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Biomimicry in Architecture with Michael Pawlyn
In this episode of Learning from Nature, host Lily Irman speaks with renowned architect and biomimicry expert Michael Pawlyn about the transformative potential of biomimicry in architecture. They expl...
Biomimicry in Architecture with Michael Pawlyn
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Interactive Transcript
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Hello and welcome to Learning from Nature, the Biomimicry podcast with me, your host,
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Lily Irman.
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In this episode, I'm joined by a world renowned biomimic who I have admired for many years.
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He is a mentor in this space for so many people and it was an honor having a conversation
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with him.
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Especially in today's world, we need to not only envision a life-friendly future, but
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we need to begin building and strengthening the pathways to real systems change.
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We will explore some big questions in this discussion that I hope inspires folks to
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imagine what could be and help make it happen.
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Michael Paulin is an architect, writer and public speaker.
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He has been described as an expert in regenerative design and biomimicry.
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He established his firm Exploration Architecture in 2007 to focus on high performance buildings
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and solutions for the circular economy.
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The company has developed a groundbreaking office project in ultra-low energy data center,
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a zero waste textiles factory and progressive solutions for green cities.
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He has written two books, Flourish, Design Parodyms for our planetary emergency, co-authored
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with Sarah Ichoca and Biomimicry in Architecture, which is the publisher's best-selling title
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of the last 15 years.
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In 2019, he jointly initiated Architects DeClair, a climate and biodiversity emergency,
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a global call to action which has spread to 28 countries with over 8,000 firms signed up.
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His work has been featured in the Financial Times, National Geographic, the Economist,
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Wired and the Guardian, as well as in a number of design magazines.
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His television and radio appearances include Animal Einstein's on BBC Television, and
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a number of programs on BBC Radio 4.
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In recent years, he has been increasingly advising companies and national governments
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on how to make the shift from sustainable to regenerative ways of operating.
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So without further ado, let's hop on in.
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Happy to have you here chatting with me, Michael, and I'd love for you to introduce yourself,
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and then maybe jump right into how you found out about Biomimicry and how you found yourself
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in this field.
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Thank you so much for having me on the podcast. I've listened to lots of episodes and
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really enjoyed them, particularly the ones about Knowledge Symbiosis, actually.
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I think that's a really interesting initiative.
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Anyway, I'm Michael Paulin. I'm an architect, writer and speaker.
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As a teenager, I was passionate about three things, design biology and the environment.
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And I thought about studying biology at the university, but I couldn't quite see the creative side,
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so I went to study architecture.
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And then when I was 30, I had an opportunity to join Grimshaw to work on the Eden project,
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which is this massive botanical visitor attraction in the southwest of England.
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The team was really interested in Biomimicry and I learned a huge amount from that.
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And then shortly after that project was finished, I had an amazing five days down at Schumacher
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College. It was a course that was led by Jeanine Benusen and Avery Lovins, and it was absolutely
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transformative. And that's when I really appreciate it, just how much depth and breadth there is
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to Biomimicry as a discipline. Because I think most architects have heard about bits of Biomimicry,
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spiders, webs and termite mouths and so on. But that's a tendency to be about it, or at least it
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was when I studied that week with Jeanine and Avery, it blew my mind really, and maybe realized
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it just wasn't an amazing subject to tears. And also how I could bring together those
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three strands of things that I was passionate about. And then after 10 years with Grimshaw,
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I decided to start my own company, so I could focus exclusively on Biomimicry. And that was in 2007.
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And then since 2018, I've been framing it more within the shift from sustainable to regenerative,
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which I think has a kind of broader appeal. And I'm absolutely convinced that Biomimicry has a
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huge contribution to make to regenerative design. Yeah, I'd also like for you to provide your
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definition of Biomimicry. Everyone has such different definitions. I mean, there's like this core
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tenet rate, but I'd love for you to share how you define it. So I've just finished writing the
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third edition of my book, Biomimicry and Architecture. And this time, I've tried to make a more transformative
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case for Biomimicry. And so I'm using a definition which comes indirectly from Daniel Christian
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Val. I mean, I've changed it very slightly, but he said that Biomimicry at its best is designing
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as nature. And I think that conveys very effectively the opportunity that Biomimicry presents,
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so to really synergize our activities as humans with the rest of the living world.
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Yeah, and I love how in this new version of the book, you really dive into that. I feel like
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everyone needs to read this. Not only architects, but everybody. And something that I really noticed
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early on was this aligning to nature. So how do we align to nature? And what does it look like for
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humans to align with the rest of nature as this kind of core piece of Biomimicry?
