Technology
House of the Dragon Season 2 Post-Mortem (Feat. Your Questions/Comments)
In this bonus episode of A Cast of Kings, hosts David Chen and Kim Renfrow reflect on the entirety of House of the Dragon Season 2, addressing listener questions and comments. They discuss the show...
House of the Dragon Season 2 Post-Mortem (Feat. Your Questions/Comments)
Technology •
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Interactive Transcript
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Hello, everyone, and welcome to a cast of Kings,
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decoding TV podcast about the HBO original series,
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House of the Dragon.
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I'm David Chen, and joining me today
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for this bonus episode, Kim Renfrow.
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How are you doing today?
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Doing great.
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Can't believe it's August.
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Indeed.
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Well, we are so excited to be here to chat about season two
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of House of the Dragon as a whole,
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and also to go over your emails, questions, and comments,
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which many of you have sent into a cast of Kings at gmail.com.
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You also commented at decodingtv.com.
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So this is gonna be a pretty chill, like laid back episode.
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We're just gonna kinda hang, talk about a bunch,
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like we've organized like a bunch of the emails people sent,
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like you know, people responded to the call, for sure,
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about sending in the emails.
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But yeah, I just wanted to say thanks to everyone
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who listened to this season,
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and gave us a great season of podcasting,
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and also a huge thanks to all the people
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who donated to the podcast at decodingtv.com.
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You're the reason why we could do this podcast.
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And of course, I wanna say a big shout out to Jesse Earl,
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who joined us for this season, providing us with a lot of
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stability during a challenging time, and for Kim Renfrow.
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Did all the seasons show notes, which were very meticulous,
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and she did an awesome job, like helped us to get through
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the season and give us a lot of insights out.
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I got Kim Renfrow a little thank you gift
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for her work this season, and I'm gonna put it
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at the end of this episode.
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You'll understand what I'm talking about
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when you get to the end of the episode.
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So that'll be a little bonus for everyone who is able
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to make it through this entire episode.
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But yeah, just wanted to say a big thank you to start with.
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I wanna also make a couple of announcements
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about kind of what's going on.
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If you're listening to a cast of kings,
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you may or may not be aware that it's part of a podcast network.
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There are other podcasts that go on throughout the year.
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One of them's called Decoding TV.
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Be sure to check it out.
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I'm there with Patrick Leppick.
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We're talking about new television shows every week.
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We recently covered Batman Cape Crusader.
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We're gonna be covering the Penguin show in September.
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We covered just a bunch of shows that are coming out
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on a weekly basis this summer.
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The Acolyte, for instance, The Bear, The Boys.
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So if you're into genre and prestige TV storytelling,
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check out Decoding TV.
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There's also another podcast called Decoding Reality
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where we cover reality TV shows.
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We're probably gonna be covering Love Is Blind, UK.
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And the next season of Love Is Blind.
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So anyway, if you're into that,
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be sure to check out Decoding Reality
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wherever your podcast can be found.
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And if you're wondering what's in store for a cast of kings,
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there is going to be a new Game of Thrones season
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or a show I should say in 2025,
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called Night of the Seven Kingdoms.
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If Decoding TV and a cast of kings
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are still a going concern at that time,
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then I think you can expect that we'll be covering
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that show here on a cast of kings.
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But there also might be other stuff between now and then,
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we're still potentially working on that.
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So keep it subscribed to a cast of kings in the meantime.
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You never know what surprises might pop up in the feed.
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So to recap, keep it subscribed here.
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Check out Decoding TV wherever you get your podcast.
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Check out Decoding Reality wherever you get your podcast.
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I think if you liked this podcast,
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you will enjoy those as well.
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Okay, speaking of what's going on with Game of Thrones,
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I think it might be worthwhile to run down all the shows
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that are currently in store,
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like what is in development.
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So Night of the Seven Kingdoms is currently filming.
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It's going to be released in 2025.
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It is apparently six episodes.
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So people can look forward to that.
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And then House of Dragons season three,
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it is not even filming right now,
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which is actually surprising to me.
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But it's supposed to go into production in early 2025.
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So that means early 2026 earliest,
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probably mid 2026 is my guess.
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And also they announced recently
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that season four will be the last season.
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Kim Renfrow, how do you feel about that?
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Does that feel like, hey,
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that feels like enough time to get all this stuff done, yeah?
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Yeah, for sure.
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I had been, I had like some friends asking me earlier this year,
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how long I thought House of Dragons would go.
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And I really couldn't see it going beyond four seasons
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unless they started super milking the time
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between some of the big events.
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So yeah, that's in line was sort of what I expected.
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And it does seem like it'll be,
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they're going to continue doing eight episode seasons
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is also the indication that we've gotten from Ryan Condal.
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Well, we'll talk about that
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because it's been quite controversial for this season.
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But yeah, that seems like enough time to me.
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Yeah, 24, not 24 more episodes, 16 more episodes.
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Yes.
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There's also multiple live action shows in development, right?
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Egon's conquest, there is 10,000 ships
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and another untitled one in development.
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There's multiple animated shows in development,
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like nine voyages and golden empire
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and some untitled ones.
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Not really going to talk too much about those
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because it's possible none of those happen.
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But I did want to just mention
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that other Game of Thrones shows are in development.
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So that's what people can expect
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when it comes to Game of Thrones in the future.
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Now, let's talk a little bit about the finale
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just because we're going to spend a lot of time
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talking about the finale today.
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I think it's just interesting to take a look
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at some facts about the finale.
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So first of all,
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like ratings for House of Dragon
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have been interesting to observe this season.
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The short version of the story as far as I can tell
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is ratings for season two of House of Dragon
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were down this year compared to season one.
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Not that much, but slightly.
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I'm reading here from deadline.com.
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Season two is averaging nearly 25 million cross-platform
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viewers per episode to date.
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This was in August 5th, this article is written.
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This is down compared to the same metric for season one
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when by the finale episodes were averaging
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around 29 million viewers.
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Now, I need to start by saying
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those numbers make this show a massive hit.
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Like this is one of the most successful shows on television
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just in terms of ratings alone.
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That said, I do think it's interesting
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that it does feel like we have found the ceiling
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for this show in terms of viewer interest.
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And it is striking that overall,
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that individual episodes are up and down versus season one.
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I think the finale had more viewers than season two premiere,
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which is good, but overall,
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if you look at viewing across max and all the other DVR
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and all the platforms, season two is down from season one.
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Here is a comment from Reddit.
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I found discussing this phenomenon
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from a user named Trek's Cant Masterbait.
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Trek's Cant Masterbait writes,
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I'm the only person I know who's watching season two,
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and I know quite a few people who watch season one.
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A common answer as to why they won't watch
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is the two-year wait.
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It was the one thing they were already invested in a show,
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but apparently asking them to remember
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a shit from two years ago is a bit much.
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Honestly, I get it.
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And quote,
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What has been your anecdotal experience
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of season two versus season one?
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Because I'll say anecdotally,
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I do feel like the interest has waned a little bit.
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Online, there's still huge fandoms,
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but I remember everyone was talking about season one
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of House of the Dragon,
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and it has not felt that way for season two.
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What has been your experience?
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Hmm.
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Part of my brain is still thinking about T-Rex Cant Masterbait.
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Yes. Oh, yeah.
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It's T-Rex Cant Master.
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Not Trek's.
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That's Trek's.
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Well, you just stood out without even looking at it.
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I was sitting there being like,
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that's a funny, and then I was like,
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oh, I could,
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I think I just automatically like see Reddit user names
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in the minds, and I was like,
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this is the tiny arms.
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I should have figured that out right away.
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Oh,
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oh,
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yeah, I don't, I,
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I will say I feel like I'm in a somewhat unique position
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for this season of House of the Dragon,
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and any, you know, for it being any Game of Thrones season
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overall, this is the first time that I've not been
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gainfully employed as a entertainment reporter
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while a season of the show was coming out.
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Not to mention,
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I've been in my newborn baby bubble.
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So I feel like I'm,
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I am not quite as plugged in
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in real life with people about the show,
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but even saying that,
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I do feel like I've been getting like the same level
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of sort of like texts for friends and like people,
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like the people that I do catch up with and make time for
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have been watching it.
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I've even talked to a couple people
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who started watching Game of Thrones for the first time
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because they were watching House of the Dragon
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and like enjoying it enough that they were like,
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oh, I'm actually going to go back and like
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see what this dragon thing's all about.
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So I don't know, but I,
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it also makes sense to me that like you said,
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we've sort of hit a ceiling perhaps with how many people
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are going to be on board for watching these prequel shows.
