Lifestyle
Ep. 434: Demystifying Interior Design with Gordon Dunning
In Episode 434 of How to Decorate, hosts Caroline, Taren, and Liz welcome interior designers Gordon Dunning and Latham Gordon to demystify the process of working with an interior designer. They discus...
Ep. 434: Demystifying Interior Design with Gordon Dunning
Lifestyle •
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Interactive Transcript
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Welcome to How to Decorate from Baller Designs, a weekly podcast all about the trials and
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triumphs of decorating and redecorating your home.
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I'm Caroline, I'm on the marketing team, and I'm Taren and I'm a product designer.
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I'm Liz, I head of the Creative Team.
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Where are your hosts?
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Join the expert team at Baller Designs for tips, tricks, and tales from interior designers,
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stylists, and other talents in the design world.
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Plus, we'll answer your decorating dilemmas at the end of each episode.
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We love answering your questions, so don't forget to email us at podcasts at Baller Design
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and Startnet.
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Now on with the show.
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Yay!
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We have two of our favorites, bag.
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Kate Dunning and Latham Gordon.
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Gordon Dunning.
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This is your turn.
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You all have been on the show several times.
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TV show design school with QVC.
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You are interior designers here in Atlanta.
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You've been in House Beautiful.
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Atlanta Homes and Lifestyle Atlanta Magazine.
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You were the next wave designers for House Beautiful.
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You've had many accolades.
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We're also friends and we love having you here and we're excited because we're going
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to talk about working with an interior designer.
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What does that process look like?
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What should you expect from an interior designer and that partnership?
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What is the timeline?
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We're going to get into all the nitty gritty and you all are going to walk us through
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it.
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I know we're going to have lots of giggles because you all are hilarious.
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Welcome back.
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Thank you.
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It's been a life long dream of mine to be funny.
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We'll see if I can come to play with it there one day.
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I'm not yet achieved.
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But they feel so much for having us.
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We're so excited about this because I feel like we say in our studio all the time there
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are no dumb questions.
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Being able to help anybody out there who's entertaining, getting designer feel more comfortable
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in that process, I think helps everyone.
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So, I think he feels like such an intimidating thing.
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It's such an industry shrouded in mystery.
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Yes.
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I'm looking behind the curtain today.
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I don't know that it's intentional but because so many designers work differently there's
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not a right answer.
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And so then it feels like it doesn't make sense to like it's not a uniform process.
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And therefore it feels secretive and that's why it's very annoying.
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Yes.
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I can imagine we have our process that we have the same thing every day but yeah it's
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I would imagine it's very irritating to shop for designer because it's not Apple's
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apples.
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Right.
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Yeah.
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So we'll talk about that.
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Yes.
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Yeah.
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That's a whole discussion.
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So let's talk about the pregame.
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What are some things that we need to do before we start thinking about a designer that we
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want to work with?
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I think the most accessible thing is well first think about what are you're going to be
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your priorities, whether that is timeline, aesthetic, price point, you name it.
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Just be thinking about those as you dive into Instagram, dive on the websites, use any
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of your resources that are local.
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If you're in the southeast looking at who's coming to Atlanta decorative art center and
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speaking or any other book signing events in the area and that can happen in any area
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of the country that you're in.
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But finding out who's coming in and going and watching folks speak, hearing what they
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have to say on their panels, going down deep dive rabbit holes on Instagram.
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And listen to their podcasts episode.
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Yeah.
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I think you have clients that have had a lot of folks think that the first thing to do
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is to Pinterest and know what your vision is and know what your aesthetic is.
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That's actually the part we got now.
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We got that.
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And there's so many talented designers in Atlanta, if we're talking about Atlanta, but everywhere.
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There's so many.
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How the personality, the vibe and process are really where it starts to define whether
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you're going to have a good process or a good design experience, experience.
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So thinking about how you work with other professionals in your life, when do you feel
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heard by your doctor, when do you feel heard by your child's teacher?
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How, how of those relationships gone well and defining that and being like, if somebody,
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if I could get an update every week or I prefer it when we get to have phone calls or people
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who validate me or who listen or talking pictures or have lots of meetings.
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What types of action items would you like in that process that feel good to you?
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Because there's the aesthetic side, but there's the experience side.
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And sometimes those come together and sometimes you've got to work to find that.
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Do you feel more comfortable with an hourly structure or a fee structure?
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So the financial piece of it is really important.
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Do you have a really long time?
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Like did the folks that you seem to gravitate towards aesthetically?
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Do they also have a process that looks like the work for you?
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And I think coming and figuring out how those two can come together.
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And you may not know all those until you start picking up the fun.
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And get really cozy and comfortable with the fact that you're going to have to talk
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about money and you're going to have to talk about timeline.
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So define your budget that doesn't have to be like 13,126 dollars.
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But you know, what would you be comfortable spending now versus over a period of time?
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And just just talk about it.
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So I think that's what you do before.
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Well, and I think to, you know, considering all of that,
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it is, I think everyone's hope on both sides of that relationship.
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That it's a long-term relationship.
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Whether that is that you're going to renovate a historic home and do every piece of furniture
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in it still, hopefully that relationship is so good that five years from now when you have
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another baby or you buy a second home or whatever it is that you call those same people back.
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It is a very personal relationship.
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So really thinking through those things and taking your time on the front end
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and not rushing in will make a huge difference in your experience.
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So I'll say with that, especially if you are building or renovating,
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you need to be finding, if you're going to work with a interior designer,
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you need to be finding a designer at the same time you're doing an architecture builder.
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We're often thought of later in the process and there's so much to design alongside
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the architect and the builder.
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And when processes are rushed, they're not as good.
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Well, and I think to, you know, each one of those parties, the builder and architect and designer
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are approaching a job at a very different perspective in all our valid and important.
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But it stinks when we get into a project and if a wall had been, excuse me, six inches one other way,
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you could have gotten that sofa you really wanted.
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And if we had all been working in tandem, then that could have happened.
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And that's our lens that we look through things from is from the inside out and
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having a full team as soon as you can makes a big difference.
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Yeah, I like that you pointed out that thinking about relationships with like your doctor or
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a teacher or somebody else because it's a really communication heavy relationship.
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And I think people don't realize that.
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But you are also in the customer service business.
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Oh yeah, thank you.
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That is communicating, working through problems.
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That is a lot of what your role is.
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Obviously you have a creative vision, but you got to execute the creative vision.
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And so there's a lot of the good.
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Yeah, and you got to mean it's specifically with us.
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And it's my understanding that most designers as well, we enjoy working with people.
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So I know we'll talk about misconceptions later, but I think a lot of people have the
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movie idea of a designer who comes in.
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It's like, this must go.
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I have this vision and this is what's going to happen.
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And I don't think that's what most of us enjoy doing.
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We want to get to know you and your life and your family and how you live and then punch that out into an interior.
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So that communication is so incredibly important.
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Yeah.
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And you can ask for what you really want and voice challenges if you don't feel comfortable with the
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person.
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You know, I think we've all been in like think about a haircut or like someone's a terrible haircut.
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And you're like, yes, it's great.
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I love it.
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Yay.
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And you're a perfect example of your hair.
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If that's what you're trying to do.
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That is the perfect example.
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You need to find somebody who you would feel comfortable saying I don't like it.
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Yeah.
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Now, we have a process where you are hopefully not saying that on install day.
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Right.
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That's a long time to say it.
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That's before your hair gets cut.
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Before it's gone.
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But that is so important that you can have the difficult and the fun conversations.
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Yeah.
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Yeah.
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So what does the interview process look like when you're interviewing a client and they're
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interviewing you?
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Oh, man.
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I feel like, yes, this is a great question.
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I think it's really important.
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And we say this to a lot of clients.
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It is important to interview multiple folks.
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And it's totally understandable.
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We all understand that you're probably doing that.
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And so to be transparent about that is very comfortable.
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And my mother is working through a project now and she was interviewing two different
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cabinetry folks.
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And she's not going to work with one.
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And she's like, I feel so bad.
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And I was like, we're used to this game.
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Yeah.
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It's okay.
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We know we're not going to be the best fit for everyone based on a whole rubric of things
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that could be or could not be the right fit.
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So the interview process in our world and everybody's process is different, of course.
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But I think most people have a client procurement phase, a design phase, an execution phase.
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And so during the client procurement in our world, there's typically an initial email and or phone call.
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Depending on the scope of the project and the personality of the person,
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you know, that phone call can be really critical because
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people have a lot of questions.
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And hearing the tone of our voice helps a lot.
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You know, emails are often pretty cold.
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So initial email to get your intel is usually how it starts.
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And then there's usually a call for personality gauge.
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And then we go out.
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And so if we know the scopes right, personalities are matching up and all that,
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then we go out to the home.
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And that's always so much fun.
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Just seeing the space, seeing the folks in the space, really getting to start
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diving into who they are and what their hopes and dreams are.
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In addition to what the applies to interior response.
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And that's kind of our initial phase.
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Then we sort of move into what we, the proposing phase,
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when we, you know, go and send them their proposal and all that,
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then you give them a rose, right?
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Yes, yes, you give them a rose.
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And there's like, in terms of, yeah, it's a whole
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universe dance.
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That's my job.
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Yes, then I'm on the side.
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You can do your eighth grade cheerleading dance really well.
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I do.
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Sometimes Kate gets to that.
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That's fun.
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It's all just so dance is my favorite dance.
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But we do that all in good fun.
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So I think, um, with the interview process,
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we very much are interviewing the client just like they are interviewing us.
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But I think that they should be coming again with what your scope is.
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And what asking money questions in that initial phone call is really important,
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engaging that personality.
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That vibe and that.
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I think people hire us.
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Often because of vibe and process.
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Yeah.
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That we fit their vibe.
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We're getting everybody's company.
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We're going to silly.
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There's two of us.
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I mean, I don't know.
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There's lots of other partnerships, but we are like,
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signing these twins.
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Yeah.
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All the time.
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And we're a lot.
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We're a lot.
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It's so funny.
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One of our favorite builders to work with.
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We drove by, we often work on any historic renovations that they're working on,
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because that's one of our passions.
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We drove by one one day and we saw their sign out in the yard and we weren't on that project.
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And we're like, hey, why don't you put those on the,
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let us know that one.
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It's just like you would have terrified them.
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So much and they are so calm and we're like,
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yeah, hurt.
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That's so good.