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I just mentioned how I wanted to make a more transformative case. And that's partly because I
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feel that outside the field, people have heard about the kind of common examples of Biomimicry,
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like the train nose cone and I'm going to two others. And you know, those are absolutely valid
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and they delivered performance benefits. But I think a lot of people within the field can see the
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more systemic possibilities, the potential to rethink our relationship with the rest of the
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living world and how we live and build. And there's been a very significant shift at
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least in the UK and elsewhere, I'm sure, from a paradigm of sustainability towards
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regenerative culture. And I think there's a growing consensus that the ultimate aim is to get to the
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point where we are participating and co-evolving as nature. So far, a lot of the work that I see in
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regenerative design is rather incremental. I mean, it's good work. It's often as people who are at
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that kind of neutral axis on the bill read diagram of trying to get above the point of just mitigating
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negatives into the realm of optimizing positives. And I think it's really important that we have in mind
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where we ultimately want to get to. And I believe that's to get to the point where we've learned
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to integrate everything we do as humans into the web of life. And thinking particularly about the
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built environment, Biomimicryton really help us rethink things from first principles. And that
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starts with an understanding of living systems and that in turn leads to various conclusions about
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the kind of materials we should be using or not using. And Jeanine has made the point that 96%
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of our living matter is made from just four elements. And of course, we use just about every element,
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which, you know, including some that are actually crazy, you know, like Mercury and so on.
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Developing an understanding of living systems also leads to the conclusion that long-term toxins
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are just completely incompatible. So we need to completely design them out. And then from that
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understanding of systems, we can then learn from biological adaptations, how to assemble those
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materials into efficient, beautiful structures, and how to manage light and water and energy in much
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more ingenious ways. And in this edition, Frey Matthews, that environmental philosophies has been
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a really big influence. In one of her essays, she mentions a passage from Cradle to Cradle by
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Browncars, where they suggest, okay, just imagine you are the manufacturer of a Hedgell, what you
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should do is you should think about the river that that Hedgell will end up in. And ask yourself,
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what does the river want from the Hedgell? And Frey Matthews suggests that's along the right lines,
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but it doesn't go anywhere near far enough. And what we should be asking is, what does the river
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want us to desire in the first case? What does nature want us to desire? And I think that could prove
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to be one of the most fertile provocations in 21st century design. It makes you realize just how
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kind of human supremacist we've been about architecture. And all of a sudden it makes some of the
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the best modernist buildings like monuments to arrogance, really. And I think Frey Matthews
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is absolutely onto something there and really captures just how far it is that we need to go
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to properly align with life. I think that statement beautifully sums up so much about
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biomemically and reconnection. The what does nature want from this design, right? It connects us
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to nature because we want something from the design. The outside world hopefully will benefit from
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the design or at least not be harmed by the design. It's such a clear explanation of that. I love that.
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And you mentioned connectivity and pathways of least resistance. I'm curious if we can touch on that
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as a pathway to applying deeper biomemically. You mentioned kind of these common examples.
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I feel like in the education space, people hear about biomemically they get excited about it. They
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take little pieces and they apply it in different ways. Some really meaningful and some just kind of
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surface level, which is a great start. But how do we how do we push past that into like you mentioned
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this systems level rethinking? I think biomemically can facilitate a complete kind of rethinking of
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how we relate to the rest of the living world. And the reason I've picked up on Freyermathia's
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particularly is because I think those two principles of connectivity and least resistance
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are really useful. She describes those in an essay called a deeper philosophy of biomemically.
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As she describes it, connectivity is the impulse towards self existence and self-increase,
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which is a characteristic of all living beings. And then the second principle of least
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resistance refers to the tendency to pursue connectivity in ways that minimize expenditure of
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effort or provoke least resistance from the rest of the system. And you can see that in mature
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ecosystems in a really beautiful way. And I think it also points to a really positive
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vision of how we could rethink our relationship with the rest of the living world. And that's
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the realm of indigenous knowledge. And the fact that there are numerous examples of places that
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have been inhabited by indigenous peoples. And those places have a higher level of biodiversity
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than places where people have been absent. So that shows that humans are capable of being a
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responsible keystone species. And to use Freyermathia's terms, in those cases, those humans have engaged
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with the connectivity of the system and made themselves a part of it. They've kind of woven themselves
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into it. And it is a seemingly, I think, simple approach, but it's really difficult to do well.
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And I think that's where our current systems are failing us. And so I'd love to dive into
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some of the listeners might be familiar with systems thinking and leverage points. If you want to
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give a quick summary of leverage points and then really share like what are some leverage points
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in the current built environment system for that radical change that we need?
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Yes. So I'm guessing you're referring to tunnel to an element of this leverage points.
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So yeah. And you mentioned it in this edition of the book, which is a really great connection to
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so many other things you discuss. And it's a huge topic. And we don't need to get into it too much,
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but just a brief summary to get us, yeah, started.
