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Natality with Jennifer Banks
In this episode of Overthink, hosts Ellie Anderson and David Pena Guzman explore the philosophical implications of birth, contrasting it with the often-discussed theme of death. They engage with Jenni...
Natality with Jennifer Banks
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Interactive Transcript
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Hello and welcome to Overthink.
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The podcast were two philosophers and gender exciting new discussions about everyday life.
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I'm Ellie Anderson.
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And I'm David Pena Guzman.
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David, there's often one thing that people focus on as the inevitable fact of a human life.
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And that is death.
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Or maybe you could say death in taxes, if you will.
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Sometimes you will focus on those as too.
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I take it we're not talking about taxes today.
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We're not talking about taxes today.
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But we're also not talking about death because even though people often focus on death as the
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inevitable feature of a human life, there's also another very important in an inevitable feature,
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which is birth.
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All of us will die and also all of us were born.
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What birth and death having common is that they are transitional points between being and non-being.
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Birth is the pivot point, which is our entrance into existence and mortality, of course,
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is our exit into non-being, barring, of course, theological religious and spiritual interpretations
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that presuppose the existence of an afterlife.
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Yeah.
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So in that sense, both of these themes bring us face to face with the limits not only of a life,
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but also with human understanding, because it's so difficult to really think about who we were,
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were we anything before birth and who we will be, or where we will be after death.
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And so they are the bookends, not just for our existence, but for the very possibility of thinking
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our existence.
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Wow, controversial.
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Who were we before we were born?
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Did know we were awaiting into pro-choice debates today.
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I mean, I guess it is an episode on Natality.
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But no, I will say on that point, I think there's an interesting disanalogy at the same time,
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where if we follow Heidegger on his account of death, and I think his account of death is actually
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great, specifically being towards death, death is the possibility, our own most possibility,
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which is the possibility of no longer having any possibilities.
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And I think if we apply that to birth, we could say that what we see instead there is the actuality
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of my possibility.
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What birth brings about is myself as having all kinds of life possibilities.
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Of course, those life possibilities are going to be constrained in some ways.
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They're not infinite and there are more constrained options for some than for others.
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But I think there is nonetheless that actualization of possibility that we see with birth.
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Then again, as you pointed out, we don't have any understanding of our own birth or first-person
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experience of it.
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I grew up with a mother who was a doula.
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She's very big on natural birth and a sort of approach to birth that resists
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kind of medicalization of it, not that she's anti-establishment.
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I feel like in the Maha era, we have to be super clear about that.
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She would mostly work with people who were giving birth in hospitals to be there as a sort of
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support for them.
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And she went through a phase when I was young in the 90s where she was really interested in some
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of these regression therapies where you could revisit your own birth.
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I think that's a funny, very 90s moment of like, oh, let's try and do this regressive therapy
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where we can remember our own birth because I think central to the experience of birth is that
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you maybe not only do not remember it, I think the question of whether you experience it is an
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open one too.
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Of course, but you begin by saying that there is a difference between death and birth in relation
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to this.
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But there is still a similarity even in connection to the doulas because now there are what are
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called death doulas, individuals through a company, others at the moment of death, either to offer
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some form of consolation.
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Maybe we can use that term or merely company.
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I have a friend who describes himself as a death doula whose primary activity in those moments
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is to play classical music to people who find themselves at that transitional pivot point
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and who were music lovers.
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And so for them, music offers a passageway.
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You know, what it is a passageway too unclear.
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We can't think it.
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We can't know it.
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As a high-degers says, it's the limit of our possibilities.
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But I like the idea that we often want company in those moments where we are navigating the boundary
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or the borderland between being and non-being.
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I think it brings into focus just how deeply our reliance on other people in our desire for
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connection is.
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And the condition of being born is essentially a condition of being connected to others.
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That's what a lot of philosophers who focus on birth note.
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You're not born alone by yourself, right?
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You're born out of another person's body.
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And then you're taken care of by others upon your arrival into the world.
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And so the concept of birth has been really important, especially in feminist approaches within
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philosophy for focusing on the relational nature of the self.
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Where a high-degers says that we only ever die alone, nobody can die your death for you
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and therefore death individualizes us.
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Those who are interested in talking about birth will often focus on the fact that you aren't
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born alone and should not be at least equally important to the idea that we are towards our
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own death. And I recently read Alison Stone's book Being Born, Birth and Philosophy.
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And in this book, I haven't actually finished yet.
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So I shouldn't say I recently read it.