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And I will say it's like you said,
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it's still a big hit by a lot of standards
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and I think a lot about how people in,
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so like, right, Game of Thrones season eight,
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premier 2019, I feel like for most of 2020 and 2021,
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you could not escape the comments from people being like,
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that finale was so bad that like it's a race to the show
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from cultural memory, like it's had no impact,
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no one, it's crazy, no one gives a crap about the show anymore.
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And like a lot of people were really apprehensive,
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I think about any of the prequel shows
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let alone House of the Dragon and like the subject
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being what it is.
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And I think that given how much pessimism there was
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about the show being able to have any interest from anyone,
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like I think that it's done pretty well.
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And it's found this little pocket of viewers
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and by little pocket, you know,
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we're talking about millions of people.
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But yeah, I don't think anyone was ever expecting it
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to reach early seasons of Game of Thrones level hype.
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So yeah, maybe it's an expectation
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as far as this reality situation.
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It's good context.
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I remember those times when there was a lot of doubt
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as to whether they show whatever rise to the heights
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of Game of Thrones.
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And I think it has gotten not necessarily up there,
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like certainly close and occasionally exceeded, right?
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But I do think it's interesting that the number
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is not going up.
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It doesn't seem to be going up.
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You know, Game of Thrones has shown that increased
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its numbers year to year.
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And this is not a show that is doing that.
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I do think it is a show that really expects a lot
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from the viewer.
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It's a show that, because I remember watching the premiere.
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It's like, who the heck are all these people?
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You know, it's just, it's a show that you need to follow along.
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All these people, you need to know who all they are,
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you need to know all their names, many of the names are similar.
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And I do think that makes it difficult.
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Now that said, the audience of somewhat hardcore, medium hardcore
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fans, which I think is what you have to be to follow the show
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and book reader fans and so on, that is a huge audience.
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And that will be a profitable audience for HBO and Max
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for a long time.
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But yeah, I'm curious how this trend continues with season three.
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You know, like, is it going to get even lower for season three?
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Is it going to get bounced back?
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I do think, you know, to move on to our next topic.
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I do think that the reaction to season two will be damaging
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to the show in terms of getting new viewers.
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I'm not saying season three is going to be a failure or anything.
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Like, I think the show is going to have a wonderful, successful
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four season run.
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But it is a fact that season two's finale is the lowest rated
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episode of Game of Thrones ever, which by the way, I think is unfair.
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Meaning like rated, just for layman's terms, I feel like when I
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first entered the world of like TV reporting, I was genuinely confused
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by the fact that ratings both means viewership and like, how many
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out of five stars are people giving it?
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Right?
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I apologize.
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I use the various spur, I've used a very spurious,
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asperiast thing.
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So essentially, this has been, this has been the headline.
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And I, let me, I want to be really clear what this is, right?
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So this is a, on IMDB, people can rate shows by,
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right?
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By like a star rating out of 10, right?
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And this show apparently season two episode eight,
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was rated 6.6, which is the lowest rating for any a song of
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Eisenhower show since Game of Thrones, which is rated 4.0.
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Now, that is not a meaningful number by any, like who gives
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a shit like what the IMDB rating?
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Okay, so I want to contextualize not actually that important
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as a number, but I do think it's a sign of what at least a
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significant portion of the sentiment towards the episode was.
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Okay, that's all I'm saying.
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Not, I'm not saying it's actually meaningful, financially,
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or business-wise, but when you're trying to like get good word of
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mouth and build interest in a show, if a lot of people
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freaking hated the season finale, it's going to make it harder to
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get new people to sign onto the show, especially for show
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it's difficult to follow.
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Right.
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It's like that it's, it's the inverse of what happened with I would
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say the final two episodes of Game of Thrones season three.
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With like the red wedding where like that was like, that was
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such a high point for the series and for fans and absolutely
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like change the tenor of the conversation into like you have
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to be watching this show and made up of people to an
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infur season four, whereas that is not what is happening right
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now with House of the Dragon.
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And in fact, the opposite can be said, I think, for a lot of
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portions of the fandom.
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So yeah, and, and, you know, to read right what I said, like,
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I actually think that,
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that's a little bit unfair.
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Like I don't think that episode was that, you know, I think we
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were pretty measured in our criticism of there, there are some
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great scenes.
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It just felt like a weird place to end the season and many
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people made that observation.
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So I mean, let's talk about, there's been so much conversation
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about this, so let's try to dive into it.
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We're going to start dive into it.
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We'll take a break and then continue the conversation here.
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But Jefferson wrote into us at a cast King's a Gino calm and
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kind of wrote what something many people have felt, including
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me on the episode that while episode eight was a fine
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episode, it didn't feel like a finale.
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It felt like the eighth episode of a 10 episode season.
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And that's because it literally was end quote.
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And then Jefferson goes on to outline exactly what has gone on.
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What the timeline has been, right?
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So Kim, how do you, how do you want to do this?
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Should we read the Jefferson email?
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Should we go over this timeline you've written here?
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What do you think we should do?
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I think we should go over the timeline I've written because
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all respect to Jefferson.
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I really appreciate the full email.
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Like what Jefferson wrote it and what I've seen a lot of the
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conversation on in online has been a, I think, slight misinterpretation
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of what has been actually reported.
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Yes.
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And that's very fair because not everybody goes in and reads every
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single article that's ever produced about this.
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But yeah.
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Right.
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So in August of 2022, HBO renews House of Dragon for a second
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season, the same week as the season one premiere, no episode
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count recorded reported in that in that situation.
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Right.
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Some people speculated that it might be 10 episodes because the first season
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was 10 episodes, but no one said it's going to be 10 episodes.
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Yeah.
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And also I think of note in that same month, like a couple of weeks later,
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again, right in the early stages of season one, airing, we found out that
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Miguel Sapachnik, who was a co-show runner and director in season one,
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and people know him from his work on Game of Thrones, was stepping away
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for the rest of the series.
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And that instead Alan Taylor was stepping in as a producer, but the Miguel
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Sapachnik was no longer going to be involved with the show.
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And so I think that that's also something to like have context within about
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like how the overall plans for the series might have changed after season one.
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Now that Ryan Condole was the sole show runner.
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All right.
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So in January 2023, according to producer and writer Sarah Hess, the scripts
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for season two were done.
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We don't have a sense of how many scripts there were, right?
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At that at that moment.
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Right.
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They don't like, again, we'll get to this on the timeline, but like later reporting
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says that there was some initial plan for a 10 episode arc that changed at some
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point.
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We do not know exactly when that changed, but we know that Sarah has has said
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that the scripts were done in January 2023.
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And then here's the thing that a lot of people are talking about in March of
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2023, a deadline article.
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This is what a lot of people have been pointing to.
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Yeah.
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According to the deadline article, I hear the initial plan was for another 10
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episode arc, which eventually changed leading to some script rewrites.
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Given the leadership change at HBO's parent company, some pointed at Warner
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Brothers discoveries, leadership's focus on cost cutting.
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And HBO's spokesperson who is confirmed to deadline that season two will
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contain eight episodes, stress that the episode count trim with story driven.
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And quote, so that is that's the thing that a lot of people have
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focused on that literally that quote I just said is that it was originally for
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10 episodes, it was cut down to eight.
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That would make a lot of sense based on what we saw, by the way, in the show.
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And then the each like this episode, count being story driven feels like it is
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them kind of towing the company line or or adhering to the company line.
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Now, just some context during this entire time period, Warner Brothers discovery
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is going through chaos.
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Like the company's been taken over by a complete,
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by someone else who was not in keeping with these, you know, by a person who
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did not necessarily have the same creative spirit as the former head of the company.
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And and they they have a when they when the company take over happen, I think
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they had something on the order of like over $50 billion of debt that they had
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the service. And so like cost cutting has been an enormous focus of the new Warner
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Brothers discovery.
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I will just say I'm honestly impressed that they've been able to keep the flow of the show.
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And you know, we have interacted with the PR people like they've been so wonderful
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this season.
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I'm honestly like impressed that it has been shielded from us as like, you know,
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like we have not felt it as creative people working on a on a house drag and
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podcast during this entire time.
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Yeah.
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But the company has been in a really challenging state.
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So this fits right in with that narrative that like they would say, Hey, you can't do
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10 episodes.
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We don't have the money.
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That would make complete sense.
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Kim run for any reaction to this.
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Yeah.
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I think it's I think that all of those points are important context.
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And I also feel like people, I feel like too many people have run with this assumption
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that like it was reported and that it's a fact that like the only reason why season,
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like this idea that they had 10 episodes fully fleshed out and that in March,
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just a month before filming started, they got this order to cut down to eight episodes.
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And I don't think that that is quite a fair interpretation of the reporting.
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This article came out in March 2023.