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So I mean, anybody with any sort of confidence will understand that as you're interviewing,
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the vibe is so important and that person doesn't really match up.
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And how you would want to be treated by your hairdresser.
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Such a good comparison.
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Yes.
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Absolutely.
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Call back and be like, I have a raccoon strip on the back of my head that I just found you don't need to be excited.
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Exactly.
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But I mean, it should be a conversation.
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It should be open.
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There are no stupid questions.
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I just, and come with a list.
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I mean, we have clients come with a full list sometimes.
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Sometimes they'll just hold that in their head magically.
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I don't know how they live their lives that way, but more power to them.
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But I mean, just an open dialogue is really important.
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And what your priorities are.
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And don't be afraid to say what your priorities are because we can't do our job well if we don't
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know all the details of your goals.
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Right.
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You can also just show up and say, I don't know what to do.
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What are some questions they should ask you on the first?
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How do you process work?
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How do you charge?
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I hate this question because it's work, but it's totally legit and they should ask it.
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This is the scope of my project.
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This is the type of stuff that I like.
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What can I expect to spend if they have no idea of budget?
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Because I mean, it is again shrouded in mystery.
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And it's not like you buy a whole house of furniture every year.
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You probably, if you did it 10, 20, 30, 40 years ago, or you've never done it,
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prices have changed, things have changed.
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Right.
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And it adds up quick.
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Like you're probably thinking about the furniture,
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you're banisterially thinking about the wall coverings, the lampshades,
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pillows and the rods and all those things are also all those sorts of things.
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Yes.
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And what we call cell phone fees, the receiving storage and delivery.
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Just getting it there.
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Project management.
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Yeah.
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All that.
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Yeah.
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I think that's stuff.
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So we will, we will talk people's ear off on the phone and give them as much information
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as they are willing to take.
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And like there are almost points in an initial call where I will stop and be like,
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do you want me tomorrow to walk to you?
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Do you just read this and just send it to you?
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No, no, no, no, no, no, whatever.
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I'll write your process.
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I'm good.
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Please leave me alone.
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I've already learned out there or figured out that you're crazy.
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So bye.
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So I think those those questions are really good.
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And also pricing is often, I will say our response is often a range.
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Because we don't know you well enough yet to know,
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are you going to really value antiques in your room?
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Are you going to, there are a lot of different tiers of pricing that can all
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of the beautiful and all be a successful design in terms of function and aesthetic.
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But we don't know you quite well enough to know what your priorities are.
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So if someone has a dollar amount in their head of like, okay, I'm comfortable spending X amount.
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I know that you want them to tell you that, but should they be a, should they be afraid that
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you're going to like, bulk at that or think, oh, that's too much too little.
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Like, is that well, I think I would be nervous that somebody would judge that,
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whether it's a low budget or I think on the other side of people give a bigger budget
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that they're like, they'll just work towards that budget and I could have gotten it for less.
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Yeah. So that's a very valid fear for sure.
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So if I were in their position, I would probably give a range just like we are.
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Okay, I'm willing to spend this to this. I don't really know what I'm looking at.
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And maybe that's too little and working with it. I mean, it can, a living room can be anywhere
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between, I don't know, 40 and 300,000 people. I mean, it can be crazy town.
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I mean, it can gild your walls if you want us to.
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But no one has that thing is that folks often think that I don't want diamond encrested,
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I don't want a diamond encrested lamp. Well, still an unlike or brass nice one is $1200. Do you want
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to spend that? Yeah. Like, we're not going to do diamond encrested and it's still going to be
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expensive. Yeah. And so should they be worried? No. But I understand that as a human,
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right? That's uncomfortable. But you've got to get comfortable doing it because what is going to
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be worse is you've gone through the design process. You've paid for that design process,
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which is already thousands. And then it can't happen at the end. So we typically, I mean,
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we explain that during our process, along and along where we have these money conversations,
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really, we, you know, when people are like, I don't really know or there is no budget. And
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I'm like, yes, there is everybody's got a top. Yeah. Let's just see what it comes out to be.
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These are the types of things people say to totally get it. Completely understand. But we can't
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respect a number that we don't know. Right. And that may mean that we go it's too low. That's not
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enough. Yeah. And that's a risk that you have to take so that we can respect it. And we've
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had that conversation with potential clients before. And so it's not enough. And then they come
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back six months later. And they're like, all right, I've had bonus season. I'm ready to go.
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Yeah. And so or three years later. Yeah, that too. That too. Yeah. Oh, yeah. I mean, whenever it is
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because we can make a lot of things work well on a lot of different budgets, but there are some
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budgets that don't make sense necessarily to work with a designer. Right. And it's not that that's a
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poo poo budget. It's not that that is something to sneeze at or laugh at. It's just
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sometimes it doesn't make sense. It's not for you to pay for design expertise to. Yeah, exactly.
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Yeah. If you have a $20,000 budget and it's going to take already, I don't know.
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But then it just depends on the scope. Yeah. In design fees. Yeah. You know, we've got
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so fun chairs. And it's not going to feel like you spend a lot of money. So for those things,
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the internet isn't breadable. You've got blocks. You've got online,
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design resources. I mean, you know, just because a designer is above your budget,
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does not mean that's anything to sneeze at. All of my friends are teachers. That's a great
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time to listen to podcast or go into a store and talk about our store. Yeah.
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Yes. They have retail stores out there. What do you do with design services? I mean, there are
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so many resources. Yeah. And it is a different experience. Yeah.
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But again, yeah, definitely nothing to point your nose up at. Yeah. What are some questions
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that you will ask them that they should be prepared to answer other than that we've
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obviously covered the budget. We've got your bills that you're like, you know, we're going to ask
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you this, be prepared. Or if a designer doesn't ask them, that should be a concern like a friend
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like. I don't know that there's any hard and fast ones. It goes down to that to that personality
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matchup. So watch to see if your values are aligning. Because what we are going to ask you a lot
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is about your story. Where did you meet your significant other? What's it mean? Why did you name
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your kids? What you named them? What are your, did you love your parents' house to talk to us
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about that? We are really into story and people walking in and saying, this looks like your house,
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but it functions and it's beautiful. So clearly, Gordon Dunning did it. So that's really important
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to us. If that's important to you, then it makes sense. If you are our type of client and the
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designers that you're interviewing aren't asking you those types of questions, then that's a red
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flag. But if you're somebody who's a Wampam, thank you, man, let's just get it done. I just want
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nothing to you. So that's why it's kind of a hard question. Yeah, yes. But I think any designer is
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going to come in and talk to you about how you're going to use this space and what your goals are
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for this space. Like, why are you debris doing your whole home? You're kitchen, you're whatever it is.
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And so talk through, I mean, obviously you'll be redoing it for aesthetic reasons. But hey,
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is this fall in a part? We've had another kid. We just bought this house and we're coming from
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a totally different perspective. And we just had neighbors move in that are best friends from
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childhood and my parents live across the town. And we need to be able to have them all at the
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dinner table, you know, whatever it is. And so knowing what your reasoning is for doing that
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is helping us be able to prioritize. Yeah. Yeah. What's the pain point? Yeah. Yeah. Yeah. Yeah.
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Yeah. What makes you want to part with your dollars for this?
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Pain point, I think, is a great one because I do think sometimes we know it's not working. We
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don't necessarily know why. And you could probably help them figure that out. Yeah. And as they can say,
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like, you know, storage is my challenge. And it's not working. Or like, I bought this couch. It's
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uncomfortable or whatever it is. Like, it probably gets you a little bit more. And if one were to
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soul search and joke, can't come up with bullet points saying, there's just something wrong with
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swimming on the way. Yeah. Yeah. Yeah. It's okay. It's okay. It's horrible. Yeah. Yeah.
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And we hold you. We do a lot of psychology in our work. Yeah. Yeah. Okay.
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One that you should come prepared for is how you and your partner are going to handle this.
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Yes. I get there. Yeah. And we've worked with all kinds of families in all kinds of
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different ways and all been successful. And we've had some that maybe had hiccups because
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they didn't think that through on the front end. And someone had a way in that we didn't
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reach. Where in a line. Is that what you mean? Right. Yes. Okay. And that's okay. I mean,
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we can help with that. There are some things because it's a marriage discussion that you can have
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when we're not here. You know, if someone's like, Oh, no, I want a man cave and she's like, I
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want to show you room or whatever with this extra space that doesn't don't need to figure that out
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on your own time. But most priorities of why you're doing it and why you're investing in it.
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I think that needs to be figured out and shared. Right. Yeah. You both need to value it. And who
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all has an opinion. And what that opinion is on. And therefore those people need to show up.
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Yes. We actually don't think we've heard about that. Yeah. Because I can imagine like if someone is
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the one showing up to the meetings and they're giving you okay. But then like, well, what about
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the other person? Are they happy? Right. Yeah. Behind the scenes saying, you know what? I didn't want
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that. Yeah. But they weren't there. Right. Right. Exactly. We actually have not had that problem
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in a really, really long time. And I think it's because we talk about it a lot. So stereotypically,
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we usually meet with the wife and the husband is comes later. Obviously, it's not what always
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happens. But there's, you know, there's a design enthusiast and one who was not. And so that we will say,
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like if he has an opinion, he needs to come to our love hate meeting. He needs to come to the very
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first design meeting. Say he loves and hates stuff. And then, and then he can be used to me and go on.
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Yeah. So we need to be aligned on if he is going to have veto power, he needs to be doing it during
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the process. Yeah. And he could be she could be your mama. Yeah. Yeah. Yeah. Yeah. It's
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she. Yeah. It's a business mama. Yeah. Yeah. Cause you're going to show it to her in the end.
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And you're going to go on or your best friend or whoever it is, who is going to completely take
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the wind out of your sales. They need to be a part of the process. Yeah. But we do talk. That
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hasn't actually happened in a very long time. Okay. This actually brings up a great question
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because what if like, I think we all love the design board. I'm sure you all prepared design
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boards and that kind of thing for your clients. So, um, and it's normal, I think, to want to have a
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second opinion. How do you feel about people sharing those design boards with people that aren't
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in the process? Go for it. Probably have no idea what any of those little swatches mean. Like,
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yeah, that I feel like could be tricky. It's kind of, um, we're, we're very encouraging of
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gathering opinions as often as you would choose at the beginning of the process. Once we start
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getting down to those final designs, if you are going to get disappointed and pivot based on
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Mama's opinion, who hasn't been a part of any of this after final design, just know you're going
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to pay for it. Yeah. Really. If you, if you go outside, we are fee based. Right. So we have a package
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that goes with a dollar amount and that's, that's bespoke to each, but it's a very specific process
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and very specific deliverables. And you're amazing. Your fee, I'm assuming. Correct me if I'm wrong.