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Yeah, sure. Sure. And actually that essay was a really important part of the major shift in
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thinking that I had in 2018. So after the intergovernmental panel on climate change issued their
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report showing that things were far worse than we had previously thought. And we only have a fairly
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narrow window of time to address this. I reread to them about those essay leverage points. And that
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led me to embark on two new collaborations. So one was architects to clear a climate and biodiversity
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emergency, which is this kind of global call to action. And the other was a book flourish that I
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wrote with Sarah E. Geoca. And so both of those were based on tunneling with those ideas. And in
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that essay, she makes the case that very often when we're trying to bring about change, we intervene in
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the wrong places. And she sets out a list of places to intervene in the system in order of significance.
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And the most significant way to intervene is at the paradigm level. And by paradigm, she means that
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that the sort of mindset or world view commonly held across a large section of society, which to a
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large extent determines how that society or system, if you like, operates. That's partly why or
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substantially why I've been making the case for this shift from sustainable to regenerative.
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Because I think it had become clear that 30 years of sustainable design just had not got us
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anywhere near to where we needed to be. And in flourish, Sarah and I really set out to try and
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describe the difference between sustainable and regenerative, both at a philosophical level and
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also in a sort of practical way, describing what that means, what we did actually look like in our
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cities and buildings. And the world has a long way to go, I fear. And there's an excitement here
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of transitioning from sustainable to regenerative, even in an academic sense, I teach an undergrad class
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and I feel like universities are finally getting sustainability programs. And part of me is like,
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we are 30 years ahead of that. Now we need something new and something radical that prepares people
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to design not just for less bad, but how do we create systems that encourage positive feedback?
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So I think there's some frustration there because I want us to get there and I can see that we can
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get there. But I guess a personal question that I have is, do you think we can do it in time?
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And maybe there's a better way to phrase this, but I think a lot of people are wondering this right
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now, like, what is this massive challenge we have, right, to live regeneratively in harmony with
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nature? Seems so intuitive to the biomimics in the world and indigenous folks and so many folks
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are connected to nature. And it still seems so far from where we can get. And yeah, I guess,
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do you think we can do it? Well, it's so much depends. And I'm increasingly coming to the view
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that actually we need an epochal shift, a equivalent to the level of change in thinking that occurred
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during the scientific revolution. And although that might sound like a really grand and in some
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ways kind of unachievable idea, when you look back at how epochal shifts have occurred in the past,
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it seems that they generally occur when enough people lose faith in the narrative,
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sort of dominated up to that point and become sufficiently persuaded by the emerging narratives
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of the new epoch. And I feel we're very much there in many ways. You know, there are very few
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people who still believe that sustainability based on just being a bit less bad is going to get us
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there. I'm old enough to remember the kind of campaigns in the 80s and 90s for conscious
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consumerism saving the planet. And it's clear that that, while it has a part to play, there's no
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way that by itself is going to be enough. I think increasingly people are seeing that health
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needs to be considered in a broader sense in terms of planetary health. So our health and
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well-being as humans is inseparable from the well-being of the systems on which we depend.
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I think a lot of people have lost faith in the idea of environmental economics where we try and
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essentially reconcile nature with capitalism and put a price on nature. And it's really encouraging
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to see ecological economics in the form of like donor economics and others really gaining ground.
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So I think we could get there or all the solutions we need exist. And I think one of the big
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transformations that we still need really is in our ideas of agency, in our ideas about our
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capacity to influence. And I think particularly of people in senior positions, the more senior,
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you are the more influence you have. And yet I still meet CEOs who say, well, what can I do?
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And I have to get the shareholders on board. And some of them usually tell me about a mayor who
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said, well, what can I do? I'm only the mayor. And the problem with that kind of agency minimization
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is it's contagious. It tacitly permits other people to minimise their agency as well. But the
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positive thing is that if you flip that and if we all strive to maximise our agency, that could
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have a positively contagious effect on others. And what we really need is this kind of rolling wave
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of agency maximisation all the way up to international levels. Yeah. And really a lot of folks and
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organisations tapping into those leverage points. And kind of, yeah, I'm thinking like lever, it
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makes it easier to lift a car. And that lever is like, okay, we can shift this really heavy system
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if we know where to enter and what tools to use. I think you could also trace a kind of arc in
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business attitudes to the environment. So in the early stages, it was considered enough to have a
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kind of energy efficiency policy. And then there was an expectation there would be policies on
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ethical sourcing and then policies on diversity and then a policy on net zero. And I think where it
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needs to go next is that all companies need to have a deep purpose aligned with life and a theory
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of change for how to bring that about. And the reason that the theory of change part is important
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is because by going through that process, it's almost inevitable that those companies would find
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that some of the changes that need to happen are outside their currently perceived sphere of
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influence. And what they need to do is actually collaborate sometimes with their competitors,
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sometimes with various levels of government to bring about the conditions that allow them to
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still compete in commercial terms, but to do that within the limits of planet Earth. No easy
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task, but I think we're up to it. And I also remind myself that we spent most of Western
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society spent many hundreds of years extracting from and destroying the ecosystems around us
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and nature. And only in the last 50, 75 have we really woken up to this. And so we have, yes,
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we have a lot shorter of a timeline to get it done. But we also we've been doing it for less time
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and we've made so much progress in that time. That's what gives me hope as well. So bringing us down
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a little bit more into the tangible. I'd love to hear you share some examples of how buildings
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or maybe even cities as a whole kind of embody biomemically or ecosystem principles. Like,
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what does that look like? Are people doing it? What are some stories of success?