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But we don't know that like that is the time frame in which this like that the change was given, right?
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So again, like going back to the idea that Sarah has said that by January,
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they had the scripts finished.
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It's entirely possible that like the reporting only came out in March.
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And then HBO confirmed within this deadline article, like, yes, it is only going to be eight episodes.
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That does not mean that like it was so last minute as to like
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the month before filming began, they had to change everything from like they had to scramble to like do this 10
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episode to eight episode shift.
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It sounds more to me like at some point after season one aired, right?
spk_0
That Ryan Condole, as now like the Soul Showrunner and in conversation with George R Martin,
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found out that they would have about three to four seasons worth of time to tell the story.
spk_0
And I'm sure got some more information about the budgeting and resources that he would have allocated to each season
spk_0
and made the call to break up all of the major plot points in fire and blood in this way.
spk_0
And so in the same deadline article that came out in March,
spk_0
the reporter Nellie and Dreeva says that like part of Ryan Condole figuring this out meant
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moving a portion of the plot quote originally intended for season two, including a major battle,
spk_0
unquote, got moved to season three.
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And then that is in line with now what Ryan Condole has said in some post-mortem interviews
spk_0
about the season.
spk_0
And so it's like, yes, it's almost like it's it sounds to me like it was both.
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Like it was both factoring in, okay, with the resources that it sounds like I'm going to have for season two,
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I'm not going to be able to pull off this big final battle in the way that we want to.
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And so I'm going to rework maybe what had originally been planned for for fitting that into season two
spk_0
into a season three.
spk_0
And that like they had that it was like it was more intentional on their behalf than maybe some
spk_0
people are assuming. Myself included when I first saw the finale and was just sort of
spk_0
greeting these headlines and before I had really gone in and read a lot of the reporting around
spk_0
this. So yeah, like it's like certainly like the the the line of like that it was entire like
spk_0
that the trim was totally story driven is like if they had unlimited money and time,
spk_0
would they have made those story driven changes? Probably not. But like I don't know, it seems like
spk_0
they also it wasn't like this last minute slapdash thing that some people are assuming.
spk_0
So yeah. Let's take a break for a sponsor. We'll be back with more conversation about this topic
spk_0
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for sponsoring this episode of the podcast. Yeah, so great rundown Kim. I think the reason a lot
spk_0
of people reacted that way is because it just that episode eight of season two feels like
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we're just interrupted in the middle of the story. You know, I think it's because of the feel
spk_0
because it's clearly kind of building up to this thing that's going to happen that we don't even
spk_0
as a show watcher, you don't really really even know what it is. Yeah. And so there's this feel of
spk_0
oh well and people are looking for answers. It's like it's got to be that they at the last
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second they had to figure out just abruptly and this like it feels so abrupt that I think people
spk_0
just assumed oh there must have been some tinkering by the bean counters over at Warner Brothers but I
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think you're right that they knew this going in. It feels like they knew this going in that they
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would only have the resources to do it this much and they kind of shaped episode eight to kind of
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tee up the next thing as well as they could given the resources they had. Yeah. That's kind of what
spk_0
the conclusion is. Yeah. And like I completely agree that like I still think that you can see
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the you can I think that it is still visible to me on screen and in terms of just story structure
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that eight episodes was not quite the original plan when this season got outlined and that in the
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last chunk in particular I feel like you can kind of see the moving around of certain scenes
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to attempt to make a complete season that lands that attempts to land like with some sort of like
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emotional climax while absolutely needing to like serve as a bridge into what's about to happen
spk_0
at the start of season three and I don't fault people for for for like rubbing up against that
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because I certainly did when I was watching it like it felt like an attempt was made to rework this
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into an eight episode season and like it didn't those pieces didn't quite fit as smoothly together as
spk_0
I think they probably hoped they would. Yeah. You have other bits of the timeline here Kim do you
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think we should go over them? I think you kind of summed them up already. I did sum them up I guess
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the last thing to say is that like again maybe a reason why it didn't those puzzle pieces didn't
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seem to fit as smoothly together is because of the writers could be because of the writer's strike
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and not to say that like oh they literally had to rewrite the episodes in four weeks and then
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the writer's strike happened so then like they couldn't put like again I think that like they largely
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had this structured out a couple months before the writer's strike even began but it is reasonable
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to say that like they did not have the flexibility that showrunners often do have once production
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actually begins and by production beginning I mean like filming has started right? Yeah so filming
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started in May of 2023 April. Oh April sorry and then the writer's strike began in May. So
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and the reason is that the sort of union situation is different in the UK where this show is filmed
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and or in the EU right? I don't know exactly where it's from. That's part of it for like because then
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remember there was a sag the sag strike started shortly after that and so both strikes did not
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affect production of House the Dragon. The writer's strike meaning that instead of what often
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happens with TV shows and I believe was the case in the past with House the Dragon where you would
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actually have a writer on set with you as episodes are being filmed usually it's the writer of the
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episode of those scenes and they can kind of step in sometimes tweak lines adjust things and all of
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that is considered working writing right? And so because of the strike they did not have any of those
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episode writers on set or involved with production. On top of that Ryan Condal and Sarah has themselves
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are credited writers for the show and so the way that they were able to continue production
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is by spending their time during filming solely in what's called like the producer role not
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writer role which again means that they were not supposed to be and according to them they were
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not doing any type of dialogue tweaking any adjusting and according to like a lot of people in
spk_0
the business like that does happen to a pretty like large extent sometimes with TV shows where like
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potentially a a showrunner can see that something isn't quite working out in the way that they
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had hoped once it's actually being filmed or hey maybe this Damon stuff is actually kidding for
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repetitive or like something like that right right or why are we why are we focusing so much
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on Thailand Lannister right in the final episode and and you cannot make those changes right you
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know so you might be able to make those changes a little bit on the fly if there's no writer strike going
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on but if there's a writer strike going on you cannot alter the script and so you know we have we
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have been through a writer strike before Kim I don't think you were in the industry at that time
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right the last writer strike now I was a wee high schooler but I think that you know during during
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the last writer strike it's there was many shows that there were many shows that were like cut short
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or that couldn't be made you know or like it was very obvious that the writer strike interfered
spk_0
with it whereas in this season it's it's less so because apparently the scripts were locked
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prior to the show began beginning but their ability to change course and correct was curtailed
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because of the strike and so it's possible we're also seeing stuff that's the result of that as well
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yeah and then finally there was one interview that Ryan Condolegave in June of 2024 saying
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why the the shorter season is happening he says quote there are host of factors that went into
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that decision it's a big ambitious show and it could become unwieldy in terms of the number of
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few days you have and certainly the amount of resources you have to make it we have a phenomenal
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amount of resources but those are still finite end quote so this is kind of a very polite way of saying
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we ran out of money and couldn't do everything and couldn't do everything we wanted to do that's
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that's kind of my interpretation that quote yeah yeah at least not in like not in the way that
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he thinks what have actually been gratifying to people aka like cheaper budgets or shorter scenes
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you know and I've seen people talk about the fact that like um you know game of thrones had so
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many had like these epic battles and often those were like in the penultimate scene and in this season
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it seems like they kind of used the dragon claiming to be like their big penultimate moment I think it
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is not worthy worth noteworthy worth noting though that's the same things um well done you know
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this season in eight episodes had rook's rest and the dragon claiming which like in a regular season
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of game of thrones like one of those would have been like we would have pointed to as being like oh
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that was it like that was like the big moment so they had two this season in in those eight
spk_0
episodes and it sounds like the the next sort of big set piece moment is going to happen pretty early
spk_0
in season three and yeah like they just simply felt like they couldn't pull it off with
spk_0
a one season budget and I'm like that's valid even again if we are feeling the result like if we're
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feeling the sort of rocky result of the way that they paste and structured this second season here but
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like it feels to me like when all is said and done when we have the four seasons if someone goes back
spk_0
and binges them all in a row I think that this season will hold up pretty well um once you can
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roll right from that season to finale into what they're gonna set up in season three so
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yeah all right well that's kind of our thoughts on the production schedule of this season and I
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think that's important because a lot of people have been saying HBO cut down the episode order and
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it's just a little bit more complicated than that they clearly knew that that's what they're gonna
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have going in but there are all these other factors that might have impacted why the episode and
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the season ended that way all right we have way more to discuss we're we're just getting started
spk_0
here so let's get into it uh bunch of emails to a cast of kings gmail.com let's start with this one
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oh oh this is uh this is a good one I actually brought some um some audio
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audio tape here for this one key from north havin kineticon writes at the beginning of season two
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episode four the red dragon and the gold we see Damon experience his second heron hall dream