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Of the number of hours that you expect to spend designing it. So it's, it's an hourly structure
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like a lawyer or, yeah, we do. And it ours goes with the process and the hours and that's how we come
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up with it. But if we have an extra phone call or whatever, you're not billed for it. Yeah.
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But yeah, if it comes, if we're down to the very end of the process and you're sharing it and
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things are changing, then the process is going to get jacked and we're going to have to charge
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a different additionally for that. But also, you're going to be sad. Yeah. Because that's when it's
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going to start going off the rails. Yeah. So share. We have a client portal. It's all available
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online all the time. Share it with your friends. But just do it the same way you would do if
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there's something going on with your kid at school. Do you want to be shared? Whose opinions do you
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really want? Yeah. Or your baking name. And as much as you would share your baby name. Yes. That is
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a great way. And think like my willing to pay the extra to listen to this person's opinion.
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Yes. Yeah. You don't mean like tell my best friend and they don't like this blue curtain
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fabric. Like, am I willing to pay to extra for that? Or do I not really give a shit?
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Yeah. Right. Because it's not a fabric is your baby. Yeah.
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It's something that you can show as you want. It's all pretty and done. It's not.
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Isn't this beautiful? Or do you have the confidence to share with your best friend? Your best friend,
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I hate it and say, okay, that's cool. Thanks for telling me, but I'm going to keep it.
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Yeah. Also, I love the trend. Yeah. Yeah.
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And because you love you.
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Five new friends. You should love you. Yeah. We're both less. And she, I mean, you can name
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your child, Margot coffee table. I'm looking at it and they should go, that is so you.
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But some people have that like friendship where you're like, I, this is not for me. I wouldn't
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pick this, but you do it. Yeah. For you not for me. My sister's one of those for sure.
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But you don't have to take their feedback. Yeah. Exactly. Yeah.
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Precisely. I think you summed that up. Well, I gave your confident enough to share it and just
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get move on about your business. Then great. And or are you going to pay for it? Yeah.
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To share with you or your whoever. Yeah. But we're not going to guard it. That's your
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post to problems. Yeah. Yeah. Yeah. You choose. You choose. You can be faster.
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Because those people are asking like, does it call, could it cause problems? Yeah.
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Which yeah. Yeah. It doesn't typically for us though. I know why.
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No, I think people usually solicit on the front end and get any opinions. But I mean,
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we from the gig goes to someone's got opinion. Yeah. And he come put their booty in a chair.
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Yeah. Yeah. Or be just. Yeah. Well, it is really easy to be the, um, oh my gosh. What do we call it?
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My name is gallery. Oh, yeah. Oh, they don't mean that. Yeah. If you're willing to show up and put
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in the hours to like be involved in the process, then yeah. Yeah. Just just. Yeah.
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Like the video. Yeah. I want to know more about this love it. hate it. Meeting.
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I know. Yes. That's. It's the best part of our process. Um, I'll give you a quick rundown on our
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process first. So we're fee based. And so it's a nice little package. And I honestly, this has
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been our process from the beginning. That we have, you know, our procurement process, which is an
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initial consultation. We propose they pay money and say, yes, or say yes with their money. However,
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you want to put that to men. Our first design meeting is love hate. And then we have two additional
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meetings that really get us to that final design. And then their deliverables are there. Um,
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and their meetings or phases, depending on how big the process is. There's several meetings in
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love hate. Yeah. Just depending like if, yeah, that can vary. Um, yeah. So a phase is probably a
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better way to term it. But um, that love hate one is the first one. And so that's when we're really
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getting to know clients. And that's when we call it love hate. Most people might call it ideation.
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But we call it love hate because we work with a lot of nice people. And we need them to say ugly
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things about tile, fabric layouts, whatever it is. Because say it now, because once we get here,
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you got to pay extra to say no. Yeah. Or say that's ugly. And so let's, let's start here. And
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it also, I think establishes a trust with their clients. Um, so that they feel comfortable telling
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us, I hate my haircut. Can you fix it? Yes. Yeah. I think that's really important. And it is
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stuff. So when they come to that meeting, so we, we describe our, like, way that I'm saying,
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our process, we do it like a funnel. So in the beginning, we're learning all this stuff about
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you. We're measuring it. And there's a questionnaire. So we know stuff about you already. We've
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interviewed all that sort of stuff. Now we've pulled all these things for you specifically. We've designed
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several different layouts. I mean, this applies to every type of project. Um, construction,
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renovation, decorating, whether it's just one room or a whole house. Um, so we'll throw sketches
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and floor plans and tiles and fabric and everything all over the table. You have this created for you,
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ginormous set of options options. And caffeine is offered. This means caffeine is all.
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Oh, there you go. And stuff like that. And all they have to do is feel their feelings out
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and it's hysterical. It's so funny to see how different people do it because they sit down at first
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and they're like, okay, well, like you hate that. You know, I hate maybe for somebody else,
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we're not designing their room. Do you? You hate it? So they can say anything between love,
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hate, not for me, be as personicity as they were. Some people like rub the fabrics on their faces.
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Um, and then it's that is important. Everything is it's just like we're able to take a nap on that.
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So I want to know if it's really not inevitable. Yes, yeah, it's critical. So everybody who
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has an opinion needs to be there, which is, you know, to say a small group of people. Um, but then
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everything is on their portal after it too. So they have Emily give them a homework date. So we'll say,
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okay, love it was really at the end of that meeting, we're like, love it was very overwhelming.
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You okay? You know, me, all right? This is all on your portal. Yeah. Go home, discuss, sit in the
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room, talk about it, think about stuff and give us your final thoughts in a week. And then we go
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to the next phase where it's more of a peak behind the curtain. So we've taken all that feedback.
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Everything we learned to love eight, which is so much stuff. Did you learn a lot? Because they get in
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it, you know, they're like, lilac really hate it. And this is why. And then we get into grandma
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and mom and stuff. I mean, we get into all kinds of things. And the things that people have
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peeps about are hysterical. Things that you've just never thought about in human behavior.
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You know, whether it's like a Chester drawers, if it has a nice little handle that goes
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when closes, oh, hate that. No, some people love that. Some people hate that. What, you know,
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what it's a double vessel sink or a single vessel sink. I mean, that is a house divided doll.
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I mean, it is drama in there. I mean, it's so funny. The things that they've never
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thought of before or that have bothered them for their whole lives. Yeah. And it's different
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with every client. And so we always have a good time. One of those people. I feel like you need
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a hidden camera. Oh my god. I know. I would love to. I mean, I truly would love to do that.
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We should add some clients if we can do that because it would be so funny. It really is
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probably our most fun meeting. And we really start to get into budget then because we find out what's
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important because there are things where they're like, I have always wanted this. And then we get to
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the lamp page and they're like, um, okay. Yeah. All right. We're not going to create them.
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A dimmer switch. That's one of those things. We're like, oh, it is satisfying. It is so good.
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Dimmers are very polarizing. Oh, really? Yeah. I know. We didn't know. I thought everybody
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wanted to do different things. We have one client and he went and took them all out of her house.
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Not, I mean, this was pre us going in. So it wasn't that we put them in and she took them out.
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But she just wanted to it. The lights are on. The lights are on.
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Obviously, she don't have any options. Yeah. I know. Maybe she don't want that.
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I know. And we gave options. Okay. What she want? And you're house beautiful.
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It is. It is. It makes her happy. And that's the most important thing. You know, it's great.
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There was a reason that we were talking about love. I don't remember what I mean. She wanted
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to do more about the stuff. Yeah. So we did a good job. Yeah. Okay. How long does that meeting take?
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Like a couple hours. Okay. A couple hours. And if it's, I mean, if it's a bigger project,
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again, it goes into phases. Yeah. But we should not to ever have a meeting that's over three.
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Two is ideal. Yeah. Two is ideal. That's even we are lights. Oh my gosh. You know, that's just being on.
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Haven't got many decisions to be made in that amount of time. People can really exhausted. And
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yeah. Then they started just saying whatever. And if you get to the whatever, then you need another
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meeting. Yeah. Yeah. So three hours max typically too. But do you I take a yell like hearing the
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why behind. Oh yeah. Like that is so important for your rest. Absolutely. So important. Yeah.
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That's so so important. It's also really fun to watch. Like partners talk about it. They're like,
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you I do. I do. And it's really interesting to see them do that. But the why is that's the most
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important thing. Yeah. Because I said options and I'm mad at myself for saying it because it's not
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options on the table because there's way too many things on the table to actually happen in your
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house. Because we're going to pull more things. So if we if they pull out something, we also have
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a magic wand pile that happens during the love. Hey, I really like how this feels. But I'd like it
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in a different color. So if we could take a magic wand and change one thing about challenge.
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But interesting. So we learn the why then we are empowered to be able to make the why happen.
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I feel that this is turning into a card game. Yeah.
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Yeah. We also. Yeah. Especially if we're doing construction, we're like, you can throw
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the marble samples at us. I should be usually say Marcy and it's not very nice to Marcy.
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They don't ever do it. So that's good. But it is nice because I mean in that sometimes you've
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gone through their Pinterest boards. You've had all these conversations. You've read their
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questionnaire and still when you get in there, they're like, I actually hate that color. What I
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was talking about in this image was this one thing. Yeah. And you know, you try to find the
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consistencies and sometimes still until you're standing there talking in pictures and words together,
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it's not evident. And so that magic wand pile is what helps redirect us if need be towards that
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semi-final goal. And usually at least there's a big chunk that was in the direction. But sometimes
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the surprise weirdos that we throw on the edge as a just in case they really did like that funky
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thing or that thing we really think would be cool in their house. Sometimes then we pivot that way.
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And I think to all that also helps bring to the top, there's lots of different types of clients.
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Some want a lot more guidance, some want a lot more partnership and involvement. And that really
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comes to light in there too. And we try to I mean within our process, we try to identify about
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folks and cater to that as much as we can. Yeah. I want to add the end pile. We have an end pile.
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Oh, and an end or a leaf pile is what we call it because there are middle names that just,
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you know, they're just friends with everybody, you know. They're the people.