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Yeah. Well, this time round, I completely restructured the book so that I could start with systems
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because I think they're so really fundamental. And I'm also a big fan of projects that have applied
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ecosystem principles. And there are some quite old and familiar ones like, you know,
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Kellenborg in Denmark. And then there's the Tumabruhri that started off just producing brewery
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on a lot of waste. And then by integrating lots of other productive systems managed to find
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synergies and ways of transforming waste into value. And the one I really like is one that was
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done in the North of England called the Cardboard to Kavir project. And it started with this kind of
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alchemical loop because what he did is he managed to transform cardboard very low-value material
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into a high-value material. And the way he did that was that he worked with people with disabilities
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collecting cardboard from shops and restaurants, shredding it, selling it to a quest room centers
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as horse bedding. They were then paid to collect the manure and cardboard. They put it into
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wormery cop-masting systems which produced lots of worms which they fed to Siberian sturgeon,
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which produced Kavir which they sold back to the restaurant. And then I invited myself up,
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I think this was running, this was running, I was writing the first edition. I invited myself up
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to meet grandma's, the guy who said it at the top. And in many ways the more involved story was
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even more interesting because he kept on adding to it. Anytime he looked at something that was
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kind of leaking out of the system or anything that he found he had to buy in, he thought that was
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an opportunity to add something within his system. And so they found that the fish weren't putting
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on enough weight in winter because the water was too cold. And by this point he'd been given a
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bit of industrial land next to a water stream of facility and as much treated fertiliser sludge
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as he wanted. So they planted willow biomass, which fed a little biomass boiler which kept the fish
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happy in winter. And then he started working with teenagers on drug rehab programs,
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growing vegetables to make fish food to supplement the worms and actually these teenagers ate
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most of the vegetables. But in many ways that was a good thing because they were learning about
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healthy racing. So that was fine. And then they, well also those those teenagers were actually
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on very expensive rehab programs. They were nearly £100,000 per addict per year with a very high
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failure rate. And Graham has achieved an 80% success rate at getting them off drugs and into
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something much more productive for a fraction of an absolute fraction of that money. The next thing
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was that they restored more industrial land. They planted orchards that that was producing fruit.
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There was another thing to sell to the Wow. Chops and restaurants. They redesigned the water
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treatment for the fish. So using suspended tanks of watercress, a salad crop, that would take out
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the excess nitrous and phosphates and then that water could go back into the fish tanks and the
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watercress could be sold. Then he heard that there was a bakery nearby that was chucking away quite a
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lot of moody bread each week and apparently you can raise maggots on moody bread with another
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of the smells of meat-based production. And he just kept on adding to the system and there was
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a real sense in which the more it grew, the more the number of possibilities increased.
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Just like an ecosystem that becomes more and more diverse and rich over time. And what I love about
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that project is that he applied nearly all the principles of ecosystems. And in my book, I contrast
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the conventional characteristics of human-made systems with those of ecosystems. I think it's also
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amazing just how inventive he was with waste. All sorts of waste, including what is arguably the
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most deplorable form of waste, which is underutilized human resources. You managed to reintegrate
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often marginalised groups into this regenerative scheme. It happened amazing positive impacts on
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this industrial land. It became a haven for biodiversity. And I think it also points to a new economic
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model. So in our conventional economic model, physical and financial resources are mobilised and they
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flow very quickly through our communities and the up as waste and for the money, I'll offer
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all of that and the up in the hands of very big companies. But with this model based on the
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Cardboard Caviar project, you can see the potential for those resources to do multiple cycles,
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delivering far more value and providing a whole new sector of our economy potentially. It's the
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equivalent of the detritive laws in living systems. So it's the repairs, the recyclers and so on.
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And I also talk about how a group at Georgia Tech, led by Mark Weisberg, have taken some of these
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principles even further by applying scientific principles that are used to study real ecosystems.