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Let's say I started it a while back and then put it on pause for a while.
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And I need to return to it.
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But this is a really fascinating account where she suggests that our human condition is one of
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relational mortality.
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And the condition of being born indicates that for us.
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And when we're born into this kind of inescapable situatedness of relationality,
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we're also born into social norms and unequal power dynamics.
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And so she defends a goal of equal birth.
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She says the features of our natal condition generate a case for equality, for natal equality as
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an ideal goal.
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So death, she suggests, is to an extent an equalizer,
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whereas birth is an unequalizer because we're born into very different social positions.
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And she thinks we need to defend a notion of natal equality where we are given more equal options
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once we enter the world than currently we experience in this world of extreme inequality.
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And of course, anytime we think about the concept of natality, which is our condition of being
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born, the flow suffer that comes to mind immediately is Hana Arndt, who writes about natality in many
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works, but especially in the human condition. And for Arndt, this concept does a lot of work,
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conceptual work, for helping her articulate the importance, not of endings, which is something
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that we often associate with Heidegger, but of beginnings.
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And today to help us think about the significance of the concept of natality in Hana Arndt,
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as well as in a number of other figures from the history of philosophy, we have with us the author
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of a new book on the subject.
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Jennifer Banks is Senior Executive Editor at Yale University Press. Her work has appeared in the
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Boston Review and Pleiades among other publications. She is the author of the recent book Natality
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Toward a Philosophy of Birth. Jennifer, welcome to Overthink. We're so happy to have you.
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It's great to be here. Thanks so much. Your book opens by explaining that birth has not exactly
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been a topic that has been a major focus within philosophy. We love to talk about death, but
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philosophy in recent times, and not only in recent times, actually for most of the history of philosophy,
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has marginalized the topic of birth, discussing it very little with few exceptions.
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Why do you think this has been the case? Why have so many philosophers failed to think birth?
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The most obvious answer is that the history of thought was largely written by men who weren't,
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you know, at the center of the experience of giving birth and attending to birth. And, you know,
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I guess I suppose fathers, but there's also a long sort of scribal tradition that was,
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was almost a kind of monastic tradition. So these were also sometimes people who weren't even
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around children, never mind not being kind of at the center either bodily or in terms of supporting
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a birth. So I think there was a distance. And, you know, I also think that there was, you know,
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births sort of confronts the history of thought with things that are difficult in terms of the
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vulnerability of the body, sort of the limits of our own memory, if writing is an attempt to take
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our experience and to give it some sort of form to create meaning out of it. Births sort of defies
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some of those attempts at order or perhaps rationality and that that sort of a stereotype too that
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birth is associated with disorder or rationality. But I think in some ways there's a truth to that.
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Birth is something we can't remember, which is interesting to think about how do we try to access
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an experience that in terms of our own experience of it, both men and women, anyone who has been born,
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our consciousness cannot reach that point, which is really a kind of confrontation with the
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limits of our own consciousness. I also just, you know, since the book has been published,
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I've thought a lot about the nature of language itself. And one of the puzzles I've really
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thought a lot about is one of the biggest predictors of falling Natality rates is literacy. It's
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also wealth, then cultures that become wealthier birth rates go down and of course education.
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Which on the one sense you think that part of what we're being educated about is learning how to
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create better lives and having more options available to us and less suffering and longer lives
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in all these things that I think are very positive. But there's also for me something deeply
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puzzling about this, you know, that I think I've long really always had this interest in birth and
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felt like there was so much there that was so rich and so imaginative and so much at the center
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of human experience and also devoted my life to language, you know, professionally, mostly as an
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editor, but also as a writer. And to think about the ways that birth somehow defies language
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that so many of the attempts to kind of put birth into language seem to come up short,
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somehow they fail to capture it. This is something that was told to me when I was having children,
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you know, it was kind of whispered. It's sort of the thing that get told to mothers, you know,
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it's beyond language. It's kind of annoying to hear that when you're someone who works with language
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and publishes books on every topic. It's frustrating to hear that this huge experience somehow
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is beyond language, which just doesn't seem entirely true. But I do wonder, you know, languages this
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way of symbolizing the world and beginning to create abstractions from it. There's something about
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birth that's so intensely physical that has that kind of messiness and unpredictability.