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You know, it can be Catherine and yeah, yeah, yeah, we're like that. You know, that just works.
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She's not the room starter, but she's good. Yeah. You know, that's an pile. Yeah. So it's something
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they don't maybe don't love or hate, but it's just like it there. Yeah. Yeah. And it's
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neutral. And you gotta have something like that. I think that works. Yeah. Yeah. I think it's about
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a restaurant. Yeah. Something to blend it. And it compliments it. You know, your name is
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Catherine. And Bailey, you've had that. But boop boop. Yep. Yeah.
spk_0
Thanks. We appreciate a good graduation name.
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Okay. How it does the process, it sounds like the process, like the funnel that you mentioned
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is the same regardless of scope. But is there anything about it that changes with scope? Like,
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is that time line? But like, yeah, time line's a big one. I mean, you know, if we're doing
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construction and furnishings, and that can be renovation or new construction and all that,
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then that will take a longer timeline. And sometimes we will run those as nearly parallel
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processes. Processes. I'm not sure. I just assesses different processes.
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But we'll run them almost parallel. So we'll start on construction. And once we get about two-thirds
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of the way through, we'll start furnishings so that we're kind of considering those things together,
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but no one gets totally exhausted. So sometimes we'll do all that, but just spread it out a little
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bit. Or it's a really large home. We'll need more meetings about similar things. So timeline does
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make a big difference. Trying to think what other ways it'll pivot. The deliverables change.
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Yes. Obviously. If we were doing a construction project, then there's construction document.
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Yeah. And there's election schedule. That was actually going to be my next question. Like, if
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they expect you to be meeting with the tile installer to make sure that that's installed properly,
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what level does that involve, I guess? So we, in the design phase, at the end of the design phase,
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there's a set of deliverables. And I assume most people work this way. They do construction.
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You'll have a set of construction documents and a selection sheet in your design boards.
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So you're providing the documents one like, this is what the tile? Where the tile goes, where the
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regionally architects will have gotten into that. But usually we do the coloring it into that
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extent. We call it coloring it. All coloring it. So we provide all of that stuff. And in the best
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situations, we do walkthroughs during construction along with them. As many as they want. We have what
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we recommend for sure is that we do a framing, a electrical and a mill work walkthrough.
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So that we can say where the lights which is go and things like that, because things always
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changed during construction. And where there is your advocate and just to make sure they were all
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now standing in the room. And it looked good and planned to put this light here.
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I don't know, gradient. So and so, Dodd and she left you a light and we switched it. And this
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looks better here, whatever. Yeah. And sometimes too, I mean inches or inches and sometimes a wall
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went in and it's six inches off. And you go through framing walkthrough and you go, okay, well,
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all right, that happened. What's the sacrifice to move it back? And we're going to have to
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wiggle that window. And so we can stand there and help problems all that. So you're not left,
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you're all on your own. Yeah. During that. Because, you know, we don't only be there as much as you
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want us to be, but there's some things that we really think we should be there for to help your
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life be better. Yeah. Yeah. And because you have the, like, you know, what the vision was, what the,
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what it's supposed to look like. And like, there are minutia to some of these questions that maybe
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the contractor's asking them. And they're like, I don't know. But that is a huge thing to know
spk_0
when you are building is that you should incan and earn power to call your designer when you have
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that stuff. You can look at your builder and say, please call the designer and ask them a question.
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What should happen? And what we say to our clients all the time is designer builder architect,
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your design team should figure out the after there's been a weird pivot. Some things happened.
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Then we should all figure it out and then present the options to you. You shouldn't have to do
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this. What you're paying for. Right. And it's going to be better. Let's be honest. Yeah. You do
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whatever you do during for a living. We got this. Yeah. And if all three are aligned, it's absolute
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magic. In most of the time it is. Yeah. Most of the time it is. I mean, one of our favorites. I mean,
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we do those three walkthroughs. And then they'll just call us on emergencies. And sometimes it's,
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and it's emergency. Yeah. No one's dying. Yeah. Yeah. You know,
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and honestly to occasionally, I mean, occasionally, I mean, we usually have really strong teams.
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But occasionally you have a turkey on the team and turkey. Yeah. You know, it's just going to be
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the nice or a pieca or pieca pieca is often it. And that individual doesn't want to do, which you
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want them to do. Then we can be your advocate. And you know, they didn't want to take those historic
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doors and figure out how to make them work in the house. But that's what that's what we specified.
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That's because that's what you wanted. And we'll stand there and look them dead. And you can be
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there. And do it too. Yeah. You're going to do it. And they can to be good pop. And you can be back up.
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Exactly. Exactly. Yeah. And was that one? Yeah. Something out. I am, I'm usually really nice. But
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when someone's shouldn't have been doing it, it's just a cross. Yeah. We just do it. Just
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easier to be someone else's pit bull. Yeah. Yeah. Obviously you talked about them.
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Construction takes time and you see it happening along and along. If it is a room just of decorative
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elements that are not stuck to your house, then those things usually all happen in one day or one
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couple of days. That's pretty fun. That's very thing. And so install or the design process. Yeah.
spk_0
Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Like you're coming in and doing like the grand
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or ZLHGTV style. Yeah. Except we're not there. We sweep ourselves up back. We're
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meaning. Oh, I just come home. Yeah. I believe. I'm not only good things. A nice note. See.
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Do you don't want to see the reaction? No. No. Because what if they need a minute? Because we have
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had clients come home before. This is everything they want and hoped and dreamed for. And they walk
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in on install day and they're like, Oh, this is this is a big change in my life. Yeah. And it takes
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them 24 hours to be enthusiastic. You shouldn't have to worry about our feelings if that's where you are.
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My kids. I got stuff going on.
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That's actually not why we've done this obviously. Wait before that. But that was, um, it's really,
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it's a we want you to go and like sit and celebrate it with your family and be like, Oh,
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this is what you know, we have to it's for. I mean, we have a great relationship with all of our
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clients, but that we're not who it's for. It's for you. And so you should get to come home with
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your kids and whatever we were. Oh my gosh. This was so great. We were home recently in clients'
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kids came home before they did. And we were designing an area that was really kind of their space.
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And it was a real treat. That was that was actually really cute. It was an accident that we were
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still there. But um, not accident, but they can't. Oh my gosh. They were so precious.
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It's the sort of exciting space. Um, and we turned this kind of little found
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Eve into a little tea room for them. Well, actually, it wasn't supposed to be a tea room.
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It just turned into that on install day. Um, there's a little arbonal for that beautiful wallpaper
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in the vault of the Eve. It's so stinking cute. So it's kind of this color like it's lovely
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little blush. When the girls are wet like seven and four or something like that. Um,
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and they came running in and they saw that we had put in little accessory, um, tea set there.
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And they were like, yeah, it was and they went on that a few little hours for the hours weren't
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exactly right. They gave us a tea set and it was so cute. It was close. And they just found
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every little detail so exciting. It was so easily walked in and be like, this isn't my favorite color.
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Yeah. That's mom-a-picked it. So they loved it last week. Yeah. Yeah. Exactly.
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They absolutely adored it. That was so cute. So every now and then and we did we had one client
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who very much insisted that we be there. And if the in if that is what they do, you know, really,
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really wanted the, I mean, I guess we can make that happen. But that was where she
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cried. That was where the she cried. We cried. It was great. So I mean, occasionally, but
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yeah, and for some of the time we're out. Yeah. Morgan, we we send an email. We send the
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we out email when we're after install day and it's like, you're allowed to come back to your own
spk_0
home now. Yeah. And we are not there. There, there is some free to drink. Yeah. Come on home.
spk_0
Yeah. Oh my gosh. That is crazy. I didn't expect for you all to leave before they come
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but yeah, I mean, you know, our like experience, but that is seeing like any sheet TV show. So
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you assume that they're there. I like want to see that. But that does like for you.
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After you don't really do like it. Yeah. Yeah. Yeah. Yeah. Yeah. And it would be pressure on them to
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be performative about how it looks. Yeah. And like their reaction to it. Yeah. Yeah. I get that.
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None of us are good at that anymore since the internet. Yeah. Being performers in person.
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We do okay. We do okay. Why it happened if you get to install day and they don't like it.
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Like is that ever happened? It's not loving that because it's weird. But like how would one
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handle that situation in this type of that? That is a crummy situation. We have had elements
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not been liked. Not the whole thing. Thank God. I think that's everyone's worst nightmare.
spk_0
Mm-hmm. The client obviously. But that's true because we have learned to love you and the whole
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process and all that sort of stuff. Also financially, that's not that angry. So that shouldn't
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happen because we've less than the whole time. We've measured things. That's been it.
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Uh, during COVID, we did some virtual outsourcing of measuring and there was one time something
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that like really didn't fit. Yep. That was bad day. But that was a holiday. So we, we yeah. And
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that's it. Most designers have a clause that's like you buy it. It's yours. But in that case,
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when it just straight up didn't fit. We do a debt. We don't just take up with us. Yeah. And then
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we're going to not hire that measuring team ever. Yeah. Yeah. We do. Yeah. We do try that's like
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with love, hate, and and peak behind the curtain that we talk about the red flags of something.
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Like if something is really weird, like it's just, there's a lamp that we love that we call
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the disease lamp or something super brightly colored or marble people sometimes are not sure
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about marble and how it how it functions. We try to go for the know on it so that we talk about
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how bad it could be for your life. Like nothing is weird. It's not weird ass lamp. It's really big.
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Are you sure? Um, so we don't we don't try to weasel anybody into anything. Yeah.
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To a piece hour equals because that just doesn't then we would. Right. You're not trying to talk
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to something. Yeah. Because then if they, yeah, if we took that risk, then we end up,
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then we end up having that awful conversation of it doesn't work. That subjective. So who's fault?
spk_0
Is it? Yeah. Um, do that's awful. I don't think that in most cases, there are so many options
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that you can find someone something that they're going to like. Yeah. This is the only lamp
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that would work here. So even if you don't like it, like we're using it, I mean, there's
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going to be something else. It's just that you'd rather do that. Yeah. Exactly. Um, so that's
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only happened to us a few times where somebody hasn't like a particular element of it.
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And we actually feel like it's not wrong. I think maybe yeah, maybe two other times max.
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And then it's just a super awful and comfortable question. Um, conversation. Yeah. Yeah.
spk_0
And it's kind of case by case. Why? Once you leave, you send that we out email.