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during which he talks to teenage rinira and behead her her severed head speaks to him though her voice
spk_0
is layered with a deeper voice as it says there's been a raven i believe the deeper voice is none
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other than brands Simon strong wakes him up and repeats the line as i said there's been a raven
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but to me it is clearly not his voice in the dream does anyone else aside from my wife here this
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obviously later this season we see Damon's vision included the three-eyed raven but this is a
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is this a sign that brand is directing what Damon sees tell me i'm not as crazy as he was going into
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that cursed keep all right so uh i have a clip from the episode what you are going to hear is
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beheaded rinira speaking valarian and she says something along the lines of isn't this what you
spk_0
wanted right and then she will say there's been a raven and then you'll hear Damon wake up and then
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you'll hear Simon strong save has been a raven now the question is when she says there's been a raven
spk_0
is that brand's voice overlaid on top of it let's take a listen
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that's been a raven
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mario grace slet well and trust as i said there's been a raven
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Kim any assessment as to whether that's a brand's voice there i also i went and rewatched this like
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four times when i saw this email it's certainly like it's brand-esque it could be it could be
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but i'm not so confident as to say like yes that is Isaac him stood right like audio cameoing
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into how it's clearly not Simon strong though i think no and it is clearly more male
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and like again like distorted and i like i turned on the close captionings and it just says like
spk_0
distorted vocal so maybe and like even if it's not meant to be brand specifically i think it would
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make sense if they were trying to kind of give us a little hint as to the fact that we would see
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blood raven later in the show which like we do see him the if brand becomes the three-eyed raven
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in game of thrones but the three-eyed raven before him was a Targaryen known as blood raven
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so even if it's not meant to be brand maybe it's an illusion to the fact that there is this male
spk_0
figure creeping beneath a werewood at some point in this history of timeline in westroes and that
spk_0
that person does have the ability to sort of hop in and out of vision quests as we see
spk_0
Damon do so i don't know inconclusive on my end but certainly a good catch of like what was up
spk_0
with that male voice because it it is not Simon strong yeah it's very possibly very possibly so
spk_0
no no discriminator mat cue from Nashville writes c smoke chose adam because he's the half brother
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of his former writer laynor vermithor chose you hammer due to his mother being Sarah daughter of
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king jaheras one of vermithor's first writers silver wing chose wolf because of his lineage as
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a son of king jaheras brother slice husband to silver wings former writer queen alasand
spk_0
so i don't think they're choosing them purely due to having targaryen blood but rather having a close
spk_0
familial connection to the dragon's former writers and my way off here thanks and happy potting
spk_0
end quote kim run for is met cue from national wayoffer is he right on i think he's right on uh this
spk_0
is something that i hadn't realized until i saw other folks pointed out because house of the dragon
spk_0
it it made a change to make you an ulfs parentage clear like this it fire and blood it's not
spk_0
indicated that we know exactly which targaryen um fathered or mothered them but house that because
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house the dragon made that more explicit and if you follow the the backwards timeline of all the
spk_0
writers of these dragons then yeah all three of the new writers do have these direct bloodline
spk_0
connection to their dragrige previous writers which is cool all right we got some emails about
spk_0
this auto high tower situation so in the finale of season two we see auto high tower
spk_0
in a cage for a second like three seconds there was an interview and variety with gita
spk_0
vasant Patel who is the director of this episode and she has asked the question
spk_0
we see auto high tower locked up in a dungeon somewhere where is he and gita vasant Patel says
spk_0
i was asked to shoot that scene i want to know where he is too i don't know i don't know those guys
spk_0
talk about a lot of things in the writers room and they they don't tell us they don't tell any of us
spk_0
they don't tell the actors either i don't think it's fair i'd quote
spk_0
which is just a wild thing to say in an interview promoting the show i have to say
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i admire the the honesty uh lady Tracy from house d'Arnell writes in the decoding tvhgma.com hey guys
spk_0
love listening to you every week just wanted to give my thoughts on the auto thing the only thing
spk_0
that makes sense in my head as to who would have moustage is the beesberries they've been mentioned
spk_0
several times is giving the high tower army some pushback or trouble and retribution for what
spk_0
happened to lord beesberry so it makes sense that they would have him possibly couldn't be teen black
spk_0
or we would know about that i feel what are your thoughts and quote now came ran for oh uh i think
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you and jesse said you don't know where auto high tower is in the case right like even from the book
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you don't know exactly right right because in fire and blood auto never leaves kings landing
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the way that he did in house of the dragon he is fired as hand of the king by egg on and kristen
spk_0
coal is promoted to replace him um but it's almost similar to like what we had talked about like
spk_0
daemon this season like in this period of the events that are recounted in fire and blood there's
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just not much information about what auto is up to but certainly he's not jailed by anyone um so
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yeah i totally agree with lately tracy that i think that that is the most likely answer um because
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there is mention in fire and blood about house beesberry kind of leading the charge in rebellion in
spk_0
the south against the high towers because not only are they pledging for teen black and queen
spk_0
viserys a small council and he was killed by kristen in that whole secret meeting the night the
spk_0
viserys died when everybody decided to move forward with crowning egg on um he was sort of like the
spk_0
first blood in that war because he was protesting the fact that they were about two you serve
spk_0
rain years claim he was killed and his family presumably either knows that or they just think that
spk_0
he's missing or imprisoned which is fire and blood kind of describes it as like they think he's
spk_0
just being held captive by king egg on and so that's why house beesberry is rebelling um but throughout
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season two basically in almost every small council meeting with teen green there was a background
spk_0
mention of the fact that house beesberry was still giving the high towers some trouble um and so
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it was very you know subtly implied that this might be why auto is now in hot water um plus
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combined with the fact that again because in the books auto isn't gone so they had those show
spk_0
invented scenes of allicent being like hey is anyone actually like heard from dad and everyone
spk_0
being like no but he's probably just busy and i remember at the time being like that's a that
spk_0
was like a weird thing for them to go out of their way to say like auto is it responding to
spk_0
allisants letters and now it's like oh because he was probably captured and for whatever reason
spk_0
um his fellow family members over there in in old town in in house high tower haven't
spk_0
dain't to inform anyone that auto has been captured or maybe like yeah maybe we're gonna find out
spk_0
that this was like a big secret thing and nobody realized that he was locked up because he was
spk_0
just like captured on route back to king slaying or something like that um well um we're calling
spk_0
it now thanks to lady tracet for how starnell it's the beesberries we'll find out all we need to do
spk_0
is wait two years to find out okay humstrong at decoding tv.com writes in about Ulf you know i
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i think we all had some fairly negative things to say about the depiction of Ulf last episode
spk_0
and humstrong wrote in a very compelling defense of the show's depiction of Ulf so
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he writes quote regarding Ulf i felt like this character his character this episode was consistent
spk_0
with the rest of the season all we've ever seen him do was grift the locals into free food and drinks
spk_0
with stories that he's a long lost son of a targary ambassador he acts completely entitled in that
spk_0
bar scene walking around grabbing food off of people's plates like he's a prince we also see that
spk_0
he's a complete coward or at least a bootlicker he would use viserys's name to gain the favor of
spk_0
people reminiscing about how his supposed to have brother never held large feasts while the
spk_0
normies were starving but is in the very first uh but is the very first to jump his feet and cheer
spk_0
on king egon when he randomly shows up at the bar when team black comes calling for potential dragon
spk_0
writers it becomes clear that Ulf never believed his own story as he desperately tries not to go
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only giving in due to the pressure of all the people he'd been lying to all these years um i was
spk_0
side note from david Chen here uh yeah there is that scene where he says oh i'd love to go but my
spk_0
injury you know i have i have this horrible injury that prevents me from and but then he doesn't
spk_0
go anyway back to the email or the comment at deconikdv.com of course it turns out that he does have
spk_0
dragon blood and when he realizes he thinks he's gonna be welcomed in as family and we'll be able to
spk_0
ride easy from here on out he's not trying to stick it to his the highborn he thinks he's now one of
spk_0
them and can act freely scuffing up the princess hair making inappropriate jokes at the dinner table
spk_0
the man is a buffoon it still doesn't dawn on him that he has he was brought there to ride a nuke
spk_0
into war not to be the fun drunk uncle and i've got some great points here just tracing the
spk_0
the arc of Ulf throughout the season uh i think you know it's your mileage may vary as to like how
spk_0
believable you find his his sort of behavior in that situation um and and maybe the show is going to
spk_0
use his obliviousness to some interesting dramatic effect next season it felt like the show is
spk_0
kind of just milking it for laughs um in ways that didn't feel super plausible to me but you know
spk_0
i think uh humstrung makes some great points here came renfro any any reaction to this email
spk_0
i definitely love this interpretation of sort of like his actions and like you said sort of
spk_0
charting his characterization i think it makes a lot of sense and yeah for me it's hard it's hard
spk_0
to parse out whether like my annoyance with this character was yeah yeah the the result of what
spk_0
i'm supposed to be feeling about him versus it feeling like a like a maybe tonally out of place or
spk_0
like you said like maybe like over um overwrought depiction of him because yeah i just my irritation
spk_0
with him i i felt i was like i think i am supposed to be this annoyed with him like it's like i'm on
spk_0
jace and like atoms side at that dinner table of being like uh like this guy like you know yeah calm
spk_0
down you're not that you're not hot stuff right so yeah also great yeah i was gonna say should we
spk_0
jump to this other email yeah yeah yeah there is one more email that's related to this subject but
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let's take one quick break for a sponsor we'll be back with more conversation about this right
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relating to the Ulf at dinner scene uh she a food professional living in Amsterdam originally
spk_0
from north carolina writes into a cast of kings jima.com during the finale episode my ears
spk_0
perked up when i heard ulth asked for more of the little birds my mind immediately went to the
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ordalon this small bird is a highly controversial and illegal french delicacy uh to quote the horrors
spk_0
of their preparation they are kept in dark cages force fed figs and millet until they've doubled
spk_0
in size drowned in branding plucked roasted and eaten feet first in a single bite leaving just
spk_0
a beak behind it's tradition to put an napkin over your head when you eat them so that god can't
spk_0
see you sin this dates to roman times when british and french cuisine was more intermingled
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i couldn't help but wonder if this is a clever metaphor for the horrors being discussed at the table
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as rinira asked her writers and their dragons both larger than life to commit the indiscriminate
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slaughter of innocence little birds if you will only ulth seemed unbothered rather than where the
spk_0
proverbial napkin he instead lays his sin bear for all to see he consumes the little birds with glee
spk_0
and is eager to do the same to the small folk in he and rinira's way i know this
spk_0
is long but i think i i have to think the request for little birds is a way for the show to use
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food to tell the story of pain death and apathy that in the end only serves the one who consumes
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i hope this isn't too niche to make the podcast obviously feel free to edit it down uh i didn't
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edit it down uh shake and close a great email great email great email uh you know i did have the
spk_0
orderline but i was first introduced to this concept in the hp original series succession which
spk_0
references yeah i thought about too yeah and when he says little birds i'm like huh what a what a
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weird thing to ask for but yes it is we don't know that it's a ordalon that he's eating here i
