, moved on to Mars, then Alpha Centurri. We cured cancer and stopped death.
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We did it. Oh Lord, much thanks we did it. Oh, futures bright and beauty aspires,
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arise. He showed them pictures. He brought them samples. He gave them tapes and LP records.
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Film and sound cassettes of his wondrous roundabout flight. The world went mad with joy.
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It ran to meet and make that future, fling up the cities of promise, save all and share with
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the beasts of land and sea. Old man's welcoming shout came up the wind.
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Shumway shouted back and let the dragonfly simmer down in its own summer weather.
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Craig Bennett styles 130 years old strode forward briskly and incredibly helped the young reporter
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out of his craft. Shumway was suddenly stunned and weak at this encounter.
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I can't believe I'm here. Shumway said, you are and none too soon.
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Left the time traveler. Any day now, I may just fall apart and blow away. Lunch is waiting.
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Hike. A parade of one styles marched off under the fluttering rotor shadows that made him seem
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a flickering newsreel of a future that had somehow passed. Shumway, like a small dog after a great
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army, followed. What do you want to know? Asked the old man as they crossed the roof, double time.
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First, gasped Shumway, keeping up. Why have you broken silence after a hundred years? Second,
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why to me? Third, what's the big announcement you're going to make this afternoon at four o'clock?
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The very hour when your younger self is due to arrive from the past. When for a brief moment,
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you will appear in two places, a paradox. The person you were, man you are, fused in one
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glorious hour for us to celebrate. The old man laughed. How you do go on? Sorry, Shumway blushed.
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I wrote that last night. Well, those are the questions.
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You shall have your answers. The old man shook his elbow gently, all in good time.
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You must excuse my excitement. Said, Shumway. After all, you are a mystery. You were famous.
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World acclaimed. You went, saw the future, came back, told us, then went into seclusion.
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Oh, sure, for a few weeks you traveled the world and ticker-taped parades, showed yourself on TV,
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wrote one book gifted us with one magnificent two hour television film. Then shut yourself away.
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Here. Yes, the time machine is on exhibit below. The crowds are allowed in each day at noon to see
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and touch, but you yourself have refused fame. Not so. The old man led him along the roof.
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Below in the gardens, other helicopters were arriving now, bringing TV equipment from around the
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world to photograph the miracle in the sky. That moment when the time machine from the past would
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appear, shimmer, then wander off to visit other cities before it vanished into the past.
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I have been busy as an architect helping build that very future I saw,
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as a young man I arrived in our golden tomorrow.
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They stood for a moment, watching the preparations belong.
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Vast tables were being set up for food and drink. Dignitaries would be arriving soon from every
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country of the world to thank for a final time perhaps. This fabled, this almost mythic traveler of
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years. Come along, said the old man. Would you like to come sit in the time machine? No one else ever
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has, you know. Would you like to be the first? No answer was necessary. The old man could see that
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the young man's eyes were bright and wet. There, there, said the old man. Oh dear, me there, there.
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A glass elevator sank and took them below and let them out in a pure white basement,
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at the center of which stood the incredible device. There, styles touched the button and the
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plastic shell that had for 100 years encased the time machine slid aside. The old man nodded.
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Go, sit.
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Shumway moved slowly toward the machine.
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Styles touched another button and the machine lit up like a cavern of spiderwebs.
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It breathed in years and whispered forth remembrance. Ghosts were in its crystal veins. A great
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god spider had woven its tapestries in a single night. It was haunted and it was alive. Unseen
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tides came and went in its machinery. Suns burned and moons hid their seasons in it. Here an
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autumn blew away in tatters. There, winters arrived in snows that drifted in spring blossoms to fall
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on summer fields. The young man sat in the center of it all, unable to speak, gripping the
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armrests of the padded chair.
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Now, let's get back to our story.
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Don't be afraid. Said the old man gently.
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I won't send you on a journey. I wouldn't mind. Said Shumway.
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The old man studied his face. No, I can see you wouldn't. You looked like me.
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100 years ago this day, damned if you aren't by
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honorary son. The young man shut his eyes at this. The lids glistened and the ghosts in the
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machine sighed all about him and promised him tomorrow's.
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Well, what do you think of my time being convector?
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Said the old man briskly to break the spell. He cut the power. The young man opened his eyes.
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The toine be convector. What? More mysteries. The great toine be. That fine historian who said
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any group, any race, any world that did not run to seize the future and shape it was doomed to
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dust away in the grave in the past. Did he say that? Or some such he did.
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So what better name for my machine? Huh? Toine B? Wherever you are. Here's your future seizing device.