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What happens after that? Are there any situations in which like someone comes back to you or
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something it's saying they call you or like what is sort of the like after with those relationships
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are just as strong after that. So um, there is, we've got to finalize your invoice. So we're still
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different. You're in moist with all that sort of stuff, which hopefully isn't ever a surprise because
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we send updates every week about that. So this is usually just if, you know, like right now,
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prices going up for various reasons. Um, so that's happening. And then if you know a snag happens,
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I'm trying to think recently some automatic draperies, the one of the motors in it malfunctioned.
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Um, so those relationships should be just a strong she emailed us that this happened and we took
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care of it. And it's I think it's been fixed tomorrow. So those that should just that's part of it.
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Yeah. Um, and we're so sensational for that. And we're still, you know, like, I feel like it's
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an open door. I mean, we're still chatting with you. We're still friends. You can call us anytime.
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There's a photo shoot. Yeah. There's a photo shoot. Yeah. We love those. Yeah. Are those in the
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contract? Like is that something that someone should know going in like this is going to happen at
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the end? Yes. Yeah. Yeah. Yeah. Yeah. Does anyone ever have issues with it? No. Typically, I mean,
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now if we are pitching it to a magazine, we always ask the client, you know, if someone wants to
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to publish it, for example, we talk to the client and say, do you want your name in this? Do you
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want your gender in this? Do you want any part of you involved in this? And some people want their
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names. They're totally comfortable with that. Some people are fine with just a portrait of them in it.
spk_0
Yeah. I mean, various publications want various stories. Right. Yeah. Like someone who
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used the homeowner element and others. Yeah. Right. So that's totally up to them. Yeah.
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That's totally up to them. Because we've had work published with portraits and we've had work
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published where no one even knows what their name was. Right. So, you know, we try to be respectful
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of it. This is their home, you know, but also it's our profession. So trying to find the perfect
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way where that is successful for everybody. Yeah. At what point does that happen? The photography
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of the scene would be awesome if it happened like a week after the install. That's too
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to be a dream. But that hasn't happened. It happens all over the place. Sometimes a year later,
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it just depends on what other stuff we have going on. Yeah. And whatever stuff they have going on.
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Like, I mean, sometimes we'll get through a project and let's say it was a three-room project,
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but we know in six months they're doing three more. So then that gets kind of pushed and pushed
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until we know we can go and shoot all day. Sometimes it makes sense if it's a kitchen to get in
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there and shoot it for a half day or something. So you can submit it to competitions or whatever.
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But for the most part, you know, we try to do it as close to install day as we can. Just so
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nobody's feeling like they're tipped-towing around their own house. Right. But for the most part,
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it's within six months, let's say. That's the goal. Have you ever gone into a house that you went to
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photograph like a year or six months later? And you're like, oh, they moved that there.
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I don't think we have a sad face. Sometimes there's a surprise face. You're like, hey,
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there's chairs up here. There must have worked on there for them. It's funny.
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Or somebody snatched it. I feel like a child took a chair once.
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No, no, no, in that way.
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That's good. I think coming from a designer, I like to move stuff around all the time.
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Yeah. How could they even control themselves to move things around? But no, not really.
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Yeah. Sometimes it's exactly how to do it. Yeah, that's amazing. I don't know who's
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around. Like exactly the box on the book on the it's right. Like they have to move the accessories.
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Yeah. That's shocking to me. And it's clean. I know. But there is a certain comfort in like,
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oh, this is how Kate and Latham thought that this box looked best. And I'm just they thought
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red tulips looked great in this way. So I'm going to just keep on. Yeah.
spk_0
Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. And it is funny. I mean, there are some that you
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walked into like years later. And this is exactly how we loved it. But what's cool is that it
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always has a some layer, not always, if there's kids and dogs, which they're often is there is
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a hair. And it's cool to see that they are actually able to live their life in space the way
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that they plant. And that's really, really fun. That's a special thing. Well, not an museum way,
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but in like a, I loved it. They did it right. Like I can just yeah. Yeah. Yeah. Well, we
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we put a bunch of stuff out. So it definitely doesn't look like. Yeah. Yeah. Yeah. Yeah. Yeah.
spk_0
Okay. What about you mentioned before sometimes they've done like three
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rooms and you know three rooms are coming. Talk to us about that a little bit because you,
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you know, I know that there are probably some designers who only do a whole house projects or
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some that do room by room. What does that look like? Yeah. I think a lot of firms have a minimum
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and we do to a certain degree. But I think I mean, we're in this for well, we're in this because
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it's a business. So we're making money here. But we're in this for relationships too. And you know,
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if it is a great fit and it's going to be a smaller project than maybe someone else's.
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But we know we're going to be together for a really long time and we really like each other
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and work well together. Then that's just as good as a one-wambam,
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whopper project, you know, because it's the same. It's just over time. Right. Yeah. Yeah.
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I think a lot of that's a great question to ask when people are interviewing. Like what is,
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how do you define your minimum? I think is a good question. And what is your minimum? Is it,
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is it dollar related? Is it, is it square footage related? Do you only do do how do whole houses?
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And a ton of designers only do that. And I think ours is a little bit more objective in case by case.
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What I really don't like doing is picking is all we need is a chair in our living room,
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a light in our daughter's room, a runner and a pink color in that like wow, we don't just pick
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things. Right. And I don't think any designers are capable of just picking things. We look at a space,
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whether it's a house, a room, whatever, as a full composition and a lifestyle. So just like
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picking a chair, right. That makes a whole lot more sense to go to a resell store and talk to
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somebody about this is my situation. Can you help me find the proper chair or some, some designers do
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those, I don't know if you'll do this like the expert or something. Yeah. It's like a hourly consultation.
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Yes. Yes. Yeah. And we do that. We're on intro and we'll do that as well. And and that's been great.
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We've had a couple of folks on there would just have like three or four problems and they got
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30 minutes. And like, okay. And we'll get on there and their drapes are hanging there and
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like, do you, is this right? How should I him these? What's the height? You know, we can solve some
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problems like that. But if someone is coming to us as a full service design, we want to give them
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a full service design. And there's, there's all the same work involved in the picking because we have,
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because that the way that we approach stuff, this might be specific to us. I don't know. Is
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it we want to know who you are? Right. And how you work. So we still want to measure the space.
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We still want to do the questionnaire. So there's all that work upfront to just pick a chair.
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It's not worth it for the squeeze. I mean, there's yeah, you don't not the squeeze, whatever.
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It's a really expensive chair. It's a really expensive chair. Wouldn't buy a chair like that. Yeah.
spk_0
I just see. Yeah. I'm just going somewhere to come in and buy a chair. Yeah. But they might. Yeah.
spk_0
So, okay. And then what if we've worked together, we did three rooms and now move on to the other
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three rooms. Does that process look totally different? Because you've already done love hate. You
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kind of love hate specific. Oh, okay. It's specific. It's really specific. It's room specific. Okay.
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And human specific. So we've done layout for only the scope we did before. Right. So, um, so we'll do
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love hate again, but love hate usually goes faster. Yeah. Yeah. Because we do already know a lot
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more about you. There's a lot less to hate on the table. Yeah. When we're around to. Yeah. There's
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a lot less to do since this and those who she is. We have kind of, so we met them when they were
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doing their new build when Gordon Dunning was quite young. Um, and we picked all this,
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they picked. I shouldn't have said that. We helped them specify all the things for their help.
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And then we did their common spaces, their kitchen, their living room. That sort of stuff. Then
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we did their kids nurseries. Now we're doing their office. So we, those folks, we do do one room at
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time, but that's a man's fabulous.
spk_0
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But who lost his teeth and meetings are so quick.
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Like, she'll sit down and go, blue, huh?
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Why would?
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Exactly.
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You know, it's just exactly what we're going to do.
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It's very easy.
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So her thoughts are not two hours.
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Yeah.
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Yeah.
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Except for catching it.
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Yeah.
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He's ever catching up.
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Yeah.
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Sometimes there's personality 30 minutes so we need the film to that too.
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What if the project is someone that like has a lot of good stuff that they like?
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Maybe not this question.
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But they are like buying a new house and they're like, okay, I had all this stuff.
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I have a whole house.
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It was fully furnished, totally done.
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But like now my space is totally different.
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I don't know what to do.
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I love puzzle solving.
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That's a common exception that designers are like, get rid of it all.
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I'll only work with you if you're doing all new furniture.
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There are probably some of those designers, though.
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Of course, though.
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Yeah.
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We are just not on that list.
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That's a great question.
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Ask people.
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But we will absolutely use your existing stuff and your mom is existing stuff and do whatever
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because that is what tells the story and makes it function and gives it life and death
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and all that sort of stuff.
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So part of our measuring, we send in the As well guys and they'll measure everything and
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we go through and measure and take pictures of things we could possibly use.
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Whether that's recover or just use it as it is and that's anything from everything.
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I mean, anything.
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An existing light fixture, we often come in and think what can we keep, what we'll give
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it life and death and story.
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Could you environment?
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Because I think, you know, I mean, if your grandma's piece is not the most beautiful thing
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in the world, but it means something to you, that matters.
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And then they're anxious.
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They're like, this is really not worth keeping.
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Yes.
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Yes.
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But if they are in love with it, it makes their soul happy than it is and we don't get to
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define that.
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Yeah.
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We'll just put other things around it.
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We can just put other things around it.
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It's not usually something.
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Or something.
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Yeah.
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It's not usually something to use.
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It's not usually something to use.
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It's not something to use.
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It's not something to use.
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It's something to use.
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Sometimes they're like that too.
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They're like, I need to keep this for sentimental value.
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I know it's not my favorite thing, but it's great.
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It'll go as the, you know, guest room beds on table then.
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Yeah.
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Yeah.
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They'll help us prioritize that too.
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And if it really matters to them and they think it's beautiful and we don't do that
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matter, we're going to put it in.
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You ever had to tell them you hate something?
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Mm-hmm.
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Mm-hmm.
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Mm-hmm.
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I don't think we've ever said that.
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That really bothers me.
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We have told them it doesn't work.
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Well, we have said like it doesn't work.
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That's typically scale related.
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Yeah.
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Yeah.
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But yeah, it's not usually like you.
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Yeah.
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Yeah.
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Well, I'm just being you are asking them to be upfront with you about what they hate.
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Yeah.
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So I wasn't sure if it ever goes that way.
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Is where you're like, I have to be honest about something that.