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And they compared real ecosystems with some of these eco-industrial parks as they're sometimes
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called where you get a clustering of industries that share their waste and so on. And they found
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some really interesting opportunities to take that even further by applying deeper scientific
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principles. Now the built environment example that comes closest to this so far, I think, is
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Hammabee Seostat, which is an extension to the city of Stockholm in Sweden.
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And during the early stages of the project, they actually got the major utility companies,
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the energy water waste companies, so to all cooperate in the master planning of this scheme.
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And although it's not perfect, I think it shows a great potential for how much further we can go.
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Because I really do think that this idea of ecosystem models is one of the biggest and most
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under-explored aspects of the circular economy. Yeah, and there are so many great ones in this
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version of your book that made me really hopeful and it was cool to see and hear about these examples.
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So, Learn Biomimicry is hosting their Bi-Animal Biomimicry Confluence this October online.
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I'll be there and so will some incredible Biomimicry Keystone speakers, some of which you've heard
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on this very podcast. Now in its second year, the Biomimicry Confluence is becoming the space
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where nature inspired ideas, innovations, and biomimics flow together. Learn Biomimicry gets the
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world of Biomimicry into one room with breakout networking sessions and small intimate groups.
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It feels like a TED Talk and a good dinner party all in one. Here about the latest Biomimicry
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innovations, how AI and Biomimicry are overlapping and what's working in this field.
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The Biomimicry Confluence is a must attend event for those who wish to learn,
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connect, and be inspired by what nature can teach us.
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Head to Learn Biomimicry.com to learn more.
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And I would love to dive a little bit into your first version of Biomimicry and Architecture
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came out 2011 and then this version is coming out later this year. What has happened in those 14
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years that is really exciting for you as far as making these systems level changes,
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Biomimicry changes more of a reality, unless of an ideology.
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Yeah, so there have been some quite substantial shifts. So thank you for some of those ecosystem
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principles. It can eventually human systems tend to be very monofunctional and isolated,
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whereas ecosystems are multifunctional and densely interconnected. And now urban developments,
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the default really is mixed use. It is a diversity of uses which gives much greater opportunities
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for these kind of synergies to be achieved. It's also promising to see a really fundamental shift
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in agriculture towards regenerative agriculture. Now I know that that term is being kind of used and
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abused a bit. But at least it's out there. People are talking about it. Yes, yeah, exactly.
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And then I also think it's really positive that we're now talking more about how humans are nature.
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So in the UK, there's I think at least a thing here, there's a campaign to change the dictionary
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definition of nature. So it's kind of laughable when you read this definition. There's something
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like all the living species of planet earth as opposed to humans. So I think that point is now
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has been very well made that we are nature. And what that prompts really is a question. All right,
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if we are nature, what comes next? What does that mean for the way we live and build?
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What does it mean to design as nature? Yeah, that's the big question. And what does nature want
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from our designs? That one gets me, gets me thinking. Another thing I really love in the book
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are these comparison tables you have that kind of showcase human technology or our current
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manufacturing techniques and nature's methods. And it's so clear, we have a ways to go because
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nature's are so aligned with these regenerative principles, right? Waste as a resource, for example.
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And I'm curious seeing those comparisons side by side, like what are some technologies or processes
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that you've seen recently or in the past that are going to help us make that shift from harmful
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and maybe obsolete single function to life-friendly, multifunctional and regenerative? What will allow us
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to get there, basically? Well, in the book, I'm wary of talking too much about technology. And in
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some ways 3D printing is a really good case in point because it shows how important the kind of
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world view is or the mindset that lies behind any particular technology because that to a large
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extent determines what comes out of it. So 3D printing within a conventional mindset of sustainability
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could easily see as drowning in millions of tons of short-life consumers crap bluntly. But within
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a regenerative mindset, it could be really transformative because it could allow us to use exactly
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the right materials to assemble them in much more ingenious and efficient ways and in ways that
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allow near-perfect circularity. And in my studio, we've explored that a bit. So we designed some
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exhibition tables a few years ago that were based on bone and tree growth patterns. And they were
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3D printed out of a biologically derived polymer. And they look really organic. They look a lot like
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work really branching and so on. I got to see one. It was great at the biomemically center.