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didn't see any people covering their heads with napkins in the show um but it certainly could have been
spk_0
so yeah yeah yeah any other reaction to this kid just that i thought it was a great point and i
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love when when people pick up on details like that because it was a distinct piece of diet and like
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the fact that he like repeated the request like it makes sense to me that there is something there
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was something intentional there in in that being a piece of his um display here at the dinner table
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yeah it's probably some kind of delicacy in in the world of west russ right right and certainly like
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you know them coming him and he coming from the king's landing situation they were in in which
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like they hadn't had anything better than like a watery bowl of fish stew it seemed like in
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weeks if not months and so for him to be the one at the table who's like really indulging in all
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of the riches that are now available to them um makes a lot of sense all right let's talk about
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visual effects and show production this one comes in from Brandon writing you to cast kings
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gmail.com hello cast king's trio i realized recently i've been listening to a cast of kings for
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10 years question mark i've always appreciated processing new episodes of shows in this world with
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the hosts whether i agree with her thoughts or not anyway my question for you is regards to the
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pattern that has been developing during the hbo ison fire shows is this insistent on longer episodes
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but shorter seasons seasons one through six of game of thrones were 10 episodes followed by the
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infamous season seven and eight being seven and six episodes with house of the dragon season two
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ending at eight episodes i'm finding myself feeling like this method is dragging things out
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i remember early seasons of game of thrones being 50 to 55 minutes but now with almost every episode
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blowing up to 60 to 90 minutes but for your episodes it feels off the finale essentially
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felt like a trailer for season three and it was still over 60 minutes long was curious if you guys
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add any thoughts on episodes being shorter but we get more of them this season had some intriguing
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moments great sets wardrobe and art wonderful acting and wild v effects but overall felt like it was
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lacking i can't help but think about the hundreds of millions of dollars used only for the plot to
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have many episodes of things of stretching things out again thank you end quote all right it is a
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fact i think that every episode this season has been pretty long 55 to 60 minutes or more i think
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this this season uh and that uh you know tv episodes in general used to be shorter
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curious Kim what you think the impact of this has been yeah it seems to me to be a trend
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not just with these a song of ice and fire based tv shows but like overall in television i feel
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like it's rare that we get long seasons meaning like more episodes at fewer like shorter run times
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basically my understanding is that that does have to do with budgeting reasons um and just the
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impact of you know like the net flicksification of tv production and the way that shows are sort of
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like greenlit in like these binge batches where they don't have to adhere to a 45 minute run time
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to account for commercials in a one hour time slot on cable tv you know um so there's a lot that
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goes into that and yeah it does one of the things that i thought of especially with like the final
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seasons of game of thrones was the fact that fewer episodes means less money spent on the casting
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budget because most my understanding is that most actors get paid on a per episode basis so if you can
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squeeze more content into fewer episodes you will save some money in the budget line on at least
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how much are paying the actors which you know sure sag has feelings about that but
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right right i think uh you know there's a really cool experience to be had watching a very long
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episode of television like a 75 minute it's like oh wow i just watched like a movies worth
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of tv that felt like it had its own arc in a beginning middle and end and you know
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and i think that you know it's a quote a roger ebert i think you know no
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good movies ever too long no bad movies ever too short putting aside the production realities like
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if the episodes deliver and are thrilling and are well done like i don't really care how long
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they are um i i think there is a lot of memes about episode eight of season two of acid dragon because
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it felt like a lot of build up to nothing you know one of my favorites was the
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Nathan fielder uh he does this thing where i hope he's serving someone to play to food and he
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lifts the the the the cover off and there's nothing there and he's like i hope you're ready for nothing
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you know like and that's kind of what a lot of people felt like uh season two finale of
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acid dragon was you know that's that was the reaction i think it's not like oh the episode was so
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long it's the episode was so long and it felt like we were building up to something we're not
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gonna see for another two years yeah um so yeah uh okay there were some defenders of what was
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going on in season two finale you know uh patrick wrote into a cast of kings at gmail.com
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long time listener patrick you know we were talking about how alan and corpus they had the scene
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in this episode and i think you and jesse were musing on how maybe this could have been included
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earlier patrick writes if the alan and corpus scene had taken place in the previous episode it would have
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on scenes of corpus talking to adam and then alan to see if alan also wanted to try his like with
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dragon episode seven was packed with enough corpus and his valerian bastards um the alan corpus scene
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taking place in the con it is taking place in the context of them rejoining the valerian blockade
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of blockade that episode eight establishes is an imminent danger of attack from a hierarchy fleet
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i know that you all are a bit down on how this episode was largely set up for season three but
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finale episodes and game of thrones often feature significant chunks of their episodes on setup
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sometimes couched spectacle uh usually with dragons but not always this episode leaned in on a motion
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and character rather than spectacle and maybe that's okay they've wanted to know if the show was
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trying to tell us that corpus and alan were important and if they're going to be in season three what
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why would someone think otherwise will the triarchy somehow miss the blockade can we imagine that
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raneer in next season will get a raven reporting that corpus and his right hand man were killed on the
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way back to their home planet if that happens i'll be happy to apologize to you for taking issue with
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criticism of the scenes inclusion in episode eight uh otherwise the season finale of season two
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i'm sorry the finale episode of season two is going to provide an excellent rewatch directly before
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episode one of season three you know we're all going to rewatch it before the premiere and we'll be
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caught up on the geopolitical events happening and where all the events and characters are
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emotionally i can't complain about that end quote so that's a great defense of like why that
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particular plotline is in that episode i mean i think that uh uh you know uh is it going to
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like is it is it going to be you know the question is not are we going to find out what happens to
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them right the question is are they going to be significant characters and how much are we going
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to invest in like i think this is a great defense of like why they put it there but in my defense
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game of thrones it's extremely well known for introducing characters that you're like is this
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going to be a major character i don't know right and then like literally you never hear from them again
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if we never heard from alan or adam ever again i would not be shocked i mean i i don't think
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that's going to happen i think that like we're going to get some resolution to it but it is not
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unreasonable for me to wonder if we're going to get more than five to ten minutes of time from this
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character in a future episode who knows what will happen there but great defense let's move on
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let's read met seemo from clac clacamas origan uh who writes in just a reminder in the first
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four seasons of game of thrones there are only two on screen battles this episode the season finale
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in my opinion was a reminder of what we found love with game of thrones in the first place
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well-written conversations between well-developed characters that develop their relationship and the
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overarching plot when we look back on season two and future seasons are done i think we will all
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be grateful for how well the show pays itself in order to provide the quality storytelling and character
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development not just in the name of providing spectacle and grandeur i hope you'd agree with me in
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saying we didn't fall in love with game of thrones for the battles we loved it because of the intrigue
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plotting and exceptional writing i firmly believe we got that in season two thank you again for all
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you do and enjoy you give me with your song of ice and fire coverage you are amazing and i appreciate
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you and quote oh mad thanks for the kind words appreciate you as well Kim uh your thoughts on
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madzino i agree overall with season two i think like literally up until episode eight i really
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wasn't taking any issue with the pacing that they were going with um i even was more warm on the
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Damon storyline than you and i know a lot of other people watching like that was a frequent thing
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that i saw commented upon um week to week and i also i i said this earlier but like i do really
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think that this season will age well in the full context of the story that they're telling um and
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part of why i think that is because episode to episode this season i was very impressed with
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so many great as we call them like two hander scenes you know i'm just like two actors two cameras
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in the room just filming a conversation i thought was great um and yeah just like great performances
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great writing and i part of the reason why i feel pretty confident about that is because of
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how i felt rewatching season one after i had seen the first four episodes of season two and i really
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was able to appreciate like oh there were like some conversations and scenes here that like
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didn't necessarily stand out to me as i was watching season one but now that i know
