Health
4. Unaliving
In this episode, the host reflects on the complexities of discussing suicide and unaliving, exploring cultural, historical, and societal perspectives. Through a blend of personal narrative and data an...
4. Unaliving
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Interactive Transcript
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I think you might have heard from the last episode that I really struggled on that last
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walk. I looked at the elevation and technically I climbed a mountain on my own for five hours
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talking to you like I wonder where I have found it, I struggled. So I opted not to walk over
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the hills today, I got myself the train to the shore to begin my journey in this last episode with you.
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In this episode I'm going to be approaching my last descent of yet another very epic journey
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with you lot. That's almost 100 kilometers and I hope you're doing right because it's there,
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there's been some steep hills in this season and there's another one to come as I find myself heading
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towards the end of the line, marching towards my final descent. I want to talk about the end.
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In this episode I'm going to be talking about how we talk about and how we don't talk about
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suicide and unaliving. I'll be discussing the law and how we're often compelled to ask about the
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detail. For clarity there won't be any retellings, there won't be any hows but there will be broad
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discussion on how we broach suicide culturally. I'll also be talking about the numbers and data
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and so at some times it might feel a little bit clinical. I also want to talk about the end of life
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more broadly and what it means for mentors like me, big talks in this one and so it might not be
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for everyone, particularly if you're in crisis or feeling a bit sore or if stories like these
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feel too close to home and I think it's really important to say that quite explicitly.
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This is only a podcast pal you know, there are other things that you might want to listen to
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but I hope you can understand why I think it's important with knowledge and discuss.
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So if you're coming with me I might veer off the path a few times to give us a moment to catch
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our breaths and if that sounds like I'm being frivolous just know it's a little break in proceedings
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maybe to make the road ahead a little more comfortable for us both.
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So
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self-help and I'm just guide to staying alive.
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So many of you tell me that you listen to this thing when you're
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and about and I think last season I was so touched by that and particularly by folk who had said
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they hadn't left the house for a period of time and that this felt like an invitation to leave
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the house or the bed. So maybe you've got this far and you haven't left the house with me in your
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ears. Maybe this is your invitation to take a walk. Maybe it isn't.
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I'm kind of obsessed with history. I love history and so at first point it's cool for me
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when I want to understand something it's often to see how it's been dealt with in the past.
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Not as an example but just as a way of kind of like starting to view certain things.
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And I found some commonalities when delving into kind of history of suicide in Europe and the
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Middle East that I wanted to share. And the first brace yourself I'm going to say the word
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Socrates. Oh yeah I know it doesn't fit in my mouth. I know I sound very common saying Socrates
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but you know what I'm on about Socrates that bloke and I guess because I wanted to find something
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like historical references to suicide. So why not start at 400 BCE you know. So Socrates wrote
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a bit about the prohibition of suicide about being wrong and he said a couple of things about
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here which was one which was we are in a kind of prison and we must not free ourselves or run away.
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I mean what a cheery way of looking at life is a prison. Do you not remain? What cheery bloke he
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would have been to add around at your dinner party and the second bit more abstract the gods
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are our guardians and we are one of their possessions. And these were kind of like some of the earliest
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explicit non-explicit ways that I could find. People were talking or thinking about end of life
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in this way. And I think when I started to look at how Socrates died I thought there's an ugly
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irony here because life is imitating art. Some historians will say Socrates died by suicide
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because he chose a way to die. He was offered a way out but he chose a way to die. So some historians
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will say well you know he chose. Essentially it was in some trouble for worshipping fake
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gods. In ancient Athens if a person died of suicide they were denied honors they would deny the
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honors of a normal burial. And so this person would be buried alone and that often would be on
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the outskirts of a city without a headstone or a marker. To be forgotten I guess was the threat.
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And this idea advances in ancient Rome whilst suicide was initially permitted it was later deemed
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as a crime against the state but this wasn't about moral value it was about economic value.
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And then cuts the birth of Christianity. So then this book comes along it's called The Bible.
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The Christian one and also to be specific the one that's written in English so that I'll date it for
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you. And there are seven unambiguous examples of suicide. I guess the most famous is
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Attributor 2. Jesus is some like say most famous disciple and Lady Gargaz Cache cow.