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He grabbed the young man's elbow and steered him out of the machine.
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Yeah. Nothing that. It's late. Almost time for the great arrival.
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And the earth's shaking final announcement of that old time traveler's styles. Jump!
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Back on the roof, they looked down on the gardens which were now swarming with the famous
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and the near famous from across the world. The nearby roads were jammed. The skies were full of
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helicopters and hovering by planes. Hang gliders had long since given up and now stood along the
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cliff rim like a mob of bright tarot actors. Wings folded, heads up, staring at the clouds, waiting.
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All this, the old man murdered. My God, for me. The young man checked his watch.
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10 minutes to four and counting almost time for the great arrival. Sorry, that's what I called it
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when I wrote you up a week ago for the news. That moment of arrival and departure in the blink of an
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eye. When by stepping across time you changed the whole future of the world from night to day, dark to light.
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I often wondered what some way studying the sky. When you went ahead in time, did no one see you
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did anyone happen at all to look up the unknown and see your device hover in the middle of the air
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here and over Chicago a bit later and then New York and Paris. No one.
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Well, said the inventor of the Toine B. Convector. I don't suppose anyone was expecting me
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and if people saw they surely did not know what in blazes they were looking at.
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I was careful anyway not to linger too long. I needed only time to photograph the rebuilt cities,
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clean seas and rivers, the fresh, small free air, unfortified nations, saved in beloved waves.
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I moved quickly, photographed, swiftly and ran back down the years home.
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Today paradoxically, it's different. Millions upon millions of mobs of eyes will be looking up with great
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expectations. They will glance will they not from the young fool burning in the sky to the old fool
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here. Still glad for his triumph. They will. Said, shall we go indeed. They will.
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A court popped. Some way turned from surveying the crowds on the nearby fields and the crowds of
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circling objects in the sky to see that styles had just opened a bottle of champagne.
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Our own private toast and our own private celebration. They held their glasses up,
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waiting for the precise and proper moment to drink. Five minutes to four and counting.
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Why? Said the young reporter. Did no one else ever travel in time.
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I put a stop to it. Myself. Said the old man leaning over the roof, looking down at the crowds.
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I realized how dangerous it was. I was reliable, of course, no danger, but
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Lord, think of it. Just anyone rolling about the bowling alley, time corridors ahead,
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knocking ten panels headlong, frightening natives, shocking citizens somewhere else,
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fiddling with Napoleon's lifeline behind, or restoring Hitler's cousins ahead. No,
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no. And the government, of course, agreed. No, insisted that we put the toym be convector
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under sealed lock and key. Today, you were the first and last to fingerprint its machine.
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The guard has been heavy and constant for tens of thousands of days to prevent the machines being stolen.
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What time do you have?
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Someway glanced at his watch and took in his breath. One minute and counting down.
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He counted the old man counted. They raised their champagne glasses. Nine, eight, seven.
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The crowds below were immensely silent. The sky whispered with expectation. The TV cameras swung
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up to scan and search. Six, five. They clinked their glasses. Four, three, two. They drank.
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One. They drank their champagne with a laugh. They looked to the sky. The golden air above the
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coastline waited. The moment for the great arrival was here. Now, cried the young reporter
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like a magician giving orders. Now, said styles gravely quiet. Nothing.
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Five seconds passed. The sky stood empty. Ten seconds passed. Heavens waited.
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Twenty seconds passed. Nothing. At last,
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Shumway turned to stare and wonder the old man by his side. Stiles looked at him, shrugged and said,
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I lied. You what?
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Cryed, Shumway. The crowds below shifted uneasily. I lied. Said the old man simply.
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No! But yes, said the time traveler. I never went anywhere. I stayed but made it seem.
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I went. There is no time machine. Only something that looks like one. But why?
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Cryed the young man, bewildered, holding onto the rail at the edge of the roof. Why?
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I see that you have a tape recording button on your lapel. Turn it on. Yes, there. I want everyone to hear this.
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Now, the old man finished his champagne and then said, because I was born and raised in a time
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in the 60s, 70s and 80s when people had stopped believing in themselves. I saw that disbelief,
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the reason that no longer gave itself reasons to survive and was moved, depressed and then
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angered by it. Everywhere I saw and heard doubt. Everywhere I learned destruction.
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Everywhere was professional despair, intellectual on weed. And what wasn't on weed and cynicism was
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rampant skepticism and inscipient nihilism. The old man stopped having remembered something.
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He bent from under a table brought forth a special bottle of red burgundy with the label 1984
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on it. This, as he talked, he began to open gently plumbing the ancient cork.