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And one of the quotes I love about language is comes from Urs Ligwen who also writes a lot about
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birth, but is Schucks about writing as a silencing of language. And you have oral traditions about
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birth of mothers and midwives and sisters kind of passing knowledge along. But somehow when you get
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to writing to actually fixing something in that form, it resists language or it language somehow
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can't bear that set of meanings. I think there's something there that said I also was surprised
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just in reading and researching the book and writing it. How much I really found that there really
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actually is a lot about birth in our traditions. I think that it tends to be deemphasized though.
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So it was really striking to go back and realize, you know, how much of Greek philosophy, for instance,
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talks about birth. How many of our religious traditions, you know, birth is at the center
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of their stories, their theological formulations, their existential questions, the narratives,
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how many of the medieval mystics were we're talking about birth, how many of the early feminists or
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participants in the women's rights movements were writing about birth. But also, you know, I talk
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in the book about Nietzsche and how much birth we find in his work. So it can be very much at the center
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of the bodies of work of these very famous philosophers or novelists or theologians. But that's not
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the version that we usually get of them. So there is that I talk about its kind of secondariness.
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If women are the second sex birth is somehow secondary. And just one last point, I think that
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illustrates that if you look at, you know, you go into a Catholic church, for instance, you'll have
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the Virgin Mary and birth is so central to that, to their kind of ritual traditions, to theology.
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But it's not when hangs at the center of the church. It's not the central object of
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a tour worship. And you have something like Easter in many Catholic communities is more
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theologically significant than Christmas. I was really struck by that part in your book where you
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say it's the crucifix and not the manger that hangs at the center. And you also, I mean, just to
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pick up quickly on the ancient grief point that you mentioned, Socrates' mother famously a midwife
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and Socrates described himself as a midwife of ideas. And so I also famously, you know, skeptical
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of the written word, I think, for Socrates. There was something philosophical that couldn't be
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captured in writing. And he conceived a philosophy as a kind of birth, although often an unsuccessful
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birth, he says, like a lot of times the babies that are being born are windags. They're like not
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actual babies, because ideas don't really have any life to them. Yes, in Plato too, you know, so much of,
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you know, work like the symposium. There's so much kind of birth language, gestational language
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that you find in that book. And this sort of hierarchy of birthing and the greatest births
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are the birthing of ideas and concepts and the lower kind of birthing as, you know, birthing of
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human beings and bodies. But yeah, striking how much you find, particularly in that period, I think
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that that kind of coming out of that axial age, there was something in that like fourth, fifth
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century BC where you start like all of this kind of blossoms and then there are all these traditions
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that grow out of that and come to fruition in different kinds of ways. And it really is, I mean,
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I think that sense of natality is very much woven through our histories of the books and attempt
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to kind of bring it more to the surface. I think most of us don't, you know, go to college and
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take a class on birth or we don't we don't have a sense of what are the great birth novels or
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I think still so many people who give birth, you know, say those words that I talk about in the book,
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you know, why didn't no one tell me what was this was like. And these are very often educated people
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who've had great educations. And I think even in mythology, we don't talk about birthing stories,
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we talk about origin stories, right? There's a sense in which beginnings get recast in a way that
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conceals that we're talking about something that is physical and generative that is a form of birth,
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even if it's purely symbolic or mythological. But your comments about language and birth also make
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me think about how difficult it would be to write, let's say, the story of birth or the biography
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of birth because it's unclear who the author of that story would be, would it be the infant who is
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born or would it be the birthing parent that becomes the subject of that narrative? There's a
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sense in which birth because it is a relational process and because it stands at the boundary between
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self and other, it's the moment where the self gets separated, it's really unclear who the
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the subject of birth even is to begin with. Yes, yeah, absolutely. I think even when I use the word
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birth, it's, you know, there is the experience of being born and there's the experience of
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giving birth. And I use it pretty interchangeably in the book, but obviously those are very different
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experiences. Well, and in your book, I think there is a critique of the history of philosophy
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for ignoring birth, but you do point out that there is a counter history that runs through. There
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have been a number of thinkers who have centered birth and this term, Natality, this English word,
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in one way or another in their work. And one of those thinkers that you focus on is the Jewish
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philosopher Hannah Arendt who uses the term Natality to articulate a philosophy of birth and a
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philosophy of politics that is really salient for thinking the present actually given the
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rise of totalitarianism in our world. And I want to have you define for us Arendt's notion of
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Natality. And then I would like you to talk a little bit about how that concept influenced your
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own thinking about what it means to articulate a philosophy of birth, which is what you try to do
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in this book. Yeah, just to briefly kind of summarize her story. She was Jewish woman who had grown
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up in Germany kind of came of age, you know, during the First World War was educated in the interwar
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period, studied theology was a student of Martin Heidegger, ended up, you know, as the Nazis came
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to power, was pushed out of Germany and was interred in France, escaped from the internment camp,
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and spent 18 years as a stateless person, and eventually ended up in New York, became a leading
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public intellectual writer, political theorist of the 20th century. And, you know, I think we often
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think of her, you know, we think of origins of totalitarianism, we think of phrases like the
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banality of evil, of course, scholars of her work known Natality well, it's not an unknown concept,
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but I don't think it says well known as other aspects of her work, but when you read her work,
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it's a very central idea. And I think the quickest way to understand what she meant by it is maybe
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to think about it as a foil for Martin Heidegger's idea of being toward death, you know, that we're
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thrown into the world by birth and he imagined us kind of always turn towards death horizon, you know,
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that's where we are headed. And she kind of flipped that and imagined what it would be like to be
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toward birth. And so even as we are aging, we are constantly have death before us, death is a reality,
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we are mortal, we wrestle with immortality. She also makes birth a constant reference point.