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where they're going with some of these characters or how they're having some of these plotlines play out
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it really felt like they did not waste a minute of that screen time on something that didn't have
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some sort of like good payoff whether emotional or plot wise later on and i'm pretty optimistic
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that the same will be true if we rewatch season two heading into season three of like that some of
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these some of these storylines and some of these uh writing choices will hopefully have good payoff
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down in season three and at the same time i understand the frustration of the pacing um and like
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the structure that they went with this season so yeah i i think my my issues with the show are not
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with this episode right are not why wasn't there a battle you know like right why don't we see
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more fighting i actually agree with Matt about why we fell in love with Game Thrones the first place
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uh you know and again i didn't you know some people like hated this episode like i i didn't hate
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the episode i just yeah oh that's it's kind of odd just kind of odd pacing kind of odd like where it
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leaves us it just feels like we're kind of very arbitrarily exiting the story yeah at a kind of a
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seem feeling like a random point in time yeah as opposed like when i look back on the season i don't
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feel like oh wow that was a satisfying season of television you know um that was a season that had
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an ebb and a flow and that felt like it had an arc that was making a point um i actually feel like
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season one had that right i feel like season one like obviously had some points that was trying to
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make landed in a really compelling place right that that both like set things up for the future and
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also felt like it brought kind of this season of television to a close so that's that was my issue
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not like we didn't see the battle what what's why why no dragon you know like that's that kind of my
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complaint it's more about yeah the the sort of subtlety of the pacing i agree and i i think
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i think that there has unfortunately been some overlap from book readers who were expecting a certain
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right set piece moment into the conversation of like why wasn't there a battle and i like
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right if if this was just if if this was once again like a season well i was i mean really it was
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only like the last few seasons of game of thrones but like where we didn't know where the story
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was going yet i don't think that people would have had the response of like why wasn't there some
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bigger action thing um because again we're used to that sort of rhythm of like the penultimate
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episode being the one where there's a big set piece moment and then the finale kind of ties
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everything together and sets the stage with like excitement and anticipation for like where all
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these characters are going to go next and i agree with you that like it's not that i wanted more
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quote-on-quote action it's that the way that they decided to land some storylines while introducing
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new like directions of some some plots like the tyland's triarchy thing was really only alluded to
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in one scene like one verbal exchange like three episodes before this i think it was like probably
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episode five or six is when a mint says like oh and by the way like go talk to the triarchy and like as
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we discussed in our main pod you as a non book reader thought that that was like literally the like
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last we were ever going to even hear of that suggestion let alone like right that this was really
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a story that they were bringing back into the fold of the triarchy and like that tyland had really
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physically left kigs landing to go there and so like those are just the little things that i think they
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may be failed to thread thread throughout the season to then make those scenes in the finale feel
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like oh we're getting a slight bow on the end of this season two storyline with a tease for how
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it's going to play out in season three and instead it was like hey we're still in the middle of like
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introducing what's happening here but now we're leaving like now we're now we're stepping away and so
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i can't shake the idea that it would have been better i've said this in the last episode like
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i can't shake the idea that in general not for every plotline but in general it would have been better
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to open season three with this episode yeah because i think it begins with uh tyland meeting the
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triarchy right yeah and so it's like a whole different location that anything we've ever seen on
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show this season and it was very disoriented and it just felt like oh man this would have been a great
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start for a new season to be like oh we haven't been in this world in like years uh hey a new place
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wow where where are we what's going to oh like i need to like really lean forward and pay attention you know
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um i couldn't stop thinking about that as i was watching the episodes like why didn't we start
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season three with this plot yeah and yeah you know so anyway i know you can't yeah go ahead go ahead
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i was gonna say and that's where when i think about the reporting that we have on the fact that there
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was at some point an initial plan for ten episodes probably prior to them figuring out that they
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were going to have four seasons and it just feels like you know at some point ryan kondal looked at the
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full timeline of where they want to end the series and in theory they've always kind of known where
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they wanted to end it in terms of the plot that that's laid out in fire and blood and then he had
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to figure out how to chop that into four seasons and figure out an episode count and i i think that
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it's fair to say that there was a i i won't call it a miscalculation because i'm not that minutes
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there show and they can do whatever they want but in terms of how people are receiving it and are
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feeling of the strangeness of the of the finale in general that that is what we are feeling is that
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there was a decision to chop up the story in a way that for us did not land well yeah so yeah
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all right Kim let's do an easy one okay somebody wrote in i thought the terrarians are fireproof
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how did egon get so badly burned uh what's the deal this comes in from james writing to
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cascades evil a com what's the deal with terrarians getting burned Kim uh this is i feel like this is
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gonna haunt me and probably George our martin for the rest of our lives um terrarians are not meant
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to be fireproof in any way shape or form George our martin has been saying this as far back as
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1998 was just hilarious at the end of the 20th century folks we were getting confirmation from
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George our martin that terrarians are not fireproof he always intended for denaris's emerging from the
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the pyre with her dragons to be a special one-time like blood magic ritual effectively that she sort of
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accidentally stumbled into in the books she has dreams about um like various sort of visions of
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dragons and fire and all these things that sort of like lead her into thinking that this is a good
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idea um and then david banyoff and db was in season six of game of thrones took it upon themselves
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to have the scene where she burns all of the calls and like emerges you know make it and find again
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but effectively recreating that scene which led a lot of people to assume that not only was she
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fireproof but that like all terrarians are and that is just not baked into the overall lore for
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terrarians so in fire and blood agon does get burned very badly and all of George our martins writing
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as terrarians are not intended to be fireproof but from a strictly show HBO adaptation standpoint
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there has been like wonkiness with the rules of fire and terrarians but in general i would assume
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no terrarian is fireproof even if they do seem to be attracted to fire and heat
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all right there you go i'm sure the topic is never going to come up for conversation
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uh as we've been looking back on the episode came i do find myself appreciating some things about
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the episode um for instance there is a beautiful shot towards the end of the episode where you see
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the allicent standing on a you know in front of the water she's free she's achieved what she wants
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she doesn't want to be part of the story anymore and then you see Rainiera and she's standing
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in this kind of uh you know the this kind of uh like libra almost yeah libra like with a
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almost honeycomb-esque you know diamond shaped scrolls all around her indicating her line of people
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mm-hmm and so she is standing in the context of all in which came before her and allicent is
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free and clear you know that's a very beautiful visual storytelling and we i don't think we
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remarked on that in our finale conversation i wanted to recall that out yeah i saw someone
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describe it as like it looks like rainiera is literally being like weighted in by history right and
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like the first part of history yeah the burden of her birthright as a Targaryen absolutely absolutely
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so that's some great stuff you know and when you think about their arcs from season one that's
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that's pretty pretty well done so far but i will tell you so that's something i really loved about
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the finale and you know that they did well i will tell you something i was not a fan of
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uh and the more i think about it the less of a fan of it i sometimes i'm watching the show
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and i'm thinking to myself oh you know i don't like this right now but maybe at the end
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i'll feel differently about it mm-hmm and the stuff i something i don't like and continue to not
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like is the Damon stuff i thought this this season with Damon was just outright bad uh and i don't
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feel like anything i've seen so far has changed my opinion on that
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cavern vent errandalk over at vol.3.com actually wrote an entire article about this topic
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hotd has a prophecy problem i'm gonna read from this article house the dragon has a more fundamental
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issue driving it's meandering aimlessness this the season it cannot let go of game of thrones
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despite being set 200 years in the past it is obsessed with relitigating the ties between
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least Targaryens and those Targaryens in stretches when it allows itself to forget about the fact
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that winter is coming the show can operate on its own terms allowing the stakes to play out
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in immediately impactful ways but inevitably somebody will say we'll turn around and say by the way
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have you heard of the song of ice and fire and it all goes to shit Damon has spent several episodes
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and some completely unknowable amount of in-world time messing around at her and hall and taking