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If it doesn't work.
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Yeah.
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Like this, I mean, your grandma, Mastofa is so precious, but you have a huge living room.
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It looks like a dollhouse sofa.
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Yeah.
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Yeah.
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So let's put it at the end of your bed.
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Yeah.
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Or something.
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Or let's recover it.
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Or something like that.
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But saying like this is dated.
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If it makes their heart full, then it's on dated for them.
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Yeah.
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Right.
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Like that kind of thing.
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The thing that I think just appoints a lot of people and I totally get it.
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Is it if you have a lot of furniture, they think the design fees are going to cost less.
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But we are.
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I mean, if they come with existing furniture, got it.
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Yeah.
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Like, yeah.
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I don't know.
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So you put sure less furniture to the furniture and the decorative elements, all that
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stuff cost less because you need less.
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Right.
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But we're still designing the same amount of thing, the same amount of stuff, whether
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you, whether it's for free, the table is free or not.
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We still got to measure it.
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We still got to lay it out in the room.
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We still got to see how it all works.
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So your design fees would be pretty much consistent.
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But the purchasing of the new pieces might be less.
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Well, it should be.
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Yeah.
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Yeah.
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Because you already have a table.
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Right.
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There's a thousand, four thousand dollars.
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I don't know what your table.
spk_0
Yeah.
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Well, I guess I'm thinking like, well, if you're recovering it and you're adding wallpaper
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and you're, you know, that also can add up to.
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So it's something.
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But the tip for tat, if you've already got something, it won't cost less.
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But the design fee is still the same.
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Right.
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Because we're still looking at that as a, as a whole.
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Right.
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Yeah.
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I think stinks.
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I acknowledge that that stinks.
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Yeah.
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But, but if you think about it this way, like how rewarding to now feel like, okay.
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Yes, maybe it's still cost a lot, but I got to incorporate this thing that I've been
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trying to incorporate.
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We've probably spent money buying things to go with it that didn't work.
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And I've wasted some things or bought some things that are wrong.
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And now I finally could write like someone getting right.
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Yeah.
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Yeah.
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Yeah.
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So at least there's a lot of people's existing things.
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Yeah.
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That gets, that gets really exciting.
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And I think some people get really nervous about it.
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They're like, I have this, but I don't know if you're going to like it.
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What about moving houses though?
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Because I imagine that is that can be challenging.
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Like what if the houses are actually totally different or a very different scale?
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Like they used to be in a historic home and now it's a great big new build.
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Yeah.
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That's hard.
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That's a hard game.
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And that's what I give you for.
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Yeah.
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Yeah.
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But I will say, I mean, and sometimes that you got to get the right artwork to help make
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it, you know, and position it in a proper way around the sofa so that it makes that
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sofa feel grander when, you know.
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So we play that game a lot.
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Um, but it is sometimes things have to go somewhere else and then that stinks and that
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happens.
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But I mean, that's something like somewhere really got an upgrade in your house.
spk_0
It's just that you're also going to have to upgrade.
spk_0
Yeah.
spk_0
I feel like a conversation that happens a lot in situations like that.
spk_0
But can we keep our existing stuff sectional?
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I don't really like there's nothing wrong with it.
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Here are the cons.
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You could fit more people in here and it could function better with this layout.
spk_0
But we understand that that sectional is free.
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They already own it and your kids are young and maybe it doesn't matter because you'll
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beat that up and you'll do this later.
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Or so we just make an educated, help them make an educated choice for it.
spk_0
So yeah, I mean, you can keep it.
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It's your life.
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Do you want to keep it?
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What there ever be a situation in which you'd be like, okay, we're going to design it.
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And then like the way we think it should work, you keep that sofa for three years when
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your kids are no longer playing with crayons, you call us and then we'll know, but we'll
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already know exactly like what fabric.
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Exactly.
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Yes, that's right.
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spk_0
That happens a bit.
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So you'll do that.
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Oh, yes, for sure.
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Yeah, that makes sense.
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Yeah.
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I mean, just sometimes the life phase for whatever reason is such that the new dining chairs
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don't procure new dining chairs.
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And we'll either put an inexpensive fabric on the seat or if one already comes with the
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slip seat, like with a natural linen or something on it, or just leave it like that.
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Let your kids bash it up.
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We'll do the fabulous velvet in a few years.
spk_0
spk_0
And they're like, you and I were talking earlier, like a couple years or like, I got 10.
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Yeah.
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Yeah.
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Yeah.
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Yeah.
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Yeah.
spk_0
spk_0
spk_0
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Yeah.
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Yeah.
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spk_0
Yeah.
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spk_0
Yeah.
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Yeah.
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10 years I'll get another new fabric thing and it'll stay.
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Yeah.
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Around for longer.
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Yeah.
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Okay.
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You mentioned art.
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What about shopping for art?
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Because I do feel like some designers approach things differently where like they don't necessarily
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shop for art for their clients.
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And then some do.
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So what does that look like?
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It's kind of client lead.
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I mean, we, we talk a lot about priorities, obviously, throughout the process, but some
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clients are like, I don't really know about art.
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And some it's important to some is so important to that they actually do want to make
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the selection.
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So in that case, and they do want it, they want to invest on it, but they want some guidance.
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And so we'll send them to some of our favorite galleries that we believe are consistent with
spk_0
their aesthetic, give them a few artists to follow and look at and interview.
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And then there are other ones that are like, here's my budget, fix it.
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And so in that case, then we'll actually select these specific pieces or commission the
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artist through us to create the pieces.
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But we're as involved as the client will allow us to be.
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I mean, we'd happily select everything in someone's house.
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And that people don't always want that.
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Sometimes we give them shopping rules.
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And you know, they're going on a big special trip sometime this year.
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I'm like, okay, well, when you go there, here's the size you need.
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Here are a couple different subject matters that might work.
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And then, hey, if you pick up something else, you know, maybe in about this size, that'd
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be great.
spk_0
And so then they'll get to come home with something that has their story and their
spk_0
experience.
spk_0
Sometimes they've been somewhere, didn't get anything.
spk_0
And then we go on deep dives and a number of different whether they're artists to
spk_0
commission something new or antique, serventage and pull things from all kinds of websites
spk_0
and local dealers and find them something that we're like, yeah, you can tell people this
spk_0
came from Paris.
spk_0
Yeah, it did.
spk_0
Not when you were there, but that's fine.
spk_0
No one needs to know.
spk_0
It's still part of your story.
spk_0
You know, it's really trying to keep a story.
spk_0
And that sort of stuff comes out and love hate usually because we will have pages of
spk_0
art that we are.
spk_0
Latham hates this word, but I don't know a better word for it.
spk_0
It was all decor.
spk_0
You know, so it would be, you know, maybe if they're really passionate about travel and
spk_0
if it's been a lot of time in India, we'll pull some like drugs that can hang on the wall
spk_0
or something like that.
spk_0
So there's not just like him just talked about.
spk_0
Yeah, like him up.
spk_0
Pull things for them to love and hate on and that that's what starts that conversation.
spk_0
And they're it's important to them and want to spend a lot of money on it or not.
spk_0
Yeah.
spk_0
And I mean, because of the work we're in, we have a lot of friends that are artists and we
spk_0
love to support them in any way we can.
spk_0
And when it's the right fit and there's a wide range of styles in there too.
spk_0
And so we love the opportunity to get to work with them and support them when clients
spk_0
let us lead that, but also, you know, to support our clients on whatever their artistic
spk_0
collection journey is.
spk_0
But we have one client who, um, her kids for their birthday, I mean, from infancy, what
spk_0
they get for their birthday every year is a piece of original artwork.
spk_0
So we only procured like two pieces of artwork for her house, everything else.
spk_0
She was just like, here you go.
spk_0
And we had another client who had an art closet.
spk_0
It was the most magical thing I've ever been in my life.
spk_0
And just open the door and there was just beautiful original artwork just stacked in
spk_0
her closet as if she were a gallery because she was like, I've just been waiting to do
spk_0
this, but I knew I love her.
spk_0
She was like, I don't want to put holes in them all.
spk_0
I want to put them in the wrong place.
spk_0
I know what I like artistically, but I don't know how to incorporate it.
spk_0
And so there was just like dozens of pieces of artwork in there.
spk_0
Oh, it was so exciting.
spk_0
I can't decide if I love that or hate that it's been in a closet though.
spk_0
That's what I'm not here for a long time.
spk_0
spk_0
I was like, and got her through the COVID.
spk_0
Yeah.
spk_0
She was just like, I'm buying this and supporting this artist and doing this.
spk_0
And then she's like, no, this cause of full stuff.
spk_0
And I was like, I got a higher designer.
spk_0
Yeah, yeah.
spk_0
No, no.
spk_0
We were just waiting in the wings.
spk_0
It was on deck.
spk_0
I think yeah, yeah.
spk_0
All's ready.
spk_0
That's right.
spk_0
That was, that was a really fun.
spk_0
When we do have clients that love art, and often introduces us to new artists, which is cool.
spk_0
Do you ever have a situation where you're finishing a room and the art or there is blank space
spk_0
on the wall like it?
spk_0
Yeah.
spk_0
And it gives us heartbreak.
spk_0
And often we will bring something on approval that day on install day.
spk_0
Just to, okay.
spk_0
Me like, it could look like this though.
spk_0
Yeah.
spk_0
It looked like that.
spk_0
And here's the Christ thing.
spk_0
Yeah, just, just no.
spk_0
Yeah.
spk_0
And it could support the artist.
spk_0
Yeah.
spk_0
What about leaving room in your budget for finishing touches?
spk_0
Yeah, absolutely.
spk_0
There's always an accessory budget in the invoice when they get their click.
spk_0
Um, it looks like a dollar mill.
spk_0
Yeah.
spk_0
Yeah.
spk_0
Yeah.
spk_0
spk_0
So when they go around,
spk_0
it's like, yeah.
spk_0
Yeah.
spk_0
It's going to be a dollar mill.
spk_0
And we have taken notes during the design process and in their questionnaire
spk_0
about things that tell their story.
spk_0
spk_0
Like little, little weird things.
spk_0
We love little weird things that we can do.
spk_0
Like objects, sit about.
spk_0
Like what do we talk about?
spk_0
Yes, but usually like,
spk_0
like,
spk_0
like, little stories that they tell.
spk_0
And then we like, tuck that back about some story.
spk_0
The only one I could think about is a very internal that turns into like,
spk_0
yes, turtle shells in the wall or something.