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You know, why did she do this? I think some of it was she was just interested in the nature of
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beginnings. This is there in her earliest work. She did her dissertation on St. Augustine,
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but later publishers love in St. Augustine in English. And it was very much an exploration of
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what is the nature of a beginning of origins. But you know, as she went through the World War
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2 and the Holocaust and its aftermath, her interest became much more political. And so she
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made very interest in birth, but what she was interested in is the political significance
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of birth. And so she had this belief that we are born not in order to die, but in order to begin.
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And birth was a reflection of our ability to begin things. So the fact that we're born means
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we're beginners. And to be a beginner means you are an actor. And so birth for her was very
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closely connected or virtually synonymous with action. This was a very key concept for her.
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And I think what she had seen in the Nazi era living in a totalitarian regime was that
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things had kind of closed down. So this was a period of endings and of people becoming very
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isolated from one another. The bridges between one another crumbling and people feeling
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increasingly impudent. So by the mid-20th century there had been all this progress and
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there was this tremendous kind of human mastery of the world. You know that we had developed and
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invented all these amazing things and controlled our environments and all these kind of ways.
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So you have this sense of tremendous power but also complete impotency, especially politically.
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And I think we still see this in our culture. We're at a moment where we can play any song we
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want on our phones, any moment. And we can snap our fingers and order something on Amazon.
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It's there. And so there's just like ways we have a lot more control. But simultaneously people
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feel like the political issues we deal with are intractable. And there's a little difference
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in individual can make. And she saw this, you know, 75 years ago or so and was observing it in her
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her own culture. And it's a very strange thing. And to me it's still incredibly surprising,
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you know, how she turned to birth. She was not a mother. She was not, was surrounded by children
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or worked with children. I think she was philosophically concerned with children. She thought
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about children but not immersed in domestic life. And for various reasons did not have children
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herself. But just birth, you know, so much of what she thought and believed in was based upon
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birth and the importance of people believing they can begin new things, including beginning
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a whole new life, you know, that they can they can welcome in in the next generation.
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And she did believe that once you had kind of lost trust in that human capacity that these were
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the conditions under which totalitarianism spreads. And this was one of the most interesting things to
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me about your book. It really made me think differently about birth is this idea that birth is
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political, but it doesn't necessarily need to be politicized, at least at origin. Of course,
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like, okay, there are lots of reasons why we should and do politicized birth. But I think what
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you're saying following a ren is that even prior to the politicization of birth as we think about
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it, including debates about population, pro-natalism, anti-natalism, eugenics, access to abortion,
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and so on and so forth, some of which we'll return to later, there's this ontological category
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of natality that is our very existence as birth debiings that is political at one step below all
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of those debates. And that one step below is that birth is as you quote in the book a mark of
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resistance. And that was just really interesting to me because I think coming out of feminist philosophy,
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I'm used to talking about birth in terms of the feminist political social and political issues that
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are very important to consider. But I'm really not used to thinking about birth just as an
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ontological condition that is really the condition for the possibility of our status as political
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creatures. And not only that, but also as a mark of resistance to totalitarianism. So maybe
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you could say a little bit more about that too. Like, why did a rent think that birth was
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resistant to totalitarian forces? Yeah, I mean, she equates birth and beginnings with freedom.
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Both the pro-natalist and the anti-natalist positions are largely about not equating birth
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with freedom. You know that to have a pro-natalist civilization, you have to have a coercive element.