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whatever hallucinogens alas rivers slips into his teeth all the while he's grown more ambitious
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more paranoid more focused on all the stuff we knew Damon was from the earliest episodes of the show
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he's a vicious egotistical man who deeply resents his dead brother and has never felt appreciated
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what this finale then asks us to believe is that when Damon sees a vision of his Targaryen descendants
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two centuries from now worries about them and immediately cast aside all the stuff that's driven
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him his entire life all of his sexual hang-ups his ears of frustration his inner turmoil over
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playing second fiddle to riniera his grief his striving none of that matters he wonders if
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perhaps the prophecy could be interpreted in a different way he never considers saying
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fuck it that's someone else's problem he immediately consigns the work of his whole lifespan
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to the service of a distant possible outcome he and his children will never live to see it's very
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noble it's unlike every single thing we've ever been told about him end quote
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I mean I am 100% on board with this article the whole Damon having the dream stuff was very
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boring in my opinion and not particularly an interesting way of resolving Damon's plotline
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while he was away from everyone but then to wrap it all up by saying oh it's cool he dreamed a
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dream of time gone by and now he's he's on board that's just bad storytelling in my opinion
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Kim Renfrow defended if you want if you wish if you wish if you wish I look I'm not in the
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business of telling anyone how they should feel about anything absolutely of course none of us
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would dare do that none of us would dare so like I am not I won't defend the storyline as being like
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as effectively told as it could have been the thing that I will defend a little bit is that
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my read on the order of events is not that like Damon right before touching that tree is still
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same old Damon and that like seeing the vision is the thing that changes him my understanding from
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what Alice says to him like before he touches the tree and gets the vision is that like we're supposed
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to feel as though he has he has already relinquished some of that old Damonness like she's talking before
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he touches the tree and gets the vision she's talking to him about how like now he can
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receive what has been given to him because he no longer thinks that like he has the right
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to control the world type of thing and I'm like totally fair to me if you think that that was not
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actually translated very well on screen either through the events of what Damon did this season
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or like the performances or whatnot but like my my understanding was not that like he got that
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vision and that is what changed him it's that all of his dreams and visions before and all of
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this sort of like reprocessing that I've kind of described it as of like reprocessing his memories
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of those fights with Viserys of his relationship to Rainiera of his desire for power at the cost of
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his personal relationships that like the scene and the gods would with little Oscar Tully and
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that all those river lords like I kind of felt like that episode was supposed to be his like little
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emotional catharsis and being like him him him seeing the error of his past ways and starting to go
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down this new path and then for whatever reason I do agree that like it was weirdly it was weirdly
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shown to us that like somehow that journey now means that he should have like that he should
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get access to this vision of the future and now be at peace with his part to play what not so like
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I'm mixed on it I don't hate it but I do slightly disagree with like saying that that the reason
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it's bad is simply that like we're supposed to assume that this vision is what changed Damon from
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being like a total asshole into being a more commendable man um yeah so I don't I don't know
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it's a weird one and I don't I I super don't blame people for receiving it the way that they have
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including you I think the only thing I'll say in response that is I don't agree I think that I
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think the reason is when Rainieras dude shows up right and and he says hey Damon like you should be
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the king you're you're the king that is supposed to be a tense moment for us right like because
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throughout the whole season we have had many moments and scenes of Damon saying I'm the king
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I'm the badass people should worship me and so when this guy comes in it's like hey you should be
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king we're we're like a part of us is like oh I wonder is Damon gonna do it is Damon gonna
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actually fall through um I think that's what you're supposed to feel and then oh no he doesn't he
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because he had the vision um and you're saying oh well he it's actually built up that he's had
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those thoughts and I'm like okay I guess but like I think the direction we're supposed to
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head of this season is oh wow he's really growing out of control and then I understand that the
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show just the arc of a season is it wanted him to dance with this idea of what if I was in charge
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and then to come back to Rainieras and I guess for me that the journey was not super satisfying of
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one yeah and and the biggest issue I think is hey the Damon Rainieras dynamic from season one
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was so strong like it was a really nice dynamic really interesting dynamic they just got taken
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away this season I know because it's in the book but like um it's a bar you know yeah it's like how um
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you know there's this rumor that like Vind Diesel doesn't get along with any of his posts and the
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fast fast and furious movies yeah but like everyone doesn't like him because he's a narcissist yeah
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this is allegedly like I don't know for a fact but you'll notice now when you watch fast X or fast 10
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you know uh Vind Diesel is just kind of like off hanging out on his own he's he's not having any
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plot lines with any of the other major characters really and you got to wonder why that is you know
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yeah and that's how how's the dragon is similar to the fast and furious franchise
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I will also say again not necessarily a defense but more like I'm when for me when I really like
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something like George R. Martin's a song of ice and fire universe um I tend to like really try
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to get at why it works for me yeah like and then conversely when something is not working
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I try to figure out why and I'm less occupied with like whether it's whether my feelings about it
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are quote unquote like right or wrong or anyone else's feelings are right or wrong and the prophecy
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thing to me is really interesting because I agree that it like I don't have as big of an issue with
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it as you do and as this article outlines um but I understand I can relate to the fact that
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it feels a bit forced and like I am ultimately very curious as to why Ryan Condole decided to
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have it be as big of a focus in house with a dragon as it is and not to say that I think he never
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should have but to me part of the reason why it is feeling unsatisfying or feeling maybe a
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bit ham fisted sometimes is because within George R. Martin's universe we still do not have any
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clarity on this prophecy and what his intentions are for it to be like thematically played out
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within the narrative we've talked about how in Game of Thrones they sort of had to
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Benny often wise sort of had to come up with what seems like their own interpretation of how
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this prophecy plays out and a lot of people think that it was mostly like a combination of Danny and
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John they're both Targaryens Arya Stark being thrown in there seems to be like entirely a
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Benny often wise choice you know like so the fact that House of the Dragon is both trying to
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hue perhaps a little more closely to George R. Martin's stories and published works
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because they can't right because like Fire and Blood is like this section of that Targaryen
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history has been completely outlined by George in this book as opposed to Game of Thrones
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and the Song of Ice and Fire novels which are unfinished and so it just to me like I don't
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I don't dislike the inclusion of it entirely but I'm also like what I think people are rubbing
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up against is the fact that like they're trying to seem to make a point about something that we don't
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know because George has not finished writing his Song of Ice and Fire novels and publicly released
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you know where he intended all this to go it's like they're trying to work within something that is
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incomplete and therefore it feels thin to us with a lot of the context of this story or it feels
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repetitive or redundant in a way that we can't fully connect and I'm like
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like again maybe Ryan Condal knows more about this than we do because he's talked to George
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R. Martin in the same way that Benny often weiss probably know things about George's intentions
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that we don't know yet because they have had private conversations and those conversations might
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have led to certain storylines being included or removed from their respective shows and it's
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just this big cloud of unknowns that I really wish I had insight to you know but alas we just
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got to keep waiting for those books to come out. Oh hi I will remain a sweet summer child.
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We're all set we're all so okay we will have some closing thoughts momentarily but in the meantime
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Kim Renfrow I mean I really enjoyed seeing these emails obviously many of them defending the
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episode some of them not defending the episode but really appreciate folks listening and hearing
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us react to their thoughts this episode. Kim Renfrow until next time working people find more of your
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work on the internet this week. You can find me right here on the cast of Kings and my past
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decoding TV episodes and then if you want more of my Game of Thrones related insight I wrote a book
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called the unofficial Guide to Game of Thrones which you can buy at local book stores or into your
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library there's an audio book you know there's there's many a way to absorb me. And I just want to
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well put and I just want to give a shout out to the decoding TV podcast check it out wherever
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all podcasts can be downloaded and you know this pod if you're supporting decoding tv.com you're
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supporting this podcast cast Kings and also decoding TV and we'll be covering prestige TV shows
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year round over on that show. All right Kim Renfrow do we have any closing thoughts about season two
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of House of the Drag anything else we didn't get to or any reactions that you wanted to discuss.