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Doodaz, doodaz. Although references to suicide in judas only appears in Matthew's gospel.
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So if you think Matthew can be trusted there you go. Interestingly I found there was nothing in any
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of the stories in the Bible that suggests that biblical narrators I guess
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and disapproved of characters, suicides but from here on I think it's all God God God and the
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justification in the countries with the presence of Christianity is God God God and so it gets written
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into law as being illegal. In England before the suicide act of 1961
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1961 can you believe it? A person who had died by suicide could have also been denied burial
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or their estate could be inforfitted to the crown while survivors could be punished by
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probation orders, imprisonment or fines. And I found a piece in the Times from 1956 that said
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there were five and a half thousand failed suicide attempts that were known to police and 613
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of those were prosecuted. Most were discharged but some were fined up on probation and a staggering
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33% prison.
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There's something I quite enjoy about Irish Catholicism and death, particularly in my family and
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particularly as I see how other families from other cultures process death. My family prepare
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for their death using advance. Something like grandparents and my mother actually can be accused
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of is proclaiming at a Sunday lunch. Well when I die the conversations around FI also find
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very humorous, quite funny, which is quite common conversation between me and my mother on the
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phone would be. Do you know Kathleen? Kathleen who? Oh you went to school with her daughter.
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I went to school with loads of people who had mum's good Kathleen. Wow you know she
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used to work in the bakery and she was second cousins removed from so and said oh yeah she's dead.
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So from history let's move to culture and obviously one of the oldest art forms that is still
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supposedly as popular as it is now of which suicide seems to be prolific is opera and I've
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people are not probably weird. Oh there are strains, there are strange crowds altogether
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and when I lived in London I used to go to the opera fair bit because I could go to the Royal Opera House
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and see quite out there operas for a fiver and I think of all of the parts of the arts.
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Suicide as shorthand seems to be very prolific and when I did some digging around on the internet
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I found that some very clever people in Australia had done some proper on paper research
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and the paper is titled four centuries of suicide in opera so massive shout out to
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saxby aprickmore stefan outshloss i'm so sorry nirissa elso and garry jay water and they say
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do I do this in an Australian accent to say the adjoe? No do I? Oh my god the internal thoughts
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we identified three hundred and thirty seven operas no stop it it's rude it's horrible in the period
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of interest over those four hundred years there was at least one suicide in every seventy four
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operas 22% mostly among female characters who accounted for 56% of those I guess I bring this up
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because not because I think opera is to blame but because I think looking at what artists are
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making work about can often be a sort of litmus test for some of the big issues of the day you know
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artists often reflect the cultures of which they are existing in I think we are truly fascinated by
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the act and fascinated who definitely feels like a very uncomfortable word for this take of reiterating
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my point fascinated I think so much so that we probably don't recognize how prolific it is in the
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films that we watch and the content that we consume in the books that we read and evidently the
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operas that we still sit through notice how I didn't say the operas that we enjoy I think suicide
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can often be used as a shorthand in theatre and opera and film and culture it's like allegoric for
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um what's the allegoric for like crazy or mad or baddie or you know I guess I'm thinking about
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lamirs where it's like oh I've lost everything how could I how could I go on um I'm a bad person
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etc and this is my only way of writing my wrong it's often used as shorthand for failure and I
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truly believe that the only failure I think should be held within end of life in suicide is that of
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a society society to comfort and care and support
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I'm going to talk about some stuck numbers talk about things from a data perspective
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and it's not pretty and I'm also going to have to talk in binaries because that's that's what
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data currently tells us but I want to do this for a few reasons because I think there's a few key
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things going on in England that the data reveals so in 2022 there were 5,642 registered
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to emphasising England and Wales that's five times more than people who die in road accidents
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around three quarters were registered as male and this still is the biggest killer of men on
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day 45 and for females the age specific rate is highest among those who are 50 to 54 and the
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highest overall area north east of England and I guess I want you to highlight these for a few
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reasons because I guess for me it's not surprising that women potentially in the age bracket of being
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parapausal or manipausal or experiencing physical and mental changes in their life and their body
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we know them to be often ignored, recognised or listened by doctors
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we also know that north east of England is one of the poorest regions in the UK
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and we're told that financial pressures are a massive factor in these numbers and we're