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And on the other side, you know, birth is associated with something that's being forced on people.
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There is a kind of an association in anti-natalism sometimes with both the oppressiveness of birth
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for the person giving birth, but even in some expressions of it for the person that's born,
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you know, that they didn't consent to birth. That this is like a, they're being conscripted into
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life against against any kind of consensual will. And what I was really interested in is in
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finding alternatives to those positions. And what we find is that kind of between the cracks
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and crevices of the history of thought over the last at least 200 years or so, this period of a
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kind of liberal modernity. There are alternative ways of understanding birth and of drawing on
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developing paradigms that are about the kind of obligations of the individual to their community,
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but that also balance that with individual liberties. I read had that, but she also
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went deeper in terms of seeing birth as just fundamentally connected to our ability to act.
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And you know, I think it's interesting. One of the lowest birth rates, you know, in the world
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is in Eastern Europe. This is a culture that has had just such a long history of
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totalitarian regimes of warfare, you know, in cultures where there hasn't been a lot of freedom,
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these tend to be, these are often cultures that don't have high-notality rates. It's not
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exclusively true. But I do believe that there is a connection. And it's varied because I think
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that one of the things I was trying to show in the book is how our understandings of birth are
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of course shaped by our conditions. And so there are all these different expressions. Freedom
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means something very different for a surgeon or truth. One of the people I track in the book,
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who was a slave, who gave birth to her children while she was, you know, owned by her master,
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but who ends up developing these very strong sort of arguments for the renewal of civilization
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that connect birth with what looks like just a stational language and language of care and
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maternity. So I'm interested in the variation that there are a lot of different expressions,
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partly as a way to recover alternative ways of thinking through these issues. I feel like the,
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a lot of the debates about birth are really stuck in these kind of binary positions. And,
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you know, most of the lived experience is somewhere in the middle of that. I think that
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the rhetoric and the discourse doesn't always reflect how people experience birth is often one
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of the most joyful and happy and meaningful experiences of their life and also one of the most
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challenging. And I think Toni Morrison, the book I have a chapter on her, she describes birth as
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the most liberating thing that ever happened to her. You know, that's not really what I think
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people expect her to say, but you read her work and that, you know, she describes birth under some
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of the most difficult historical circumstances and personal tragedy, but also there's always that
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sense of birth's libertary potential. And that sense of the liberatory power of birth, I often
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think about it in terms of a reset of the subject of birth, whoever that is, but also a reinvention
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of the world, because people often talk about they live in a different world when they find themselves
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in the wake of a birth, whether that is literally the birth of a new person or the birth of a new
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idea, the birth of a new project, the birth of a political movement. So there's a sense in which
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the world itself changes altogether because of birth, the world is reborn. But I want to hear
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pivot a little bit to thinking about that sense of possibility and maybe an ambiguity that it
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carries within it. Because when we give birth to something, we can't always predict how it will
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turn out. This is true of our children, much to my mother's chagrin. I probably did not turn out,
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like maybe she envisioned, who knows, that's true of all of us, right? But it is also true about
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birth in the more metaphorical sense of the term. Maybe I publish a book that has a life of its own
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that I didn't anticipate and that maybe I don't embrace that that can happen. Maybe you birth the
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wind egg instead of a real baby if you're one of the top teeth and you're off your ass.
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Yes, exactly. And so my point here is that there is all this liberatory potential. There is a
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sense of promise. But we can also give birth to something that either is or becomes or is perceived
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as dangerous or monstrous. And I'm thinking about this in connection to the chapter in the book
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where you talk about Mary Shelley's Frankenstein. Can you talk about the relationship between
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birth and monstrosity? Yes, so I mean that chapter on Mary Shelley is really where I guess come
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closest to talking about monstrosity. Perhaps in the Tony Morrison chapter two where we see some of
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the like the most trying and difficult expressions of birth, whether it's in beloved or book like
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the blue-est eye, young girls, been impregnated by her father and his pregnant. And one of the things
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I tried to always keep a part of the narrative is the tragedy that's interwoven with birth.
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To me personally, I see it more as tragedy the monstrosity. I also in the book kind of included
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monstrosity and I'll talk a little bit about Mary Shelley's version. But I think we have to keep
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remember that throughout most of history, something like I don't know a third of birth ended in
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death within the first year. Birth and death were very closely associated and birth was this
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incredibly risky and often deadly thing either for the infant or for the mother. Going back to
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a rent, she connected birth with action in action is always risky and it's riddled with error.