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You name it. We had it. The economy was a snail. The world was a cesspool.
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Economics remained an insoluble mystery. Melancholy was the attitude. The impossibility of change was the
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bog. End of the world was the slogan. Nothing was worth doing. Go to bed at night full of bad news
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at 11, wake up in the morning to worst news at 7. Trudge through the day underwater,
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brown at night and a tide of plagues and pestilence.
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For the cork, it softly popped. The now harmless 1984 vintage was ready for airing.
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The time traveler sniffed it and nodded. Not only the four horsemen of the apocalypse rode the
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horizon to fling themselves on our cities, but a fifth horsemen, worse than all the rest rode with them.
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Despair wrapped in dark troughs of defeat, crying only repetitions of past disasters,
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present failures, future cowlises. Bombarded by dark chaff and no bright seed,
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what sort of harvest was there for a man in the latter part of the incredible 20th century?
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Forgotten was the moon. Forgotten the red landscapes of Mars, the great eye of Jupiter,
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stunning rings of Saturn, we refused to be comforted. We wept at the grave of our child.
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The child was us. Was that how it was? One hundred years ago.
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Asked some we quietly. Yes. The time traveler held up the wine bottle as if it contained proof.
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He poured some into a glass, hid it, inhaled and went on.
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You have seen the newsreels and read the books of that time?
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You know it all. Of course there were a few bright moments. When sought, delivered the world's
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children to life, or the night when eagle landed and that one great step for mankind trod the moon.
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But in the minds and out of the mouths of many,
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fifth horseman was darkly chaired on with high hopes it sometimes seemed of his winning.
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So all would be gloomily satisfied that their predictions of doom were right from day one.
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So the self-fulfilling prophecies were declared.
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We dug our graves and prepared to lie down in them.
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And you couldn't allow that. Asked the young reporter.
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You know I couldn't.
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And so you built the Toinebeak convector. Not all at once, it took years to brood on it.
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The old man paused to swirl the dark wine, gaze at it and sip. Eyes closed.
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Being wild, I drowned. I despaired, wept silently, late nights thinking what can I do to save us
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from ourselves. How to save my friends, my city, my state, my country, the entire world from this
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obsession with doom. Well, it was in my library, late one night that my hand searching
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along shells touched at last on an old and beloved book by HG Wells. His time device called,
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ghost-like down the years. I heard. I understood. I truly listened.
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Then I blueprinted. I built. I traveled. Or so it seemed.
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Rest is, you know. His history. The old time-trailer drink is wine.
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Opened. Opened his eyes.
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Now, let's get back to our story.
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Good God. The young reporter whispered, shaking his head.
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Dear God, all the wonder, the wonder.
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There was an immense ferment in the lower gardens now, and in the fields beyond,
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and on the roads and in the air, millions were still waiting. Where was the great arrival?
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Well, now. Said the old man, filling another glass with wine for the young reporter.
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I made the machines. Built miniature cities, lakes, bonds, seas.
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Directed vast architectures against crystal water skies.
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Talked to dolphins, played with whales, fake tapes. Withologized films.
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Oh, it took years. Gears of sweating worked in secret preparation before I announced my departure.
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Left and came back. But good news.
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They drank the rest of the vintage wine. There was a hum of voices. All of the people below
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were looking up at the roof. The time-trailer weighed at them and turned.
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Quickly now. It's up to you from here on. You have the tape. My voice on it just
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freshly made. Here are three more tapes with fuller data. Here's a film cassette history of my whole
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inspired fraudulence. Here's a final manuscript. Take, take it all. Hand it on. I nominate you as son
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to explain the father. Quickly. Hustled into the elevator once more,
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Jumway felt the world fall away, but he. He didn't know whether to laugh or cry. So game had last
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agreed hoot. The old man surprised hooded with him as they stepped out below and advanced upon
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the Toimbee convector. You see the point. Don't you son? Life has always been lying to ourselves.
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As boys, young men, old men, as girls, maidens, women to gently lie and prove the lie true.
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To weave dreams and put brains and ideas and flesh in the truly real beneath the dreams. Everything
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finally is a promise. What seems a lie is a ramshackle need wishing to be born here, thus and so.
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He pressed the button that raised the plastic shield, pressed another and started the time machine
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humming. Then, chaffled quickly in to thrust himself into the convector's seat.
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Throw the final switch, young man. But you're thinking if the time machine is a fraud,
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it won't work. What's the use of throwing a switch? Yes? Throw it anyway. This time, it will work.
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Shumway turned, found the control switch, grabbed hold, then looked at cragmented styles.