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search on to taken by some meritons agree that socioeconomic status tends to be the main cause globally
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as you can imagine as a common working class mentalist raised by a feminist mother
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you put these facts together and it really pisses me off
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so much of the conversation about prevention is focused on talking
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so much of mental health well days about talking talk to somebody you know
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and it just frustrates me because I just want to be like well use your fucking ad campaign cash
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than the millions that you spend on running your charity to address poverty
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I know that's simplistic I know you can't just throw cash at problems but
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so much of this stuff in this episode and beyond feels to me like it's dedicated to the beds
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we grow up in and that isn't to deny anybody who comes from more economically privileged or
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stable background that isn't to say that those experiences aren't real or true
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just focusing on some of the things that seem to be glaring at me
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of how we use our resources of how we care for each other
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because despite what beds you're born in we're kind of truly fucked by these last days of
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capitalism aren't we all of us
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I guess what I'm trying to lean us towards is to say that suicide isn't just an issue of mental health
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but it's an issue of class too
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whenever I'm at the seaside
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I'm always quite compelled to read the benches and then I have to remind myself to stop
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you know because I get to involved in these people's lives I'm like oh god
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Jesus that flow she sounded like a great human being God she's left people behind
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so the event's got a stop focusing on the bench
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just another fucking hill around it hills was a dick you've heard it here first
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well whilst I was researching this episode I listened to a archive episode of a program called
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the moral maze it's like this talky radio debate show with a man called Michael Buck
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now Michael Buck for the uninitiated he used to present the news when I was a kid
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and then he went on to present a program called 999 which basically reconstructed
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horrible things that happened to members of the general public and how other members of the
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public dived in until the emergency response teams arrived and I tell you what while sat on this
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cliff face walking on my own that man I think is responsible for a generation of people my age
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with anxiety disorders also I can't look at a jacuzzi in the same way since that program
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does anyone remember that one if you don't don't go looking for it
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anyway on the moral maze on this episode they were talking about suicide and how it
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should and shouldn't be discussed in the public domain and they kept all referring to this code of
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practice and I didn't know but there are guidelines in the UK of how to discuss suicide when you are
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a publisher a journalist a publication and guidelines that I I am glad I read
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I'm glad I knew about the editor's code of practice sets out the rules that members regulated by
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the independent press standard organisation have agreed to have agreed to follow the code is written
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by the editors committee and it is enforced by the iS IPSO the latest version of the
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effect on the first of January 2021 and this code doesn't just touch on suicide but it just
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touch on other bits as well but for the purposes of this close five reporting suicide when reporting
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suicide to prevent simulative acts the care should be taken to avoid excessive detail of method
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whilst taking to account the media's right to report legal proceedings
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you ask anyone who's affected by suicide they'll tell you there's often questions of how
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that fascination I was talking about earlier I think is a true fascination
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and I guess I want to place into the world the question of why do you want to know
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why do you need to know why is it important
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so we've touched on history the law culture and guidance and I want to move on to
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language and how we talk about it there are ever been many calls in the UK to change the language
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used around the topic of suicide particularly with the phrase commit because that phrase commit
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is something which is a legacy of the illegality of suicide to commit something insinuates a crime
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as if somebody is committing fraud
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and I know sometimes when we talk about language in this way it can feel very academic
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of what use of what purpose but I think the way we talk is important if I think about how we
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can't we talk about suicide we talk about unaliving I think that's the word of our age isn't it
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unaliving is one of these new words created in a digital setting to evade the rules of what you
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can and you can't say on digital platforms and it has moved from virtual space and into our
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mouth into our parlance into the ways that we speak and our languages now I'm approaching 40
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and unaliving isn't something that's part of my vocabulary and neither is AI so I thought I'd
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ask chat PG tips why young people use the term and the robot came back and said the term
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unaliving has emerged on the internet as a way to discuss the topic of suicide and death whilst
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avoiding censorship demonization or content moderation of social media platforms social media