spk_0
Exactly.
spk_0
Like, yes.
spk_0
Yes, exactly.
spk_0
And so we try to remember that sort of stuff.
spk_0
What was the thing that was scarlet?
spk_0
What was the scarlet one?
spk_0
I don't remember.
spk_0
I don't know,
spk_0
but sometimes just really quirky weird things will come out and love eight and
spk_0
like print off a weird photo and put that in the frame.
spk_0
That way for a cure to put out.
spk_0
spk_0
There's, um,
spk_0
there's one client who was really into wrestling.
spk_0
Um, like professional wrestling.
spk_0
Okay.
spk_0
And, um, they don't feel like they're kind of person at all,
spk_0
but they are very, very into art.
spk_0
And so we, I think you and I were in Paris and we picked up.
spk_0
We were beginning a lot of sketches and there was this
spk_0
riddle weird, um,
spk_0
line drawing of what you think of when you think of a wrestler.
spk_0
And I'm sure that there was a name for this type of rest of ones.
spk_0
You think not?
spk_0
It was a sync with, but then he had like a, like a mask on and
spk_0
the way that it was just a line sketch that we got in Paris.
spk_0
So it was so much like, but it was the most elegant drawing one could have
spk_0
a wrestler.
spk_0
spk_0
Exactly.
spk_0
In a real pretty frame and put it on their bookshelf and it stayed.
spk_0
And so there's like little winks.
spk_0
Oh, that was on.
spk_0
Lafayette was there.
spk_0
You got that.
spk_0
Lafayette was their dog.
spk_0
Um, and so we framed a portrait of Lafayette in there.
spk_0
Um, even though they are not traditional, it was really small, like a cute
spk_0
little,
spk_0
just a foil painting.
spk_0
No, it's fine.
spk_0
So like stuff like that.
spk_0
And we, so once they've paid for all their stuff,
spk_0
and we've started ordering, we lay, and we've held on to this in our,
spk_0
with our team, like, lay them, I get to do accessories.
spk_0
So we do all, well, you know, we'll go to scots.
spk_0
We'll go to, I mean, we'll, wherever the, the world does our or start and find
spk_0
weird little things.
spk_0
The thing that stinks or doesn't, depending on who you are in this situation,
spk_0
is that accessories are all returnable because they just show up on install day,
spk_0
you've never seen a lot of proof in the form.
spk_0
Okay.
spk_0
So they get to shop in their own house.
spk_0
Um, so it's a risk that we take.
spk_0
Um, but it makes sense because of the way that we procure them,
spk_0
we're usually like randomly somewhere and grabbing them.
spk_0
And they don't make sense a lot of times out of context.
spk_0
You have to see them on that set of books or whatever to be the one off thing
spk_0
or the perfect box on the coffee table or what have you.
spk_0
And you know, we, when we send the final invoice, then all those are
spk_0
items that itemized out.
spk_0
And so they can sit there and go, is that box worth that to me?
spk_0
Maybe because I'm so lucky.
spk_0
I'm one of the busier.
spk_0
Sometimes she likes herself like a real expensive ton of box.
spk_0
I do.
spk_0
I love.
spk_0
She loves a rich business of box.
spk_0
So much.
spk_0
And some people are telling me it'll be like $200 for like this big.
spk_0
Yeah.
spk_0
But it's so pretty.
spk_0
It's so pretty.
spk_0
Um, so okay.
spk_0
Sorry.
spk_0
The accessories budget is not built in on the front end.
spk_0
It is a layer that will be in the room, but you haven't paid for it yet.
spk_0
And then they're going to do pay a portion of it.
spk_0
So okay.
spk_0
And the way I don't, I hope it's okay to say.
spk_0
Yeah.
spk_0
So our, um, at the end of the design process, they, and let's just talk decorative.
spk_0
Because that's what we're talking about.
spk_0
Um, you get a full itemized invoice with a real hospital thing,
spk_0
including a line that says accessories and you pay 80% of that.
spk_0
And then the 20% is on the back end.
spk_0
And that 20% could morph based on having the accessories you keep or price goes up or down.
spk_0
Okay.
spk_0
She's got, should be real close to that 20.
spk_0
Um, so that's our budget when we're shopping.
spk_0
So they, they have approved, hey, it's going to be X number of dollars worth of extra stuff in this room.
spk_0
If the accessories budget, like a percentage of the room, like how does one,
spk_0
because I feel like that would be something that it's right.
spk_0
It'd be a hard pill to swallow for people.
spk_0
Oh, yeah.
spk_0
So I think it is.
spk_0
I always think it's going to be, but I think hopefully they've looked at our work and that's how they figured out that it's okay.
spk_0
But people usually don't.
spk_0
Okay.
spk_0
No, that's okay.
spk_0
That's how it finishes.
spk_0
Um, and we determine them by, it's, I mean, it's really case by case.
spk_0
We'll be like, okay, surfaces.
spk_0
How many surfaces are there?
spk_0
Is this room covered in bookshelves?
spk_0
Right.
spk_0
Um, and everybody reads other candle now.
spk_0
So that's harder.
spk_0
Um, and how much do they care?
spk_0
Yes.
spk_0
Some people are put around people and some people aren't.
spk_0
Um, some people have a whole library full of books and don't need extra coffee table books on their coffee tables.
spk_0
Some people aren't closing.
spk_0
I, we don't like kindle and that's all I got.
spk_0
Yeah.
spk_0
But I have three different sets of bookcases in the home.
spk_0
And we, and we just guess.
spk_0
And we're like, yeah, I probably need a parking lot box.
spk_0
That's going to be something.
spk_0
Yeah.
spk_0
spk_0
spk_0
I'm going to be a little bit higher than someone who's like, whatever, as long as they've only been to London and Paris.
spk_0
It's a lot easier because there's a lot of London and Paris.
spk_0
Yeah.
spk_0
Yeah.
spk_0
But we do have to tell their story and those things too.
spk_0
So like, well, if someone's recently been to Japan, we'll make sure that the coffee table book that we're putting there.
spk_0
If we're buying it is Japanese textiles or whatever.
spk_0
Yeah.
spk_0
And so we try to source based on what their questionnaire says, what we know about them through the process, etc.
spk_0
That's a great like, um,
spk_0
little tip that we've for someone not hiring an interior designer like great gift.
spk_0
Like, oh, just went on a big trip.
spk_0
Like, I'm going to buy you a coffee table book for that.
spk_0
I'm totally going to do that for my parents.
spk_0
I just can't buy them anything.
spk_0
They don't want anything.
spk_0
Yeah.
spk_0
Maybe I can buy them.
spk_0
You know what I mean?
spk_0
Yeah.
spk_0
Books are just in my hog parents are on.
spk_0
I know.
spk_0
But that's where to wrap on mothers.
spk_0
Yeah.
spk_0
Yes, it is.
spk_0
I get it.
spk_0
But it like a try something you know, something that like a book related to somewhere they went.
spk_0
Yeah.
spk_0
Yeah.
spk_0
That's really, really, really fun.
spk_0
Accessory shopping is a lot of fun.
spk_0
Yeah.
spk_0
And a lot of times people are like, yeah, thanks a lot.
spk_0
It's great.
spk_0
And we don't have to move the thing.
spk_0
And then if we could come and take the photos right after that.
spk_0
Yeah.
spk_0
That's great.
spk_0
Are there any other places within the process that you should figure out?
spk_0
Like, we might be spending a little bit more.
spk_0
I just feel like I've watched enough of those like home renovation shows.
spk_0
To know that like you go in with a budget of X and whatever that is, it's going to be 15% more like an oops budget.
spk_0
Yeah.
spk_0
An oops budget.
spk_0
Yeah.
spk_0
Like should should we factor in an oops budget?
spk_0
I think I think on renovation, for sure.
spk_0
Okay.
spk_0
For sure, definitely for all kinds of different things.
spk_0
What about a tariff budget?
spk_0
Yeah.
spk_0
I know.
spk_0
And that's what I want to nail down.
spk_0
It is really hard to nail down.
spk_0
Yeah.
spk_0
We have a conference call on this.
spk_0
Like about every month right now for one of the organizations we're in and it's kind of like lead.
spk_0
Oh no.
spk_0
Yeah.
spk_0
Yeah.
spk_0
spk_0
That's a call.
spk_0
That's a great talk.
spk_0
I think we told you last month, that's now irrelevant.
spk_0
We have so many vendors who are eating some of it.
spk_0
And they're like eating some of it and then doing it later.
spk_0
So in a project.
spk_0
So right now, I don't know what's there.
spk_0
But right now, you don't need a tariff budget as a rule because people are
spk_0
honoring the fee that you paid.
spk_0
Whatever you paid will be honored.
spk_0
But if you drag, you mean the designer or the vendor?
spk_0
Like if you have quoted to your client, this table is going to be $500.
spk_0
Then the vendor is honoring it.
spk_0
So we don't have to.
spk_0
Okay.
spk_0
Okay.
spk_0
Which is and that that just tends to be the trend right now.
spk_0
I do have implemented now, you know, but that will be our next white, not on our past swipes.
spk_0
Yeah.
spk_0
And it's, I think we think through the contingency budget and decorative projects.
spk_0
Where so we kind of take on that fear of somebody's like, I got $4 and we're like,
spk_0
it's going to be more like $6.
spk_0
So.
spk_0
But we do try to talk about money a lot throughout the process.
spk_0
And it's really important that we're comfortable with it.
spk_0
You know, and I was raising, you know, a time and a place in a family where that was rude.
spk_0
It is not rude.
spk_0
It is very important.
spk_0
It's only one of the only ways we can do our job well.
spk_0
And so we have to be very comfortable talking about money so that they're very comfortable talking about money.
spk_0
Yeah.
spk_0
And so sometimes we get a semi final and they have expressed interest in some things that that is going to blow their budget.
spk_0
Yeah.
spk_0
And so we just try to be very educational about that in that moment and say, Hey, this is the table you want.
spk_0
We need to understand that if you do this, you are not going to be in budget.
spk_0
And typically.
spk_0
As long as you've managed expectations and there is some some contingency in their bank account, then it's fine.
spk_0
Sometimes they go, Nope, that's all the money I've got.
spk_0
Let's reassess.
spk_0
And that's fine.
spk_0
It's just being clear about it so that no one's disappointed once they get that final bill.
spk_0
Yeah.