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Yeah. Oh, cool. And there's nothing accidental about those forms. It's actually trying to get as
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close as possible to a theoretically perfect structure. And what I mean by that is trying to put the
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material in exactly the right place so that it's using a minimum of materials to achieve its intended
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aim. Now, of course, structures aren't always quite as simple as that because often you have
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kind of multiple load cases, you know, wind and snow and seismic and so on. But anyway, as a simple
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study of how those ideas can be turned into something efficient and beautiful, I think it's a
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really good project. And 3D printing, I think, can also help in this shift towards biomaterials,
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which in turn is going to help as shift towards these systems that are aligned with life and
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that work on the same principle as ecosystems. Because, you know, biomaterials are so much
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easier to dismantle. When they're made in living organisms, they're assembled using low energy
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bonds. It's all non-toxic stuff. And so it's just much more compatible. And then within this
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chapter about materials, there are some other examples that I look at like self-healing ideas
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inspired by nature and developed into a built environment solution. And the reason I was particularly
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interested in that is because when we worked on the Eden project, the enclosure there is an inflated
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membrane. It's called ETFE ethyl-tech-fero ethylene. And it achieved the kind of thing that
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Amy Lovin's love talking about, which is a factor 100 saving. So it was about 1% of the weight
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of double glazing. And there were then lots of knock on savings because with a much lighter enclosure,
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we needed less structure, less structure, we needed less foundations. We were also getting more
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sunlight in, so we didn't need to put as much heat in and so on. So, you know, it's a great
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positive cycle. But one of the drawbacks with those pressurized structures is that they are
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susceptible to puncture damage. And the example I talk about in the book comes from, I think it's
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Olga and Thomas Speck in Germany. And they were inspired by a particular vine, which has a self-repairing
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adaptation. And the way they've applied it to pressurized membranes is that on the inside of the
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membrane, there are rows of little pressurized cells, a bit like bubble wrap. Do you call it bubble
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wrap? Yeah. And so if there's a puncture, those cells then immediately expand and seal up the
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hole. And after they've developed this, they found that it's sealed in a fraction of a second.
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And that's a really elegant solution to something like pneumatic structures, which offer great
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potential. And then another project that I think demonstrates some of the useful contrasts
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between conventional engineering in terms of materials and the way nature makes materials
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is one that we've been working on called the Biroch Pavilion, where we're exploring ideas of
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environmentally influenced self-assembly. And perhaps the clearest way of describing that for
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your listeners is if you imagine a tree on a kind of windswept cliff and it adopts really quite a
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windswept form, the tree is building up tissue where there's concentrations of force. And in this
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project, the Biroch Pavilion, it's a serious proposal to grow a building in seawater through a
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electrode deposition of minerals. And it's an existing technology, could Biroch, but so far as
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only being used for coral reef restoration. What we thought would be fun, and this was a suggestion
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from Julian Vincent, was that on some of the steel rods, if we actually had a strain gauge on those,
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it would give a reading of the force that existed in that member. And we could then use that to
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direct a little bit more current to that piece of steel. So the ones that were under the most
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loading would grow more until they aren't strong enough to resist what they need to.
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Yeah, there's some really wonderful examples of how nature does that and how we're learning from
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that, which is really cool. And that reminds me of a statement that's early on in this version.
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And I forget if it's a quote, it might be a quote, but it says, the combination of evolved adaptations
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and human ingenuity exceeds the power of each alone. And I love that. It's a beautiful
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description of we can tap into billions of years of research and development in the natural world.
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And we do need our creativity to apply those to adapt those strategies to what we need in the
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challenges that we have. And I'm curious if there's some examples of the buildings and cities
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world where you can give me of this is an abstracted version of biomimicry, kind of what you just
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were saying. And we needed human ingenuity in order to do that. It wouldn't exist without human
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ingenuity. Does that make sense? Yeah, sure. I think it's worth just distinguishing between
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how evolution has produced adaptations and how humans think. That's why I think the kind of
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those is very fertile. So evolution works by improving on what exists and refining that over
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eons through just countless numbers of experiments for one to a better word. But one of the disadvantages
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of that is that sometimes you get a kind of a branching path that goes off in a slightly suboptimal
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direction. And then the adaptations just improve on that. And so there's an Australian geneticist
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Jenny Graves who says, well, you know, the human eye is actually pretty stupidly designed compared
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to a squid eye. Human eye is all back to front, but somewhere along the line, well, you know,
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we departed from the squid and ours turned out to be nowhere near as good. And then human
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ingenuity, unlike evolution, is capable of creating something out of thin air. It's capable of
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completely original invention with no precedent. But one of the problems with humans is that we are
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prone to a whole range of unconscious biases and we can often get stuck in certain ways of doing
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things. And I think biomeurically can help us overcome some of those obstacles by exposing us to a
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vast range of potential solutions to contemporary challenges. And the example that I normally
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use in talks to describe this is the medical drill that was inspired by a wood wasp. So the wood wasp
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has this overpositive which can drill into wood, but making something that rotates continuously
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in nature, that's just very challenging with living tissue. And his solution is a drill bit in two
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semi-circular halves which move back and forth rather to each other in a sort of reciprocating motion.