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platforms like TikTok YouTube and Instagram use algorithms to monitor content for certain key
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words words like suicide can trigger these algorithms leading to content being flagged removed or
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demonized unaliving is a workaround to discuss these topics without triggering those automated
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systems many platforms have strict community guidelines around discussing self-harm and suicide
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using euphemisms like unaliving allows creators to talk about important issues while staying within
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the guidelines there you go that's what the robot thinks I guess generous me would say this is
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a way of us continuing the discussion to find ways we might keep conversations going but I think
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the realist in me is like I want to talk about this thing but I don't want to learn my engagement
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you know sometimes I don't think these things are about mindful language I think sometimes they're
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about internet popularity I think culturally many of us will have experienced and people talk
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about their wishes and it always feels a bit abstract to me because you're not there to see it or
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I don't believe that I'll be there to see it and so I wonder if we should
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reframe the idea of a celebration of life as being the wishes of those left behind
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what will make the end softer for them because you know I could say oh get them done in some
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as greatest hits but my lot might not like that they might want something else
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as much as I've got a big ego I wouldn't want them to be subjected to my idea of healing
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I wonder what happens if we hand over the the last moments to those left wonder what um
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celebration looks like then
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in yoga towards the end we have the last pose so a moment in every class or should be in every class
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in every practice called Shavasana Shavasana the corpse pose it's like the finale I guess
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because you do lots of moving work before it try and tie the body
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and in this posture for this time we submit we lie down
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and in that time you might do some thinking and often people are encouraged to have their
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eyes closed all looks a bit Disney to me so that's one of these been put to sleep
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like a sleeping beauty and the idea of Shavasana is to emulate the fact that one day
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all of us who experience life will experience the end and I like to see Shavasana
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as a as a rehearsal practicing for what it might be like when that moment comes
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and I guess the more I practice it the more the more I uh make peace with the end
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and we're talking about the end and noticing the end
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you
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yogic philosophy believes
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few try to practice the end make peace with the end
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and recognize that many of us fear the end then through rehearsal and practice
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we begin to accept the end and the assurance that it will one day come
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and the idea is by doing such
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we appreciate the chapters before the stories before it
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and as the rain comes down and begins to help me again
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I too can say today I'm appreciating this chapter of my life
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these walks these conversations with you
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give me great appreciation for being alive
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so thanks
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I've made it to the final hill and I can see the finish line, I can see the town Aberystwyth
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where I'll finish this journey and it means our time has come to an end friends for another
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year.
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So maybe you can stop walking now, maybe you can take a break, get a brew for yourself.
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I think making this has been much harder than I remembered. But I'm glad I did it. I'm glad you got this far as well.
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Remember these are my thoughts and my feelings and I know they're big ones but I'm no psych.
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I'm a patient and someone who has been meandering and no doubt will meander these systems and this stuff the rest of my life.
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So thank you for giving me the space, the headspace, your time and attention to think aloud. I really appreciate it.
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If you've enjoyed the series I would be so grateful for a review of some stars, a share, a shout out online, whatever.
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Maybe none of the above. But go on, you paid nothing, you cheap slug. If you haven't enjoyed it, keep your mouth shut.
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Okay, thank you so much for your attention. I'm grateful and I hope after this you're able to find a way to treat yourself to something nice.
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You can find me on the internet by searching Scotty with Trees, I'll be on Instagram, Facebook and Threads or Scotty.co.uk.
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But as ever, look after yourself as best she can. See you next time.
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Thank you.
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Thank you.
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Thank you.
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Thank you.
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I'm going to say something that's difficult to say aloud. I grew up with somebody very similar to me, with friends and had similar presentations.
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And one of us is here to tell the tale today.
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And there was a period of my life where this showed up as survivors guilt.
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And I think I'm moving through to a part of my life where this has become about being able to tell the story and surviving on Iowa behalf.
Topics Covered
suicide discussion
mental health awareness
end of life
cultural perspectives on suicide
historical views on suicide
data on suicide rates
socioeconomic factors in suicide
impact of poverty on mental health
opera and suicide
female suicide statistics
class and mental health
importance of open conversations
self-help for mental wellness
invitation to take a walk
Irish Catholicism and death
historical references to suicide