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Part of the totalitarian mindset or ambition is to avoid human error to not open one self up to
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something that can't be controlled. So once you act, you set in motion a sequence of events that
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you can't control. You have a child, you don't know what the child's going to be like, you don't know
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if the child's going to live. If they are going to have a disability for instance or I have teenagers now,
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all kinds of new sites of their personality are emerging and you're learning about things that
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are that can be difficult in terms of, you know, the no human life is is ever quite what you
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expect it will be. But I think her account is still largely more positive that birth is action,
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birth is connected to freedom. I think it's some of the other people in the book. I would say Mary
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Shelley probably has the most tragic account of birth and I think that has everything to do with
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with her own personal experiences of it. It was also the moment she was living in 19th century.
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It was a period of rapid kind of setbacks for women. They had fewer freedoms than they had before
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the Norman conquest in England. It's also a period of industrialization and the you know,
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height of the slave trade and secularism is setting in but there's still a sense of that human
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master, humans can't master their realities even as they're attempting that. And so she was born
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to Mary Wollstonecraft, the early proto-feminist and her mother died shortly after giving birth to her.
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And then she went on to have five children of her own and by the age 24, four of them had died.
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She had one son who who outlived her. She also, you know, her husband's first wife committed
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suicide while pregnant. Her sister took her own life. She had another sister who
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went through what we may see as postnatal depression or even psychosis after giving birth and
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had to be had to leave the child to end the child died. I think before the baby was one.
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Also one of her very close friends, she went to down to France and tried to help her get birth
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to her first child, the mother died, the child died shortly thereafter. So she just witnessed,
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you know, I mean, if you kind of add this all up, she saw more death in birth than birth and birth.
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And she writes this account, the story Frankenstein now, of course, very famous, but what I see is
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one of the greatest birth narratives ever written. And it's just a brilliant book that's playing
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with all these different questions in a way that never resolves them, which is partly why I think it's
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it's maintained so much power that you can go back and never quite kind of solve the riddles that
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she poses in the book. But really fundamentally concerned with these questions about creativity and
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creation, you know, what does it mean to create a new life? What does it mean if that new life that's
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created kills a creator? And you know, here's where we start to get some of the theological questions
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that need to, you know, 50 years later, half century later would be saying God is dead. Here
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means dead, we killed him. We are, we are his murders. And in the book, we have a scientist who is
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kind of, you know, the product of the age of reason and enlightenment, progress, and he goes into his
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his studio and decides he's going to create a human life and he makes this this kind of robot.
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And thinks it's going to be perfect and beautiful and it comes alive and is not beautiful.
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It's hideous and he's horrified. And it's this monstrous birth. And the book becomes the story of
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of him being pursued by his creation who wreaks all kinds of destruction at the very end,
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fallazam to the Arctic and and kill him. So, you know, birth not just in terms of, you know,
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I thought I would have this beautiful humanoid and actually he was hideous, but actually the
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creativity is about creating something that in turn can potentially kill the creator.
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Part of what you're speaking to in addition to this theme of creation and the unknowability
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of the results of our creation is also a question of control, I think. And that kept coming up for me
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as I was reading your book as well. And this also speaks to some of what you were just talking about.
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Birth is like death to a large extent outside of our control, right? Even the most planned birth,
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like that of Frankenstein or we might think about like somebody in our society who has decided to
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start a family had been very intentional about the process and it's sort of like going forth
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quote as planned is so going to find that the process of actually giving birth is completely beyond
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the limits of one's own control. And then of course once we talk about, you know, the actual
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child that is begotten that is also outside of one's control. And I think we see something
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analogous in death, which is this sense in which death is also outside of our control in a really
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fundamental way, even in the cases when it is for scene or perhaps even chosen. And I want to think
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about the political implications of this control too, because it's not just outside of control
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on the individual level, it's also something that politicians, let's say, or political forces try
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and control. And so birth can very much be a site of oppression as we alluded to earlier. We can
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oppress somebody by taking away their ability to give birth by forced sterilization programs.
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I didn't know before reading your book that there was the forced sterilization in 1970s in
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India, over 8 million people in a single year. And so there's this sort of eugenicist sterilization
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project that we see there or as well among many black Americans in the 20th century here in the US.
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And we can also of course, oppress people by forcing them to give birth against their will,
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which we have seen very much in recent years with the stripping away of Roe v. Wade. And so
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I'm curious how you think we should think about this violence of forced births or in general
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about birth as a vehicle of oppression given the nature of natality.