spk_0
Yeah.
spk_0
It sucks.
spk_0
We don't like the person doing money.
spk_0
Yes.
spk_0
And communication is actually something we definitely wanted to talk about today is I think a lot of people
spk_0
worry about communicating with their designer, communicate like communicate as much as you want to.
spk_0
Don't text and don't DM.
spk_0
That's a big big thing for us.
spk_0
You will not text you and we will not DM you.
spk_0
Not if you DM and go, Oh my God.
spk_0
So cute.
spk_0
That's like yeah.
spk_0
I'm not.
spk_0
That's right.
spk_0
But if you DM me.
spk_0
So last night, I was thinking about the kitchen and this kitchen that you just posted, I really like to do it.
spk_0
I can't go.
spk_0
So two weeks down the road, I'll be like, I know they said something about a kitchen.
spk_0
Did I dream it?
spk_0
Where was it?
spk_0
Yeah.
spk_0
I can't get in my email.
spk_0
That's the only reason why.
spk_0
Yeah.
spk_0
That's it.
spk_0
It's, um, it's so we can find your information and care about you.
spk_0
We can do our job well if you're emailing us or calling us.
spk_0
You can email all you want.
spk_0
Yeah.
spk_0
And our professional life is people's personal lives.
spk_0
And so we get that.
spk_0
And so they're thinking about us at 10 o'clock at night for the love of God.
spk_0
I am not thinking about you at 10 o'clock at night as much as I love you.
spk_0
But that's probably your right.
spk_0
It's not true.
spk_0
I'm a man thinking about them.
spk_0
But I'm also finally not parenting and working and doing all the things.
spk_0
And so if I get a ping on my text message, it's just going to put me in the ground.
spk_0
But you can email it at 3 a.m.
spk_0
You can email it at it.
spk_0
And you will look at it and you can't.
spk_0
What if you look at it at 5?
spk_0
But that's, I mean, just because of my own choices, but you can, you can email it anytime
spk_0
you want to.
spk_0
I mean, I think this is true of all just modern communication.
spk_0
Yeah.
spk_0
Yeah.
spk_0
Email anytime you want.
spk_0
Yeah.
spk_0
When we go to conferences and we tell other designers there are many of them that text their clients.
spk_0
And that is the conversation that you need.
spk_0
And that's the way you need to communicate with your designer.
spk_0
We're just not fit.
spk_0
Yeah.
spk_0
You know, and I think that's part of it is communication style.
spk_0
Yeah.
spk_0
Which is back to choosing somebody who's like your doctor and stuff.
spk_0
Kind of a tech.
spk_0
Yeah.
spk_0
Yeah.
spk_0
spk_0
Do what I text my doctor.
spk_0
Yeah.
spk_0
Yeah.
spk_0
And some people would.
spk_0
Yeah.
spk_0
I'm just not one of those people.
spk_0
And Tim, I like, I think everyone knows probably their own communication style.
spk_0
But like if you're someone that does not work on their own, it doesn't use their own personal email.
spk_0
Then don't work with a designer that only uses email.
spk_0
Right.
spk_0
Yeah.
spk_0
Yeah.
spk_0
You know, yeah.
spk_0
Yeah.
spk_0
Exactly.
spk_0
And that's, I mean, there's tons of people in the world to work with to find somebody who's
spk_0
that's going to fit.
spk_0
Yeah.
spk_0
That business stuff is really important.
spk_0
Yeah.
spk_0
Anything else people should know.
spk_0
I think the only one was the quick question thing that people often have.
spk_0
Oh, yeah.
spk_0
And like a revisions where folks will want to change something.
spk_0
And in their mind, which I totally, totally get, can we just change this, this one element?
spk_0
Or can you tell me if this light fixture works?
spk_0
Again, we, we'd look at a full composition.
spk_0
So it takes time for us to get in your house.
spk_0
We talk about a lot of houses.
spk_0
So I got to remember who you, I mean, I, I know you are.
spk_0
And I'm like, wait, did they like a drawer microwave or not?
spk_0
They either headed or love that.
spk_0
I can't remember.
spk_0
So we got to get in there.
spk_0
And then we got to make the decision.
spk_0
So it takes a little bit longer to answer what is, what themes like a quick question.
spk_0
Yeah.
spk_0
There are many quick questions.
spk_0
Yeah.
spk_0
Really aren't because we're considering so many different elements.
spk_0
And that's why you want us there.
spk_0
But I can also understand that that's frustrating.
spk_0
Just be like, I'm just asking you if this one is here or here that I hang the
spk_0
light fixture or like, woo, but if you do that, then that impacts how big that
spk_0
piece of artwork can be.
spk_0
And that's all the way to the body there.
spk_0
Exactly.
spk_0
And then that, you know, I mean, there's just so many different elements that we're
spk_0
considering because that's our job.
spk_0
And so it's never quick.
spk_0
And so I hate that, but it just isn't.
spk_0
Yeah.
spk_0
I mean, yeah, I'm not going to add to that.
spk_0
Okay, I did that.
spk_0
You did a great job.
spk_0
Oh, pretty.
spk_0
Oh, thank you.
spk_0
Thank you so much.
spk_0
You too.
spk_0
Anything else?
spk_0
I mean, no, I mean, you said misconceptions,
spk_0
quick questions and picking, right?
spk_0
spk_0
There was other misconception.
spk_0
There was covered it somewhere in there.
spk_0
We're not scary.
spk_0
Like what would be realized what way else should I?
spk_0
What layout would be good in here?
spk_0
Like what's it?
spk_0
Like what's a quick vision?
spk_0
Like what's your vision?
spk_0
But I think we talked about that when we were talking about like,
spk_0
like you're walking into a room and immediately knowing what you go in there.
spk_0
You have to wait.
spk_0
Right.
spk_0
We got to know who you are.
spk_0
spk_0
For the story process.
spk_0
You are you.
spk_0
Yes, you're life.
spk_0
Yes.
spk_0
Oh, and I will say they're, I'm not saying that there are no
spk_0
developmental designers on the road because they are.
spk_0
But another thing is when you are inviting us into your home,
spk_0
we get a lot of when we're first walking in someone's house, I'm sorry.
spk_0
It's such a mess.
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I did it.
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If your house was perfect, we would not have a job.
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Yeah.
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We do not expect it to be impeccable when we walk in.
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We don't.
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We didn't.
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We didn't.
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Exactly.
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Yeah.
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So yeah, we're there to help.
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So hopefully it's a little off.
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Some way, otherwise we don't have a job to do and then we're not going to get paid by you.
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Yeah.
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I'm saying, but I think knowing that, you know, we're coming in with
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problem solving eyes, not judgmental eyes.
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Right.
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Yeah.
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Hopefully, hopefully everybody's like, yeah, yeah.
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Yeah.
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Yeah.
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All right.
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I think we covered it all.
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I think we did.
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I know.
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I'm sure what we might, you know what?
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We might get some questions from some from some listeners.
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I'm tongue tied.
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In which case we'll have you back.
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Yeah.
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Okay.
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Yeah, I'd be too.
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Well, that's all anytime.
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Of course, always a tree.
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They're making this.
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Oh my gosh.
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This is so fun.
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Do you feel a little bad that we talked a lot about our process?
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So everybody's is different.
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I mean, everybody's process is different.
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And I think, you know, there are some central elements, but I hope it gives folks
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enough to be dangerous enough to have questions asked when we get to other firms too.
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All right.
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We'll tell everyone where they can find you.
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Follow you.
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See your work.
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Oh, yes.
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The probably the most fun place to follow us is on Instagram as we are a very visual
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business.
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And our handle is Gordon Dunning, G-O-R-D-O-N, and then running with the D is in
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dog.
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But just always, I'll we have to spell it to everybody.
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But just like you can tell them.
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Yeah.
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And then there's the world wide web.
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You could go there.
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W-W-W-W-D-D-G-O-T.
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Gordon Dunning.
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Duh-Duh-Duh-C-O-N.
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Yes.
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Where else?
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I don't know.
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I don't know.
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And we have a newsletter you can sign up for on there.
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We only buggy about once a month until you go.
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That's not true.
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It's once a quarter.
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We try our best.
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We did take the summer off.
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So intentionally.
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But there's all kinds of happenings and book recommendations and podcasts
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recommendations on there for folks that can even.
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Sure.
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Yeah.
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To live.
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That's next month.
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This is me, G-P-Key.
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Where else can you find the true?
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Oh, intro.
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Oh, yeah, we're on intro.
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Yep.
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What else?
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You could do it.
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They could do a consultation fee with you.
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Absolutely.
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I'm sorry.
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But what do you call it?
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A consultation?
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I think it's called consultation.
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Like a couple of hours that they had a few quick questions.
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Yeah.
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Absolutely.
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That's it.
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So don't have that.
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They would sit and be like, so here's the situation.
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Think of it as you're telling everyone the characters.
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So you have a new friend and you're like, listen, like my sister is a booty head
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and she drives me crazy.
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And the friend is like, well, what was she like growing up?
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Like you need to give the characters.
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Yeah, there's going to be some of my moms like this.
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And okay, now I totally get it.
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We need the characters.
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Yeah.
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That's why I sent a good question.
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Yeah.
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A good back story.
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Yeah.
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Yeah.
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And we, as we talk about often on the show, inches matter.
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So like, like you can't just say, this is how we're
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to hang it or whatever.
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Like sometimes things are tight and you got to, yeah, you matter a lot.
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Like, yes, inches and money, Matt, a bullet in a sentence.
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And a meter's two.
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We'll do metric.
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And it says, I mean, I like the person.
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I'm on phone.
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You know, you just do that.
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Oh my lord.
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Okay.
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That's our show.
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There you go.
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Anyone's centimeters.
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And that's our show.
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You can find all of the show notes on our blog.
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How to decorate.com slash podcast to send in a decorating dilemma.
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Email your questions to podcast at ballarddesigns.net so we can help you with your space.
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And of course, be sure to follow us on social media at Ballard Designs.
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Don't forget to subscribe wherever you get your podcast.
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So you never miss an episode.
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And please leave us a review.
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We'd love to hear your feedback.
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Until next time, happy day.
Topics Covered
interior design tips
decorating your home
working with an interior designer
decorating dilemmas
Atlanta interior designers
design process
client-designer relationship
home renovation
design consultation
budgeting for design
design experience
creative vision
communication in design
interviewing a designer
design aesthetics