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I don't understand. Where are you going? Why? To be one with the ages, of course.
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To exist now only in the deep past. How can that be? Believe me, this time, it will happen.
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Goodbye, dear, fine, nice young man. Goodbye. Now, tell me my name. What? Speak my name and throw the
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switch. Time traveler. Yes. Now, the young man yanked the switch. The machine hung,
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roared, blazed with power. Said the old man shutting his eyes, his mouth smiled gently.
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Yes. His head fell forward on his chest.
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Shumway yelled, banged the switch off and leaped forward to tear at the straps,
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binding the old man in his device. In the midst of so doing, he stopped.
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Felt the time travelers risked, but his fingers under the neck to test the pulse there and groaned.
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He began to weep. The old man had indeed gone back in time and its name was dead.
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He was traveling in the past now, forever.
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Shumway stepped back and turned the machine on again. If the old man were to travel,
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left the machine, symbolically, anyway, go with him. It made a sympathetic humming,
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the fire of it, the bright sun fire burned in all its spider-grids and armatures and lighted
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the cheeks of the vast brow of the ancient traveler, whose head seemed to nod with vibrations,
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whose smile as he traveled into darkness is the smile of a child much satisfied.
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The reporter stood for a long moment more, wiping his cheeks with the backs of his hands,
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then leaving the machine on, he turned, crossed the room, pressed the button for the glass elevator.
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And while he was waiting, took the time travelers' tapes and cassettes from his jacket pockets,
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and one by one shoved them into the incinerator trash flu, set in the wall.
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The elevator doors opened, he stepped in, the doors shut.
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The elevator hummed now, I get another time device taking him up into a stunned world,
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a waiting world, lifting him up into a bright continent, a future land, a wondrous and surviving
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planet that one man with one lie had created.
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A lot of people ask me, why science fiction? What's your thing about speculative fiction,
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for me it's the hopeful nature of the genre. The idea that we can rise to our highest level of
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expression as a species, the hope that that inspires. So much good has come from our natural
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inclinations to look up. There's that image in the story where millions of people are looking up.
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This life has given me a lot of wonderful opportunities. I've actually become friends with a
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woman named Mae Carol Jemisin. She was the first African American woman in space. She's
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full on the space shuttle and she's got a project that she's been working on for several years and
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I've been a ten-genital part of it called the 100-Years Starship. It's an effort that gathers
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together all kinds of experts and all kinds of fields and they discuss what it will take
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in the here and now for us to create a future that will enable us to be a space-faring race.
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And the idea is that it's not going to happen today. It's not going to happen for us. We are planning
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for the next hundred years. And one of the things that Mae says about this journey that we're on,
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she stresses how important it is for us to look up, right, to actually connect to the stars,
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to acknowledge that we come from them and that there is a calling that lives inside of us to return
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to that which we came from. In this story, in the very, very brilliant, very rad-very,
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reminds us of that calling. As I've talked about on our way to now, this is indeed the final
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episode of the final season of the Barbara and Reeds. It has been my extreme and joyous
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pleasure to be with you on this journey. It has been well the honor of my life genuinely,
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to share these stories with you and sometimes my thoughts and feelings and to feel your response.
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I feel seen by you all. And I thank you for that.
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As my final words, I just want to encourage you to keep reading, keep expanding,
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keep living in your imaginations. That is the fuel that is going to power the commitment necessary
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to drink big and change the world. Keep looking up, y'all. I'll see you next time. But, you know.
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Our producer on this episode of Lavar Burton Reeds is Julius Smith. She is the best in the
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business, y'all. Our fabulous researcher is LD Lewis. Always happy to have you aboard my sister.
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We had additional research support this season from Talon Stradley and Josephine Marr-Hurana,
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editing and sound designed by the extraordinary Brendan Burns, who also created our theme music.
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My great thanks to the estate of Ray Bradbury for allowing me to read his story.
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You can find it in the collection entitled The Toon Bee Convector.
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If you enjoyed this podcast, please tell a friend about it or leave us a review on Apple podcasts,
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like I say, share the short fiction well. Lavar Burton Reeds is a production of Stitcher and
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Lavar Burton Entertainment. Our executive producers are Josephine Marr-Hurana and yours truly,
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Lavar Burton. And if you want to find me on the internet, I'm Lavar.Burton on Instagram,
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at LavarBurton on X or you can simply go to LavarBurton.com. You can also join my book club at fabel.co
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slash Lavar. I'll see you next time. But, you don't have to take my word for it.
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Dickic and
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Stitcher
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FILM
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