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And they've got ridges on them. So when it puts that in a crack in the wood, it can pull on one side
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and then push with the other. And the result is a zero net pushing force drill. That's now been
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turned into a medical drill that can be used in very delicate surgery. So using virtually no
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pushing force can drill into a skull. And because the drill bits into semi-circular halves,
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it can follow a curved path. And that's the kind of thing that I think humans would be very unlikely
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to have come up with. And it's a huge improvement on something that up until that point, we'd been
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using all along, which was like a rigid, continuously rotating drill bit.
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Yeah, that's why I like to say that biomemically is humbling in some sense, right? Like there's
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some stuff that we would have never thought of. And then combined with our creativity and our ideation,
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we can create some really hopeful technology and design and products to make a more regenerative
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future, which I'm really excited about. And that's where I think so many folks get attracted
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to biomemically because it's almost like, oh yeah, of course. Yeah. This is like coming home
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and that reconnection is so natural as well. It's also really handy when you're trying to
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persuade clients to do something innovative. If you can show that it already exists,
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I mean, it's effectively proven. Yeah. It kind of sets up this challenge, if a beaver or whatever
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can do it, then we ought to go to do it because we're an ingenious species. Yeah. And then those
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moments where like photosynthesis where we can't quite get to the exact same efficiency because we
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haven't 100% figured it out yet. And that to me is like, yeah, we're these genius creatures,
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but also we have a long way to go. Carpet to learn. Yeah. I would love to hear about some of your
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maybe one or two of your like favorite organic forms. You mentioned a couple so far in this interview.
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Why are there your favorite? And then maybe tell us some of their interesting features. I know
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listeners love to nerd out. So this is our moment to nerd out on cool stuff and nature. And then
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what makes it inspiring to you? Are there things built based off of these principles? Or yeah,
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feel free to go down that rabbit hole if you want. Sure. So one that I really like is the
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abalone shell. And I'm sure you're familiar with it, but for the listeners benefit, when you look
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at under a powerful microscope, you can see that it's made of lots of layers of calcium carbonate
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polygons. And those are connected with a flexible protein. And that gives it amazing resistance
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to crack propagation. So at a chemical level, it's almost identical to ordinary blackboard chalk,
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but because of those interfaces and that microstructure, it achieves 3,000 times the toughness.
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And there's a method of building that is very similar to this. It's called Gwesterveno
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vaulting, sometimes called Catalan vaulting. And it was actually very popular in previous centuries.
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There were a lot of buildings built this way in New York. It's still built quite a bit in Spain.
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And there was a quite a well publicized building in South Africa, a visitor center, the Mapungubwe
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visitor center made this way. And what I'm keen to explore is using waste material to have a
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look at this. Though if you look at an example like slate, though slate is an incredibly wasteful
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industry, I think more than 95% of the material is actually wasted. And it's just small flat
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pieces of stone, which are really quite similar to Abelone in many ways. So I'm keen to explore
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that. And that's partly because as this sort of abundant amount of material waiting to be used,
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but also because the forms are just so beautiful and efficient, they have this just kind of
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legible clarity and efficiency to them. So that's one that I'm really keen on. And then another one
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is bird skulls. So I find those are a really fantastic embodiment of structural efficiency in nature.
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And what you have is these domes of very thin, bony material connected together with little
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struts and ties. And it really gets across something that Julian Benson talks about, which is that
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in nature, materials are expensive and shape is cheap. And what that means is nature kind of puts
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the material exactly where it needs to be. And conventionally, that used to be quite expensive,
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because that kind of complicated approach just meant more labor and more expense. But now,
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with 3D printing, it has the potential to be cheaper because you can, in theory, you should be
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to use less material. And there's no real cost penalty for complexity in 3D printing. Yeah, so those
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are the main ones that occur to me at the moment. Yeah, I'm glad you pulled out that quote,
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material is expensive, shape is cheap because that really spoke to me as well. Like if we can get even
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some of the efficiency that pretty much all structures in nature get to inherently because they
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have to, that's the way evolution designed them. And the structures in our inefficient don't exist
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anymore. And that shape complexity on a nanoscale, on a micro scale, yeah, if we can start integrating
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some of those principles, I feel like we would make a lot of really big shifts inherently, which is
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exciting. I ask this of all my guests, and I'd love to hear, we talked a little bit on the darker
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side earlier. I'd love to hear what's giving you hope. And right now, what are you excited about
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currently or yeah, coming up in the future? I sometimes wonder if I have a different understanding
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of the word hope to others because for me, something a bit sort of detached and fallen about it.