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Yeah, I mean, part of the reason I was interested in that connection with birth and freedom is to
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to think through these issues because we have histories of both anti-natalist coercion
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of governments deciding, you know, we are going to have a kind of biopolitics that controls
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birth rates or, you know, enforces sterilizations. And of course, you have the opposite pro-natalist
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policies, which, you know, whether it's, you know, outlawing abortion or controlling birth in
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in other kinds of ways. And of course, the future we have technologies that would allow for all
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kinds of ways that birth could be controlled by people with the power to do so. But I think there's
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two things. I think one is, and this is a little bit more of an intuitive feeling, and this is
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to some degree going back to my own experience, to my experience of raising girls who we talk about,
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you know, do you want to have children? And for me, having children was always something I wanted.
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I wanted very badly from a young age to have children. I can't imagine what that experience would
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have been like if that was something that was forced. I wonder how much birth becomes something
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people want to do and invest in and engage in when they don't have the space of freedom for this
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to be something that grows out of desire. You know, something that is, comes out of their own
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family's wishes, their own understanding of their place in the universe, their own personal
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histories. The minute you have a kind of state-sponsored control of people's bodies, to me, that
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seems like a world that, you know, I'd be nervous about putting new lives into. And I think we see
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this with the younger generations that there is this sense that they don't think they want to have
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children. And so there's kind of pro-natalist policies that are being put out there, but intuitively,
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it doesn't seem like that would necessarily have the desired effect. I also, you know, some of the
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stuff I've read, this is actually a really wonderful book. These, it just came out, it's called After
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the Spike Population Progress in the Case for People. It's by two demographers. And one of the things
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they actually have the statistics, so I'm kind of going by intuition a little bit, but they actually
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have the statistics to show just how these different policies largely don't work. My husband was a
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third child in India, born to an untouchable family in a period where there were four sterilizations
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of people in his cast. And I think there was a limit of two children that families were supposed
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to have. And so the birthing of him was this act of defiance. And I imagine deep desire, honest
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family, to have this third child. They wanted a third child. But one of the things they look at
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in the book is how both anti-natalist coerce their policies and pro-natalist coerce of policies
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don't have the effect that they're supposed to. And they look at the statistics. So something like
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they do a comparison of China and the one child policy. And they map the birth rates alongside
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that in Romania, which had pro-natalist policies and things like women getting pelvic exams at work,
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forced pelvic exams at work. The rates are basically the same. You can't tell the kind of demographic
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patterns are the same. So I do think that there's something so deep that birth is so huge. And
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this is about really every part of our lives. This is the fact that we're alive, that we come through
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the world, through other people, that we don't really completely understand what that process is,
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that it's connected to desire, it's connected to will, it's also connected to things that are
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completely outside our control. And that these are such deep and basic parts of being alive that
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aren't easily managed. And I think in the book I tried to connect to kind of connect birth with some
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of that unruly needle spirit or energy. And I need to wrote about this so beautifully, you know,
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says you must have chaos within yourself to give birth to a shooting star. The birth was connected
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with a kind of chaos. So some of these policies, I think, can be an attempt to control that chaos.
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And there are real, real ethical considerations and the debates about things like abortion. I
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but again, I was most interested in this kind of submerged other possibility about a kind of
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freedom that is also connected with with care. I think you captured that unrulyness that you're
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talking about in the book wonderfully when you say that birth is both the norm and the exception
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in every domain in which we can speak about it. But Jennifer, thank you very much. This has been a
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wonderful discussion. And we recommend your book, Natality Toward a philosophy of birth to all
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of our listeners and our viewers. It's a wonderful take on the history of philosophy, on feminism,
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on the politics of birth. And I just want to add that it also does a really great job at combining
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the philosophical also with the personal, because there are really vivid and compelling portrayals here
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of the birth of the individuals that you're talking about and of their relationship. As you
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mentioned earlier, to children to giving birth in the cases where that happens. Thank you so much.
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This has been wonderful. Thank you so much for having me.
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Craving more overthink. Subscribe to our substock for an extended version of our episodes,
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helps cover key production costs and allows us to pay our student assistance a fair wage.