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I think overall I want to reiterate to me like an appreciation for what the show has done so far
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with fire and blood as it's blueprint. I think like any book to TV adaptation is tricky and fire and
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blood is like a particularly unique case and that it is not written as like a fleshed out novelization
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with a bunch of like really in-depth character development moments and stuff it really is kind of like
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a quickly moving description of these big set piece events taking place between a lot of really
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great like great conceptual characters right of like Damon being the second son and being this
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rogue prince and having this wild side and he wields dark sister and his dragon caraxies but like
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you know the show has done a lot to actually make Damon feel like a real person and madness
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performance and same can be said for Allison Hi-Tower and like Olivia Cook's performance and
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I just think overall I have really enjoyed seeing a lot of the decisions that they've made to
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either expand upon things that George has outlined in the books change them entirely in line with
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the sort of idea that you know history is subjective and that we're getting this one canonical version
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of events in the TV show and yeah I was re-listening to the score this morning because I've
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remained jolly finally released the the the score and while I was like working on my notes for
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for this podcast and yeah I just it feels good to get a TV show set in this very rich world that
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Martin created that has so much great attention to detail whether it is the score the costuming the
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incredible performances like we've talked about Emma Darcy so much the season has a standout and yeah
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overall I think ended in a weird place for me which I wasn't necessarily expected going into
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this season and especially after seeing those first four episodes I think I was sort of set up for
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a different roller coaster of emotions than what I wound up getting but overall I think it will
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age well on a rewatch especially once we can roll right into episode three or to episode three
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season three yeah in that sort of in that different format and so for that I I appreciate what was
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achieved with this season overall yeah I do think you know I was talking with Patrick Leppic about
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this on decoding TV one of the reasons the reaction I think has been so negative is because of the
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long wait that it's going to be to season three right yeah imagine if we knew that the next season was
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coming in six months right people would not be as upset right and I think that um I think I've
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also seen frustration came that they felt like season one was building up to some big event right
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mm and that a lot of people have said oh just wait for season two like it's gonna the big thing is
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gonna come and then season two has also felt like it is building up to some big event yeah right
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like I remember at the end of season one you said oh this is building up to this thing called the
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Dance of Dragons right yeah now what do you think that season two is part of the Dance of Dragons
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or has the Dance of Dragons not begun yet like in your in your estimation a rook's rest was definitely
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the beginning okay okay I see I see yeah like I think that that's when or Kristen cold did he even
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say in this episode like when the dragons dance men or ash under their feet or something like that
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like that verbiage was used but I did and again maybe naively given production budgets as the
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the world of TV right now I did expect more of those Dance of the Dragons events to be in season two
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yeah then their water and I think for showwatchers the sentiment I've seen from showwatchers is a lot of like
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oh I felt like season one was all this build up and then season two has also been a lot of build up
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now yet there are some high points in season two for sure like rook's rest yeah no doubt um
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but that's that's a lot of the frustration I'm hearing now I yeah on that related to that I just
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want to also take the time to maybe acknowledge that like there is weird spoiler culture around house
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of the dragon that did not exist with Game of Thrones that I find frustrating and or is probably
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impacting non book readers absorption of the story like people seem way too loose with just saying
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like things that are going to happen or alluding to things that are going to happen in a way that I
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don't think book readers did with Game of Thrones like we genuinely tried to let showwatchers just see
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the events as they unfolded and then we didn't say like like when season two of Game of Thrones ended
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people were still so cagey about the red wedding like they wouldn't even type out the words red
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wedding online ahead of time it was always abbreviated to our w so that anyone who was going into season
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three didn't know like oh my god there's some big book thing coming and it's been weird with
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fire and blood how Lucy Goosey some people seem to be online with like yes like explicitly saying
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like oh I thought this thing was definitely happening in season two and therefore like that's
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why it's bad and it's like well if we didn't have fire and blood or if we weren't so preoccupied
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with trying to guess exactly when they're going to like land certain plot points like what are
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expectations have been well well two things two things two things one uh people who do that are
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terrible yeah I hate that I hate that journey for people and I agree I agree that that has been the
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culture online and it sucks and if you do that kind of stuff shame on you because you know like
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you're you're getting your jolly's off of ruining other people's experience and that sucks
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so uh I feel like very just sad for anyone that does that um and if you do get spoiled by someone
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who does that just know it's not about you it's about them they're and what's going on within
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their lives uh okay and separately no Kim it's not just you it's it's like it's not just because you
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know what's coming as a show watcher only it still feels really odd like we're building up to this
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big thing yeah yeah yeah uh I think I think it is reasonable I think it is reasonable for people to
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be puzzled yeah like where season two yeah that said uh many great things about season two right
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episode four and episode seven were both really strong uh and again season two feels less like a
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whole season of television to me than season one did but I loved the pacing of season two much better
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it felt like hey we're actually giving these events time to breathe you know we're actually
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very little time is passing between episodes no time jumps or anything like that so like I
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I enjoyed those parts of season two quite a bit um and there's no one else doing it like
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uh how's the dragon you know like no one else doing it like game of thrones no one else is offering
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this level of spectacle and so on um but yeah it's uh it's it's been a weird one it's been a
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weird one this season I have to say uh the ending the reaction to it I I could not have predicted
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you know came uh I'm a complainer you know like uh on this podcast and I could not have predicted
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that the sentiment would be so low on this film just from online sentiment could be so
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much of this episode you know I think a little bit unfairly yes it was a little bit unsatisfying but
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like it's not not a bad episode you know it's not a terrible episode it's just like yeah the pacing
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we've already covered it you know but so uh it's kind of a thing where I was shocked at how negative
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the reaction was to to the opposite um but it remains to be seen whether it's all going to make
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sense in the end right like I think it's possible we'll get to the end and like you said we'll look
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back and this will just be a little bump in the road this will be like hey we'll we'll look back we
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like remember when people were complaining about the season two finale what a weird time that was
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because now seeing the complete whole work it all makes sense uh-huh so I wonder in relation to
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that and I'm sure this is a topic that you will discuss on decoding TV at some point like it
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reminds it makes me think of stranger things right now like the fact that like there has been
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this like insane amount of time passing to the season and granted like a whole pandemic happened
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the writer strike happened like the sag strikes like valid reasons for that delay but yeah like I
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feel similarly in that there's this thing happening with modern TV production where we get these
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really long waits between seasons of shows that really put a damper on the fandom and the excitement
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and like the conversation culture around them and I think that that's a shame and I would rather
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have fewer TV shows more frequently than what we currently have which is this like day-lose of TV
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some of which is great and we only get to talk about every like two to three years
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indeed indeed okay I think that's going to do it for us this season uh that is it thank you so
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much for listening a huge thanks to Jesse Earl and Kim Renford for joining us uh on a casking
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for this season at television check out decoding TV for year round coverage of what's happening in
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the world of television and if you've made it to the end we're closing with a little bonus uh this is
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a little uh audio clip so I sent Kim a little gift and I recorded her reaction to it so what you're
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going to hear is me sending her this gift uh I texted it to her and then she played it on her phone
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and then we we reacted to it a little bit afterwards so um enjoy this thanks for making it to the end of
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the episode thanks to Kim and Jesse again and uh we'll see you when we see you Kim you recently had a
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baby uh-huh and you also agreed to do a cast of King's podcast with me and you've really crushed it
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with the notes and with all your insights so I got you a little something to say thank you for all
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your work this year oh my god greetings Kim my name is Sidiou Ferell the first sort of bravo
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son Arya Stark's dancing master and I am here because a raven was sent to me all the way to bravo
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as you can see rumors of my death have been greatly exaggerated do you Kim this raven was sent by David
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Chen from a cast of King's and this is simply to celebrate you I know that you are one of the
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biggest Game of Thrones fans in the world and you also worked with David on his podcast uh on A
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Podcast and uh he just wanted to let you know that you are awesome talented smart and he just
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wanted to thank you for all your hard work so uh I hope that makes me smile too so I'd have to
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listen to this uh podcast maybe send me a link or something on my social media um Kim be well sir
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well done for being an awesome person all this left is to remind you that there is only one god
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and his name is death and there is only one thing we say to the god of death not today today Kim
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David it's a pleasure to do this for you take care and be well oh thank you so much
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you're welcome uh thank you milto's uh what a lovely surprise yes you're the best I love that he
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was like converted to a listener during the campaign I gotta check this out yes he's like oh this
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sounds pretty cool I gotta check this out these two people are awesome we gotta we gotta go listen
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uh thank you this has been it's been so nice to be back for for season two and yeah thank you
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oh you're welcome my heart is very full