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And so I prefer to use words like determined rather than hopeful. And this was also what Sarah and I
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were talking about really when we talked about possibleism in our flourish. But in a way, it's not
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enough to be optimistic or pessimistic because those imply that the future or something that happens
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to you, whereas with possibleism, you need to work together with others to create a commonly
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held idea of the future. And then actually, it's about making that happen. And that's what I really
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think we need to do. We need to get better at maximizing our agency. But I'll stop being an awkward
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guest now. No, I love that. I is going to cause me to go down a philosophical rabbit hole later.
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I mean, in terms of where I see bright spots, I think, you know, that is a really important question
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when things are looking so bleak. And one I mentioned earlier, which is the idea that we are
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nature is now gathering momentum. I think that's really positive because inevitably, I think people
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are going to think, or how do we actually align with life. And then I think it's very positive that
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regenerative to design is gathering momentum. And people are starting to realize that a lot of the
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things that we did within sustainability were just nonsense. Really, you know, it was very common
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for, and it still is to, to some extent, for big practices to just focus all their PR efforts on
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a couple of projects that are pushing boundary-soustoned stability while the rest of their portfolio
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is nowhere near that standard. Now, I mean, seriously, is nature going to be fooled by that? Of course,
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not. You know, we're only going to actually be having a net positive impact when we are net
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positive across all our projects. And then the other shift that I think is very positive is the
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shift towards citizens thinking. So, you know, there was a time when the way we identified
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as humans was as a subject, you know, a subject to a monocoro, a theocratan. And then with the
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modern era, we started to see ourselves as consumers. And it's easy to see how that must have felt
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quite liberating after the kind of defecating traditional views and so on. And then the idea of
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being consumers that started to reveal its own drawbacks and the idea of conscious consumerism
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came in. And now we can see that that's not really enough. And so the next shift is about seeing
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ourselves as citizens with a much richer and deeper sense of agency. And so saying, well, no, I
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don't want to just choose from what's on the menu. I actually want to challenge why that is the
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limit of options. And I also want to rethink the way we currently do democracy because it's
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absolutely hopeless to just have one vote every four or five years. And some of the examples of
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participatory forms of democracy, either in terms of participatory budgeting or in citizens
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assemblies, I think it's been hugely successful. And I think that's a really positive development
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because it seems that people often achieve a kind of transformation. I think the outcomes of
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them have a lot of legitimacy if it's been set up correctly because the group are supposedly
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representative of the whole nation. And it allows people to actually engage in a more informed
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assessment of important issues. We had this disastrous Brexit vote in the UK, a hugely
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significant vote. And it was based on a huge amount of misinformation. It was the most
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insane acts of national self-arm. I've been not good enough. But I really do think that a
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kind of revitalization of our democracy is essential. And if I may just extend one thing further,
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I'm getting more and more interested in theories of change and what constitutes an effective
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theory of change. And I feel that we haven't really, the we I'm talking about is maybe the built
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environment, built environment professionals or society more broadly. We haven't really talked
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enough about the obstacles to progress. And in calling in Gunderson's adaptive cycle model,
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which shows that systems, complex systems go through or suggest that complex systems go through
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four stages of growth, consolidation, release and renewal, that consolidation stage, I think,
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is really interesting because that's the stage in which the system becomes more and more resistant
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to outside change. In fact, it responds to outside change by becoming more and more resistant.
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And in social or political examples, I think we're very much in that stage now,
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you know, governments and business and oligarchs and tech billionaires have become way too close
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to each other. And they're very effectively blocking meaningful change. We really do have to
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address that. And I hope that happens by peaceful means.
spk_0
Yeah, I think something's going to happen either way. I think that like you said, people are really
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coming into awareness. And it's a big shift that I'm hoping happens soon because we need it to.
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All right. And then last thing, I just want you to share about the upcoming book release
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and where people can find that book and any other projects you have going on that you want to share
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about. Sure. Okay. So it's published in this country on September the 1st. It's called
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Bime and Green Architecture Third Edition. This time it's it's big. It's been rewritten. And it's
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also at this time I've been working with a brilliant illustrator called Bastia Hittby Hottich,
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which has really helped to describe some of the ideas in greater clarity. You can buy it from the
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publisher's websites, RWA publications. It'll also be available on Amazon and quite possibly in
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some of the more specialist bookshops. I think it'll arrive in it'll be available in the US from
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sort of mid to late September. And of course, there's a digital version as well if you'd rather
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have a digital version. Wonderful. Thank you, Michael. This was a joy to talk to you.
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Well, that goes away. Thank you so much for having me on. And thank you for everything you're doing.
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I appreciate you all for listening in today and for being a part of this beautiful web of
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Changemakers Across the Globe. I'm excited to continue to share my own journey and invite guests
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that inspire us and give us a greater sense of curiosity for our genius world.
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This is a quick reminder that we have some really awesome nature nerd merch like shirts and stickers
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