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David, this is our second interview in a row where we've been introduced to a major cast of
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characters. This cast of characters is more literary and if philosophical, at least explicitly
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speaking, then the cast of characters we got with our last guest, Lindsay Stewart, where we were
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talking about voodoo queens, for instance. So let's check out that episode if you haven't listened
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to it yet. But I think one of the things I really appreciated about this book was how much she
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went into the lives of the thinkers that she's discussing. You know, this is more, I would say,
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of a nonfiction work that kind of hybridizes biography and philosophy than it is a straightforward
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work of philosophy. And so it was really interesting to hear her after reading the book, which is
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really enjoyable, talk about both the philosophical implications and also a bit of how that
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tied into the biography. What are your thoughts after this? Yeah, so I really loved and it fits the
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subject so well, right? Because she goes through the books of all these figures, whether or not they
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had children, their relationship to marriage and family, their views on childhood. And there
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were a couple of details that really stood out to me. One of them, it's just a biographical detail
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that really made me stop on my tracks was her claim that when Hannah Arrent came to the United States
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after escaping the Third Reich, she was learning English while working as a housemaid. And you know,
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just made me think about something maybe unconnected to the subject matter of the book, but which is
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the experience of so many migrants who have to leave their careers behind and come to the United
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States and begin as gardeners, as housemates, as Uber drivers. And then you realize that there is this
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whole life behind them that you didn't know. But the book is just peppered with anecdotes of this kind
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that are actually not irrelevant, right, to the subject of birth also because immigrants come to
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this land for a new beginning. Yeah, political natality. The situatedness of our existence is crucial
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to the notion of natality as well. We've talked a lot in the episode so far about what it actually
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means to be born, but also we are all born of other people. And those people prior to giving birth to
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are pregnant. And in your David, you wanted to mention something in this context about thinking
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about natality in a slightly different sense. So tell us about that. Yeah, one of the things I want
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us to think about a little bit is the limits of birth or the way in which the concept of birth
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can sometimes limit our way of experiencing important moments in our own lives. Although I do
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think it's really important to think about the extent to which that concept has been eclipsed
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in the history of philosophy due to our interest and our fascination with its opposite, which is death.
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We think about our being towards death as with Heidegger. We think about philosophy as learning how
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to die, right, in the tradition of some ancient philosophers. Thinking about birth can also come with
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a slight danger. And that is that it can carry such a strong weight because of our associations of
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birth with novelty, with reproduction, with the nation state that the concept of birth sometimes
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can also prevent us from seeing certain experiences, especially experiences tied to pregnancy on
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their own terms. And this is an argument that I'm getting from a friend of mine, the feminist
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philosopher Margeline Ola, who writes about mourning things that are unarticulable or incomprehensible.
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So there might be moments where we lose things where we experience loss, but we don't really know
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what exactly it is that we lost. We don't have the language to articulate it. And in her work,
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which plays a lot with figures of the elemental, with figures of beginning and ends, she uses the example
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of miscarriages and stillbirds. According to Ola, when we live in a culture that places such a high
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value on birth and giving birth and being born, the very concept of birth can become so incandescent
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that it blinds us backwards and makes us see all pregnancies as necessarily having to follow
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atelos and only having meaning if they reach that telos. And because of that, almost like magnetizing
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power, when there are pregnancies that don't reach that final telos, that end point, we lose the
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capacity to process meaningfully the trauma of the boss. And I really think this is something to
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keep in mind. And she uses a statistic that really stood out to me, which is that 70% of
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conceptions do not terminate in birth. So it's actually a minor, you know, because they don't take
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because they're intentionally terminated. And so we're talking about a minority of pregnancies
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that end in birth. And so how do we also think about everything that leads up to birth but ends
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before it on its own terms? This is so interesting. I guess what light would you say that sheds on
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natality? Because I think that's like a super interesting point from a pregnancy standpoint.
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Is it just that like only some pregnancies lead to the condition of natality?
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Well, and I think it also might force us to reconsider more broadly the meaning of natality,
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because of course the concept of natality, which means birth, but it also means more generally
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beginnings or a new opening, the start of a new future. Sometimes we think about what starts as the
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opening of a door. But if we think about the experience of pregnancy from a more inclusive
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perspective, that's not just about this telos of birth determining everything retroactively,
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then maybe there can be some endings that don't lead to beginnings, but that have meaning
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nonetheless. And so I think it's a reminder that not all meaningful experiences need to be that
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open door. And sometimes there can be in fact a new beginning in a transformation of the self,
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in a transformation of how we think about ourselves in moments where we are not witnessing our world
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expanding through those doors, but potentially shrinking as in the case of these losses that are
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very difficult to articulate. We hope you enjoyed today's episode. Please consider subscribing to
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